| Code | DS/UK/P3460 |
| Person Name | Jackson; Jennifer |
| Surname | Jackson |
| Forenames | Jennifer |
| Activity | Dancer, choreographer, lecturer. Trained at Elmhurst Ballet School, 1969-1971, and Royal Ballet School 1971-1972; dancer, Royal Ballet, 1972-1982; dancer, Aterballetto and London City Ballet 1982-1983; dancer, Sadler's Wells Royal Ballet, 1983-1988; co-founder, artistic director, choreographer, and dancer, Dance Advance, 1988-1991; artistic director, VOLTaire, 1991-1993; co-founder and director, Ballet Independents' Group, 1996-; choreography teacher, Royal Ballet School, 1999; tutor, Dance Department, University of Surrey, 1998-2001; lecturer, Dance Department, University of Surrey, 2001-. See the dances database for her choreographic works. |
| Gender | Female |
| Dates and Places | b. 1954 |
| Source | Jennifer Jackson |
| RefNo | Title | Date |
| UNIS/B/2121 | Attitudes in Education: Considerations for Delivering an Education in Ballet |
| BIG/E/3/1 | Funding \ London Arts Board \ 1999 | 1999-2000 |
| BIG/E/1/7 | BIG Forum \ Politics and Programming - Addressing the future \ 17 February 1999 | 1999 |
| BIG/E/1/11 | BIG Forum \ Ballet as Cultural Cancer \ 11 December 2000 | 2000 |
| BIG/E/5/1 | Management \ Meetings \ Notes | 1996-1999 |
| BIG/E/5/7 | Projects \ Film Project | 1996-1998 |
| BIG/E/7/7 | Articles \ Various | 1999-2001 |
| BIG/E/7/6 | Articles \ Dance Now | 2000-2001 |
| BIG/E/5/9 | Events \ The Thursday Group; BAC Platform; BECTU Rally in Defence of ENO and the Royal Opera House; Choreoforum 2000 | 1997-2000 |
| BIG/E/7/4 | BIG Choreographic Course \ Making Work \ Feedback | 2000 |
| BIG/E/5/11 | Events \ BIG Ballet Building for Blitz 2000 | 2000 |
| BIG/E/7/5 | Articles \ Dance Theatre Journal | 1999 |
| BIG/E/3/4 | Funding \ London Arts \ 2002 | 2002-2003 |
| BIG/E/3/3 | Funding \ London Arts \ 2001 | 2001-2002 |
| BIG/E/1/10 | BIG Forum \ Style and Schooling - individual and company identity \ 4 October 2000 | 2000 |
| BIG/E/4/6 | Ballet into the Twenty First Century Choreographic Courses \ Classical and Contemporary \ Course Material | 1997 |
| BIG/E/3/2 | Funding \ London Arts \ 2000 | 2000-2001 |
| BIG/E/6/4 | Ballet into the Twenty First Century Choreographic Courses \ Contemporary Narratives \ Documentation | 1999 |
| BIG/E/2/7 | BIG Forum \ Ballet texts - who owns the steps? \ 15 October 2003 | 2003 |
| BIG/E/6/5 | Ballet into the Twenty First Century Choreographic Courses \ Contemporary Narratives \ Follow-Up | 1999 |
| BIG/E/5/8 | Projects \ Choreodrome | 1998 |
| UNIS/B/2077 | An Analysis of the Pas de Deux as a Choreographic Device Employed by Four Twentieth Century Choreographers: George Balanchine (Agon), Kenneth MacMillan (Manon), Hans van Manen (Four Schumann Pieces), Jennifer Jackson (Median) |
| BIG/E/5/5 | Management \ Website | 1997-2006 |
| BIG/E/4/8 | Funding \ Research | 1996-1998 |
| BIG/E/5/3 | Management \ 'Thinking BIG' Document | 1998 |
| BIG/E/5/2 | Management \ Aims and Objectives | 1997-2001 |
| BIG/E/5/4 | Management \ Press | 1998 |
| BIG/E/5/10 | Events \ William Forsythe Study Day | 1998 |
| BIG/E/1/12 | BIG Forum \ The Role of the Artistic Director \ 17 January 2001 | 2001 |
| BIG/E/2/3 | BIG Forum \ Ballet - vocational AND academic \ 13 June 2002 | 2002 |
| BIG/E/6/2 | Ballet into the Twenty First Century Choreographic Courses \ Contemporary Narratives \ Faculty | 1999 |
| BIG/E/2/9 | BIG Forum \ Keeping youth dance on its toes \ 12 May 2005 | 2005 |
| AD/H/193 | Dance Umbrella 80 | 1980 |
| BIG/E/7/1 | BIG Choreographic Course \ Making Work \ Participants | 1999 |
| BIG/E/1/3 | BIG Forum \ Ballet on Screen \ 11 November 1997 | 1997 |
| BIG/E/1/1 | BIG Forum \ First BIG Discussion Forum \ 16 January 1997 | 1996-1997 |
| BIG/E/2/4 | BIG Forum \ State of the Art? \ 1 October 2002 | 2002 |
| BIG/E/2/6 | BIG Forum \ Ballet and Technologies - unravelling the cyberbabel \ 17 June 2003 | 2003 |
| BIG/E/6/7 | BIG Choreographic Course \ Making Work \ Susan Crow's Notes | 2000 |
| BIG/E/1/4 | BIG Forum \ Ballet Crisis - the death of ballet as we know it? \ 24 February 1998 | 1998 |
| BIG/E/1/5 | BIG Forum \ Life long learning \ 23 June 1998 | 1998 |
| BIG/E/6/6 | BIG Choreographic Course \ Making Work \ Correspondence and Planning | 1997-2000 |
| BIG/E/1/9 | BIG Forum \ Performance as Learning \ 1 March 2000 | 2000 |
| BIG/E/4/4 | Ballet into the Twenty First Century Choreographic Courses \ Classical and Contemporary \ Faculty | 1997 |
| BIG/E/6/8 | BIG Choreographic Course \ Making Work \ Funding | 2000 |
| BIG/E/2/8 | BIG Forum \ Tits and Tricks - ballet for sale \ 9 March 2004 | 2004 |
| BIG/E/1/13 | BIG Forum \ Ballet - Body - Image \ 24 May 2001 | 2001 |
| BIG/E/4/1 | Ballet into the Twenty First Century Choreographic Courses \ Findings - Fluxus Happening Weekend \ 1 of 2 | 1997 |
| BIG/E/1/2 | BIG Forum \ Funding Ballet - institutions and projects \ 22 May 1997 | 1997 |
| BIG/E/4/7 | Ballet into the Twenty First Century Choreographic Courses \ Classical and Contemporary \ Round Table | 1997 |
| BIG | BALLET INDEPENDENTS' GROUP ARCHIVE | 1996-2006 |
| BIG/E/4/2 | Ballet into the Twenty First Century Choreographic Courses \ Findings - Fluxus Happening Weekend \ 2 of 2 | 1997 |
| BIG/E/6/1 | Ballet into the Twenty First Century Choreographic Courses \ Contemporary Narratives \ Administration | 1999 |
| BIG/E/4/3 | Ballet into the Twenty First Century Choreographic Courses \ Classical and Contemporary \ Administration | 1997 |
| BIG/E/2/2 | BIG Forum \ Invisible Women \ 22 March 2002 | 2002 |
| BIG/E/2/1 | BIG Forum \ Men in Tights \ 14 November 2001 | 2001 |
| BIG/E/1/8 | BIG Forum \ Training for the profession \ 9 November 1999 | 1999 |
| BIG/E/3/6 | Ballet into the Twenty First Century Choreographic Courses \ Single Steps \ Documentation | 1996 |