| RefNo | Title | Date |
| AW/B/2040 | Modern Educational Dance |
| L/E/15/38 | Choreutics \ Drawings | n.d. |
| L/E/13/38 | Choreutics \ Choreutic drawings | n.d. |
| L/E/40/22 | Rhythm \ Rhythm | n.d. |
| L/E/15/39 | Choreutics \ Knoten [Knots] | n.d. |
| L/E/7/34 | Choreology (Effort) \ Notebook | n.d. |
| L/E/45/6 | Production Scripts \ Effort Control in Education | n.d. |
| L/E/4/1 | Choreology (Space) \ Exploration of harmonic relations; RA; Rule of knot; Rule of twistloop | n.d. |
| L/E/12/48 | Choreutics \ 42-er reine dod. Eckspalten [42-link pure dodecahedron corner crevices] | n.d. |
| L/E/3/53 | Choreology (Space) \ Skalen [Scales] | 1925 |
| L/F/7/87 | Models \ Hanging Structures | n.d. |
| L/E/26/27 | Philosophical comments \ Trieb nach Achtung..., Der [Striving for respect] | n.d. |
| L/E/9/13 | Choreutics \ Forces of twilight | n.d. |
| L/E/11/64 | Choreutics \ Function of the twelve locks, The | n.d. |
| L/E/13/67 | Choreutics \ Print | n.d. |
| L/E/51/88 | Letters \ Letter to Madika | 14 December 1946 |
| BMJ/B/1210 | Mastery of Movement, The |
| L/C/7/110 | Figures \ Lines | 1938-1940 |
| L/E/47/49 | Art of Movement, The \ Appeal for the Creation of the Art of Movement Centres | 24 June 1957 |
| L/E/15/32 | Choreutics \ 2 Formen des Dreikantprismas [2 forms of the 3-edged prisma] | n.d. |
| L/E/14/28 | Choreutics \ Fiveness of plasticity, The | n.d. |
| L/E/19/9 | Dance in general \ Ballet | n.d. |
| L/E/19/18 | Dance in general \ Movement in relation to social life | n.d. |
| L/C/3/7 | Figure Drawings \ Group of Small Figures | 1938-1940 |
| L/E/32/5 | Lecture notes on various subjects \ Letter to Diana Jordan | n.d. |
| L/E/73/24 | Industrial Rhythm \ American Foundrymen's Association \ Observations | 1947 |
| L/E/16/56 | Choreology in general \ Vier dimensional Bestimung einer Form [4 dimensional form] | n.d. |
| L/E/8/85 | Eukinetics \ Rhythm and Effort | n.d. |
| L/E/23/26 | Philosophical comments \ Creative forces | n.d. |
| L/E/23/44 | Philosophical comments \ Moral statistic | n.d. |
| L/E/47/54 | Art of Movement, The \ Movement Techniques | 1957 |
| L/C/8/12-L/C/8/17 | Rough Structures \ Tetrahedrons and Icosahedrons | c.1938-1940 |
| L/E/18/56 | Choreology in general \ Drawings | n.d. |
| XZL/B/2018 | Traces of Dance \ Drawings and Notations of Choreographers |
| L/E/16/66 | Choreology in general \ Drawings | n.d. |
| L/C/9/85 | Holiday Drawings \ Lakes 1953 \ Cottage in the Woods | 1953 |
| L/E/11/30 | Choreutics \ Drawings | n.d. |
| L/E/15/16 | Choreutics \ Drawings | n.d. |
| L/F/7/83 | Models \ Clay Sculpture | n.d. |
| L/E/26/55 | Philosophical comments \ Extelligence | n.d. |
| L/E/6/68 | Choreology (Effort) \ Channel of decision | n.d. |
| L/E/20/20 | Dance in general \ Tanzkunde [Study of dance] | n.d. |
| L/E/51/75 | Letters \ Letter to Alma, Los Angeles | 31 December 1957 |
| L/C/10/97 | Relationships in Space | n.d. |
| L/E/7/1 | Choreology (Effort) \ Notebook | n.d. |
| L/E/21/76 | Movement notation \ Motifs and emphasis | n.d. |
| L/E/31/56 | Lecture notes on various subjects \ Tanz eine männliche Aufgabe... [Dance, a male task] | n.d. |
| L/E/32/53 | Lecture notes on various subjects \ Miscellaneous notes | n.d. |
| L/E/2/30 | Choreology (Space) \ Nalo of seven parts; Form of drops | n.d. |
| L/E/9/32 | Choreutics \ Frug mich Till... | n.d. |
| L/E/24/51 | Philosophical comments \ Metamorphosis | n.d. |
| L/E/21/64 | Movement notation \ Choreographisches Institut Laban [Choreographic Institute Laban] | 1926 |
| L/E/13/25 | Choreutics \ Choreutic drawings | n.d. |
| L/E/46/31 | Man, Matter and Motion \ Control and Fantasy | n.d. |
| L/E/26/59 | Philosophical comments \ Gesetzlose Gesetz, Das [Lawless law] | 1938-1939 |
| L/E/16/55 | Choreology in general \ Analysis of expression | n.d. |
| L/F/7/3 | Models \ Exhibition | n.d. |
| L/E/21/9 | Movement notation \ Alte und neue Dtance [Old and new stances] | n.d. |
| L/E/53/43 | Books, Manuscripts, Outlines \ Motion Study and Effort | n.d. |
| L/E/13/26 | Choreutics \ Choreutic drawings | n.d. |
| L/E/45/69 | Education \ Teachers' Dance Guide \ Sequences of Efforts | c.1946 |
| L/E/51/41 | Letters \ Correspondence with Ann Hutchinson | 7 April 1947-24 February 1958 |
| L/E/11/19 | Choreutics \ Richtung Gegenrichtung [Direction contra-direction] | n.d. |
| L/E/22/19 | Movement notation \ Foreword on Labanotation | 1954 |
| L/E/13/24 | Choreutics \ Foto mit Papierstreifer [Photo with paper-liner] | n.d. |
| L/E/32/11 | Lecture notes on various subjects \ Implemental movement | n.d. |
| L/F/1/80 | Portraits \ Rudolf von Laban | 1957 |
| L/E/1/73 | Choreology (Space) \ Space | n.d. |
| L/E/20/53 | Articles about Laban \ Tat, Die \ 'Tanz und die Neue Generation, Der' by Rudolf von Laban | 1922 |
| L/E/55/41 | Books, Manuscripts, Outlines \ Effort and Recovery \ Recovery From Strain | 1953 |
| L/C/9/49 | Holiday Drawings \ Bergun | n.d. |
| L/F/3/71 | Portraits \ Rudolf von Laban's Birthday \ Treeplanting at Addlestone | 1955 |
| L/E/70/53 | Miscellaneous Notes \ Space Within You, The \ Movement Improvisation in Organised Space | n.d. |
| L/E/9/21 | Choreutics \ Entfaltungen und Skalen [Developments and scales] | n.d. |
| L/E/13/31 | Choreutics \ Choreutic drawings | n.d. |
| L/E/44/34 | Production Scripts \ Schwünge [Swings] | 1923-1924 |
| L/E/33/4 | Lecture notes on various subjects \ Rhythm of action, The | n.d. |
| L/E/1/2 | Choreology (Space) \ Space Exercises | n.d. |
| L/E/31/15 | Lecture notes on various subjects \ Work is a dance... | n.d. |
| L/E/7/5 | Choreology (Effort) \ Story of the Fallen Angle, The | n.d. |
| L/E/16/22 | Choreology in general \ Zielstrebung und Drehimpulse [driving tendency and turn impulse] | n.d. |
| L/E/15/47 | Choreutics \ Drawings concerning structure of models | n.d. |
| L/E/42/20 | Production Scripts \ Movement on the Stage | n.d. |
| L/C/9/115 | Historical Data \ 6 Stages of a Book | 1939 |
| L/E/6/77 | Choreology (Effort) \ Kinetic outlook on the world, A | n.d. |
| L/E/32/52 | Lecture notes on various subjects \ Performance and regulation of instrumental actions, The | n.d. |
| L/E/8/82 | Eukinetics \ Experiences | n.d. |
| L/E/5/54 | Choreology (Effort) \ Attention | n.d. |
| L/C/9/77 | Holiday Drawings \ Children's Illustration with Figures and Animals | c.1938-1939 |
| L/E/23/17 | Philosophical comments \ Zeitist | n.d. |
| L/F/2/26 | Portraits \ Rudolf von Laban | n.d. |
| L/E/48/18 | Historical Data \ Biographies of Rudolf Laban | 1957-1964 |
| L/E/36/9 | Stories, Poems, Drama, Music \ Tagebuch - General [Diary - General] | n.d. |
| L/E/26/77 | Philosophical comments \ Experience and expression of the religious effort-sensation in dancing, The | n.d. |
| L/E/13/79 | Choreutics \ Totalreihe [Complete sequence] | n.d. |
| L/E/18/16 | Choreology in general \ Inclinations and their expression | n.d. |
| L/E/4/37 | Choreology (Space) \ Icodod [Icosidodecahedron] | n.d. |
| L/E/42/57 | Production Scripts \ Zusammenfassende Bild [The complete picture] | n.d. |
| L/E/33/28 | Lecture notes on various subjects \ Notebook | n.d. |
| L/E/7/58 | Choreology (Effort) \ Lemniscate in hexagon | n.d. |
| L/E/51/13 | Letters \ Correspondence with Susanne Kabitz | 1957-1959 |
| L/E/50/71 | Letters \ Letter from Joan Gregory | 27 July 1955 |
| L/E/24/30 | Philosophical comments \ Mastery of movement | n.d. |
| L/E/34/56 | Lecture notes on various subjects \ Teaching the Art of Movement | 1954 |
| L/E/37/12 | Physiological - Scientific \ Spectro-biological Therapy \ Part 4 of 4 | n.d. |
| L/E/13/3 | Choreutics \ Studien zu Totalskala (vom Ico) [Studies of the total scale (from icosahedron)] | n.d. |
| L/E/13/45 | Choreutics \ Fl. st, sch, Schlange zu O […… snake to O] | n.d. |
| L/E/5/74 | Choreology (Effort) \ Two ways | n.d. |
| L/E/8/31 | Eukinetics \ Dancer's space, The | n.d. |
| L/E/4/68 | Choreology (Space) \ Twelve rings | n.d. |
| L/E/70/8 | Miscellaneous Notes \ Child's Sound Emission Efforts | n.d. |
| L/E/25/23 | Philosophical comments \ Fantasognosis [Fantasies] | n.d. |
| L/E/13/53 | Choreutics \ Choreutic drawings | n.d. |
| L/E/32/94 | Lecture notes on various subjects \ Movement and its observation | n.d. |
| L/E/66/2 | Industrial Rhythm \ Industrial Kinetography (Laban) | n.d. |
| L/C/9/92 | Holiday Drawings \ New Forest | November 1954 |
| L/C/8/44 | Rough Structures \ Triangular Constructions with Symbols (Icosahedron) | 1938-1940 |
| L/C/9/94 | Holiday Drawings \ A View of Saundersfoot | 1951 |
| L/C/10/40 | Tetrahedrons \ Figure in Tetrahedron | n.d. |
| L/E/51/61 | Letters \ Correspondence with Donald Bell \ Cambridge Institute of Education | 1956 |
| L/E/4/33 | Choreology (Space) \ Consideration of ray and edge; Melos.; Progression in space | n.d. |
| L/E/6/15 | Choreology (Effort) \ Why effort study? | n.d. |
| L/E/22/16 | Movement notation \ Elements of movement notation, including early historical notes, The | n.d. |
| L/E/19/45 | Dance in general \ Dance as art | n.d. |
| L/E/13/61 | Choreutics \ 12-er Schlange... [12-link snake] | n.d. |
| L/C/10/99 | Spatial Forms \ Octahedron and Cube | n.d. |
| L/F/7/8 | Models \ Turning, Interlocking Structure | n.d. |
| L/E/18/50 | Choreology in general \ Drawings | n.d. |
| L/F/7/36 | Models \ Paper Structure/Sculpture | n.d. |
| L/E/46/2 | Assessments, Reports, Records \ Examination Assessments and Timetable | 1952 |
| L/E/4/23 | Choreology (Space) \ Ketten [Chains] | n.d. |
| L/E/14/8 | Choreutics \ In each seven-ring | n.d. |
| L/E/44/22 | Production Scripts \ Erde, Die [Earth, The] \ Szenen [The Earth \ Scenes] | c.1937 |
| L/E/35/24 | Articles about Laban \ 'Rudolf von Laban' by Wilm Burghardt | 1926 |
| L/E/8/51 | Eukinetics \ Everybody would agree... | n.d. |
| L/E/1/7 | Choreology (Space) \ Space operations | n.d. |
| L/E/1/10 | Choreology (Space) \ Recreation | 1950 |
| L/E/12/54 | Choreutics \ 40-link Drache [40-er kite] | n.d. |
| L/E/21/40 | Movement notation \ Kinesologic drawings | n.d. |
| L/E/20/41 | Dance in general \ Observation and specification of job efforts, The | n.d. |
| L/E/6/49 | Choreology (Effort) \ Dissolving of an effort element..., The | n.d. |
| L/E/19/32 | Dance in general \ Extraordinary richness of experiences in dancing | n.d. |
| L/E/25/65 | Philosophical comments \ Bewusstsein [Awareness] | n.d. |
| L/E/67/6 | Family Correspondence \ Renee | 28 August 1951 |
| L/E/5/76 | Choreology (Effort) \ Real time experience of a happening, The | n.d. |
| L/E/29/24 | Movement in general \ Dynamik der Form [Dynamics of form] | n.d. |
| L/E/28/38 | Movement in general \ Periodicity | n.d. |
| L/E/32/3 | Lecture notes on various subjects \ Modern educational dance \ Teacher's guide | n.d. |
| L/E/1/44 | Choreology (Space) \ There are rows... | n.d. |
| L/E/26/57 | Philosophical comments \ Thoughts about the various relations as servant of life | 1938-1939 |
| L/E/51/86 | Letters \ Letter to Herr von der Mark | 16 June 1958 |
| L/E/14/14 | Choreutics \ Seven-rings | n.d. |
| L/E/15/21 | Choreutics \ Choreographie [Choreography] | 17 November 1925 |
| L/E/21/63 | Movement notation \ Eukinetics I | n.d. |
| L/E/26/69 | Philosophical comments \ Notes | n.d. |
| L/E/21/26 | Movement notation \ Miscellaneous kinetograms | n.d. |
| L/E/29/42 | Movement in general \ Man agog | n.d. |
| L/E/7/46 | Choreology (Effort) \ Flow of movement, The | n.d. |
| L/E/21/53 | Movement notation \ Bewegung [Movement] | n.d. |
| L/E/24/35 | Philosophical comments \ Maze, The | n.d. |
| L/E/4/57 | Choreology (Space) \ Notes relating to Dial operations | n.d. |
| L/E/45/63 | Education \ Teachers' Dance Guide \ Definitions | c.1946 |
| L/E/1/5 | Choreology (Space) \ Games | n.d. |
| L/E/12/32 | Choreutics \ Choreutic drawings | n.d. |
| L/E/11/17 | Choreutics \ Skalenordnung [Scale organisation] | n.d. |
| L/E/11/38 | Choreutics \ Example of 1.24 slant transversals and seven-rings | n.d. |
| L/E/14/56 | Choreutics \ Personal motor tests | n.d. |
| XZB/393 | Mastery of Movement, The |
| L/E/13/50 | Choreutics \ Choreutic drawings, notes and symbols | n.d. |
| L/F/7/18 | Models \ Paper Structure/Sculpture | n.d. |
| L/E/12/45 | Choreutics \ 42-er Ico Kantspalten [42-er icosahedron edge fissures] | n.d. |
| L/E/14/83 | Choreutics \ Rhythmologik | n.d. |
| L/E/5/37 | Choreology (Effort) \ Background of the Art of Movement | n.d. |
| L/E/4/17 | Choreology (Space) \ Explanation of chains of different links | n.d. |
| L/E/15/11 | Choreutics \ Drawings | n.d. |
| L/E/47/16 | Art of Movement, The \ Your Effort | n.d. |
| L/C/4/87 | Spatial Forms \ Icosahedron | 1938-1940 |
| L/E/1/12 | Choreology (Space) \ Notes: On inner and outer equator; Sucking in and bulging out | n.d. |
| L/E/31/47 | Lecture notes on various subjects \ Inhalt [Contents] | n.d. |
| L/E/18/33 | Choreology in general \ Lemniscate and knot | n.d. |
| L/E/10/18 | Choreutics \ Choreutic drawings | n.d. |
| L/E/5/56 | Choreology (Effort) \ Play, The (Analysis) | n.d. |
| L/E/51/82 | Letters \ Correspondence with Hans Meyer | 8 January 1941 | n.d. |
| L/E/15/34 | Choreutics \ Knoten [Knots] | n.d. |
| L/E/9/52 | Choreutics \ Symmetrical view of life-sling configurations | n.d. |
| L/E/4/62 | Choreology (Space) \ Diagrams of spatial lines and forms | 17 October 1956 |
| BMJ/F/1/1 | Dartington Hall \ Rudolf Laban and Lisa Ullmann | 1942 |
| L/E/6/13 | Choreology (Effort) \ Various notes relating to Effort | n.d. |
| L/E/15/14 | Choreutics \ Begegnen - trennen [Encounter - separate] | n.d. |
| L/E/10/13 | Choreutics \ Choreutic drawings and notes | n.d. |
| L/E/28/30 | Movement in general \ Notes on effort and recovery | n.d. |
| L/E/70/59 | Miscellaneous Notes \ Spacemodel | n.d. |
| L/E/6/36 | Choreology (Effort) \ Eight basic patterns, psuedo effects, basic efforts with flow | n.d. |
| L/E/13/14 | Choreutics \ Würfelkette [Chain of dice] | n.d. |
| L/E/3/43 | Choreology (Space) \ Die räumlichen Eigenschaften [Spatial characteristics, The] | n.d. |
| L/E/10/44 | Choreutics \ Kinetographic, musical and mathematical notation | n.d. |
| L/E/48/9 | Historical Data \ MacDonald and Evans \ Draft Letter | n.d. |
| L/E/35/10 | Art in General \ Bewegung und Letzer Grund [movement and last stand] | n.d. |
| L/E/13/11 | Choreutics \ Sechser und Achteringe (Vergleich etc) [Rings of 6 and 8 (comparison etc.)] | n.d. |
| L/E/51/6 | Letters \ Art of Movement Guild, The | n.d. |
| L/E/50/70 | Letters \ West Riding Movement Study Group | 28 July 1955 |
| L/E/10/15 | Choreutics \ Analytical drawings, notes and symbols on Choreutics | n.d. |
| L/F/2/16 | Portraits \ Rudolf von Laban | 1947 |
| L/C/9/57 | Holiday Drawings \ Monte Verita | 1954 |
| L/E/8/86 | Eukinetics \ Sequences of appearances... | n.d. |
| L/E/4/11 | Choreology (Space) \ Choreutic diagrams | n.d. |
| L/E/11/62 | Choreutics \ 36-ring, 24-ring of transversals | n.d. |
| L/E/38/6 | Harmony \ Harmony | n.d. |
| L/C/8/43 | Rough Structures \ Triangular Constructions with Symbols (Icosahedron) | 1938-1940 |
| L/E/10/42 | Choreutics \ Notation | n.d. |
| L/E/8/54 | Eukinetics \ Florizel to Perdita in The Winter's Tale | n.d. |
| L/E/32/32 | Lecture notes on various subjects \ Mr Laban's lecture to studio members | 6 February 1958 |
| L/F/3/5 | Portraits \ London \ Easter Course | 1952 |
| L/E/32/54 | Lecture notes on various subjects \ Move/Sound | n.d. |
| L/E/5/55 | Choreology (Effort) \ Mental motion | n.d. |
| L/F/1/3 | Portraits \ 'Rudi' (Rudolf Laban) and a friend in 1897 | 1897 |
| L/E/7/70 | Choreology (Effort) \ Notes on the inhibition of the will to move and shadow moves | n.d. |
| L/E/11/29 | Choreutics \ Stenotyp-Kinetografie [Steno-kinetography] | n.d. |
| L/E/29/30 | Movement in general \ Exploration of the dynamosphere | n.d. |
| L/E/32/24 | Lecture notes on various subjects \ Laban lecture at S.E.A. conference 1957 | 1957 |
| L/E/3/14 | Choreology (Space) \ Writings | n.d. |
| L/E/2/5 | Choreology (Space) \ Analytical notes and drawings on choreutics | n.d. |
| L/E/14/68 | Choreutics \ Choreutic drawings | n.d. |
| L/E/14/23 | Choreutics \ Choreutic analytical drawings and symbols | n.d. |
| L/E/73/20 | Industrial Rhythm \ American Foundrymen's Association \ List of Jobs | n.d. |
| L/F/7/14 | Models \ Paper Structure/Sculpture | n.d. |
| L/E/51/85 | Letters \ Correspondence with Vera Maletic, Zagreb | 30 January 1956-10 February 1956 |
| L/E/65/52 | Industrial Rhythm \ Recommendations Concerning Industrial Rhythm Centre | 20-30 March 1944 |
| L/E/13/7 | Choreutics \ Dimensional und Schrägeverwandschaft [Dimensional and slope relationship] | n.d. |
| L/E/10/40 | Choreutics \ Symbols, notes and analytical drawings | n.d. |
| L/E/56/2 | Books, Manuscripts, Outlines \ Effort and Recovery \ Introduction | c.1953 |
| L/E/62/50 | Industrial Rhythm \ Assessments \ Agenda | 21 November 1947 |
| L/E/6/50 | Choreology (Effort) \ In hearing a sound... | n.d. |
| L/E/5/36 | Choreology (Effort) \ Time-spiral perspective of effort, The | n.d. |
| L/E/16/36 | Choreology in general \ If a man pushes in one direction... | n.d. |
| L/E/7/55 | Choreology (Effort) \ Four outer equators, relationships of flat, steep and flowing with motion factors | n.d. |
| L/E/19/22 | Dance in general \ Doing and dancing in our time | n.d. |
| L/E/21/20 | Movement notation \ Series B Space | n.d. |
| L/E/14/71 | Choreutics \ Analytical drawings and musical notation | n.d. |
| L/E/14/12 | Choreutics \ Kind of scale can be established in which the 46 transitions ... become ordered, A | n.d. |
| L/E/12/14 | Choreutics \ Examples of analysing traceforms | n.d. |
| L/E/13/35 | Choreutics \ Choreutic drawings | n.d. |
| L/E/21/5 | Movement notation \ Notation symbols | n.d. |
| L/E/7/63 | Choreology (Effort) \ Notes | n.d. |
| L/E/6/65 | Choreology (Effort) \ Thinking is a commodity... | n.d. |
| L/E/12/38 | Choreutics \ Choreutic drawings | n.d. |
| L/E/32/19 | Lecture notes on various subjects \ Notes on effort and shape | n.d. |
| L/E/13/30 | Choreutics \ Choreutic drawings | n.d. |
| L/E/31/72 | Lecture notes on various subjects \ About training | n.d. |
| L/E/16/49 | Choreology in general \ Speed, The | n.d. |
| L/E/32/43 | Lecture notes on various subjects \ Illusion | n.d. |
| L/E/47/17 | Art of Movement, The \ Why Man Dances | n.d. |
| L/E/73/10 | Industrial Rhythm \ Manchester Ship Canal Company \ Job Descriptions | n.d. |
| L/E/1/14 | Choreology (Space) \ There is an aspect to space which is nothing to do with... | n.d. |
| L/E/23/16 | Philosophical comments \ Common homeland of man | n.d. |
| L/E/16/62 | Choreology in general \ Drawings | n.d. |
| L/E/40/8 | Rhythm \ Rhythm of Nature, The | n.d. |
| L/C/4/63 | Figures Within Static Form \ Figure | c.1938-1940 |
| L/E/24/9 | Philosophical comments \ Drei Schicksalsgedanken [Three thoughts on fate] | n.d. |
| L/E/17/16 | Choreology in general \ Drawings | n.d. |
| L/E/38/21 | Harmony \ Analogy of Space and Music Harmonies | n.d. |
| L/E/21/21 | Movement notation \ Introduction | n.d. |
| L/E/42/60 | Production Scripts \ Sinnliche Vergnügen ..., Das [Sensual pleasure] | n.d. |
| L/E/12/28 | Choreutics \ Analytical drawings on Choreutics | n.d. |
| L/E/23/1 | Philosophical comments \ Broken ring, The | n.d. |
| L/E/16/14 | Choreology in general \ Rhythmologie | n.d. |
| L/E/10/14 | Choreutics \ Choreutic drawings | n.d. |
| L/E/14/81 | Choreutics \ Notizen E [Notes E] | n.d. |
| L/E/23/32 | Philosophical comments \ Natural death... | n.d. |
| L/E/23/67 | Philosophical comments \ Psychokinetics | n.d. |
| L/E/10/23 | Choreutics \ Choreutic drawings | n.d. |
| L/E/31/70 | Lecture notes on various subjects \ How to train a person? | n.d. |
| L/E/21/39 | Movement notation \ Notation | n.d. |
| L/E/28/71 | Movement in general \ Tod - absolute Freiheit [Death - absolute freedom] | n.d. |
| L/C/9/99 | Holiday Drawings \ Beach Scene of Saundersfoot | 1951 |
| L/E/55/9 | Books, Manuscripts, Outlines \ Effort and Recovery \ Second Part \ Organisation of Effort, The | c.1953 |
| L/E/17/40 | Choreology in general \ Regelmässige Formen [Regular forms] | n.d. |
| L/E/70/42 | Miscellaneous Notes \ Golden Age, The / Dod Primary | n.d. |
| L/E/14/40 | Choreutics \ A & B scales | n.d. |
| L/C/9/47 | Holiday Drawings \ Lakes | Easter 1953 |
| L/E/47/43 | Art of Movement, The \ Survey of the Experience of LMSA in its First Year \ 1956-1957 | c.1957 |
| L/E/6/72 | Choreology (Effort) \ Primitive persons assume... | n.d. |
| L/E/14/38 | Choreutics \ Choreutic drawing | n.d. |
| L/E/9/17 | Choreutics \ Basic movement shapes | n.d. |
| L/E/27/2 | History of Dance \ Notes | n.d. |
| L/E/52/55 | Letters \ Letter from Basil C. Langton | 27 September 1943 |
| L/E/18/35 | Choreology in general \ Flow of space situation, The | n.d. |
| L/E/8/10 | Eukinetics \ Language of movement, The; its script and its vocabulary | n.d. |
| L/E/23/30 | Philosophical comments \ Vanity of vanities | n.d. |
| L/E/29/58 | Movement in general \ Principles of choral movement | n.d. |
| L/E/23/65 | Philosophical comments \ Emotional content in the arts | n.d. |
| L/E/76/25 | Industrial Rhythm \ Effort Study \ Effort-Values | n.d. |
| L/E/6/12 | Choreology (Effort) \ Education of effort | n.d. |
| L/E/6/9 | Choreology (Effort) \ Tesseract - Reaction | 15 October 1946 |
| L/E/26/6 | Philosophical comments \ Denkseiten [Thinking areas] | n.d. |
| L/E/40/7 | Rhythm \ Personal Movement Patterns | n.d. |
| L/E/1/38 | Choreology (Space) \ Kreise [circles] | n.d. |
| L/E/1/8 | Choreology (Space) \ Application | n.d. |
| L/E/32/33 | Lecture notes on various subjects \ Manpower | 20 November 1942 |
| L/E/18/28 | Choreology in general \ Notes and drawings | n.d. |
| L/E/41/10 | Psychological Implications \ Conflict and Creativity in the Artist | c.1955 |
| L/E/32/2 | Lecture notes on various subjects \ Choral dancing | n.d. |
| L/E/14/66 | Choreutics \ Plastic spiral around..., The | n.d. |
| L/E/3/17 | Choreology (Space) \ Writings and drawings | n.d. |
| L/E/29/34 | Movement in general \ Effort and recovery | n.d. |
| L/E/7/4 | Choreology (Effort) \ Curvatures | n.d. |
| L/E/31/16 | Lecture notes on various subjects \ Fear is a phantom... | n.d. |
| L/E/25/37 | Philosophical comments \ Ethos | n.d. |
| L/E/21/50 | Movement notation \ Leeder probleme | n.d. |
| L/E/9/18 | Choreutics \ Student's notes on seven lectures by Laban | 1952 |
| L/E/20/3 | Dance in general \ Art of dancing, The | n.d. |
| L/E/8/58 | Eukinetics \ R.A. [right A scale] | n.d. |
| L/E/25/55 | Philosophical comments \ Form, creativity and technique | n.d. |
| L/E/32/96 | Lecture notes on various subjects \ Man's action life | n.d. |
| L/E/29/2 | Movement in general \ About movement | n.d. |
| L/E/25/50 | Philosophical comments \ Fantasie ist die Grundlage des Glaubens, Die [Fantasy is the basis of belief] | n.d. |
| L/E/42/64 | Production Scripts \ Theatralische Kunstwerk ..., Das [The theatrical opus] | n.d. |
| L/E/17/51 | Choreology in general \ Polarisation of movement waves, The | n.d. |
| L/E/32/75 | Lecture notes on various subjects \ Notebook containing notes on music, form saltata and various other topics | n.d. |
| L/E/8/63 | Eukinetics \ Rhythmus | n.d. |
| L/E/33/26 | Lecture notes on various subjects \ Mr Laban's lecture to studio members | 6 February 1958 |
| L/E/6/66 | Choreology (Effort) \ Quaternary observation of movement, The | n.d. |
| L/E/24/61 | Philosophical comments \ Leben der Phantome, Das [The life of phantoms] | n.d. |
| L/E/12/22 | Choreutics \ Lemniskate zu über 27 [Lemniscate to over 27] | n.d. |
| L/E/13/1 | Choreutics \ Studien zu tet. Raumgittern [Studies of tetrahedral space grids] | n.d. |
| L/E/32/35 | Lecture notes on various subjects \ Life's point of view | n.d. |
| L/E/31/27 | Lecture notes on various subjects \ Study of the art of movement..., The | n.d. |
| L/E/21/27 | Movement notation \ Musical and movement notation | n.d. |
| L/E/22/6 | Movement notation \ Notes on space harmonies | n.d. |
| L/E/24/66 | Philosophical comments \ Miscellaneous notes | n.d. |
| L/E/32/72 | Lecture notes on various subjects \ Space is shape | n.d. |
| L/E/5/59 | Choreology (Effort) \ Lecture notes on impetus studies | n.d. |
| L/E/11/55 | Choreutics \ Drawings | n.d. |
| L/E/26/15 | Philosophical comments \ Rückstrahlung, Die [Back light] | n.d. |
| L/E/13/41 | Choreutics \ Choreutic drawing | n.d. |
| L/E/31/49 | Lecture notes on various subjects \ Ballettsprache, Die [The language of ballet] | n.d. |
| L/E/7/22 | Choreology (Effort) \ Array of efforts | n.d. |
| L/E/6/23 | Choreology (Effort) \ Movement elements | n.d. |
| L/E/70/25 | Miscellaneous Notes \ Lacking | n.d. |
| L/E/19/24 | Dance in general \ Doing and dancing | n.d. |
| L/E/5/43 | Choreology (Effort) \ Effort training | n.d. |
| L/E/8/91 | Eukinetics \ Fluid power, The | n.d. |
| L/F/6/2 | Portraits \ Rudolf Laban | 1955 |
| L/E/28/53 | Movement in general \ Grosse Bewegtheit, Die [Major movement] | n.d. |
| L/E/11/8 | Choreutics \ Zur Harmonielehre [Concerning the teaching of harmony] | n.d. |
| L/E/15/5 | Choreutics \ Raumbild Beispiele [Space awareness, examples] | n.d. |
| L/E/14/78 | Choreutics \ Notizen D [Notes D] | n.d. |
| L/E/32/64 | Lecture notes on various subjects \ Notebook | n.d. |
| L/E/4/71 | Choreology (Space) \ Space | n.d. |
| L/E/9/11 | Choreutics \ Shape | n.d. |
| L/E/2/12 | Choreology (Space) \ Model of formlines and placements | n.d. |
| L/E/15/33 | Choreutics \ Knoten [Knots] | n.d. |
| L/E/32/81 | Lecture notes on various subjects \ Space exists in its own right... | n.d. |
| L/E/16/20 | Choreology in general \ Vierringe [4 rings] | n.d. |
| L/E/50/69 | Letters \ Birthday Card | 15 December 1955 |
| L/E/7/38 | Choreology (Effort) \ Explanation of movement experience. | n.d. |
| L/E/42/75 | Production Scripts \ Anmerkung [Notation] | n.d. |
| L/E/20/38 | Dance in general \ Value of dance | n.d. |
| L/E/15/70 | Choreutics \ Notes and drawings | c.1938-1939 |
| L/E/17/25 | Choreology in general \ Zeichenlehre [sign language] | n.d. |
| L/E/3/28 | Choreology (Space) \ Der Dreigriff der Bewegheit [Treble reach of being moved, The] | n.d. |
| L/E/31/12 | Lecture notes on various subjects \ Character and style | n.d. |
| L/E/24/37 | Philosophical comments \ Prelude: the group of expecting souls | n.d. |
| L/E/2/9 | Choreology (Space) \ Quest of harmony, The | n.d. |
| L/F/7/15 | Models \ Paper Structure/Sculpture | n.d. |
| L/E/31/58 | Lecture notes on various subjects \ Sinn der Messe [Meaning of the exhibition] | n.d. |
| L/E/7/2 | Choreology (Effort) \ Impulse to do something, The | n.d. |
| L/E/32/90 | Lecture notes on various subjects \ Positive and the negative space, The | n.d. |
| L/E/32/70 | Lecture notes on various subjects \ Notes on effort training | n.d. |
| L/E/21/19 | Movement notation \ Series A exercises | n.d. |
| L/E/8/41 | Eukinetics \ Body Tests | n.d. |
| L/E/73/17 | Industrial Rhythm \ American Foundrymen's Association \ Visit to Foundry | 9 January 1945 |
| L/E/23/54 | Philosophical comments \ Man and space | n.d. |
| L/E/6/78 | Choreology (Effort) \ Change in space | n.d. |
| L/E/8/73 | Eukinetics \ Mixtures | n.d. |
| L/E/70/11 | Miscellaneous Notes \ Light | n.d. |
| L/E/2/34 | Choreology (Space) \ Choros-Verlag | n.d. |
| L/E/13/56 | Choreutics \ Schlingenring hat 9 neig [Loop ring has 9 …] | n.d. |
| L/E/65/5 | Industrial Rhythm \ Action Dynamics in Industry | n.d. |
| L/E/32/18 | Lecture notes on various subjects \ Miscellaneous notes | n.d. |
| L/E/19/54 | Dance in general \ On dramatic dancing | n.d. |
| L/E/16/41 | Choreology in general \ Extension is not near and far... | n.d. |
| L/E/28/44 | Movement in general \ Touching | n.d. |
| L/E/26/12 | Philosophical comments \ Personen [Persons] | n.d. |
| L/E/10/32 | Choreutics \ Punktbezeichnungen [Characteristics of points] | n.d. |
| L/C/9/55 | Holiday Drawings \ Ascona | 1954 |
| L/E/13/64 | Choreutics \ Choreutic drawings | n.d. |
| L/E/7/40 | Choreology (Effort) \ Analytical diagrams and choreological notes | n.d. |
| L/E/26/11 | Philosophical comments \ Trachten, Das [Aspiration] | n.d. |
| L/E/26/35 | Philosophical comments \ Wir handeln? [We act?] | n.d. |
| L/E/32/4 | Lecture notes on various subjects \ Personal directives | n.d. |
| L/E/51/22 | Letters \ Letter from Ruzay[?] Vinaver | 2 December 1946 |
| L/E/15/40 | Choreutics \ Analytical space drawings | n.d. |
| L/E/23/19 | Philosophical comments \ Schauende | n.d. |
| L/E/51/83 | Letters \ Letter to A. Meyersberg | 31 March 1941 |
| L/E/4/39 | Choreology (Space) \ Tetrakishexaeder; Ablenkungen [Tetrahexahedron; Diversions] | n.d. |
| L/E/51/23 | Letters \ Letter to Albrecht Knust | 14 December 1945 |
| L/E/31/36 | Lecture notes on various subjects \ Miscellaneous notes | n.d. |
| L/E/51/100 | Letters \ Macbeth (For Children) | 27 April 1950 |
| L/E/16/69 | Choreology in general \ Bewegung [Movement] | n.d. |
| XZB/394 | Principles of Dance and Movement Notation |
| L/E/26/9 | Philosophical comments \ Religion - Die Wege [Religion - paths] | n.d. |
| L/E/6/24 | Choreology (Effort) \ Effort and drama | n.d. |
| L/E/31/26 | Lecture notes on various subjects \ Language | n.d. |
| L/E/2/55 | Choreology (Space) \ Scooping and scattering | n.d. |
| L/E/31/42 | Lecture notes on various subjects \ Art of movement in education | n.d. |
| L/E/2/24 | Choreology (Space) \ Octahedrons | n.d. |
| L/E/8/77 | Eukinetics \ Plato | n.d. |
| L/E/20/36 | Dance in general \ Notes on group dances | n.d. |
| L/E/20/40 | Dance in general \ Tanz und Körperbewegung [Dance and bodily movement] | n.d. |
| L/E/4/59 | Choreology (Space) \ Practice of pattern, The | n.d. |
| L/E/18/43 | Choreology in general \ Raumtortille [twisting space?] | n.d. |
| L/E/52/12 | Letters \ Letters from Maja, Munich and Budapest | 9 December 1949-3 October 1957 |
| L/E/16/44 | Choreology in general \ Zweigriff-Dreigriff [2 grip 3 grip] | n.d. |
| L/E/32/79 | Lecture notes on various subjects \ Autocybernetics | n.d. |
| L/E/6/60 | Choreology (Effort) \ Notes on effort | n.d. |
| L/E/13/27 | Choreutics \ Choreutic drawings | n.d. |
| L/E/73/11 | Industrial Rhythm \ Manchester Ship Canal Company \ Assessments | n.d. |
| L/E/11/42 | Choreutics \ Trial R 13; Trial axel scale; Trial two 3-rings | n.d. |
| L/E/2/32 | Choreology (Space) \ Gebrauch des Spationoms [Use of Spationoms] | n.d. |
| L/E/12/41 | Choreutics \ Choreutic drawings | n.d. |
| L/C/3/48 | Figure Drawings \ Figure Within Energy Lines | c.1938-1940 |
| L/E/28/1 | Movement in general \ Movement and the child | n.d. |
| L/F/3/22 | Portraits \ Manchester \ Rudolf von Laban speaking to a reporter | 1950 |
| L/E/32/80 | Lecture notes on various subjects \ Distancings | n.d. |
| L/E/21/14 | Movement notation \ Kinetics | n.d. |
| L/E/4/13 | Choreology (Space) \ Analytical drawings | n.d. |
| L/E/31/30 | Lecture notes on various subjects \ Hunter and the dancing grid, The | n.d. |
| L/E/28/11 | Movement in general \ International relations | n.d. |
| L/E/13/33 | Choreutics \ Choreutic drawings | n.d. |
| L/E/77/8 | Industrial Rhythm \ Notes | n.d. |
| L/E/6/81 | Choreology (Effort) \ Action | n.d. |
| L/E/8/13 | Eukinetics \ Notes in relation to the language of movement | n.d. |
| L/E/26/50 | Philosophical comments \ Konzentrischen Kreise des Lebens, Die [Concentric circles of life] | n.d. |
| L/C/10/80 | Cut Outs \ 1 of 10 | n.d. |
| L/E/11/43 | Choreutics \ Analytical drawings | n.d. |
| L/E/33/15 | Lecture notes on various subjects \ Notebook | n.d. |
| L/E/6/45 | Choreology (Effort) \ Motivation | n.d. |
| L/C/10/17 | Holiday Drawings \ Landscape with Mountain | n.d. |
| L/E/6/73 | Choreology (Effort) \ Medium of drama, The | n.d. |
| L/E/14/19 | Choreutics \ Value of an inclination, The | n.d. |
| L/E/6/87 | Choreology (Effort) \ Recapitulation | n.d. |
| L/E/11/61 | Choreutics \ Dodecahedron projected into Icosahedron | n.d. |
| L/E/33/20 | Lecture notes on various subjects \ Elaboration of 16 themes | n.d. |
| L/F/3/58 | Portraits \ Open Day \ Rudolf von Laban | 1955 |
| L/E/52/2 | Letters \ Letter from Radosevic [?], Beograd | 8 May 1957 |
| L/E/1/59 | Choreology (Space) \ Körpitel über die dynamische, Ein | n.d. |
| L/E/47/9 | Art of Movement, The \ Audible Effort and the Spoken Word | n.d. |
| L/E/29/39 | Movement in general \ Bodily and mental work | n.d. |
| L/E/12/19 | Choreutics \ Analytical drawings and notes on Choreutics | n.d. |
| L/E/7/52 | Choreology (Effort) \ Inclinations | n.d. |
| L/E/13/21 | Choreutics \ Analytical drawings on Choreutics | n.d. |
| L/E/29/10 | Movement in general \ Strom und Gestalt [Stream and form] | n.d. |
| L/E/3/15 | Choreology (Space) \ Kante als Flächenprodukt [Edge as a product of a surface, An] | n.d. |
| L/E/10/20 | Choreutics \ Choreutic drawings, notes and symbols | n.d. |
| L/E/16/61 | Choreology in general \ Drawings | n.d. |
| L/F/1/85 | Portraits \ Rudolf von Laban | June 1954 |
| L/E/15/54 | Choreutics \ Dimensionals Öffnungen etc. [Dimensional openings etc.] | n.d. |
| L/E/68/45 | Biographical Information \ Rudolf Laban \ Ballett-Info \ Uber das Werk Rudolf von Labans | 1979 |
| L/E/12/9 | Choreutics \ Counter points and the complex tensions of the body, The | n.d. |
| L/C/9/96 | Holiday Drawings \ Auf Capri | 1956 |
| L/E/39/23 | Observation \ Coincidence | n.d. |
| L/E/28/25 | Movement in general \ Rhythmus [Rhythm] | n.d. |
| L/E/46/26 | Man, Matter and Motion \ New Perspective on Human Nature and Life, A | n.d. |
| L/E/33/18 | Lecture notes on various subjects \ Miscellaneous thoughts on movement education | 1946-1949 |
| L/E/5/24 | Choreology (Effort) \ We are used to consider a person who attacks a task... | c.1952 |
| L/C/3/38 | Figure Drawings \ Male Figures | c.1938-1940 |
| L/E/68/16 | Contracts \ Universal Edition A.G. | 3 February 1956 | 23/02/1956 |
| L/E/52/53 | Letters \ Correspondence with Beatrice Loeb | 3 December 1951 | 22/02/1957 |
| L/E/31/60 | Lecture notes on various subjects \ Werte [Values] | n.d. |
| L/E/14/72 | Choreutics \ World of shapes, The | n.d. |
| L/E/42/5 | Production Scripts \ Movement in Drama | n.d. |
| L/E/50/42 | Letters \ Correspondence from the Dartington Period \ Arts Enquiry, The | 8 November 1943 |
| L/E/20/30 | Dance in general \ Choral dancing | n.d. |
| L/E/4/61 | Choreology (Space) \ How to make your movement training rational and efficient: Use the chromatic movement dial | 17 October 1956 |
| L/E/51/105 | Letters \ Correspondence with Rudolf Sonner, Germany | 19 April 1947-19 June 1947 |
| L/E/32/13 | Lecture notes on various subjects \ Miscellaneous notes | n.d. |
| L/E/77/31 | Industrial Rhythm \ Movement and skill | n.d. |
| L/E/3/16 | Choreology (Space) \ Notes, symbols, numbers, and drawings | n.d. |
| L/E/25/47 | Philosophical comments \ Plato sagt [Plato says] | n.d. |
| L/E/3/48 | Choreology (Space) \ Bewegungs und Raumvorstellung [Conceptions of movement and space] | n.d. |
| L/E/39/18 | Observation \ Observation of the Mover, The \ 2nd of 2 | n.d. |
| L/E/78/19 | Photostat and Newspaper Cuttings \ Rudolf Laban \ Centennial Celebration, A | 1979 |
| L/E/6/28 | Choreology (Effort) \ Language of effort, The | 1945 |
| L/E/38/16 | Harmony \ Polo | n.d. |
| L/E/65/1 | Industrial Rhythm \ Working-Rhythms and their Observation and Notation | n.d. |
| L/E/8/34 | Eukinetics \ Conformances | n.d. |
| L/E/1/20 | Choreology (Space) \ Durchringungsprodukte; Wachstum; Wölbungsempfinden [Products of fusion; growth; the feeling of curvature] | n.d. |
| L/E/3/65 | Choreology (Space) \ Analytical diagrams | n.d. |
| L/E/31/28 | Lecture notes on various subjects \ Absurdity of determinism, The | n.d. |
| L/E/21/38 | Movement notation \ Agogoic script | n.d. |
| L/E/19/7 | Dance in general \ Ballet | 20 September 1943 |
| L/E/34/57 | Lecture notes on various subjects \ Creation Day | 1957 |
| L/E/17/54 | Choreology in general \ Every movement is the condensation... | n.d. |
| L/E/3/61 | Choreology (Space) \ Notes; Gathering and scattering and spatial planes | n.d. |
| L/E/56/12 | Books, Manuscripts, Outlines \ Effort and Recovery \ Effort Trainer, The | c.1953 |
| L/C/9/93 | Holiday Drawings \ A View of Pembroke | Easter 1951 |
| L/E/11/1 | Choreutics \ Spiegelungen [Reflections] | n.d. |
| L/E/38/7 | Harmony \ Harmony of Spheres, The | n.d. |
| L/E/13/72 | Choreutics \ Choreutic notes, drawings and symbols | n.d. |
| L/E/31/67 | Lecture notes on various subjects \ Training forms | n.d. |
| L/E/17/41 | Choreology in general \ Fluss und Gestalt [flow and form] | n.d. |
| L/E/24/52 | Philosophical comments \ Metamorphosis und Kunst [Metamorphosis and art] | n.d. |
| L/C/10/61 | Sketches \ Tree with Vortex | n.d. |
| L/E/41/1 | Psychological Implications \ Four Effects | n.d. |
| L/E/13/5 | Choreutics \ Rg [Raumgittern?] Studien zur G.K. im Dod. [studies of space grids(?) on GK in dodecahedron] | n.d. |
| L/E/41/3 | Psychological Implications \ Double Waves | c.1943 |
| L/E/22/4 | Movement notation \ Kapitel [chapter] | n.d. |
| L/E/20/29 | Dance in general \ Notes by Rudolf Laban on Choral movement | 1948-1949 |
| L/E/11/9 | Choreutics \ Schwellen und Schwingen, Das [Swelling and swinging] | n.d. |
| L/E/26/58 | Philosophical comments \ Surveying list of points to be considered when writing about elements of life and this ordering principle | 1938 |
| L/E/51/31 | Letters \ Letter of thanks from Lord Horder to Joan Goodrich | 30 October 1946 |
| L/E/4/15 | Choreology (Space) \ Explanatory diagrams of inclinations in space | n.d. |
| L/F/1/65 | Portraits \ Rudolf von Laban | 1954 |
| L/E/10/38 | Choreutics \ Point in icosahedron | n.d. |
| L/E/31/5 | Lecture notes on various subjects \ Drama league and youth service | 29 November 1944 |
| L/E/77/44 | Industrial Rhythm \ Industrial Concert, The | n.d. |
| L/F/2/13 | Portraits \ Rudolf von Laban \ at 8 Nelson Avenue Manchester 20 | 1940s |
| L/E/16/37 | Choreology in general \ Self motion of man, The | 1945 |
| L/E/65/2 | Industrial Rhythm \ Sheffield \ L.L.I.R. | n.d. |
| L/E/19/15 | Dance in general \ Dance in a new light | n.d. |
| L/E/35/35 | Books, Manuscripts, Outlines \ Modern Educational Dance \ Conception of the Flow of Movement | n.d. |
| L/E/29/3 | Movement in general \ In der Atmung [Breathing] | n.d. |
| L/E/26/18 | Philosophical comments \ Wir klagen, dass wir sterben [We complain that we will die] | n.d. |
| L/E/23/69 | Philosophical comments \ Science's view | n.d. |
| L/E/24/33 | Philosophical comments \ And answered agressively... | n.d. |
| L/E/25/69 | Philosophical comments \ Identität [identity] | n.d. |
| L/E/16/31 | Choreology in general \ Enigma | n.d. |
| L/E/16/58 | Choreology in general \ Notes and drawings | n.d. |
| L/E/4/52 | Choreology (Space) \ Laban Dial | n.d. |
| L/F/1/78 | Portraits \ Rudolf von Laban \ Addlestone | Autumn 1953 |
| L/E/55/33 | Books, Manuscripts, Outlines \ Effort and Recovery \ Introduction | 1953 |
| L/E/26/49 | Philosophical comments \ Drei Gewalten [Three forces] | n.d. |
| L/E/14/1 | Choreutics \ Body action words, symbols and a choreutic drawing | n.d. |
| L/E/28/39 | Movement in general \ Flow | n.d. |
| L/E/25/31 | Philosophical comments \ Deux plans de l'espace, Les [the two levels of space] | n.d. |
| L/E/1/19 | Choreology (Space) \ Tänzerische Raumbeziehung [Choreographic relationship to space] | n.d. |
| L/E/77/10 | Industrial Rhythm \ Letter from Laban to Henry Simon & Co. Ltd. | n.d. |
| L/E/16/15 | Choreology in general \ Sinne [senses] | n.d. |
| L/E/33/1 | Lecture notes on various subjects \ State of mind preceding from moving with and without an object | n.d. |
| L/E/17/29 | Choreology in general \ Leg and arm actions in walking and gripping described in detail from a choreological standpoint | n.d. |
| L/E/19/29 | Dance in general \ Peasant dances | n.d. |
| XZL/E/2/3 | The Development of a Gestural Vocabulary for Choral Conductors Based on the Movement Theory of Rudolf Laban | 2001 |
| L/E/73/19 | Industrial Rhythm \ American Foundrymen's Association \ Visit at Harrison Foundry | 12 January 1945 |
| L/E/25/9 | Philosophical comments \ 'A Means of conversing with paradise' William Blake | n.d. |
| L/E/45/48 | Education \ Effort and Movement Study in Education | n.d. |
| L/E/25/58 | Philosophical comments \ Comments on life, love, hatred etc. | n.d. |
| L/E/32/41 | Lecture notes on various subjects \ Two kinds of art... | n.d. |
| L/E/56/9 | Books, Manuscripts, Outlines \ Effort and Recovery \ Effort and Recovery Training | c.1953 |
| L/E/14/2 | Choreutics \ Massive body fills a hollow in space, A | n.d. |
| L/C/6/62 | Figure | c.1938-1940 |
| L/E/14/75 | Choreutics \ Notes and drawings | n.d. |
| L/E/8/30 | Eukinetics \ Conformance with target | n.d. |
| L/E/6/82 | Choreology (Effort) \ Rules of the inner flow | n.d. |
| L/F/7/23 | Models \ Paper Structure/Sculpture | n.d. |
| L/E/15/12 | Choreutics \ Wenn es reine Bewegung... [If pure movement ...] | n.d. |
| L/E/16/73 | Choreology in general \ Zuflucht [sanctuary] | n.d. |
| L/E/11/40 | Choreutics \ 42 total ring | n.d. |
| L/C/10/89 | Cut Outs \ 10 of 10 | n.d. |
| L/C/8/112 | Notebook of anatomical drawings | n.d. |
| L/E/8/70 | Eukinetics \ Exercises containing certain effort changes | n.d. |
| L/E/51/97 | Letters \ Letter to Mr Wilson, Shropshire | 4 December 1944 |
| L/C/3/14 | Figure Drawings \ Male Figures | 1938-1940 |
| L/C/9/87 | Holiday Drawings \ Lake | n.d. |
| L/F/7/10 | Models \ Turning, Interlocking Structure | n.d. |
| L/C/10/18 | Holiday Drawings \ Night Seascapes | n.d. |
| L/E/9/34 | Choreutics \ Choreutic notes and drawings | n.d. |
| L/E/45/21 | Education \ Use of Motion Study, The | n.d. |
| L/C/10/51 | Holiday Drawings \ Seascape with Rocks | n.d. |
| L/E/33/31 | Lecture notes on various subjects \ Second lecture | 1939 |
| L/E/52/21 | Letters \ Letter from F. Yamamoto \ Embassy of Japan | 28 January 1955 |
| L/E/32/67 | Lecture notes on various subjects \ Register | n.d. |
| L/E/29/59 | Movement in general \ Group composition | 1940 |
| L/F/1/29 | Dances \ Rudolf Laban and Ruth Loeser, Wurthembergisches Staatstheater 1925 | 1925 |
| L/C/5/6 | Spatial Forms \ Lemniscate Construction | 1938-1940 |
| L/E/26/38 | Philosophical comments \ Miscellaneous notes and essays | n.d. |
| L/E/32/27 | Lecture notes on various subjects \ Art in education | n.d. |
| L/E/67/7 | Family Correspondence \ Olla Fricke | 22 May 1952 |
| L/E/31/23 | Lecture notes on various subjects \ Theatre | n.d. |
| L/E/24/24 | Philosophical comments \ Task | n.d. |
| L/E/16/57 | Choreology in general \ Notes | n.d. |
| L/E/8/46 | Eukinetics \ Rhythm-Periodicity | n.d. |
| L/F/7/7 | Models \ Dial, The | n.d. |
| L/E/50/39 | Letters \ Letter to Mr de Vahl Rubin re the Chorreton | 28 May 1939 |
| L/E/41/11 | Psychological Implications \ Alteration and Change | c.1955 |
| L/E/15/62 | Choreutics \ Relationship of scales | n.d. |
| L/E/33/37 | Lecture notes on various subjects \ I lecture | 1939 |
| L/E/45/70 | Education \ Teachers' Dance Guide \ Material of Dance, The | c.1946 |
| L/E/8/92 | Eukinetics \ Effects of motion, The | n.d. |
| L/E/47/47 | Art of Movement, The \ Centre Universitaire de la Danse, Le [Scheme for the Development of a University Degree] | 1947 |
| L/E/28/17 | Movement in general \ Dynamic thinking | n.d. |
| L/E/2/2 | Choreology (Space) \ To 'Materialisation of Space' | n.d. |
| L/E/49/9 | Personal Statements \ Journey to USA 1926 \ Stage Pictures | n.d. |
| L/E/48/41 | Historical Data \ International Conventions and Publications \ Tanzschrift und Schrifttanz | 1928 |
| L/E/19/12 | Dance in general \ Thoughts on the experience a work of art can give to man | n.d. |
| L/E/50/20 | Letters \ Letters to Harry Schumann | 1937 |
| L/E/60/12 | Rudolf Laban's Pupils \ Second Dance Congress at Recklinghausen | 1952 |
| L/F/3/68 | Portraits \ M D H C [Manchester Dance Holiday Course?]\ Ashridge \ Rudolf von Laban with Sylvia Bodmer | 1955 |
| L/E/32/28 | Lecture notes on various subjects \ Art of movement and its importance in education, The | 1954 |
| L/E/20/7 | Dance in general \ Nine lectures for dance teachers given at Halensee in March and April 1926 | 1926 |
| L/F/3/88 | Portraits \ Rudolf von Laban in Manheim | 1928 |
| L/E/22/13 | Movement notation \ About the application of notation | n.d. |
| L/E/5/33 | Choreology (Effort) \ Hunting ground of the movement observer, The | n.d. |
| L/E/48/2 | Historical Data \ Art of Movement \ Situation, The; The Possibilities; The Other Alternative | n.d. |
| XZB/2570 | A Vision of Dynamic Space |
| L/E/54/4 | Books, Manuscripts, Outlines \ Effort and Recovery \ Introduction \ Version 1 \ Draft 2 | c.1953 |
| L/F/2/7 | Portraits \ Rudolf von Laban with Joan Goodrich | 1955 |
| XZA/697/3 | In Tune \ Rudolf Laban | 21 July 1998 |
| L/E/39/9 | Observation \ Letter to Dr Juana de Laban re Movement Observation | 28 October 1952 |
| L/E/4/67 | Choreology (Space) \ Seven rings | n.d. |
| L/E/15/15 | Choreutics \ Natur träumt, Die [Nature dreams] | n.d. |
| L/E/24/45 | Philosophical comments \ Action and passion | n.d. |
| L/E/9/16 | Choreutics \ Floor patterns and groupings | n.d. |
| L/E/14/49 | Choreutics \ Choreutic drawings | n.d. |
| L/E/33/16 | Lecture notes on various subjects \ Rhythmus | 1937-1943 |
| L/E/15/20 | Choreutics \ Ideen zu I, II, III und Einleitung [Ideas about I, II, III and introduction] | n.d. |
| L/E/17/10 | Choreology in general \ Flow of material | n.d. |
| L/E/15/51 | Choreutics \ Raumordnung [Space-order] | n.d. |
| L/E/14/29 | Choreutics \ Primary scale | n.d. |
| L/E/8/40 | Eukinetics \ Conformance | n.d. |
| L/E/19/49 | Dance in general \ Let us dance and work | n.d. |
| L/E/13/63 | Choreutics \ Choreutic drawings and notes | n.d. |
| L/E/13/13 | Choreutics \ Sechsring [6-Ring] | n.d. |
| L/E/64/71 | Industrial Rhythm \ Working Processes and the Working Person, The | n.d. |
| L/E/47/48 | Art of Movement, The \ Threshold, The | n.d. |
| L/F/1/100 | Portraits \ Rudolf von Laban | January 1950 |
| L/E/45/49 | Education \ Movement Education | n.d. |
| L/E/5/12 | Choreology (Effort) \ In dream or feverish excitement... | n.d. |
| L/E/4/2 | Choreology (Space) \ Work | n.d. |
| L/F/1/59 | Portraits \ Switzerland Interlaken Course | 1947 |
| L/E/50/89 | Letters \ Correspondence with Ruth Foster | 30 August 1943-27 September 1947 |
| L/E/5/73 | Choreology (Effort) \ Connection of aspect with function and action | n.d. |
| L/E/17/59 | Choreology in general \ Time dimension of movement, The | n.d. |
| L/E/56/11 | Books, Manuscripts, Outlines \ Effort and Recovery \ Contents | c.1953 |
| L/E/74/12 | Industrial Rhythm \ Barlows Limited \ Notes on a Visit of Mr Rudolf Laban... | 9 December 1946 |
| L/F/7/27 | Models \ Paper Structure/Sculpture | n.d. |
| L/F/7/16 | Models \ Paper Structure/Sculpture | n.d. |
| L/F/1/60 | Portraits \ Switzerland Interlaken Summer Course | August 1947 |
| L/E/34/22 | Lecture notes on various subjects \ History of the union of body and mind | 1939 |
| L/E/39/1 | Observation \ Technique of Observation, The | n.d. |
| L/F/1/46 | Portraits \ Rudolf von Laban in Paris 1901 | 1901 |
| L/E/6/67 | Choreology (Effort) \ Work | n.d. |
| L/E/32/47 | Lecture notes on various subjects \ Quotations | n.d. |
| L/F/7/39 | Models \ Paper Structure/Sculpture | n.d. |
| L/E/6/21 | Choreology (Effort) \ Motion study on the stage | n.d. |
| L/E/29/6 | Movement in general \ Ernährungsvorgang und Fortpflanzungsvorgang der Tiere [Nourishment and procreation of animals] | n.d. |
| L/E/22/5 | Movement notation \ Nachwort: kinetischer Syntax und Poetik [Afterword: kinetic syntax and poetry] | n.d. |
| L/E/16/38 | Choreology in general \ Dancer's universe, The | n.d. |
| L/E/8/23 | Eukinetics \ Dimensional flow | n.d. |
| L/C/10/77 | Spatial Forms \ Intersections \ Dodecahedron | n.d. |
| L/E/77/48 | Articles about Laban \ Articles from the German press | 1926 |
| L/E/7/21 | Choreology (Effort) \ Array of efforts, The | n.d. |
| L/E/8/55 | Eukinetics \ Gradual changes | n.d. |
| L/E/51/5 | Letters \ London County Council \ Improvements to Festival Hall | 4 April 1957 |
| L/E/54/5 | Books, Manuscripts, Outlines \ Effort and Recovery \ Introduction \ Version 1 \ Draft 3 | c.1953 |
| L/E/15/22 | Choreutics \ Early organisation | 1925 |
| L/E/31/39 | Lecture notes on various subjects \ Industrial rhythms in dance education | n.d. |
| L/E/71/7 | Industrial Rhythm \ Dartington Hall \ Effort Graphs | 1942 |
| L/E/68/52 | Biographical Information \ Rudolf Laban \ Akademie der Kunste \ Einladung | 1979 |
| L/E/35/20a | Books, Manuscripts, Outlines \ Modern Educational Dance \ Teachers' Knowledge of Effort | n.d. |
| L/E/22/27 | Movement notation \ Correspondence regarding copyright of the notation system | 1953-1954 |
| L/E/55/37 | Books, Manuscripts, Outlines \ Effort and Recovery \ Some Fundamental Notions about the Study of Effort Functions | 1953 |
| L/E/9/14 | Choreutics \ Observation of crystalline rules of visible happenings; Introduction to crystalline movement; Insertions to examples | 1943 |
| L/E/75/14 | Industrial Rhythm \ Why Do We Need Special Training for Women Workers? | 17 August 1942 |
| L/E/54/3 | Books, Manuscripts, Outlines \ Effort and Recovery \ Introduction \ Version 1 \ Draft 1 | c.1953 |
| L/E/45/67 | Education \ Teachers' Dance Guide \ Modern Educational Dance for Different Age Groups | c.1946 |
| L/E/51/25 | Letters \ News Chronicle \ Rhythm Will Help Workers | 3 October 1942 |
| L/E/55/8 | Books, Manuscripts, Outlines \ Effort and Recovery \ Preface | c.1953 |
| L/E/49/17 | Personal Statements \ Journey to USA 1926 \ Mission \ Franziskaner in California [Franciscans in California] | n.d. |
| L/E/32/82 | Lecture notes on various subjects \ Principles of modern educational dance as the basis of therapeutic movement study, The | n.d. |
| L/E/25/26 | Philosophical comments \ Gedanken und Begriffe der Menschheit über den bewussten und beabsichtigten Verkehr mit der Gottheit und der Verbindung mit ihr [Thoughts and ideas of humans on awareness and specific relations with God and its connection to God] | n.d. |
| L/E/3/38 | Choreology (Space) \ Körperstimmungen; Bewegungsfluss; Stabil-labil; Zonen; Zentral-periphar; Raumempfinden [Physical moods; flow of movement; Stable-labile; Zones; Central-peripheral; Space-sensitivity] | n.d. |
| L/E/56/1 | Books, Manuscripts, Outlines \ Effort and Recovery \ Introduction | c.1953 |
| L/E/25/64 | Philosophical comments \ Tod ist die Rückkehr zum kristallinischen Sein, Der [Death is the return to crystalised being] | n.d. |
| L/F/1/58 | Portraits \ Rudolf von Laban with Mayerova pupil from Prague | 1947 |
| L/E/32/20 | Lecture notes on various subjects \ Lecture on the art of movement | 10 October 1951 |
| L/E/32/39 | Lecture notes on various subjects \ Re: generality and language | n.d. |
| L/E/26/2 | Philosophical comments \ Sinnesgefühl des Seins, Das [The essential feeling of being] | n.d. |
| L/E/50/25 | Letters \ Kurt Jooss | 12 November 1945 |
| L/E/51/35 | Letters \ Letters from Jenny Gertz | 10 October 1942 |
| L/F/7/28 | Models \ Paper Structure/Sculpture | n.d. |
| L/E/52/8 | Letters \ Letters from J.M. Bullivant | 5-6 May 1947 |
| L/E/52/23 | Letters \ Letter from Diana Jordan \ Worcestershire County Council Education Committee | 15 March 1946 |
| L/E/10/46 | Choreutics \ Wie ein Punkt in der Peripherie das ganze Geschehen entzündet [How a peripheral point kindles the whole event] | n.d. |
| L/E/48/40 | Historical Data \ International Conventions and Publications \ Movement Observation in Industry | 1950 |
| L/E/5/64 | Choreology (Effort) \ Effort in dance | n.d. |
| L/E/13/55 | Choreutics \ Choreutic drawings and notes | n.d. |
| L/E/49/24 | Personal Statements \ Development of a Movement Conscience, The | 1957 |
| L/E/3/27 | Choreology (Space) \ Kanten von Kristallen [Edges of crystals] | n.d. |
| L/E/18/22 | Choreology in general \ Two and three pronged halvings, The | 1954 |
| L/E/32/83 | Lecture notes on various subjects \ Pattern of the changing now, The | n.d. |
| L/E/13/75 | Choreutics \ Keimkristalle die sich entfaltet haben, sind komplizierte … [Crystal seeds that have developed are complicated crystals] | n.d. |
| L/E/8/18 | Eukinetics \ Eukinetics - Choreutics | n.d. |
| L/E/23/71 | Philosophical comments \ Formations | n.d. |
| L/E/45/8 | Education \ Manchester Dance Circle | n.d. |
| L/E/14/61 | Choreutics \ Miscellaneous notes, choreutic drawings and symbols | n.d. |
| L/E/11/49 | Choreutics \ Kantenströmungen [Edge flows] | n.d. |
| L/E/2/22 | Choreology (Space) \ Linie in: I Fläche, II Ecke, III Raum, IV Schräge [Line in:- I Surface, II Corner, III Space, IV Slope (angle)] | n.d. |
| L/E/7/12 | Choreology (Effort) \ Formfluss [Flow of shape, The] | n.d. |
| L/E/16/43 | Choreology in general \ Antipodes - an interlude, The | n.d. |
| L/F/1/11 | Portraits \ Rudolf Laban, after the death of his wife Martha | 1907 |
| L/E/20/4 | Dance in general \ Riddle of human movement expression..., The | n.d. |
| L/E/47/53 | Art of Movement, The \ Teacher of Modern Educational Dance, The | n.d. |
| L/E/50/36 | Letters \ Correspondence with Rolf Gardiner re present activities | 9 August 1945-13 September 1945 |
| L/E/45/33 | Education \ Recreational Dance and its Connections with Educational Dance | 3 August 1943 |
| L/E/24/8 | Philosophical comments \ Urge | n.d. |
| L/E/46/65 | Information from Others \ An die Deutsche Tänzerschaft! [On German dancers] | 1928 |
| L/C/7/79 | Spatial Forms \ Icosahedron | 1938-1940 |
| L/C/3/73 | Spatial Patterns \ Dodecahedron | 1938-1940 |
| L/E/4/73 | Choreology (Space) \ Space. The mirror of the Primary Scale \ Lecture Number 9 - Mr Laban | n.d. |
| L/E/43/24 | Historical Data \ Letter by Laban on his 74th Birthday | 1953 |
| L/E/42/67 | Production Scripts \ Opernballett [Opera ballet] | n.d. |
| L/E/19/38 | Dance in general \ Choral dancing | n.d. |
| L/C/9/38 | Holiday Drawings \ Saundersfoot | 1951 |
| L/E/17/20 | Choreology in general \ Magic Mirror, The \ Notes on the four dimensionality of the self | n.d. |
| L/E/21/31 | Movement notation \ Explanation of kinetography | n.d. |
| L/E/3/55 | Choreology (Space) \ Philosophic comments; Choreological notes; Drawings | n.d. |
| L/E/12/4 | Choreutics \ Nuances of touch | n.d. |
| L/E/73/22 | Industrial Rhythm \ American Foundrymen's Association \ Interim Report | 2 February 1946 |
| L/E/62/60 | Industrial Rhythm \ Assessments \ Industrial Management Research | 1950 |
| L/E/50/40 | Letters \ Correspondence with F.C. Lawrence | 1950-1956 |
| L/E/49/34 | Personal Statements \ Rhythmus von Spannung und Abspannung, Der [The rhythm of tension and relaxation] | n.d. |
| L/E/54/18 | Books, Manuscripts, Outlines \ Effort and Recovery \ First Part \ Chapter VII \ Club of Yawners, The | c.1953 |
| L/E/2/36 | Choreology (Space) \ Mass, proportion | n.d. |
| L/E/15/43 | Choreutics \ Notation symbols | n.d. |
| L/E/9/51 | Choreutics \ Notebook with choreutic notes and drawings | n.d. |
| L/F/1/88 | Portraits \ Rudolf von Laban | n.d. |
| L/C/1/108 | Spatial Forms \ Solid Form | c.1938-1940 |
| L/E/45/32 | Education \ Dancing as a Recreative Activity | 30 March 1943 |
| L/E/9/26 | Choreutics \ Hilfsrechnungen zu Dodeka 18-er Skala etc. [Calculation aids for 18-link dodecadon scale etc.] | n.d. |
| L/E/32/88 | Lecture notes on various subjects \ Notes on talk on modern concept of art | n.d. |
| L/E/2/25 | Choreology (Space) \ Flucht [Flight] | n.d. |
| L/C/1/104 | Figures and Shapes \ Figures | c.1938-1940 |
| L/E/34/8 | Lecture notes on various subjects \ History of dance | 1939 |
| L/E/9/31 | Choreutics \ Till spinnt | n.d. |
| L/E/23/45 | Philosophical comments \ Movement | n.d. |
| L/E/32/65 | Lecture notes on various subjects \ Miscellaneous notes | n.d. |
| L/E/32/45 | Lecture notes on various subjects \ Notes | n.d. |
| L/E/12/27 | Choreutics \ Choreutic drawings | n.d. |
| L/E/11/44 | Choreutics \ Notation pages | n.d. |
| L/E/9/5 | Choreutics \ Chain of the standard scale | n.d. |
| L/E/23/66 | Philosophical comments \ Briefe an den Overself [Letters to the overself] | 5 November 1940 |
| L/E/16/45 | Choreology in general \ Kinaesthetic research | n.d. |
| L/E/15/41 | Choreutics \ Pierrots (crystal and gesture etc.) | n.d. |
| L/E/31/34 | Lecture notes on various subjects \ Melodrama | n.d. |
| L/E/16/46 | Choreology in general \ Greifwille [grip] | n.d. |
| L/E/13/19 | Choreutics \ Kreis, Wring, Strahl [Circle, wring, radiate] | n.d. |
| L/E/14/53 | Choreutics \ Choreutic drawings and notes | n.d. |
| L/E/32/78 | Lecture notes on various subjects \ Choreological notes | n.d. |
| L/E/24/10 | Philosophical comments \ Es giebt zweierlei Vermögen [There are two types of ability] | n.d. |
| L/E/13/62 | Choreutics \ Choreutic drawings | n.d. |
| L/E/12/40 | Choreutics \ Choreutic drawings | n.d. |
| L/E/35/33 | Miscellaneous Notes \ Comments by R. Laban 1957 | 1957 |
| L/E/18/19 | Choreology in general \ Samples of diagrammatic presentation | n.d. |
| L/E/12/46 | Choreutics \ 42-er Transformationen [42-er Transformations] | n.d. |
| L/C/9/106 | Caricature \ Man/Dog | n.d. |
| L/E/3/8 | Choreology (Space) \ Funktionen und Gebilde [Functions and images] | n.d. |
| L/E/28/54 | Movement in general \ Eight titles for essays about the art of movement | n.d. |
| L/E/13/74 | Choreutics \ Sec, Terz, Quart... | n.d. |
| L/E/21/6 | Movement notation \ General introduction | n.d. |
| L/E/7/42 | Choreology (Effort) \ Listed aspects of a twelve link chain | n.d. |
| L/E/25/10 | Philosophical comments \ Neue Gebet, Das [New prayer, The] | n.d. |
| L/E/24/17 | Philosophical comments \ Space I | n.d. |
| L/E/33/27 | Lecture notes on various subjects \ Harmony | 20 November 1957 |
| L/E/1/16 | Choreology (Space) \ Plastical centricity of circles, The | n.d. |
| L/E/6/5 | Choreology (Effort) \ Crystal and plant | 1952 |
| L/F/7/6 | Models \ Dial, The | n.d. |
| L/E/25/38 | Philosophical comments \ Essay about various ideologies | n.d. |
| L/E/26/37 | Philosophical comments \ Drei Lehren von der Macht, Die [Three lessons on power] | n.d. |
| L/E/28/74 | Movement in general \ Harmonie sehr sparen, Die [Be very economical with harmony] | n.d. |
| L/E/24/18 | Philosophical comments \ Actions of a human being have one common vehicle..., The | n.d. |
| L/E/26/8 | Philosophical comments \ Imaginäre Geschehen der Kristallwandlungen, Das [The imaginary happening of crystal changes] | n.d. |
| L/E/26/42 | Philosophical comments \ Anschauen ohne Denken gibt es nicht… [Looking without thinking is not possible …] | n.d. |
| L/E/13/80 | Choreutics \ Algemeines A-B Skalen Schema [General A-B scales scheme] | n.d. |
| L/E/19/21 | Dance in general \ Town and country dwellers | n.d. |
| L/E/29/31 | Movement in general \ Introduction to aspects of effort study and compensatory recovery | n.d. |
| L/E/14/45 | Choreutics \ Icosahedron, The | n.d. |
| L/E/1/11 | Choreology (Space) \ Believed betrayal | n.d. |
| L/E/28/45 | Movement in general \ Flux of agitation and its condensation in dynamics, The | n.d. |
| L/E/28/34 | Movement in general \ Satisfaction given by movement | n.d. |
| L/E/17/24 | Choreology in general \ Magie und Extase [magic and ecstasy] | n.d. |
| L/E/64/74 | Industrial Rhythm \ About Effort-Measurement Through Movement Observation | n.d. |
| L/C/9/6 | Holiday Drawings \ Capelcurig | 1948 |
| L/E/45/68 | Education \ Teachers' Dance Guide \ Movement-based Subjects in Schools | c.1946 |
| L/E/14/79 | Choreutics \ Spiel der Wächter [Guard's Game, The] | n.d. |
| L/E/41/9 | Psychological Implications \ Dramatic Character of Human Action, The | n.d. |
| L/E/14/57 | Choreutics \ Choreutic drawings and notes | n.d. |
| L/E/6/85 | Choreology (Effort) \ Long and short preparations for action | n.d. |
| L/E/40/5 | Rhythm \ Rhythm | n.d. |
| L/E/32/22 | Lecture notes on various subjects \ Discussion 26/10/1951 | 26 October 1951 |
| L/E/16/34 | Choreology in general \ Logic of form - Kinetism | n.d. |
| L/C/10/56 | Sketches \ Explosion | n.d. |
| L/E/17/38 | Choreology in general \ Kristall, Der [the crystal] | n.d. |
| L/E/13/68 | Choreutics \ Im Lande des Schweigens [In the land of silence] | n.d. |
| L/E/20/12 | Dance in general \ Tanz der Hirten, Der [Dance of the shepherd] | n.d. |
| L/E/20/13 | Dance in general \ Plastische Theater, Das [The plastic theatre] | n.d. |
| L/E/31/41 | Lecture notes on various subjects \ What is the function of movement in education? | n.d. |
| L/E/77/23 | Industrial Rhythm \ Rhythm and Effort | n.d. |
| L/E/29/48 | Movement in general \ Movement and reality | 1954 |
| L/E/6/14 | Choreology (Effort) \ Effort | n.d. |
| L/E/3/13 | Choreology (Space) \ Spationom... | n.d. |
| L/E/7/64 | Choreology (Effort) \ Seven rings | n.d. |
| L/E/8/4 | Eukinetics \ Es giebt vier Sphären des Lebens [There are four spheres of life] | n.d. |
| L/B/50 | Danza Educativa Moderna |
| L/C/10/65 | Spatial Forms \ Planes | n.d. |
| L/F/7/30 | Models \ Paper Structure/Sculpture | n.d. |
| L/C/9/91 | Holiday Drawings \ Landscape with Lake and Mountains | n.d. |
| L/E/24/63 | Philosophical comments \ Körper als Werkzeug, Der [The body as tool] | n.d. |
| L/C/9/20 | Costume Design \ Line Drawing of Hairstyle Designs \ 4 of 4 | n.d. |
| L/F/7/78 | Models \ Stella Structure | n.d. |
| L/F/7/109 | Models \ Geometrical Structure | n.d. |
| L/E/36/14 | Stories, Poems, Drama, Music \ 3 Leben [Three lives] | n.d. |
| L/E/11/33 | Choreutics \ Drawing of human figure | n.d. |
| L/E/23/3 | Philosophical comments \ Articulated motions of living substances, The | n.d. |
| L/F/7/55 | Models \ Assorted Structures and Groups | n.d. |
| L/E/8/78 | Eukinetics \ Six motor elements and the eight basic actions, The | n.d. |
| L/E/25/11 | Philosophical comments \ Vier Gebote, Die [Four commandments, The] | n.d. |
| L/F/7/97 | Models \ Plane (3D) Structure | n.d. |
| L/E/31/37 | Lecture notes on various subjects \ Social aspect of modern group dance, The | n.d. |
| L/E/2/21 | Choreology (Space) \ Notes and drawings | n.d. |
| L/E/6/20 | Choreology (Effort) \ Motion study and stagecraft | n.d. |
| L/E/56/15 | Books, Manuscripts, Outlines \ Rhythmen der Natur, Der [rhythms of nature] | n.d. |
| L/E/52/64 | Letters \ Letter to Laban \ Tance Vision 'Die Kristallkugeln' | 25-27 October 1948 |
| L/E/31/48 | Lecture notes on various subjects \ Körperfunktionen [Bodily functions] | 11 November 1927 |
| L/E/6/34 | Choreology (Effort) \ Effort projected into space and vice versa | n.d. |
| L/C/10/82 | Cut Outs \ 3 of 10 | n.d. |
| L/F/3/17 | Portraits \ Rudolf von Laban lecturing to management consultants \ Manchester | 1952 |
| L/E/8/53 | Eukinetics \ Mobile power of the body, The | n.d. |
| L/E/33/29 | Lecture notes on various subjects \ First Lecture: Dance in General | n.d. |
| L/F/7/92 | Models \ Hanging Structures | n.d. |
| L/E/20/11 | Dance in general \ Tanzgestalt [Dance form] | n.d. |
| L/F/7/90 | Models \ Hanging Structures | n.d. |
| L/E/10/21 | Choreutics \ Drawings and symbols | n.d. |
| L/E/14/80 | Choreutics \ Bewegungsrhythmik [Rhythm of movement] | n.d. |
| L/E/3/45 | Choreology (Space) \ Illegible German title | n.d. |
| L/E/5/51 | Choreology (Effort) \ Degrees of tension | n.d. |
| L/E/5/20 | Choreology (Effort) \ Recovery is the rediscovery... | n.d. |
| L/E/1/67 | Choreology (Space) \ Mirror problem, The | n.d. |
| L/E/22/18 | Movement notation \ Laban Art of Movement Centre, The | n.d. |
| L/E/26/62 | Philosophical comments \ Harmonie [About harmony and meditation in life] | 1938-1939 |
| L/E/31/44 | Lecture notes on various subjects \ Exposees of lectures etc. collected at 15 October 1957 | 15 October 1957 |
| L/E/5/11 | Choreology (Effort) \ Effort which I am making..., The | n.d. |
| L/E/4/54 | Choreology (Space) \ Mobility indicator | n.d. |
| L/E/8/76 | Eukinetics \ Works are: Drama, Dance... | n.d. |
| L/E/13/23 | Choreutics \ Notes, drawings and symbols on Choreutics | n.d. |
| L/E/8/50 | Eukinetics \ Exercises in Harmony | n.d. |
| L/E/24/25 | Philosophical comments \ Information for Madame Marie-Louise van Veen | 21 October 1953 |
| L/E/9/46 | Choreutics \ Teträederfolge [Tetrahedral sequence] | n.d. |
| L/C/3/4 | Figure Drawings \ Group of Small Figures | 1938-1940 |
| L/E/32/23 | Lecture notes on various subjects \ Discussion 02/11/1951 | 2 November 1951 |
| L/E/51/14 | Letters \ Correspondence with Teddi Kabus-Ling | 13 January 1957 | 11/03/1957 |
| L/E/51/70 | Letters \ Correspondence with Ministry of Aircraft Production / Correspondence with Air Ministry | 27 October 1943-27 December 1946 |
| L/E/13/28 | Choreutics \ Folge aus. aequ. [Conclusions from outside of aequ.] | n.d. |
| L/E/21/33 | Movement notation \ Supplementary symbols | n.d. |
| L/E/10/43 | Choreutics \ Symbols, comments and drawings | n.d. |
| L/E/68/36 | Biographical Information \ Rudolf Laban \ Laban Centenary \ Notes for Talk on Laban | 1979 |
| L/E/51/17 | Letters \ Correspondence with Gisela Kasdorf | 20 May 1958 | 25/06/1958 |
| L/E/42/12 | Production Scripts \ Minnespiel, Das [Minstrel game] | n.d. |
| L/E/58/14 | Books, Manuscripts, Outlines \ Anhang I | n.d. |
| L/F/7/98 | Models \ Plane (3D) Structure | n.d. |
| L/E/15/57 | Choreutics \ New approach to the psychology of movement, A | n.d. |
| L/C/4/84 | Spatial Forms \ Four Rings | 1938-1940 |
| L/C/9/25 | Costume Design \ Female Costume Design | n.d. |
| L/F/1/77 | Portraits \ Rudolf von Laban with Dr Rubinstein | Autumn 1953 |
| L/E/46/7 | Assessments, Reports, Records \ Report on Six Movement Observations | 1956 |
| L/E/51/73 | Letters \ Letter from John, Manchester, re writings on Drama and Movement | 7 February 1958 |
| L/E/68/17 | Contracts \ MacDonald & Evans \ Mastery of Movement on the Stage, The | 14 July 1949 |
| L/E/47/46 | Art of Movement, The \ Laban Art of Movement Centre \ Plan for Organisation | n.d. |
| L/E/3/64 | Choreology (Space) \ Exploration of harmonic relations | n.d. |
| L/E/51/46 | Letters \ Correspondence with Alfred Hiltmann | 31 May 1946-14 September 1946 |
| L/E/64/67 | Industrial Rhythm \ About Wages | n.d. |
| L/E/42/56 | Production Scripts \ Scenarium zum Don Juan [Scenario for Don Juan] | n.d. |
| L/E/38/23 | Harmony \ Harmony | 20 November 1957 |
| L/E/51/51 | Letters \ Birmingham Contemporary Dance Club | 27 June 1942-6 July 1942 |
| L/E/55/4 | Books, Manuscripts, Outlines \ Effort and Recovery \ Second Part \ Epilogue | c.1953 |
| L/E/5/81 | Choreology (Effort) \ Dance | n.d. |
| L/E/51/104 | Letters \ Schweiz. Berufsband fur Tanz und Gymnastik [Letter from Swiss Association for Dance and Gymnastics] | 6 June 1947 |
| L/E/8/39 | Eukinetics \ Conclusions | n.d. |
| L/E/7/48 | Choreology (Effort) \ Notes on motion factors | n.d. |
| L/E/25/61 | Philosophical comments \ Über Berufe, Arbeit! [On professions, work!] | n.d. |
| L/E/28/28 | Movement in general \ Magie und Extase [Magic and ecstasy] | n.d. |
| L/E/28/69 | Movement in general \ Energieentfaltung [Development of direction and energy] | n.d. |
| L/E/23/18 | Philosophical comments \ So called inner functions | n.d. |
| L/E/29/57 | Movement in general \ Movement gives the possibility of relationship... | n.d. |
| L/C/10/84 | Cut Outs \ 5 of 10 | n.d. |
| L/E/25/68 | Philosophical comments \ Religion | n.d. |
| L/E/29/12 | Movement in general \ Blitz und Kristall [Lightning and crystal] | n.d. |
| L/E/9/29 | Choreutics \ Drawings | n.d. |
| L/E/17/34 | Choreology in general \ Bewegung ist formfluss [movement is space flow] | n.d. |
| L/E/40/18 | Rhythm \ Fields of Application of Effort | n.d. |
| L/E/7/7 | Choreology (Effort) \ New point which life brings into the picture of existence..., The | n.d. |
| L/E/74/22 | Industrial Rhythm \ Letter to F.C. Lawrence from Laban | 7 July 1944 |
| L/E/28/42 | Movement in general \ Broken time | n.d. |
| L/E/23/25 | Philosophical comments \ Wellen oder Rhythmen der Emporung | n.d. |
| L/E/14/44 | Choreutics \ Adaptation of body attitudes to space harmony | n.d. |
| L/E/9/49 | Choreutics \ Polare [Poles] | n.d. |
| L/E/28/19 | Movement in general \ Dreaming philosopher, The | n.d. |
| L/C/9/8 | Holiday Drawings \ Capelcurig | 29 July 1948 |
| L/E/7/49 | Choreology (Effort) \ Importance of rhythmical phrasing in industrial operations, The | n.d. |
| L/E/51/45 | Letters \ Correspondence with Lotte Heider | 7 October 1947-6 November 1947 |
| L/E/71/12 | Industrial Rhythm \ Dartington Hall 1942 \ L.L. Unit, The | 1942 |
| L/F/7/13 | Models \ Turning, Interlocking Structure | n.d. |
| L/E/21/71 | Movement notation \ Tanzkurzschrift [Short dance script] | n.d. |
| L/E/13/29 | Choreutics \ Folge inn. aequ. [Conclusions from within aequ.] | n.d. |
| L/E/13/69 | Choreutics \ Schlange 6; Fläche 6 [Snake 6; Surface 6] | n.d. |
| L/E/6/4 | Choreology (Effort) \ Flow of weight, The | n.d. |
| L/E/6/33 | Choreology (Effort) \ Everted and inverted effort streams | n.d. |
| L/E/19/17 | Dance in general \ Dance and social life, The | n.d. |
| L/F/7/59 | Models \ Structures Using Tensegrity | n.d. |
| L/E/31/35 | Lecture notes on various subjects \ Depersonalisation of the dancer..., The | n.d. |
| L/E/41/27 | Articles about Laban \ Dancing Times \ 'Sitter Out, The' | 1954 |
| L/E/4/86 | Choreology (Space) \ Notes on movement scales in space | n.d. |
| L/E/1/41 | Choreology (Space) \ Sich bewegen heisst... [To move means...] | n.d. |
| L/E/2/10 | Choreology (Space) \ Analytical notes, drawings, symbols on Choreutics; analogies with music | n.d. |
| L/C/9/70 | Holiday Drawings \ Landscape with Rocks | n.d. |
| L/E/14/62 | Choreutics \ Numbers and symbols | n.d. |
| L/E/13/34 | Choreutics \ Choreutic drawings | n.d. |
| L/E/31/50 | Lecture notes on various subjects \ Quantitäten, Die [Quantities] | n.d. |
| L/E/26/75 | Philosophical comments \ About stillness and stir | n.d. |
| L/E/25/33 | Philosophical comments \ Conference Introduction | 1937 |
| L/E/15/44 | Choreutics \ Drawings, figure experiments | n.d. |
| L/E/13/49 | Choreutics \ Choreutic drawings and symbols | n.d. |
| L/E/19/28 | Dance in general \ Dancer, The | n.d. |
| L/E/23/51 | Philosophical comments \ Great oppressors do not appear to teach hate..., The | n.d. |
| L/E/15/66 | Choreutics \ Showing labile movement within the octahedron creating icosahedron orientation | n.d. |
| L/C/9/19 | Costume Design \ Stylised Drawing of a Female Figure | n.d. |
| L/E/12/47 | Choreutics \ 36-er Dod / nicht total / ohne Dim [36-link dodecahedron / not total / without dimension] | n.d. |
| L/E/18/52 | Choreology in general \ Drawings | n.d. |
| L/C/1/93 | Figures and Shapes \ Shapes | c.1938-1940 |
| L/E/32/12 | Lecture notes on various subjects \ Instructions to teachers | n.d. |
| L/E/13/65 | Choreutics \ Ketten und Ringe [Chains and rings] | n.d. |
| L/E/51/8 | Letters \ Letter from J.A. Meisenbach | 13 September 1951 |
| L/E/28/27 | Movement in general \ Space and form | n.d. |
| L/C/9/52 | Holiday Drawings \ Levanto | September 1954 |
| L/E/42/65 | Production Scripts \ Druck, Zug, Gleit, Schweb ... [Press, pull, glide, float] | n.d. |
| L/C/9/53 | Holiday Drawings \ Levanto | September 1954 |
| L/E/20/43 | Articles about Laban \ An der Freunde des Bewegungschores und des Laientanzes | January 1928 |
| L/E/58/26 | Books, Manuscripts, Outlines \ Language and Movement \ Part II \ Language | 1956 |
| L/E/12/39 | Choreutics \ Metamorphosis | n.d. |
| L/E/8/45 | Eukinetics \ Movement | n.d. |
| L/E/23/58 | Philosophical comments \ Notes | n.d. |
| L/E/13/8 | Choreutics \ Choreutic drawings | n.d. |
| L/E/48/44 | Historical Data \ International Conventions and Publications \ Spiegel, Der \ Vom Geist des Tanzen | 1925 |
| L/C/10/4 | Holiday Drawings \ Head of a Woman | n.d. |
| L/E/25/46 | Philosophical comments \ Naturbewegung [Natural movement] | n.d. |
| L/E/18/45 | Choreology in general \ Transversal 14-er reihe [Transversal 14-link row] | n.d. |
| L/E/13/16 | Choreutics \ Tetrabereiche und Komplikationen [Tetrahedral areas and complications] | n.d. |
| L/E/68/10 | Photostat and Newspaper Cuttings \ 1983 | 23 June 1983 |
| L/F/7/96 | Models \ Plane (3D) Structures | n.d. |
| L/E/41/44 | Articles about Laban \ Movement \ 'Letter from Rudolf Laban, A' by Rudolf Laban | 1948 |
| L/E/45/66 | Education \ Teachers' Dance Guide \ Knowledge and Skill | c.1946 |
| L/E/13/51 | Choreutics \ Rule of the Quint-sequence | n.d. |
| L/C/1/59 | Architectural Theatre Buildings \ Theatre | c.1954 |
| L/F/1/43 | Portraits \ Laban visiting the Laban School of Dorothea Daanin, Antwerpen \ December 1938 | 1938 |
| L/E/16/17 | Choreology in general \ Liste der Illustration [illustration list] | n.d. |
| L/E/53/37 | Books, Manuscripts, Outlines \ Effort and Recovery \ Sleep-Walker, The | c.1953 |
| L/E/4/81 | Choreology (Space) \ Space Harmony | 1952-1953 |
| L/E/55/11 | Books, Manuscripts, Outlines \ Effort and Recovery \ First Part \ Chapter III \ Sleep Walker | c.1953 |
| L/E/1/58 | Choreology (Space) \ Zweites Kapitel [Second Chapter] | n.d. |
| L/E/49/53 | Articles about Laban \ 'To Rudolf Laban' by Ewan MacColl | 1949 |
| L/E/54/6 | Books, Manuscripts, Outlines \ Effort and Recovery \ Introduction \ Version 2 | c.1953 |
| L/E/34/41 | Lecture notes on various subjects \ Ancient Greek influence on Renaissance dancing, The | 1939 |
| L/C/6/27 | Single and Double Figures in Spatial Forms \ Christmas Card | 1939 |
| XZL/E/1/2 | Kinetic Techniques for the Actor: An Analysis and Comparison of the Movement Training Systems of Francois Delsarte, Emil Jaques-Dalcroze and Rudolf Laban | 1971 |
| L/C/9/37 | Holiday Drawings \ Saundersfoot | 1951 |
| L/E/54/32 | Books, Manuscripts, Outlines \ Effort and Recovery \ Second Part \ Chapter XIV \ Pageant of Crafts and Industries, The | c.1953 |
| L/E/54/40 | Books, Manuscripts, Outlines \ Effort and Recovery \ Second Part \ Chapter XVIII \ At a Rehabilitation Centre | c.1953 |
| L/E/77/37 | Industrial Rhythm \ L.L.I.R. Confidential | n.d. |
| L/F/7/48 | Models \ Assorted Structures and Groups | n.d. |
| L/E/46/8 | Assessments, Reports, Records \ Letter to F C Lawrence re Y.A.B. (Youth Advice Bureau) | c.1956 |
| L/F/2/55 | Dances \ Don Juan \ Rudolf von Laban \ Tanzbuhne Laban \ from a newspaper cutting | 1925 |
| L/E/42/62 | Production Scripts \ Gaukelei / Gruppenspiele [Group games] | n.d. |
| L/E/51/66 | Letters \ Correspondence with John B. McCloskey, Catholic Relief Services | 10 March 1958 | 03/04/1958 |
| L/E/54/19 | Books, Manuscripts, Outlines \ Effort and Recovery \ First Part \ Chapter VII \ Club of Yawners, The \ Preliminary Drafts | c.1953 |
| L/E/59/4 | Books, Manuscripts, Outlines \ Antrieb und Arbeit I [Effort and Work I] | c.1957 |
| L/F/7/47 | Models \ Assorted Structures and Groups | n.d. |
| L/E/21/8 | Movement notation \ Laban notation (kinetography) | 1 May 1952 |
| L/E/7/6 | Choreology (Effort) \ Simultaneous diatonic | n.d. |
| L/E/25/59 | Philosophical comments \ Grenze des menschlichen Denkens…, Die [Limits of human thought] | n.d. |
| L/C/9/98 | Holiday Drawings \ Sea View of Levanto | September 1954 |
| L/E/10/5 | Choreutics \ Ketten flach gelegt... [Chains laid flat...] | n.d. |
| L/E/36/15 | Stories, Poems, Drama, Music \ Träume [Dreams] | n.d. |
| L/E/70/19 | Miscellaneous Notes \ Charles Bell (1774-1842) | n.d. |
| L/E/19/13 | Dance in general \ Tanz | n.d. |
| L/C/10/12 | Holiday Drawings \ New Forest | 1954 |
| L/E/54/41 | Books, Manuscripts, Outlines \ Effort and Recovery \ Second Part \ Chapter XVIII \ At a Rehabilitation Centre \ Preliminary Drafts | c.1953 |
| L/E/70/7 | Miscellaneous Notes \ Comments on Epithets by Shakespeare | n.d. |
| L/E/55/7 | Books, Manuscripts, Outlines \ Effort and Recovery \ Preface | c.1953 |
| L/C/6/12 | Single and Double Figures in Spatial Forms \ Icosahedron | 1938-1940 |
| L/C/5/129 | Single and Double Figures in Spatial Forms \ A Figure in a Dodecahedron | c.1938-1940 |
| L/E/35/26 | Education \ Ecole Superieure d'Etudes Choreographiques \ Principe et Esthetique de la Danse Moderne [principles and aesthetic of modern dance] | 1957 |
| L/E/31/51 | Lecture notes on various subjects \ Flux and form | 1937 |
| L/E/71/10 | Industrial Rhythm \ Dartington Hall 1942 \ What is a Factory? | 1942 |
| L/E/28/70 | Movement in general \ Erwachen des Bewegungsempfindens, Das [Awakening of the feeling of movement] | n.d. |
| L/C/8/18-L/C/8/22 | Rough Structures \ Knots in Icosahedrons | 1938-1940 |
| L/C/9/27 | Holiday Drawings \ Landscape with Rocks | n.d. |
| L/C/9/21 | Costume Design \ Costume Design for a Soldier | n.d. |
| L/E/50/52 | Letters \ Correspondence from the Dartington Period \ Letter from Dorothy Elmhirst | 20 January 1943 |
| L/E/29/13 | Movement in general \ Grundlagen des menschlichen Bewegungsempfindens, Die [Basics of human movements] | n.d. |
| L/E/51/11 | Letters \ Letter to Carl Horn \ State Board for Education, Michigan | 1 November 1946 |
| L/C/10/36 | Holiday Drawings \ Mountain Landscape with River | n.d. |
| L/E/8/97 | Eukinetics \ Die eukinetische Ordnung der Schwingungen. Strebung. Das Schwunggebilde. Fluss der Formfolge [Eukinetic arrangement of oscillation. Effort. The image of a leaf. Flow of shape sequence, The] | n.d. |
| L/E/69/30 | Biographical Information \ Rudolf Laban \ Letter to Lisa Ullmann from Cecilia Lustig | 18 June 1972 |
| JR/E/10/8 | Notes on classes given by Laban and Ullmann | 1948-1950 |
| L/E/65/45 | Industrial Rhythm \ Paton Lawrence & Co. \ Spirit of Industry, The | 5 July 1943 |
| L/E/22/33 | Articles about Laban \ Articles about Laban and his Work | n.d. |
| L/E/50/66 | Letters \ Correspondence with Peggy Dicks | 14-24 February 1958 |
| L/E/7/37 | Choreology (Effort) \ Rhythm of the dawn | n.d. |
| L/E/8/20 | Eukinetics \ Recovery | n.d. |
| L/E/15/42 | Choreutics \ Activity and crystallisation | n.d. |
| L/F/7/101 | Models \ Plane (3D) Structure | n.d. |
| L/E/14/22 | Choreutics \ Transversal seven-ring | n.d. |
| L/E/8/7 | Eukinetics \ Movement is the first and basic experience of Man | n.d. |
| L/E/4/3 | Choreology (Space) \ Breaks | n.d. |
| L/E/15/31 | Choreutics \ Verschachtelungen [Boxing in] | n.d. |
| L/E/47/22 | Art of Movement, The \ Kunst der Bewegung, Die [Art of Movement, The] | n.d. |
| L/F/7/94 | Models \ Hanging Structures | n.d. |
| L/E/15/35 | Choreutics \ Kubische Durchdringung [Cubic penetration] | n.d. |
| L/E/32/6 | Lecture notes on various subjects \ Ability and adaptability | n.d. |
| L/E/6/18 | Choreology (Effort) \ Acceptance | n.d. |
| L/E/33/11 | Lecture notes on various subjects \ Exploration of symbols for effort writing | n.d. |
| L/E/31/14 | Lecture notes on various subjects \ Mechanos | n.d. |
| L/E/9/4 | Choreutics \ Essay about Choreutics | n.d. |
| L/E/1/43 | Choreology (Space) \ If you look at a dancer... | n.d. |
| L/E/12/13 | Choreutics \ Choreutic drawings | n.d. |
| L/E/9/6 | Choreutics \ Vamp Fate: Form und Schicksal [Vamp Fate: Shape and destiny] | n.d. |
| L/E/20/25 | Dance in general \ Dance and movement sense | n.d. |
| L/E/21/23 | Movement notation \ Step and stance | n.d. |
| L/E/12/42 | Choreutics \ Kinetography score | n.d. |
| L/E/29/56 | Movement in general \ Morphology and number | n.d. |
| L/E/70/17 | Miscellaneous Notes \ Single Cells ..., The | n.d. |
| L/E/14/54 | Choreutics \ Choreutic drawings and notes | n.d. |
| L/E/25/13 | Philosophical comments \ We have fourth slanges | n.d. |
| L/E/65/51 | Industrial Rhythm \ Rhythm | 20 March 1944 |
| L/E/9/33 | Choreutics \ Es war ein Traumgesicht.. [It was a dreamface...] | n.d. |
| L/E/4/21 | Choreology (Space) \ Harmonic relations \ Crown | n.d. |
| L/E/29/43 | Movement in general \ World of values, The | n.d. |
| L/E/29/50 | Movement in general \ Flow of body and mind, The | n.d. |
| L/E/20/23 | Dance in general \ Allerlei [general (mixed bag)] | n.d. |
| L/F/7/110 | Models \ Geometrical Structure | n.d. |
| L/E/25/51 | Philosophical comments \ Growth of brain cells, The | n.d. |
| L/E/23/50 | Philosophical comments \ I am a porter... | n.d. |
| L/E/1/15 | Choreology (Space) \ Argument of modern physics is..., The | n.d. |
| L/E/32/21 | Lecture notes on various subjects \ Discussion 19/10/1951 | 19 October 1951 |
| L/E/1/74 | Choreology (Space) \ Flowers of Space | n.d. |
| L/E/22/20 | Movement notation \ Notes on dance notation | n.d. |
| L/E/25/57 | Philosophical comments \ Rhythmus - Fluss, natürliche Pflicht [Rhythm - flow, natural constraint] | n.d. |
| L/E/14/16 | Choreutics \ Choreutic drawings and notes | n.d. |
| L/E/26/61 | Philosophical comments \ Why is working on knowledge and a cultivation of harmony... | 1938-1939 |
| L/E/21/16 | Movement notation \ Letter IX | n.d. |
| L/E/6/84 | Choreology (Effort) \ Effort | n.d. |
| L/E/21/17 | Movement notation \ Kinetography | n.d. |
| L/E/29/60 | Movement in general \ Miscellaneous notes | n.d. |
| L/E/49/26 | Personal Statements \ Experience of a Neck Operation | 1957 |
| L/E/13/54 | Choreutics \ Choreutic drawings | n.d. |
| L/E/65/33 | Industrial Rhythm \ Designer in Industry, The \ Notes by R.J.B.A. Laban on the Memorandum by F.C. Lawrence | 29 March 1943 |
| L/E/33/21 | Lecture notes on various subjects \ People do not always understand the ideas | n.d. |
| L/E/12/44 | Choreutics \ 48-er Dodecahedron Eckspalten [48-er dodecahedron corner crevices] | n.d. |
| L/E/52/25 | Letters \ Letter from Anny Boalth | 8 May 1943 |
| L/E/14/67 | Choreutics \ Seven-rings within axial-scale | n.d. |
| L/E/28/46 | Movement in general \ Ungleichzeitige Gleichgewicht, Das [Irregular balance] | n.d. |
| L/C/4/73 | Spatial Forms \ Icosahedron | 1938-1940 |
| L/E/22/2 | Movement notation \ Regarding kinetogram of work movements | n.d. |
| L/E/16/47 | Choreology in general \ Drawings, notes and symbols | 25 January 1945 |
| L/E/7/26 | Choreology (Effort) \ Effort study deals with two aspects of effort life | n.d. |
| L/E/4/84 | Choreology (Space) \ Notes on the shapes of movement in space and time | n.d. |
| L/E/4/49 | Choreology (Space) \ Calculations concerning harmonics of movement | n.d. |
| L/E/33/19 | Lecture notes on various subjects \ Studies | n.d. |
| L/E/75/1 | Industrial Rhythm \ Business Plebiscite | 22 January 1951 | 25/01/1951 |
| L/E/12/21 | Choreutics \ Analytical drawings, notes and symbols on Choreutics | n.d. |
| L/E/54/22 | Books, Manuscripts, Outlines \ Effort and Recovery \ First Part \ Chapter IX \ Reminiscences of the Shadow Moves of a Lion, a Streetseller and Others | c.1953 |
| L/E/19/8 | Dance in general \ Ballet | 1944 |
| L/C/9/15 | Holiday Drawings \ Landscape with Lake | n.d. |
| L/E/1/33 | Choreology (Space) \ Spationom \ Notes and drawings | n.d. |
| L/C/3/39 | Figure Drawings \ Male Figures | c.1938-1940 |
| L/E/75/8 | Industrial Rhythm \ Training Women for Industry \ Exercises | 26 May 1942-1 December 1942 |
| L/E/2/33 | Choreology (Space) \ B.V. - B.V., Die (Berb. d. Frenntbeur, Die) | n.d. |
| L/E/9/27 | Choreutics \ Kristallspiel [Crystal game] | n.d. |
| L/E/5/66 | Choreology (Effort) \ Meaning of effort, The | n.d. |
| L/E/49/48 | Articles about Laban \ Theatrica \ 'Theatrica Scientifica' | 1958 |
| L/E/47/57 | Art of Movement, The \ Dance Composition | 21 May 1957 |
| L/E/45/51 | Education \ Building up a Dance Theatre | n.d. |
| L/E/32/17 | Lecture notes on various subjects \ Experience of rhythm and harmony in movement as a recreative activity | n.d. |
| L/E/42/86 | Production Scripts \ Erkenntniss / Charakter [Recognition/ character] | n.d. |
| L/E/9/35 | Choreutics \ Lemnis Knoten [Lemniscal knots] | n.d. |
| L/E/52/30 | Letters \ Letter from Bronwyn Lloyd Williams | 16 January 1946 |
| L/E/19/2 | Dance in general \ Dance a visual art | n.d. |
| L/E/51/103 | Letters \ Letter from Somerset Youth Service re vacation course at Taunton School | 31 March 1943 |
| L/E/50/43 | Letters \ Correspondence from the Dartington Period \ Industrial Rhythm | 26 July 1943 |
| L/E/52/65 | Letters \ Letter to M.E. Skelton | 4 December 1951 |
| L/E/25/24 | Philosophical comments \ Nothing is not big not little, The | n.d. |
| L/E/65/46 | Industrial Rhythm \ As a management consutant for twenty years ... | 5 October 1943 |
| L/E/6/74 | Choreology (Effort) \ Recreation | n.d. |
| L/C/10/73 | Spatial Forms \ Icosahedron | n.d. |
| L/E/23/14 | Philosophical comments \ Kineto-dynamic aura of man, The | n.d. |
| L/E/8/87 | Eukinetics \ Choreutic Drawings | n.d. |
| L/E/9/12 | Choreutics \ Organisation of space-move | n.d. |
| L/E/55/5 | Books, Manuscripts, Outlines \ Effort and Recovery \ Second Part \ Epilogue | c.1953 |
| L/E/42/90 | Production Scripts \ Movement Theatre | 1950 |
| L/E/55/44 | Books, Manuscripts, Outlines \ Effort and Recovery \ Flow of Effort and Recovery, The | 1953 |
| L/E/6/59 | Choreology (Effort) \ Interpretations of efforts observed | n.d. |
| L/E/3/7 | Choreology (Space) \ Über die Aufbaukräfte der Kristalle [Concerning crystals' strength of construction] | n.d. |
| L/E/18/62 | Choreology in general \ Plane penetrations in icosahedron, polar 3-rings and their corresponding transversals, lemniscatic band between them | n.d. |
| L/F/1/67 | Portraits \ Rudolf von Laban \ Dartington Hall | 1938 |
| JR/E/7/3 | Lecture Notes and Manuscripts | 1974-1978 |
| L/E/9/43 | Choreutics \ Wenn wir im der Ballettheorie...[In the theory of ballet...] | n.d. |
| L/F/2/6 | Portraits \ Rudolf von Laban | January 1955 |
| L/E/46/11 | Assessments, Reports, Records \ Guides to Interpretation | n.d. |
| L/E/43/29 | Historical Data \ Newspaper Cuttings on Laban's 75th Birthday | 1954 |
| L/E/25/35 | Philosophical comments \ Cher Monsieur Ducout [Dear Mr Ducout] | n.d. |
| L/E/1/24 | Choreology (Space) \ Spationom \ Drittel oder ein Dreifaches, Ein [A third or three times the amount] | n.d. |
| L/C/10/48 | Holiday Drawings \ St. Justin in Roseland Churchyard | 1955 |
| L/C/10/38 | Holiday Drawings \ Woman Sunbathing | 1954 |
| L/E/8/2 | Eukinetics \ Notes for lecture or article | n.d. |
| L/F/2/25 | Portraits \ Rudolf von Laban | n.d. |
| L/E/39/5 | Observation \ Control and Analysis of Dance Movements | n.d. |
| L/E/1/45 | Choreology (Space) \ Es gibt keine Fortschreitung... [There is no progression...] | n.d. |
| L/E/7/65 | Choreology (Effort) \ Three variations | n.d. |
| L/E/33/30 | Lecture notes on various subjects \ First Lecture: Dance in General | 1970 |
| L/E/54/30 | Books, Manuscripts, Outlines \ Effort and Recovery \ Second Part \ Chapter XIII \ Procession of the Pilgrims, The | c.1953 |
| L/E/51/16 | Letters \ Correspondence with Dr Manfred Knayer | 19 November 1956-13 May 1957 |
| L/E/5/1 | Choreology (Effort) \ Cristallographie dynamique, La [Dynamic crystallography] | n.d. |
| XZL/E/1/1 | Movement and World View: Applying Laban Movement Analysis and Magoroh Maruyama's Paradigms to the Comanche Dance and Lifestyle Data in Three Tewa Pueblos | March 1985 |
| L/E/32/50 | Lecture notes on various subjects \ Educational aims | n.d. |
| L/E/4/78 | Choreology (Space) \ Elemental effort values of inclinations | n.d. |
| L/E/22/56 | Articles about Laban \ Dance Magazine \ ' A Man of Movement ...' by Susan Au | June 1979 |
| L/E/32/31 | Lecture notes on various subjects \ Art of movement teacher as consultant, The | n.d. |
| L/E/53/8 | Books, Manuscripts, Outlines \ Motion Study \ Preface | n.d. |
| L/E/42/25 | Production Scripts \ Which are the Elements of Theatrical Art? | n.d. |
| L/E/28/37 | Movement in general \ One remarkable fact was that the harmonious people remained... | n.d. |
| L/E/48/8 | Historical Data \ Creative Drama \ Publication Correspondence | 22 August 1956 |
| L/E/28/55 | Movement in general \ Experimentalgruppe [experimental group] | n.d. |
| L/E/50/65 | Letters \ Correspondence with Myfanwy Dewey | 1944-1945 |
| L/E/32/55 | Lecture notes on various subjects \ Expressible in Space-Time-Weight | n.d. |
| L/E/52/24 | Letters \ Letters from John Trevelyan \ Westmorland County Council Education Committee | 20 October 1945-24 December 1945 |
| L/F/1/70 | Portraits \ Rudolf von Laban in his workshop \ Dartington Hall | 1939 |
| L/C/9/13 | Holiday Drawings \ Landscape by the Seashore | n.d. |
| L/E/50/21 | Letters \ Mission Inn, The \ California | 6 October 1936 |
| L/E/69/3 | Biographical Information \ Rudolf Laban \ Rudolf Laban | 1957 |
| L/E/52/33 | Letters \ Letters from Mary M. Sibthorp \ National Committee for Rescue from Nazi Terror | 29 September 1943-15 October 1943 |
| L/E/68/8 | Photostat and Newspaper Cuttings \ 1946-1949 | 1946-1949 |
| L/E/76/17 | Industrial Rhythm \ First Experiments with Industrial Rhythm | n.d. |
| L/E/45/14 | Education \ Educative and Therapeutic Value of the Art of Movement, The | n.d. |
| L/E/24/53 | Philosophical comments \ We have two manners of expression | n.d. |
| L/E/11/63 | Choreutics \ 36-ring, The | n.d. |
| L/E/47/41 | Art of Movement, The \ Art of Movement Studio \ Draft Principles of Education | 1945-1949 |
| L/E/12/17 | Choreutics \ Zwillinge [Twins] | n.d. |
| L/F/1/66 | Portraits \ Notation \ Rudolf von Laban | 1954 |
| L/E/12/23 | Choreutics \ Analytical drawings on Choreutics | n.d. |
| L/E/52/3 | Letters \ Letter from Corrie Hartong \ Rotterdam Dansschool | 11 December 1939 |
| L/E/18/20 | Choreology in general \ Continua | 1956 |
| L/E/51/95 | Letters \ Correspondence with Louise Soelberg | 8 October 1940-7 June 1943 |
| L/E/25/17 | Philosophical comments \ Flux eternelle, La [the eternal flux] | n.d. |
| L/E/67/12 | Family Correspondence \ Henry | 1946 |
| L/C/10/58 | Sketches \ Abstract with Sun and Cactus | n.d. |
| L/F/7/86 | Models \ Hanging Structures | n.d. |
| L/E/13/20 | Choreutics \ Hohlraum an 4 Schrägen [Hollow space on 4 slopes] | n.d. |
| L/E/1/63 | Choreology (Space) \ Choreological and choreutic notes and drawings | n.d. |
| L/F/7/67 | Models \ Structures Using Tensegrity | n.d. |
| L/E/12/36 | Choreutics \ 12-er Lemnis im Ico [12-link lemniscate in the icosahedron] | n.d. |
| L/E/39/27 | Observation \ Cognitive Aspect of Movement Observation, The | n.d. |
| L/E/34/18 | Lecture notes on various subjects \ Lecture summaries | 1939 |
| L/F/7/108 | Models \ Geometrical Structure | n.d. |
| L/E/17/4 | Choreology in general \ Strahlen - Buchten, der lebendige Raum [radiating - partition, living space] | n.d. |
| L/C/1/107 | Spatial Forms \ Solid Form | c.1938-1940 |
| L/F/7/22 | Models \ Paper Structure/Sculpture | n.d. |
| L/C/8/45-L/C/47 | Rough Structures \ Vortex Constructions | 1938-1940 |
| L/C/5/19 | Spatial Form | 1938-1940 |
| L/E/23/74 | Philosophical comments \ Rationalism and realism | n.d. |
| L/E/17/5 | Choreology in general \ Involuntary and intentional movements | n.d. |
| L/E/69/11 | Biographical Information \ Rudolf Laban \ Biographical Note | 1957 |
| L/E/35/37 | Art of Movement, The \ Three R's of the Art of Movement Practice, The | 1955 |
| L/E/1/52 | Choreology (Space) \ Alle Bewegung ist materiell... [All movement is physical...] | n.d. |
| L/E/53/39 | Books, Manuscripts, Outlines \ Movement in Groups of People | n.d. |
| L/E/4/8 | Choreology (Space) \ Diagrams | n.d. |
| L/C/7/48 | Spatial Forms \ Icosahedron | 1938-1940 |
| L/F/1/75 | Portraits \ Rudolf von Laban | October 1953 |
| L/E/34/2 | Lecture notes on various subjects \ Rhythm of the history of dance, The | 1939 |
| L/E/51/52 | Letters \ List of Educational Contacts | 1942 |
| L/E/36/22 | Stories, Poems, Drama, Music \ Träum [Dream] | 2 August 1941 |
| L/E/32/97 | Lecture notes on various subjects \ Psychologic roots of 16 themes | n.d. |
| L/E/47/14 | Art of Movement, The \ Modern Dance \ Answer to Questions | 27 August 1943 |
| L/C/8/55 | Dartington Hall Exhibition \ Icosahedron | 1938-1940 |
| L/E/19/6 | Dance in general \ Language of Ballet, The | n.d. |
| L/E/4/63 | Choreology (Space) \ Twelve points of movement orientation as distinguished through the use of the Icosahedron, The | 9 October 1956 |
| L/E/11/46 | Choreutics \ Symbols and analytical drawings | n.d. |
| BMJ/B/1211 | Choreutics |
| L/C/9/100 | Holiday Drawings \ Sea Storm | 1951 |
| L/E/19/16 | Dance in general \ Introduction: life as a personification of active enjoyment | n.d. |
| L/E/6/31 | Choreology (Effort) \ Scale based on sensing | n.d. |
| L/E/32/25 | Lecture notes on various subjects \ Art of movement, The | 1956 |
| L/E/50/18 | Letters \ Draft for a letter to Herr von Keudell | 1936 |
| L/C/8/33 | Rough Structures \ Progressive 3-D Structures (Icosahedron) | 1938-1940 |
| L/E/31/53 | Lecture notes on various subjects \ Aufstellung - Empfinden, Zeit, Raum, Absicht, Aktion [Position - Sensitivity, time, space, intention, action] | n.d. |
| L/E/20/2 | Dance in general \ Three frustrations, The | n.d. |
| L/C/2/130 | Spatial Forms \ Icosahedron | 1938-1940 |
| L/E/50/83 | Letters \ Letter from 'Ernest' | 30 December 1945 |
| L/E/74/10 | Industrial Rhythm \ W. Harold Perry Ltd. \ Notes | 3 December 1943 |
| L/E/32/48 | Lecture notes on various subjects \ To managerial rhythm | n.d. |
| L/E/2/65 | Choreology (Space) \ Complication of the plastical feeling in movement, The | n.d. |
| L/E/8/29 | Eukinetics \ Effort notation notebook | n.d. |
| L/E/3/46 | Choreology (Space) \ Stabiloid, Das | n.d. |
| XZM/1603 | Laban, Rudolf \ Oversize | |
| L/E/12/52 | Choreutics \ 50-er dod. Kantspalten [50-link dodecahedron edge fissures] | n.d. |
| L/E/26/71 | Philosophical comments \ Series of articles | 6 September 1956 |
| L/E/49/16 | Personal Statements \ Journey to USA \ Tod des Europäischen Kunsttraumes [Death of the European dream of art] | 1926 |
| L/E/59/6 | Books, Manuscripts, Outlines \ Antrieb und Arbeit [Effort and Work] \ 3 of 4 | c.1957 |
| L/E/5/45 | Choreology (Effort) \ Degrees | n.d. |
| JR/E/8/3 | Books \ Modern Dance in Education | 1957-1958 |
| L/F/2/18 | Portraits \ Rudolf von Laban \ Interlaken Course \ Switzerland | 1947 |
| L/E/2/52 | Choreology (Space) \ Feor (Froh); Jager/Erde I-XVI [Joyous; Hunter/Space] | n.d. |
| L/E/45/2 | Production Scripts \ Music | n.d. |
| L/E/26/14 | Philosophical comments \ Umbau [Rebuilding] | n.d. |
| L/E/20/37 | Dance in general \ Extract from an allocution held by Rudolf Laban on a meeting for community dance in 1936 | 1936 |
| L/E/8/81 | Eukinetics \ Choreutic drawings, notes, symbols and effort graph | n.d. |
| L/C/3/40 | Figure Drawings \ Male Figures | c.1938-1940 |
| L/E/62/45 | Industrial Rhythm \ Assessments \ Shadow-Move-Battle at the Trocadero | 13 January 1944 |
| L/E/1/61 | Choreology (Space) \ Überblick über mein Thema [Overview of my subject, An] | n.d. |
| LG/E/4/5 | Correspondence \ General \ 1940s and 1950s | 1948-1952 |
| L/E/7/43 | Choreology (Effort) \ Diagrams concerned with confluence of strength and quickness | n.d. |
| L/E/55/42 | Books, Manuscripts, Outlines \ Effort and Recovery \ Of Rhythms | 1953 |
| L/E/13/6 | Choreutics \ Strahl-Dreheffect [Radiating-turn effect] | n.d. |
| L/E/5/48 | Choreology (Effort) \ Fairy tale about Microbe City..., The | n.d. |
| L/C/9/88 | Holiday Drawings \ Lake with Tree | n.d. |
| L/E/51/74 | Letters \ Correspondence with Lotte Auerbach | 9 June 1943-12 April 1956 |
| L/E/25/71 | Philosophical comments \ Powermaschine [power machine] | n.d. |
| L/E/25/2 | Philosophical comments \ Einleitung [Introduction] | n.d. |
| L/C/9/17 | Costume Design \ Line Drawing of Hairstyle Designs \ 2 of 4 | n.d. |
| L/C/9/58 | Holiday Drawings \ Ascona | 1954 |
| L/E/26/53 | Philosophical comments \ So bescheiden ein Mensch auch sei... [No matter how modest a man might be …] | n.d. |
| L/E/45/15 | Education \ Swinging Dance | 1936 |
| L/E/50/41 | Letters \ Correspondence from the Dartington Period \ Dartington Hall Arts Department \ Training Courses | 5-12 January 1945 |
| L/E/58/25 | Books, Manuscripts, Outlines \ Monograph on: Movement and Language \ Part I \ Movement | 1956 |
| L/E/47/73 | Art of Movement, The \ Laban Art of Movement Centre \ Saltarium at Addlestone, The | 1954 |
| L/E/25/14 | Philosophical comments \ Self discipline | n.d. |
| L/E/68/19 | Contracts \ MacDonald & Evans \ Effort | 9 December 1946 |
| L/E/55/26 | Books, Manuscripts, Outlines \ Effort and Recovery \ XIII \ Procession of the Pilgrims, The \ Lisa Ullmann's copy | c.1953 |
| L/C/9/29 | Holiday Drawings \ Easter at the Lakes | n.d. |
| L/E/8/47 | Eukinetics \ Liberation and control of all dancing... | n.d. |
| L/E/52/15 | Letters \ Letter from Dr Curjel \ Theater- und Tournee-Genossenschaft | 1 October 1947 |
| L/E/54/38 | Books, Manuscripts, Outlines \ Effort and Recovery \ Second Part \ Chapter XVII \ Reminiscences of Enemies of Expression | c.1953 |
| L/E/46/27 | Man, Matter and Motion \ Wenn ein Mensch in seiner Erscheinung ... [If a human being …. in his appearance] | n.d. |
| L/E/41/43 | Articles about Laban \ Mind Alive \ 'Language of Movement, A' by Ian Hogg | 1968 |
| L/E/52/42 | Letters \ Letter from Rachel Percival | 22 April 1957 |
| L/E/55/40 | Books, Manuscripts, Outlines \ Effort and Recovery \ Functions of Caution and Boldness, The | 1953 |
| L/E/3/23 | Choreology (Space) \ Zum Raumbild; Beobachtung der Bewegungshandlungen [About the image of space; observation of how movement works] | n.d. |
| L/E/47/76 | Art of Movement, The \ Notes | n.d. |
| L/E/51/62 | Letters \ Correspondence with Hilde Brumof | 25 May 1957-5 July 1957 |
| L/E/49/13 | Personal Statements \ Journey to USA \ Bewegungssprache der Amerikaner, Die [The language of movement of Americans] | 1926 |
| L/E/79/2 | Books, Manuscripts, Outlines \ Effort and Work \ Antrieb und Arbeit | 15 June 1957 |
| L/E/52/43 | Letters \ Correspondence with Frances Perret | 2 July 1942-20 January 1958 |
| L/E/48/31 | Historical Data \ Letter to The Observer regarding An Excursion Out of Time | 1956 |
| L/E/50/76 | Letters \ Emergency Hospital, Southport \ Work with Prisoners of War | 13 June 1945 |
| L/C/9/79 | Holiday Drawings \ Woman in Bed Writing | n.d. |
| L/E/76/16 | Industrial Rhythm \ Deficiencies of Movement | n.d. |
| L/F/3/53 | Portraits \ Laban Art of Movement Centre 'The Saltarium' \ 1955 \ Rudolf von Laban with Masami Kumi \ 1956 | 1955-1956 |
| XZA/599 | Kaleidoscope Feature \ Dancing With Your Eyebrow \ Profile of Rudolf Laban | 15 November 1997 |
| LG/E/4/1 | Letters to Rudolf Laban | 1957-1958 |
| L/E/26/46 | Philosophical comments \ Gespräche über die Schönheit [Discussions on beauty] | n.d. |
| L/E/47/18 | Art of Movement, The \ Modern Dance \ New Way of Orientation, A | n.d. |
| L/E/15/2 | Choreutics \ Zur Raumbild-Übungsammlung [concerning the collection of space-shape exercises] | n.d. |
| L/E/23/27 | Philosophical comments \ Entdeckung des Unterbewusstsein, Die [Discovery of the subconscious] | n.d. |
| L/E/6/58 | Choreology (Effort) \ Effort-life | n.d. |
| XZK/C2049/3416 | Laban Art of Movement Guild News Sheet | 1948 |
| XZA/36 | Laban Lecture \ Laban Guild AGM \ 2 of 2 | 16 March 1996 |
| XZJ/304 | Laban Centenary | 1979 |
| L/E/62/67 | Industrial Rhythm \ Assessments \ Analysis and Significance | 1951 |
| XZK/C2049/2248 | Laban Art of Movement Guild Magazine | May 1959 |
| L/E/44/23 | Production Scripts \ Erde, Die [Earth, The] \ Motifs | c.1937 |
| L/E/24/46 | Philosophical comments \ Youth is not knowing the boundaries... | n.d. |
| L/E/4/55 | Choreology (Space) \ About the use of the Laban Dial | 1957 |
| L/F/3/44 | Portraits \ Rudolf von Laban with Diana Jordan Bournville, Primrose Hill, Selly Oak, Birmingham | 1943 |
| L/E/70/5 | Biographical Information \ Rudolf Laban \ Newspaper Obituaries | 3 July 1958 | 11/07/1958 |
| L/E/51/33 | Letters \ Letter to Joan Goodrich | 30 October 1946 |
| L/E/52/45 | Letters \ Correspondence with Suzanne Perrottet | 8 March 1947-29 October 1947 |
| L/E/12/7 | Choreutics \ Notes and drawings on space harmony | n.d. |
| L/C/8/56 | Dartington Hall Exhibition \ Icosidodecahedron | 1938-1940 |
| L/E/49/20 | Personal Statements \ Notebook \ 1949-1954 | 1949-1954 |
| L/E/28/26 | Movement in general \ Irgend [Any] | n.d. |
| L/E/13/42 | Choreutics \ Choreutic drawings | n.d. |
| L/E/10/17 | Choreutics \ Choreutic drawings with notes | n.d. |
| L/E/21/61 | Movement notation \ Eukinetische schrift [Eukinetic script] | n.d. |
| L/E/6/53 | Choreology (Effort) \ Recovery | n.d. |
| L/E/12/24 | Choreutics \ Choreutic drawings | n.d. |
| L/E/17/56 | Choreology in general \ Pattern and shape of movement | n.d. |
| L/E/8/5 | Eukinetics \ We live on three illusions | n.d. |
| L/E/8/33 | Eukinetics \ Basket | n.d. |
| L/E/8/32 | Eukinetics \ Drawings | n.d. |
| L/E/31/18 | Lecture notes on various subjects \ Notes | n.d. |
| AW/E/5/3 | Dance Styles \ Dance, Drama, Movement \ Private Sessions with Laban \ Basic Movement, Movement Direction, Observation and Notation | n.d. |
| AW/E/5/1 | Notation Notebooks | n.d. |
| AW/B/2038 | A Life for Dance: Reminiscences |
| AW/E/5/4 | R. Laban Private Sessions \ Harmony, Space Harmony, Audrey Wethered | n.d. |
| L/E/25/19 | Philosophical comments \ Selten-Oft [Seldom - often] | n.d. |
| L/E/16/11 | Choreology in general \ Osiris | n.d. |
| L/E/32/38 | Lecture notes on various subjects \ Structural body exercises | n.d. |
| L/E/16/76 | Choreology in general \ Masse [measurement] | n.d. |
| L/E/18/61 | Choreology in general \ Dodecahedron with its tilted cubes | n.d. |
| L/E/14/3 | Choreutics \ Portrait drawing | n.d. |
| L/E/2/41 | Choreology (Space) \ Buch I Vorspruch Rkt 26-29; Raumkraftfunktion 1-Rkt 25 [Book 1; recitation. The role of Space's power] | n.d. |
| L/E/11/48 | Choreutics \ Symbols and analytical drawings | n.d. |
| L/E/23/64 | Philosophical comments \ World of values, The | n.d. |
| L/E/10/48 | Choreutics \ Transversale [Transversals] | n.d. |
| L/C/10/93 | Spatial Forms \ Graph 5 \ Heads, Medians and Tails of Transversal Inclination-Waves | n.d. |
| L/E/31/11 | Lecture notes on various subjects \ History of movement | n.d. |
| L/E/17/15 | Choreology in general \ There are in movement Laws of God (Harmony) | n.d. |
| L/E/13/43 | Choreutics \ Choreutic drawings | n.d. |
| L/E/22/9 | Movement notation \ Space accidentals | n.d. |
| L/E/12/35 | Choreutics \ Choreutic drawings | n.d. |
| L/E/13/17 | Choreutics \ Choreutic drawings | n.d. |
| L/E/13/47 | Choreutics \ Choreutic drawings | n.d. |
| L/E/10/29 | Choreutics \ Drawings of human figure in crystals | n.d. |
| L/E/14/46 | Choreutics \ Drawings of seven-rings | n.d. |
| L/E/22/14 | Movement notation \ Notation symbols | n.d. |
| L/E/14/18 | Choreutics \ Seven-rings | n.d. |
| L/E/21/7 | Movement notation \ In effort notation ... | n.d. |
| L/E/7/30 | Choreology (Effort) \ Diagrams of space - time - weight - flow continua | n.d. |
| L/E/32/29 | Lecture notes on various subjects \ Modern dance holiday courses | n.d. |
| L/E/3/35 | Choreology (Space) \ Kristallanalyse [Analysis of crystal] | n.d. |
| L/E/8/62 | Eukinetics \ Eukinetsche Zeichen [Eukinetic drawings] | n.d. |
| L/E/12/33 | Choreutics \ Choreutic drawings | n.d. |
| L/E/32/49 | Lecture notes on various subjects \ Report: Fort Dunlop | n.d. |
| L/E/21/42 | Movement notation \ It is a very frequently arising misconception, that a script of movement can be invented... | n.d. |
| L/E/36/33 | Books, Manuscripts, Outlines \ Re Bill Carpenter's Manuscript \ Flow | n.d. |
| L/E/15/6 | Choreutics \ Welt als Strahwille, Die [World as a will to beam, The] | n.d. |
| L/E/5/49 | Choreology (Effort) \ Effort and Space-Form | n.d. |
| L/E/60/3 | Books, Manuscripts, Outlines \ Korper als Werkzeng, Der \ 6 of 7 [the body as tool] | n.d. |
| L/E/19/56 | Dance in general \ Tanzen hat die Aufgabe, Das [Dance has the task] | n.d. |
| L/E/67/8 | Family Correspondence \ Etta von Laban | 11 May 1949 |
| L/E/49/11 | Personal Statements \ Journey to USA 1926 \ Neger Spirituals ..., Die [Negro Spirituals ..., The] | n.d. |
| L/E/49/29 | Personal Statements \ Ericherische und Therapeutische Wert des Tanzes, Der | n.d. |
| L/E/1/65 | Choreology (Space) \ Analytical drawings | n.d. |
| L/E/10/30 | Choreutics \ Strahlenspiel; Kettenkorper; Stulpformen [Game of rays; Chain body; Turn shapes] | n.d. |
| L/E/34/53 | Lecture notes on various subjects \ Freeing the Will ... | n.d. |
| L/E/14/69 | Choreutics \ Lebensfähigkeit ist ein lemniskatisch orientiertes Allgemeingeschöpf..., Die [Ability to live is a lemniscate-orientated general creation..., The] | n.d. |
| L/E/31/62 | Lecture notes on various subjects \ Leitschrift [Instructions] | n.d. |
| L/E/46/4 | Assessments, Reports, Records \ Leeds Visit | n.d. |
| L/E/46/21 | Assessments, Reports, Records \ Organisation of Regional Movement Advice Centres, The | n.d. |
| L/F/2/38 | Dances \ Rudolf von Laban | c. 1920 |
| L/E/11/3 | Choreutics \ Gebilde der Kraft [Images of strength] | n.d. |
| L/E/21/18 | Movement notation \ Introduction to series B (exercises) | n.d. |
| L/E/19/14 | Dance in general \ Dance for the layman | n.d. |
| L/E/26/30 | Philosophical comments \ Gesten der Menscheit, Die [Gestures of human beings] | n.d. |
| L/E/32/84 | Lecture notes on various subjects \ People have three needs... | n.d. |
| L/E/6/17 | Choreology (Effort) \ Notes, symbols and drawings on effort | n.d. |
| L/E/2/3 | Choreology (Space) \ Eckenstrahlung [Radiation from a corner] | n.d. |
| L/E/65/57 | Industrial Rhythm \ Laban Lawrence Industrial Rhythm \ Procedure | 29 September 1944 |
| L/E/51/20 | Letters \ Letter from Douglas Kennedy | 30 March 1943 |
| L/E/35/1 | Art in General \ Art of Movement on the Stage and in Schools, The | 1947 |
| L/E/26/45 | Philosophical comments \ Gespräche über die Schönheit [Discussions on beauty] | n.d. |
| L/E/15/65 | Choreutics \ Diagrammatic workings of icosahedron model | n.d. |
| L/E/48/5 | Historical Data \ Experiments with Form and Rhythm | 1939 |
| L/E/14/39 | Choreutics \ Choreutic drawings, Kinetograms and musical notation | n.d. |
| L/E/2/67 | Choreology (Space) \ Eversion - Inversion | n.d. |
| L/E/32/87 | Lecture notes on various subjects \ Main Subject: art of movement training | n.d. |
| L/E/1/27 | Choreology (Space) \ Spationom \ Drawings | n.d. |
| L/E/14/58 | Choreutics \ Symbols, The | n.d. |
| L/E/14/47 | Choreutics \ Drawings, notations of 7-rings, and address names | n.d. |
| L/E/14/35 | Choreutics \ Notebook with choreutic drawings, notes and symbols | n.d. |
| L/E/14/25 | Choreutics \ Kinships & differences of 7-rings | n.d. |
| L/E/12/34 | Choreutics \ Entwicklung vom 6-Ring zu 12-er Schlange [Development from 6-ring to 12-link snake] | n.d. |
| L/C/10/13 | Holiday Drawings \ Landscape in Cornwall | n.d. |
| L/F/1/89 | Portraits \ Rudolf von Laban \ Masami King \ London | 1956 |
| L/E/33/7 | Lecture notes on various subjects \ Notebook | n.d. |
| L/E/3/54 | Choreology (Space) \ Keimgebilde, Wächter 3-7; Zeit 1; Der Lebensbaum; Die drei Bäume; Die Ahnenschuld [Shoot images; Guardians 3-7; Time 1; The tree of life; The 3 trees; Ancestral guilt] | n.d. |
| L/E/6/10 | Choreology (Effort) \ Observation of effort, The | n.d. |
| L/E/20/8 | Dance in general \ Gesichtspunkte eines Laien [Viewpoint of a layman] | n.d. |
| L/E/2/69 | Choreology (Space) \ Drawings and symbols | n.d. |
| L/E/49/21 | Personal Statements \ Analysis of my Business | n.d. |
| L/E/47/15 | Art of Movement, The \ Modern Dance | n.d. |
| L/E/39/21 | Observation \ Three Aspects Under Which Observation Can Be Carried Out, The | n.d. |
| L/E/70/58 | Miscellaneous Notes \ To Assemble the Icosahedron | n.d. |
| L/E/41/15 | Psychological Implications \ Mental and Bodily Awareness | n.d. |
| L/E/48/49 | Historical Data \ Laban's will | 23 February 1959 |
| L/E/46/60 | Information from Others \ Osterkurz [Easter Course] \ 1929 | 1929 |
| L/E/4/83 | Choreology (Space) \ Relationship of the major inclination scales, The | n.d. |
| L/E/8/69 | Eukinetics \ Prime scales | n.d. |
| L/E/2/1 | Choreology (Space) \ Five projections | n.d. |
| L/E/32/42 | Lecture notes on various subjects \ Of what can movement speak? | n.d. |
| L/E/70/34 | Miscellaneous Notes \ Instinkt, Der [Instinct] | n.d. |
| L/E/21/32 | Movement notation \ Idea of dance-notation isolated from all the different attempts..., The | n.d. |
| L/E/42/17 | Production Scripts \ List of Names of Music Composers | n.d. |
| L/E/59/19 | Books, Manuscripts, Outlines \ Charakteristische Bewegungslinien festgehalten ... [characteristic motion captured...] | n.d. |
| L/E/6/51 | Choreology (Effort) \ Great rhythm of effort and recovery..., The | n.d. |
| L/E/42/77 | Production Scripts \ Roten Faden, Die [The red thread] | n.d. |
| L/E/6/52 | Choreology (Effort) \ Every movement has a certain psychic and physical intensity which demands effort... | n.d. |
| L/E/11/4 | Choreutics \ Jede Bewegung hat eine Strebung... [Every movement has a goal...] | n.d. |
| L/F/7/58 | Models \ Structures Using Tensegrity | n.d. |
| L/E/51/79 | Letters \ Letters from L.A. Wilson, The Metropolitan Dramatic and Operatic Society | 9 December 1945-11 January 1946 |
| L/F/7/20 | Models \ Paper Structure/Sculpture | n.d. |
| L/E/54/26 | Books, Manuscripts, Outlines \ Effort and Recovery \ Second Part \ Chapter XI \ In a Giant Cave | c.1953 |
| L/E/40/4 | Rhythm \ Analysis of Effort, The | n.d. |
| L/E/4/72 | Choreology (Space) \ Space. Movement in space | 1943-1944 |
| L/E/2/37 | Choreology (Space) \ Notizen, Modele, Formdrang [Notes, models, the forming impulse] | n.d. |
| L/E/39/26 | Observation \ Discovery of the Movement-Portrait, The | 4 June 1954 |
| L/E/52/60 | Letters \ Correspondence with C.M. Limpard | 15 February 1956 | 01/03/1956 |
| L/E/25/44 | Philosophical comments \ Raumfühlungswille [The will of space feeling] | n.d. |
| L/E/32/71 | Lecture notes on various subjects \ Individual tests assessments | n.d. |
| L/F/3/29 | Portraits \ Interlaken Summer Course | 1947 |
| L/E/55/3 | Books, Manuscripts, Outlines \ Effort and Recovery \ Second Part \ Epilogue | c.1953 |
| L/C/4/55 | Figures Within Static Form \ Two Figures | c.1938-1940 |
| L/E/28/9 | Movement in general \ Emotions are directions without length | n.d. |
| L/C/9/89 | Holiday Drawings \ Near Hereford | 1955 |
| L/E/26/41 | Philosophical comments \ Exempel, Das (Zeitproblem) [The example (problem of time)] | n.d. |
| L/E/51/90 | Letters \ Correspondence with Clinics and Sanatoria in Germany and Switzerland | 16 May 1957-26 June 1958 |
| L/E/47/1 | Choreography \ Composition (Group or Solo) | n.d. |
| L/E/26/29 | Philosophical comments \ Wenn die Menschen sich klar machen würden, dass sie in 3 Registern denken, sprechen, fühlen und sehen [If only humans would recognize that they think, speak, feel and see in three registers] | n.d. |
| L/E/34/39 | Lecture notes on various subjects \ Form of dance, The | 1939 |
| L/E/44/21 | Production Scripts \ Erde, Die [Earth, The] \ Paris \ 1937 | 1937 |
| L/E/53/2 | Books, Manuscripts, Outlines \ Effort - Book Two \ Printer's Copy | c.1947 |
| L/E/28/66 | Movement in general \ Hornruf, Der [Call of the horn] | n.d. |
| L/E/29/28 | Movement in general \ Question of movement awareness, The | n.d. |
| L/E/6/16 | Choreology (Effort) \ Effort structure | n.d. |
| L/E/48/29 | Historical Data \ Institute for Effort Study | c.1943-c.1944 |
| L/E/32/10 | Lecture notes on various subjects \ Assessment of inner attitudes, The | n.d. |
| L/E/46/3 | Assessments, Reports, Records \ Dance Programme, Bedford | n.d. |
| L/E/68/33 | Biographical Information \ Rudolf Laban \ Biography in German | 1959 |
| L/F/3/73 | Models \ Rudolf von Laban \ The Dial | 1957 |
| L/E/17/23 | Choreology in general \ Apprehension of the movement as a whole, The | n.d. |
| L/C/9/30 | Holiday Drawings \ Easter at the Lakes | 1953 |
| L/E/55/12 | Books, Manuscripts, Outlines \ Effort and Recovery \ First Part \ Chapter IV \ Puppet Masters | c.1953 |
| L/E/55/10 | Books, Manuscripts, Outlines \ Effort and Recovery \ First Part \ Chapter I \ Tired Baker, The | c.1953 |
| L/F/2/1 | Portraits \ Rudolf von Laban | January 1950 |
| L/E/54/20 | Books, Manuscripts, Outlines \ Effort and Recovery \ First Part \ Chapter VIII \ Commander in Action, The | c.1953 |
| L/C/8/54 | Dartington Hall Exhibition \ Octahedron | 1938-1940 |
| L/E/51/18 | Letters \ Correspondence with Joseph Kramerich | 25 February 1957-13 May 1957 |
| L/E/45/73 | Education \ Concerning Themes for Educative Dance Dramas | n.d. |
| L/E/2/44 | Choreology (Space) \ Buch III: simultane Wirkung Sim I - Sim XII., ZW18-24 [Book III Simultaneous effect] | n.d. |
| L/E/17/17 | Choreology in general \ Harmonic relations | n.d. |
| L/E/54/24 | Books, Manuscripts, Outlines \ Effort and Recovery \ First Part \ Chapter X \ Ball of the Artists, The | c.1953 |
| L/E/16/2 | Choreology in general \ Fantasognosis and streamline geometric radiation | n.d. |
| L/E/2/48 | Choreology (Space) \ Miscellaneous notes | n.d. |
| L/E/18/1 | Choreology in general \ Time dimension and effort, The | n.d. |
| L/E/19/60 | Dance in general \ Educational and therapeutic value of dance, The | n.d. |
| L/E/39/3 | Observation \ Personality Diagnosis | n.d. |
| L/E/14/10 | Choreutics \ Drawings and symbols as comparison between angles and musical intervals | n.d. |
| L/E/40/20 | Rhythm \ Investigation of Human Effort, The | c.1946 |
| L/E/55/1 | Books, Manuscripts, Outlines \ Effort and Recovery \ Second Part \ Epilogue | c.1953 |
| L/E/49/7 | Personal Statements \ Etwas Neues uber die Ratsel des Lebens [Problem of My Life, The] | n.d. |
| L/E/42/69 | Production Scripts \ Mensch in Bewegung [Humans in motion] | n.d. |
| L/C/10/55 | Figure Drawings \ Female Life Sketch with Umbrella and Dog | n.d. |
| L/E/13/39 | Choreutics \ Choreutic drawings | n.d. |
| L/E/68/20 | Contracts \ Certificate of Registration of a Claim to Renewal Copyright \ Schrifttanz \ Script Dancing | 27 February 1930-16 June 1930 |
| L/E/32/92 | Lecture notes on various subjects \ Notes and symbols | n.d. |
| L/E/54/25 | Books, Manuscripts, Outlines \ Effort and Recovery \ First Part \ Chapter X \ Ball of the Artists, The \ Preliminary Drafts | c.1953 |
| L/E/48/42 | Historical Data \ International Conventions and Publications \ Laientanz, Der [Lay dancing] | 1928 |
| L/E/54/11 | Books, Manuscripts, Outlines \ Effort and Recovery \ First Part \ Chapter III \ Madame X, the Sleep Walker \ Draft 2 | c.1953 |
| L/E/54/23 | Books, Manuscripts, Outlines \ Effort and Recovery \ First Part \ Chapter IX \ Reminiscences of the Shadow Moves of a Lion, a Streetseller and Others \ Preliminary Drafts | c.1953 |
| L/E/54/34 | Books, Manuscripts, Outlines \ Effort and Recovery \ Second Part \ Chapter XV \ Curious Wedding Customs | c.1953 |
| L/E/54/14 | Books, Manuscripts, Outlines \ Effort and Recovery \ First Part \ Chapter V \ Angela, the Factory Girl | c.1953 |
| L/E/3/37 | Choreology (Space) \ Raumeinteilung; Skalen-, Kadenzenglieder [Division of space; Scale and cadence sections] | n.d. |
| L/E/55/19 | Books, Manuscripts, Outlines \ Effort and Recovery \ VI \ African Body Guard, The \ Lisa Ullmann's copy | c.1953 |
| L/E/35/12 | Art in General \ Architektur [architecture] | n.d. |
| L/E/64/64 | Industrial Rhythm \ Rhythm of Life, The | n.d. |
| L/E/64/68 | Industrial Rhythm \ Stage of Work, The | n.d. |
| L/E/21/30 | Movement notation \ Conditions | n.d. |
| L/E/56/16 | Books, Manuscripts, Outlines \ Bewegungs ... [movement] | n.d. |
| L/F/1/87 | Portraits \ Rudolf von Laban | June 1956 |
| L/E/16/60 | Choreology in general \ Notes | n.d. |
| L/E/4/20 | Choreology (Space) \ Harmonic relations \ Fourness, fiveness, sixness | n.d. |
| L/E/25/40 | Philosophical comments \ Dynamismus [Dynamics] | n.d. |
| L/E/64/76 | Industrial Rhythm \ Outline for the Observer | n.d. |
| L/E/18/4 | Choreology in general \ Analytical drawings of basic octahedral shapes | n.d. |
| L/E/18/53 | Choreology in general \ Drawings | n.d. |
| L/E/33/9 | Lecture notes on various subjects \ Notes on drives and inner attitudes | n.d. |
| L/E/20/26 | Dance in general \ Recreational group dance | n.d. |
| L/E/5/42 | Choreology (Effort) \ Fifth chapter, Effort and bodily intelligence | n.d. |
| L/E/6/75 | Choreology (Effort) \ Space - Time | n.d. |
| L/E/14/4 | Choreutics \ Choreutic drawing | n.d. |
| L/E/47/7 | Art of Movement, The \ Art of Movement, The | 12 October 1949 | 30/01/1958 |
| L/E/4/69 | Choreology (Space) \ Choreutic notes | n.d. |
| L/E/47/58 | Art of Movement, The \ Laban Art of Movement Centre \ What is the LAMC? | n.d. |
| L/E/22/11 | Movement notation \ Movement is notated in placing the motion character... | n.d. |
| L/E/24/38 | Philosophical comments \ Earth, The: ghosts I | n.d. |
| L/E/64/79 | Industrial Rhythm \ Waste | n.d. |
| L/E/7/10 | Choreology (Effort) \ Writings and drawings | n.d. |
| L/C/10/66 | Architectural Theatre Buildings \ Building | n.d. |
| L/E/8/37 | Eukinetics \ Effort values Points (corners) | n.d. |
| L/E/7/18 | Choreology (Effort) \ How to practice the recording of efforts | n.d. |
| L/E/21/37 | Movement notation \ And lowering our limbs and the center of the body downwards ... | n.d. |
| L/E/17/46 | Choreology in general \ Diagrammatic analysis of the quality of movement in the There and Now, and also of the basic body shapes | n.d. |
| L/E/25/8 | Philosophical comments \ Über meine Tätigkeit [About my activities] | n.d. |
| L/E/1/69 | Choreology (Space) \ Entfaltung [Unfolding] | n.d. |
| L/E/40/11 | Rhythm \ Language of Rhythm, The | n.d. |
| L/E/6/57 | Choreology (Effort) \ Effort | n.d. |
| L/F/7/115 | Models \ Geometrical Structures | n.d. |
| JR/E/10/9 | Articles on Laban | 1958-1975 |
| L/E/23/22 | Philosophical comments \ Fate has built... | n.d. |
| L/E/14/33 | Choreutics \ Choreutic effort figure, notes and 10-ring | n.d. |
| L/E/11/22 | Choreutics \ Zeichen [Signs] | n.d. |
| L/E/32/57 | Lecture notes on various subjects \ Effort recovery | n.d. |
| L/E/14/24 | Choreutics \ Analytical drawings, notes and symbols | n.d. |
| L/E/52/34 | Letters \ Correspondence with J.H. Simpson \ College of Preceptors, The | 15 October 1946-12 March 1947 |
| L/E/37/10 | Physiological - Scientific \ Radiation and Emanation \ Part 2 of 4 | n.d. |
| XZE/12/3 | Dance in Translation: The Particular Challenges and Problems of Arts-related Texts - A Case Study on Rudolf Laban | 1992 |
| L/E/26/76 | Philosophical comments \ Composition of works of the art of movement, The | n.d. |
| L/E/11/56 | Choreutics \ Ruhe und Tätigkeit, Bewegung und Tätigkeit [Rest and activity, motion and activity] | n.d. |
| L/E/25/4 | Philosophical comments \ Fantomatik | n.d. |
| L/E/15/24 | Choreutics \ Raum Geometrie [Space geometry] | n.d. |
| L/E/14/50 | Choreutics \ Choreutic drawings, notes, and symbols | n.d. |
| L/E/7/23 | Choreology (Effort) \ Flow of materials, The | n.d. |
| L/E/16/71 | Choreology in general \ Weg (Bahn) [route] | n.d. |
| L/E/28/43 | Movement in general \ Movement and mentality | n.d. |
| L/F/2/17 | Portraits \ Rudolf von Laban \ Summer Course \ Bishop Otter College Chichester | 1946-1947 |
| AW/E/5/5 | Private Sessions with Laban | 1953-1954 |
| L/E/51/44 | Letters \ Letter from Herr Vater | 18 March 1958 |
| L/E/35/28 | Books, Manuscripts, Outlines \ Choral Movement Group | n.d. |
| L/E/79/23 | Historical Data \ MacDonald & Evans \ Biography of Laban | 27 October 1964 |
| L/E/70/22 | Miscellaneous Notes \ Movement Stimulus | n.d. |
| L/F/7/4 | Models \ Stella Structure and Cube in the Icosahedron | n.d. |
| L/E/13/78 | Choreutics \ Gr. and kl. Blüten [Large and small blossoms] | n.d. |
| L/E/62/55 | Industrial Rhythm \ Assessments \ Observation of Movement Behaviour During Interview | 23 February 1948 |
| L/E/65/47 | Industrial Rhythm \ Paton Lawrence & Company \ Industrial Rhythm - The Key to Motion Study | 13 September 1943 |
| L/E/76/28 | Industrial Rhythm \ Shadow Moves in Industry | n.d. |
| L/E/34/7 | Lecture notes on various subjects \ History of dance | 1939 |
| L/E/18/46 | Choreology in general \ 6-7-8-Ring und Axen [6-7-8 ring and axis] | n.d. |
| L/F/1/94 | Portraits \ Rudolf von Laban \ Moreton Hall | 1942 |
| L/E/29/17 | Movement in general \ Fluss und form | n.d. |
| L/E/77/14 | Industrial Rhythm \ Introduction | n.d. |
| L/C/9/101 | Holiday Drawings \ View of Saundersfoot | 1951 |
| L/E/18/55 | Choreology in general \ 6 P-ring zeigt 3 Sorten, Der [6 P-ring shows 3 types] | n.d. |
| L/E/37/20 | Books, Manuscripts, Outlines \ Conflict and Harmony between Man and Woman \ Draft Manuscript 3 \ 1 of 2 | n.d. |
| L/E/49/15 | Personal Statements \ Journey to USA 1926 \ Hollywood - Film und Bewegung | n.d. |
| L/E/21/77 | Movement notation \ Laban's kinetographie | n.d. |
| L/F/7/38 | Models \ Paper Structure/Sculpture | n.d. |
| L/E/10/3 | Choreutics \ Zusammenhang 8-Ring, 6-Ring, 5-Ring, 4-Ring, 3-Ring (Stern) [Connection of 8-, 6-, 5-, 4- and 3-ring (star)] | n.d. |
| L/E/11/10 | Choreutics \ Reine Schlingenring, Der [Pure loop ring] | n.d. |
| L/E/8/93 | Eukinetics \ Apprehension of the movement as a whole, The | n.d. |
| L/E/15/30 | Choreutics \ Widerstände ? eine Art von Verknotung [resistance results in a form of knotting] | n.d. |
| L/E/6/56 | Choreology (Effort) \ There is a difference between producing voluntarily the dynamic effort... | n.d. |
| L/F/7/11 | Models \ Turning, Interlocking Structure | n.d. |
| L/C/3/34 | Figure Drawings \ Male Figures | 1938-1940 |
| L/C/7/109 | Figures \ Head | 1938-1940 |
| L/E/34/6 | Lecture notes on various subjects \ History of dance | 1939 |
| L/C/5/37 | Spatial Forms \ Octahedron | 1938-1940 |
| L/C/2/45 | Spatial Forms \ Lemniscate in Dodecahedron | 1938-1940 |
| L/C/8/37-L/C/8/42 | Rough Structures \ Progression of Triangular Construction (Icosahedron) | 1938-1940 |
| L/C/5/73 | Spatial Forms \ Icosahedron | 1938-1940 |
| L/C/1/120 | Spatial Forms \ Analytical Spatial Structure | 1938-1940 |
| L/E/3/34 | Choreology (Space) \ Zerriss; Stabil - labil [Disunity; Stable - labile] | n.d. |
| L/E/60/2 | Books, Manuscripts, Outlines \ Korper als Werkzeng, Der \ 5 of 7 [the body as tool] | n.d. |
| L/C/7/99 | Spatial Forms \ Icosahedron | 1938-1940 |
| L/C/3/9 | Figure Drawings \ Group of Small Figures | 1938-1940 |
| L/C/2/75 | Spatial Forms \ Icosahedron | 1938-1940 |
| L/C/5/56 | Spatial Forms \ Octahedron | 1938-1940 |
| L/C/5/8 | Spatial Forms \ Lemniscate Construction | 1938-1940 |
| L/E/70/31 | Miscellaneous Notes \ Nervenbaum, Der [The tree of nerves] | n.d. |
| L/E/3/59 | Choreology (Space) \ Appendix: the relationship of inclinations in the icosahedron | 1942 |
| L/E/6/61 | Choreology (Effort) \ Method of drawing effort graphs, The | n.d. |
| L/E/17/1 | Choreology in general \ Notes and drawings | n.d. |
| LU/E/15/4 | Biographical Information \ Correspondence about Rudolf Laban's Work (1 of 22) | 1961-1979 |
| NM/B/912 | Mastery of Movement on the Stage, The |
| L/E/19/3 | Dance in general \ Dance in relation to poetry and music | n.d. |
| AW/B/2039 | Effort: Economy of Human Movement |
| L/E/28/4 | Movement in general \ Proportionality within the flow, The | n.d. |
| XZB/392 | Modern Educational Dance |
| L/E/49/40 | Articles about Laban \ Tat, Die \ 'Tanzerische Kunstwert, Das' by Rudolf von Laban | 1927 |
| L/E/47/37 | Art of Movement, The \ Reports of Meetings at Halensee | 29 March 1926-2 April 1926 |
| L/E/68/7 | Photostat and Newspaper Cuttings \ 1931-1936 | 1931-1936 |
| L/E/72/15 | Industrial Rhythm \ St Olave's Curing & Preserving Co. Ltd. \ Correspondence, Reports and Notes | 31 October 1942-22 June 1943 |
| L/E/46/12 | Assessments, Reports, Records \ Young L | 16 September 1945 |
| L/E/51/29 | Letters \ North Eastern Area Council for Group Listening | 24 March 1945 |
| L/E/51/55 | Letters \ City of Birmingham Education Department | 23 January 1945-20 March 1945 |
| L/E/52/40 | Letters \ Letters from Biatrice Pia | 17 March 1946-11 December 1946 |
| L/E/50/56 | Letters \ United Restitution Organisation \ Dr O. Bental | 25 November 1957 | 13/12/1957 |
| L/E/58/27 | Books, Manuscripts, Outlines \ Language and Movement \ Part III \ Movement and Language | c.1956 |
| L/E/50/93 | Letters \ I.T. Publications Ltd | 21 June 1947 |
| L/E/52/29 | Letters \ Letters to Mrs I.A. Iceton \ Education Committee, Newcastle-on-Tyne | 20 July 1946 | 16/10/1946 |
| L/E/51/102 | Letters \ Correspondence with Felicia Sachs, New York | 14 December 1946 | 15/05/1947 |
| ED/E/47/10 | Marketing \ London \ 1982-1983 | 1982-1983 |
| L/B/2380 | Modern Educational Dance |
| XZL/B/2029 | Way of the Transformation: The Laban-Malmgren System of Dramatic Character Analysis, The \ Volume 2: The System \ Part 1 |
| L/C/5/69 | Spatial Forms \ Icosahedron | 1938-1940 |
| AW/B/2051 | Modern Dance: The Jooss-Leeder Method |
| XZL/B/2116 | Cognitive Structures of Kinesthetic Space: Reevaluating Rudolf Laban's Choreutics in the Context of Spatial Cognition and Motor Control \ Volume 2: Appendices and Reference List |
| LU/E/18/8 | Articles for the Press \ 'Tanz als eine Disziplin' | 1959 |
| LU/E/10/29 | Teaching Commitments Abroad \ Liikuntakasvatus | 1975 |
| LU/E/15/3 | Biographical Information \ Biographical Article about Rudolf Laban | 1955 |
| LU/E/5/28 | Art of Movement Studio \ Rudolf Laban's note on the Draft Agreement | 1954 |
| LU/E/15/32 | Biographical Information \ Laban Gesellschaft, Manheim | 1978 |
| L/E/20/1 | Dance in general \ One could argue that music... | n.d. |
| LU/E/11/16 | Lectures \ Course Programmes and Notes \ 1950 | 1950 |
| LU/E/14/2 | Historical Data \ Details of Laban's Will | 1958-1972 |
| LU/E/11/13 | Lectures \ American University Theatre Summer School \ Course Notes | 1950 |
| LU/E/12/9 | Lectures \ Masques, London | 1957-1958 |
| LU/E/13/1 | Education \ How Rudolf Laban Teaches the Art of Movment | 1949 |
| LU/E/15/2 | Biographical Information \ Biographical Notes about Rudolf Laban | 1977 |
| LU/E/17/3 | Work of Former Students \ Ena Curry | 1957 |
| LU/E/15/7 | Biographical Information \ Correspondence about Rudolf Laban's Work (4 of 22) | 1920-1928 |
| LU/E/15/5 | Biographical Information \ Correspondence about Rudolf Laban's Work (2 of 22) | 1972 |
| LU/E/15/1 | Biographical Information \ Rudolf Laban Biography | 1964-1973 |
| LU/E/15/28 | Biographical Information \ Notes for a Talk on Rudolf Laban (3 of 4) | 1979 |
| LU/E/15/6 | Biographical Information \ Correspondence about Rudolf Laban's Work (3 of 22) | 1916-1967 |
| LU/E/15/16 | Biographical Information \ Correspondence about Rudolf Laban's Work (13 of 22) | n.d. |
| LU/E/15/31 | Biographical Information \ Laban Exhibition | 1980-1981 |
| LU/E/15/20 | Biographical Information \ Correspondence about Rudolf Laban's Work (17 of 22) | 1965-1979 |
| LU/E/15/15 | Biographical Information \ Correspondence about Rudolf Laban's Work (12 of 22) | n.d. |
| LU/E/15/27 | Biographical Information \ Notes for a Talk on Rudolf Laban (2 of 4) | 1977 |
| LU/E/15/26 | Biographical Information \ Notes for a Talk on Rudolf Laban (1 of 4) | 1962-1963 |
| LU/E/17/12 | Articles for the Press \ 'Archetypal Ideas in Laban's Space Harmony' | 1974 |
| LU/E/17/8 | Work of Former Students \ Harold Roberts-Cox | 1984 |
| L/E/11/13 | Choreutics \ Architecture of arts, The | n.d. |
| L/E/49/33 | Personal Statements \ Welt des Rhythmus …, Die [The world of rhythm] | n.d. |
| L/E/5/47 | Choreology (Effort) \ Wade or swim out | n.d. |
| XZB/2593 | Effort |
| XZB/1602 | Modern Educational Dance |
| L/C/7/30 | Spatial Forms \ Geometric Shape | 1938-1940 |
| L/E/21/55 | Movement notation \ Spatial analysis | n.d. |
| L/E/8/49 | Eukinetics \ Introduction | n.d. |
| L/E/8/61 | Eukinetics \ Arabesque croisé | n.d. |
| L/C/9/72 | Holiday Drawings \ Abstract Seascape | n.d. |
| L/E/11/60 | Choreutics \ Whole and half step intervals in music and space | n.d. |
| L/E/16/27 | Choreology in general \ Fluten in Zeit und Raum, Das [streaming in time and space] | n.d. |
| L/C/3/15 | Figure Drawings \ Male Figure | c.1938-1940 |
| BMJ/B/1234 | Modern Dance in Education |
| BMJ/B/1208 | Principles of Dance and Movement Notation |
| BMJ/B/1212 | Mastery of Movement, The |
| BMJ/B/1207 | Mastery of Movement on the Stage, The |
| BMJ/B/1218 | Effort |
| BMJ/B/1217 | Effort |
| L/F/7/70 | Models \ Structures Using Tensegrity | n.d. |
| L/F/7/43 | Models \ Paper Structure/Sculpture | n.d. |
| L/E/47/40 | Art of Movement, The \ Art of Movement Studio \ Organisation of Aims | c.1948 |
| L/E/16/50 | Choreology in general \ Notes | n.d. |
| L/C/5/42 | Spatial Forms \ Cube | 1938-1940 |
| L/E/52/59 | Letters \ Letter to Emma Lugossy | 23 December 1946 |
| L/C/5/45 | Spatial Forms \ Icosahedron | 1938-1940 |
| L/F/7/54 | Models \ Assorted Structures and Groups | n.d. |
| L/E/51/68 | Letters \ Notes from Commerz-und Credit-bank, Stuttgart | 16 July 1957 | 21/07/1957 |
| JR/E/6/5 | Laban Centenary Performance, Coventry | 1978-1979 |
| L/E/7/28 | Choreology (Effort) \ Ballung - Conglomeration [Concentration - Conglomeration] | n.d. |
| L/C/7/89 | Spatial Forms \ Cube | 1938-1940 |
| L/C/7/88 | Spatial Forms \ Notes | 1938-1940 |
| L/E/56/6 | Books, Manuscripts, Outlines \ Effort and Recovery \ Degeneration | c.1953 |
| L/C/2/41 | Spatial Forms \ Lemniscate in Icosahedron | 1938-1940 |
| L/C/2/49 | Spatial Forms \ Dodecahedron | 1938-1940 |
| L/C/4/93 | Spatial Forms \ Icosahedron | 1938-1940 |
| L/C/3/67 | Spatial Patterns \ Dodecahedron | 1938-1940 |
| L/C/4/33 | Spatial Forms \ Dodecahedron | 1938-1940 |
| L/C/2/89 | Spatial Forms \ Icosahedron | 1938-1940 |
| L/C/5/125 | Single and Double Figures in Spatial Forms \ A Figure in a Dodecahedron | c.1938-1940 |
| L/E/32/61 | Lecture notes on various subjects \ Notebook 1954 | 1954 |
| L/E/20/48 | Articles about Laban \ Schrifttanz \ 'Vom Sinn der Bewegungschore' by Rudolf von Laban | 1930 |
| L/C/1/19 | Architectural Theatre Buildings \ Theatre | 1938-1940 |
| L/C/3/61 | Spatial Patterns \ Dodecahedron | 1938-1940 |
| L/C/2/139 | Spatial Forms \ Dodecahedron | 1938-1940 |
| L/C/2/92 | Spatial Forms \ Icosahedron | 1938-1940 |
| L/C/3/70 | Spatial Patterns \ Dodecahedron | 1938-1940 |
| L/C/5/51 | Spatial Forms \ Icosahedron | 1938-1940 |
| L/C/2/46 | Spatial Forms \ Lemniscate in Dodecahedron | 1938-1940 |
| L/C/5/47 | Spatial Forms \ Icosahedron | 1938-1940 |
| L/C/2/64 | Spatial Forms \ Icosahedron | 1938-1940 |
| L/E/42/79 | Production Scripts \ Blu Wilm | n.d. |
| L/C/2/123 | Spatial Forms \ Geometric Form | 1938-1940 |
| L/C/7/118 | Spatial Forms \ Geometric Shape | 1938-1940 |
| L/C/7/97 | Spatial Forms \ Icosahedron | 1938-1940 |
| L/C/5/53 | Spatial Forms \ Icosahedron | 1938-1940 |
| L/E/77/40 | Industrial Rhythm \ Job Selection and Effort-Instruction through Observation of Movement | n.d. |
| L/C/7/29 | Spatial Forms \ Icosahedron | 1938-1940 |
| L/E/42/26 | Production Scripts \ Two Kinds of Underground | n.d. |
| XZL/E/1/3 | Studies Investigating the Reliability of the Laban System of Notation | Spring 1991 |
| L/E/32/44 | Lecture notes on various subjects \ Physical education is process education | n.d. |
| L/E/68/46 | Biographical Information \ Rudolf Laban \ Recherche du Mouvement par Rudolf von Laban (Resume), La | n.d. |
| L/C/7/60 | Spatial Forms \ Icosidodecahedron | 1938-1940 |
| XZL/B/1953 | Mastering Movement \ Life and Work of Rudolf Laban, The |
| L/E/73/12 | Industrial Rhythm \ Manchester Ship Canal Company \ Executive Selection | 1946 |
| XZK/C2049/3427 | Laban Art of Movement Guild Magazine | March 1955 |
| L/C/7/2 | Relationship Between Groups of Figures \ Three Figures | 1938-1940 |
| L/E/17/18 | Choreology in general \ Magic Mirror, The \ Raumballung [space concentration] | n.d. |
| L/E/21/51 | Movement notation \ Sprache ist Schrift [Thought is writing] | n.d. |
| L/E/7/51 | Choreology (Effort) \ Psychosomatic relationships | n.d. |
| L/F/7/64 | Models \ Structures Using Tensegrity | n.d. |
| L/E/15/53 | Choreutics \ Bannkreise [Spheres of influence] | n.d. |
| L/E/4/38 | Choreology (Space) \ Dodecahedron | n.d. |
| L/E/3/11 | Choreology (Space) \ Wege durch den Raum [Ways through space] | n.d. |
| L/F/2/5 | Portraits \ Rudolf von Laban | 1955 |
| L/E/8/83 | Eukinetics \ Elemental Efforts are Dimensions | n.d. |
| L/E/15/50 | Choreutics \ Fluent and bound | n.d. |
| L/F/7/100 | Models \ Plane (3D) Structure | n.d. |
| L/E/31/13 | Lecture notes on various subjects \ Movement is the life-blood of drama | n.d. |
| L/E/16/3 | Choreology in general \ Zur dynamischen Anatomie [On dynamic anatomy] | n.d. |
| L/E/7/31 | Choreology (Effort) \ Dynamic values in effort graphs | n.d. |
| L/E/32/77 | Lecture notes on various subjects \ Icosaidride Bewegungsgestalt des Menschen [Icosahedral form of movement in humans] | n.d. |
| L/E/2/7 | Choreology (Space) \ Foto [Photo] | n.d. |
| L/E/18/57 | Choreology in general \ Analytical drawings and notes | n.d. |
| L/E/7/56 | Choreology (Effort) \ Weight, time, space, and flow continua diagrams | n.d. |
| L/E/4/40 | Choreology (Space) \ Interlocking rings in continuous chain | n.d. |
| L/F/1/57 | Portraits \ Rudolf von Laban 1953 \ Rudolf von Laban June 1954 | 1950s |
| L/E/34/3 | Lecture notes on various subjects \ History of dance | 1939 |
| L/E/23/12 | Philosophical comments \ Fascinating diversity of our bodily movements..., The | n.d. |
| L/E/71/11 | Industrial Rhythm \ Dartington Hall 1942 \ Difference Between a Machine and a Human Body, The | 1942 |
| L/E/46/15 | Assessments, Reports, Records \ Laban Art of Movement Centre \ Making Assessments / Control and Discipline | 1956 |
| L/E/68/29 | Biographical Information \ Rudolf Laban \ Biography by Lisa Ullmann for 'Effort' | 1964 |
| L/E/76/23 | Industrial Rhythm \ Effort Study \ Action Efforts and Effort Sequences | n.d. |
| L/E/23/70 | Philosophical comments \ Chains of adaptive acts of a living organism..., The | n.d. |
| L/E/8/71 | Eukinetics \ There is a difference between increase and decrease | n.d. |
| L/E/26/10 | Philosophical comments \ Sprechenden Künste, Die [Talking art] | n.d. |
| XZL/B/2030 | Way of the Transformation: The Laban-Malmgren System of Dramatic Character Analysis, The \ Volume 2: The System \ Part 2 |
| XZL/B/2028 | Way of the Transformation: The Laban-Malmgren System of Dramatic Character Analysis, The \ Volume 1: Critical Introduction |
| XZL/B/2027 | German Tanztheater: Traditions and Contradictions a Choreological Documentation of Tanztheater from its Roots in Ausdruckstanz to the Present |
| L/E/28/73 | Movement in general \ Choreosophie - Magie ist die Erkenntnis der Beziehungen [Choreosophy - magic is the recognition of relations] | n.d. |
| L/E/11/57 | Choreutics \ Music scales and space scales | n.d. |
| L/E/15/1 | Choreutics \ Einleitung z. Studium der Raumbildsübungen [Introduction to the study of space-shape exercises] | n.d. |
| L/E/29/45 | Movement in general \ Great battle of the art of movement, The | n.d. |
| L/E/5/19 | Choreology (Effort) \ Effort notation | n.d. |
| L/E/31/29 | Lecture notes on various subjects \ Notes | n.d. |
| L/E/4/10 | Choreology (Space) \ Choreutic diagrams | n.d. |
| L/E/52/61 | Letters \ Draft letter to Joan Littlewood | n.d. |
| L/E/32/98 | Lecture notes on various subjects \ Choreologic notes | n.d. |
| L/E/14/64 | Choreutics \ Choreutic drawings and notes | n.d. |
| L/E/18/42 | Choreology in general \ Stabiloid labiloid | n.d. |
| L/C/8/34-L/C/8/36 | Rough Structures \ Cubes | 1938-1940 |
| L/E/16/65 | Choreology in general \ Drawings | n.d. |
| L/F/4/86 | Models \ Geodesic Structures \ Laban in Ico \ Summer Course \ Ashridge \ England | 1955 |
| L/E/10/1 | Choreutics \ Neigungsbeziehungen im IKO & Tet. [Tendency relations in icosahedron and tetrahedron] | n.d. |
| L/E/11/37 | Choreutics \ Symbols for typewriting | n.d. |
| L/E/26/51 | Philosophical comments \ Mensch ist friedfertig - das liegt begündet in seinem Körper, Der [Humans are peaceful - this is based on our body] | n.d. |
| L/E/25/60 | Philosophical comments \ Einsicht - Insicht | n.d. |
| L/E/14/13 | Choreutics \ 14 Inclinations | n.d. |
| L/E/19/66 | Dance in general \ Restless pursuit of external aims..., The | n.d. |
| L/E/21/58 | Movement notation \ Weite-Breite [Width-breadth] | n.d. |
| L/E/15/45 | Choreutics \ Kontrast [contrast] | n.d. |
| L/E/58 | Books, Manuscripts, Outlines \ Files in Box 58 | late 1930s-late 1950s |
| L/E/9/7 | Choreutics \ History of art | n.d. |
| L/E/2/47 | Choreology (Space) \ Augen [Eyes] | n.d. |
| L/E/50/19 | Letters \ Letter to Mr Martin re Hungarian Citizenship | 14 August 1940 |
| L/E/12/53 | Choreutics \ 51-er [51-link] dodecahedron edge fissures | n.d. |
| L/E/8/24 | Eukinetics \ Comprehensive chart of effort graphs | n.d. |
| L/E/16/59 | Choreology in general \ Notes | n.d. |
| L/E/32/46 | Lecture notes on various subjects \ Imagination | n.d. |
| L/E/41/12 | Psychological Implications \ About the Poetry of Mind and Body | n.d. |
| L/F/7/99 | Models \ Plane (3D) Structure | n.d. |
| L/E/70/9 | Miscellaneous Notes \ Dance, the Devil's Art | n.d. |
| L/E/19/43 | Dance in general \ Modern dance | n.d. |
| L/E/29/14 | Movement in general \ Entwicklung der Greiftiere | n.d. |
| L/E/32/40 | Lecture notes on various subjects \ Intellect/Extellect | n.d. |
| L/E/15/28 | Choreutics \ Dancer's World, The | n.d. |
| L/E/5/2 | Choreology (Effort) \ Revanche, La [the revenge] | n.d. |
| L/E/25/6 | Philosophical comments \ Kraft und Macht [Strength and power] | n.d. |
| L/B/90 | Modern Dance in Education |
| L/E/10/25 | Choreutics \ Choreutic drawings | n.d. |
| L/E/14/51 | Choreutics \ Drawings and writings on Choreutics and Eukinetics | n.d. |
| L/E/8/60 | Eukinetics \ Effort and Recovery | n.d. |
| L/E/23/6 | Philosophical comments \ Strange poser of the trivial stirring the depth, The | n.d. |
| L/E/14/9 | Choreutics \ Flat steep float | n.d. |
| XZE/15/6 | Rudolf Laban Speaks About Movement and Dance | 1971 |
| L/C/3/42 | Figure Drawings \ Figure Within Energy Lines | c.1938-1940 |
| XZK/C2049/3428 | Laban Art of Movement Guild Magazine | October 1955 |
| XZK/C2049/2249 | Laban Art of Movement Guild Magazine | November 1959 |
| L/E/11/35 | Choreutics \ Notebook 2, with symbols, analytical drawings and notes | n.d. |
| L/E/48/13 | Historical Data \ Rudolf von Laban in England 1938-1958 | 1979 |
| L/C/5/50 | Spatial Forms \ Icosahedron | 1938-1940 |
| L/E/65/42 | Industrial Rhythm \ Rhythm of the Operator, The \ II | 19-30 July 1943 |
| L/E/27/1 | History of Dance \ King Man: An introduction to the spiritual history of man | c.1942 |
| L/C/8/32 | Rough Structures \ Stellar Structure | 1938-1940 |
| L/E/23/31 | Philosophical comments \ Some notes about the function of our mind | n.d. |
| L/C/5/64 | Spatial Forms \ Dodecahedron | 1938-1940 |
| L/C/7/73 | Spatial Forms \ Icosahedron | 1938-1940 |
| L/C/2/40 | Spatial Forms \ Lemniscate in Icosahedron | 1938-1940 |
| L/C/5/35 | Spatial Forms \ Octahedron | 1938-1940 |
| L/C/7/83 | Spatial Forms \ Lemniscate | 1938-1940 |
| L/C/7/51 | Spatial Forms \ Icosahedron | 1938-1940 |
| L/C/7/36 | Spatial Forms \ Icosahedron | 1938-1940 |
| L/C/1/113 | Spatial Forms \ Dodecahedron | 1938-1940 |
| L/E/62/49 | Industrial Rhythm \ Assessments \ Observation of Movement Behaviour | 12 December 1947 |
| L/C/5/21 | Spatial Forms \ Spatial Tensions | 1938-1940 |
| L/C/4/68 | Spatial Forms \ Cuboctahedron | 1938-1940 |
| L/E/65/59 | Industrial Rhythm \ Suggestions \ List of Possible Industrial Rhythm Activities | 3 October 1944 |
| L/C/2/21 | Spatial Forms \ Lines | 1938-1940 |
| L/E/7/3 | Choreology (Effort) \ Notes, symbols, and drawings about effort | 1951 |
| L/C/6/67 | Relationship Between Two Figures \ Two Figures | 1938-1940 |
| L/E/79/4 | Industrial Rhythm \ Bags of Sulphide of Copper in Shed to Rear Hold | 4 March 1946 |
| L/E/9/38 | Choreutics \ Vierkantprojektion... [4-edged projection] | n.d. |
| L/E/31/65 | Lecture notes on various subjects \ Task 1 for Betty Meredith-Jones | 1942 |
| L/F/7/82 | Models \ Clay Sculpture | n.d. |
| L/E/52/58 | Letters \ Letter to Felicia Sachs | 12 May 1941 |
| L/E/73/26 | Industrial Rhythm \ American Foundrymen's Association \ Motion | n.d. |
| L/E/15/55 | Choreutics \ Introduction into orientation in space | n.d. |
| L/E/24/39 | Philosophical comments \ Experience very scanty, by product of artistic activity | n.d. |
| L/F/1/93 | Portraits \ Rudolf von Laban \ Moreton Hall | 1942 |
| L/C/5/44 | Spatial Forms \ Cube | 1938-1940 |
| L/E/34/1 | Lecture notes on various subjects \ III lecture | 1939 |
| L/E/34/12 | Lecture notes on various subjects \ It is the science of dance... | 1939 |
| L/C/7/111 | Figures \ Lines | 1938-1940 |
| L/F/2/19 | Portraits \ Rudolf von Laban | 1947 |
| L/E/45/28 | Education \ Recreational Dancing of our Days | 1943 |
| L/E/35/19 | Books, Manuscripts, Outlines \ Effort \ ... Efficient control of human effort ... / Observation of Effort, The | n.d. |
| L/E/16/23 | Choreology in general \ Dopplungen [doubling] | n.d. |
| L/F/3/23 | Portraits \ Manchester \ Rudolf von Laban speaking to a reporter | 1950 |
| L/E/76/12 | Industrial Rhythm \ Data Concerning Job-Characteristics (Job-Rhythms) | 25 October 1944 |
| L/E/45/13 | Education \ Modern Dance Movement in Education | 4 March 1943 |
| L/E/56/14 | Books, Manuscripts, Outlines \ Fluid Power, The | n.d. |
| L/C/1/118 | Spatial Forms \ Analytical Spatial Structure | 1938-1940 |
| L/E/51/59 | Letters \ Letters to Mrs Bettington | 30 June 1945-29 August 1945 |
| L/E/24/40 | Philosophical comments \ Suggested definitions of Modern Dance, submitted at Christmas Holiday Course, January 1942 | 1942 |
| L/E/71/8 | Industrial Rhythm \ Dartington Hall 1942 \ Skilled Hands | 1942 |
| L/C/4/20 | Spatial Forms \ Dodecahedron | c.1938-1940 |
| L/C/7/78 | Spatial Forms \ Icosahedron | 1938-1940 |
| L/E/47/28 | Art of Movement, The \ Technique and Choreography | c.1952 |
| L/E/33/49 | Industrial Rhythm \ Laban Lawrence Method of Effort Assessment, Selection and Effort Training | 11 February 1946 |
| L/C/5/34 | Spatial Forms \ Octahedron | 1938-1940 |
| L/C/3/53 | Spatial Patterns \ Icosahedron | 1938-1940 |
| L/C/1/91 | Figures and Shapes \ Shapes | c.1938-1940 |
| L/C/7/100 | Spatial Forms \ Icosahedron | 1938-1940 |
| L/E/2/29 | Choreology (Space) \ Eleven paper cuttings with symbols and drawings | n.d. |
| L/E/45/31 | Education \ Remarks to the Question of Introducing Dancing in Recreational Activities | 1943 |
| L/C/5/7 | Spatial Forms \ Lemniscate Construction | 1938-1940 |
| L/C/7/59 | Spatial Forms \ Icosidodecahedron | 1938-1940 |
| L/C/5/65 | Spatial Forms \ Dodecahedron | 1938-1940 |
| L/E/50/54 | Letters \ Correspondence from the Dartington Period \ Letter to friends offering thanks | 1940 |
| L/F/3/31 | Portraits \ Chichester | 1947 |
| L/C/3/91 | Relationship Between Two Figures \ Two Figures | c.1938-1940 |
| L/F/1/96 | Portraits \ Rudolf von Laban | 1954 |
| L/C/2/73 | Spatial Forms \ Icosidodehedron | 1938-1940 |
| L/C/2/61 | Spatial Forms \ Geometric Form | 1938-1940 |
| L/C/2/108 | Spatial Forms \ Dodecahedron | 1938-1940 |
| L/C/1/22 | Spatial Forms \ Spatial Structure | 1938-1940 |
| L/C/6/84 | Relationship Between Groups of Figures \ Two Figures | 1938-1940 |
| L/C/5/131 | Spatial Forms \ Dodecahedron | 1938-1940 |
| L/C/7/113 | Figures \ Head | 1938-1940 |
| L/E/16/21 | Choreology in general \ Harmoniefunktion in Strahl - Rollfluch und Ringlinie | n.d. |
| L/E/13/57 | Choreutics \ Drawings and notes | n.d. |
| L/C/4/56 | Figures Within Static Form \ Figure | c.1938-1940 |
| JR/J/1038 | Laban Centenary Celebrations; Curriculum and Organisation \ The Changes in the Secondary School in the Past 10 Years; Secondary School Lesson | late 1970s |
| L/E/56/5 | Books, Manuscripts, Outlines \ Effort and Recovery \ Effort and Recovery | c.1953 |
| L/C/5/30 | Spatial Forms \ Icosahedron | 1938-1940 |
| L/E/52/22 | Letters \ Letter from Kenneth Waugh | 12 July 1946 |
| L/C/4/97 | Spatial Forms \ Icosahedron | 1938-1940 |
| L/C/5/26 | Knotted Forms | 1938-1940 |
| L/C/3/3 | Figure Drawings \ Group of Small Figures | c.1938-1940 |
| L/C/7/50 | Spatial Forms \ Icosahedron | 1938-1940 |
| L/C/7/52 | Spatial Forms \ Icosahedron | 1938-1940 |
| L/C/2/9 | Spatial Forms \ Geometric Form | c.1938-1940 |
| L/C/7/63 | Spatial Forms \ Icosahedron | 1938-1940 |
| L/E/55/2 | Books, Manuscripts, Outlines \ Effort and Recovery \ Second Part \ Epilogue | c.1953 |
| L/C/7/54 | Spatial Forms \ Dodecahedron | 1938-1940 |
| L/E/45/62 | Education \ Teachers' Dance Guide \ Dancing in Schools | c.1946 |
| L/E/34/15 | Lecture notes on various subjects \ History of dance | 1939 |
| L/F/1/52 | Portraits \ Rudolf von Laban in his workshop at Dartington Hall | 1938-1939 |
| L/C/4/19 | Spatial Forms \ Dodecahedron | c.1938-1940 |
| L/C/7/33 | Spatial Forms \ Icosahedron | 1938-1940 |
| L/C/2/128 | Spatial Forms \ Lemniscate in Icosahedron | 1938-1940 |
| L/C/2/82 | Spatial Forms \ Icosahedron | 1938-1940 |
| L/C/1/50 | Architectural Theatre Buildings \ Lines | 1938-1940 |
| L/E/34/19 | Lecture notes on various subjects \ Dance as craft or frenzy | 1939 |
| L/E/45/30 | Education \ Argument against Teaching Old-fashioned Dances, An | 1943 |
| L/E/33/38 | Lecture notes on various subjects \ II lecture | 1939 |
| L/E/34/4 | Lecture notes on various subjects \ History of dance | 1939 |
| L/E/42/1 | Production Scripts \ Rudolf Laban's Film Script | 6 August 1947 |
| L/E/34/25 | Lecture notes on various subjects \ Primitive dance | 1939 |
| L/C/7/74 | Spatial Forms \ Icosahedron | 1938-1940 |
| L/C/2/143 | Spatial Forms \ Icosahedron | 1938-1940 |
| L/F/2/4 | Portraits \ Rudolf von Laban | 1955 |
| L/C/5/59 | Spatial Forms \ Icosahedron | 1938-1940 |
| L/E/56/8 | Books, Manuscripts, Outlines \ Effort and Recovery \ Notes to Recovery | c.1953 |
| L/C/7/46 | Spatial Forms \ Icosahedron | 1938-1940 |
| L/C/1/92 | Figures and Shapes \ Shapes | c.1938-1940 |
| L/E/50/77 | Letters \ Letters from Max Ermers | 13 February 1944-16 December 1945 |
| L/C/5/60 | Spatial Forms \ Icosahedron | 1938-1940 |
| L/E/76/7 | Industrial Rhythm \ Manchester Association of Engineers \ M.A.E. Lecture | 22 July 1946 |
| L/C/4/21 | Spatial Forms \ Dodecahedron | c.1938-1940 |
| L/C/9/102 | Holiday Drawings \ Coastline South of England | 1954 |
| L/C/7/44 | Spatial Forms \ Icosahedron | 1938-1940 |
| L/C/1/96 | Figures and Shapes \ Figures | c.1938-1940 |
| L/C/2/62 | Spatial Forms \ Dodecahedron | 1938-1940 |
| L/C/2/91 | Spatial Forms \ Dodecahedron | 1938-1940 |
| L/C/1/85 | Figures and Shapes \ Shapes | c.1938-1940 |
| L/C/3/89 | Spatial Patterns \ Petal Design | 1938-1940 |
| L/C/1/86 | Figures and Shapes \ Shapes | c.1938-1940 |
| L/E/1/66 | Choreology (Space) \ Present introduction into some basic features of Crystalline Movement, The | 1943 |
| L/C/9/51 | Holiday Drawings \ Seated Woman in a Field | 1951 |
| L/E/18/23 | Choreology in general \ Split, The | 1954 |
| XZB/2561 | Espace Dynamique: Textes inedits: Choreutique: Vision de l espace dynamique |
| L/E/51/78 | Letters \ Letter from Margaret H. Armitage | 2 May 1944 |
| L/C/8/1 | Moving Figures | 1938-1940 |
| L/E/51/36 | Letters \ Letter to Magda Grueneberg | 28 January 1956 |
| L/C/7/58 | Spatial Forms \ Icosidodecahedron | 1938-1940 |
| L/E/33/40 | Lecture notes on various subjects \ V lecture | 1939 |
| L/C/4/95 | Spatial Forms \ Icosahedron | 1938-1940 |
| L/E/40/23 | Observation \ Correspondence Course in Movement Observation \ Basic Instruction Letter, Replies and Re-replies | 1952 |
| L/C/7/108 | Figures \ Heads | 1938-1940 |
| L/C/2/151 | Spatial Forms \ Icosahedron | 1938-1940 |
| L/C/7/117 | Spatial Forms \ Geometric Shape | 1938-1940 |
| L/C/2/136 | Spatial Forms \ Lines | 1938-1940 |
| L/C/3/59 | Spatial Patterns \ Icosahedron | 1938-1940 |
| L/C/4/62 | Figures Within Static Form \ Figures | c.1938-1940 |
| L/C/2/81 | Spatial Forms \ Icosahedron | 1938-1940 |
| L/E/34/20 | Lecture notes on various subjects \ VI lecture extracts | 1939 |
| L/C/5/43 | Spatial Forms \ Cube | 1938-1940 |
| L/C/1/103 | Figures and Shapes \ Shapes | c.1938-1940 |
| L/C/2/85 | Spatial Forms \ Icosahedron | 1938-1940 |
| L/C/2/68 | Spatial Forms \ Dodecahedron | 1938-1940 |
| L/C/7/87 | Spatial Forms \ Icosahedron | 1938-1940 |
| L/C/5/3 | Spatial Forms \ Lemniscate Construction | 1938-1940 |
| L/C/4/53 | Figures Within Static Form \ Two Figures | c.1938-1940 |
| L/C/2/142 | Spatial Forms \ Geometric Form | 1938-1940 |
| L/C/3/1 | Figure Drawings \ Group of Small Figures | 1938-1940 |
| L/C/4/75 | Spatial Forms \ Four Rings | 1938-1940 |
| L/E/34/28 | Lecture notes on various subjects \ History of dance philosophy, The | 1939 |
| L/C/7/25 | Spatial Forms \ Stellar Planes | 1938-1940 |
| L/C/7/1 | Relationship Between Groups of Figures \ Three Figures | 1938-1940 |
| L/C/2/71 | Spatial Forms \ Dodecahedron | 1938-1940 |
| L/C/5/9 | Spatial Forms \ Icosahedron | 1938-1940 |
| L/E/34/30 | Lecture notes on various subjects \ Values of dance, The | 1939 |
| L/E/22/3 | Movement notation \ Laban-Lawrence industrial notation | 1943 |
| L/C/7/64 | Spatial Forms \ Icosahedron | 1938-1940 |
| L/E/45/34 | Education \ Art of Movement and Human Welfare | 9 November 1950-29 December 1950 |
| L/C/5/23 | Spatial Forms \ Spatial Tensions | 1938-1940 |
| L/C/7/32 | Spatial Forms \ Icosahedron | 1938-1940 |
| L/C/4/64 | Figures Within Static Form \ Geometric Shape | c.1938-1940 |
| L/C/7/31 | Spatial Forms \ Icosahedron | 1938-1940 |
| L/C/7/66 | Spatial Forms \ Icosahedron | 1938-1940 |
| L/E/24/6 | Philosophical comments \ What interests the dancer | n.d. |
| L/C/1/27 | Spatial Forms \ Planes | 1938-1940 |
| L/C/5/5 | Spatial Forms \ Lemniscate Construction | 1938-1940 |
| L/E/34/5 | Lecture notes on various subjects \ History of dance | 1939 |
| L/C/7/20 | Spatial Forms \ Icosahedron | 1938-1940 |
| L/F/7/65 | Models \ Structures Using Tensegrity | n.d. |
| L/C/2/27 | Spatial Forms \ Icosahedron | 1938-1940 |
| L/E/52/5 | Letters \ Correspondence with Joan Goodrich | c.1946 |
| L/C/3/86 | Spatial Patterns \ Dodecahedron | 1938-1940 |
| L/C/7/106 | Figures \ Heads | 1938-1940 |
| L/E/45/29 | Education \ Dancing as a Recreative Activity for Adults | 1943 |
| L/C/3/72 | Spatial Patterns \ Dodecahedron | 1938-1940 |
| L/C/4/102 | Spatial Forms \ Woman in Back Bend | 1938-1940 |
| L/E/34/49 | Lecture notes on various subjects \ Forums of movement | 1939 |
| L/C/2/14 | Spatial Forms \ Lemniscate in Dodecahedron | 1938-1940 |
| L/C/5/121 | Single and Double Figures in Spatial Forms \ A Figure in a Dodecahedron | 1938-1940 |
| L/C/1/95 | Figures and Shapes \ Shapes | c.1938-1940 |
| L/C/5/29 | Spatial Forms \ Icosahedron | 1938-1940 |
| L/C/4/80 | Spatial Forms \ Four Rings | 1938-1940 |
| L/E/22/22 | Movement notation \ Introduction to choreutics and the role of notation | n.d. |
| L/C/7/42 | Spatial Forms \ Icosahedron | 1938-1940 |
| L/C/7/23 | Spatial Forms \ Geometric Shape | 1938-1940 |
| L/C/3/71 | Spatial Patterns \ Dodecahedron | 1938-1940 |
| L/C/1/40 | Architectural Theatre Buildings \ Theatre | 1938-1940 |
| L/C/10/63 | Sketches \ Cobweb, Face, Figures | n.d. |
| L/E/33/36 | Lecture notes on various subjects \ Seventh lecture | 1939 |
| L/E/18/12 | Choreology in general \ Notes for talk to old students on the symbolic representation of movement patterns | 1956 |
| L/E/4/18 | Choreology (Space) \ Icosahedron - Dodecahedron | n.d. |
| L/E/40/14 | Rhythm \ About Sports and Games | n.d. |
| L/E/56/4 | Books, Manuscripts, Outlines \ Effort and Recovery \ Effort and Recovery | c.1953 |
| L/E/41/2 | Psychological Implications \ Movement | c.1943 |
| L/C/1/49 | Architectural Theatre Buildings \ Lines | 1938-1940 |
| L/C/7/85 | Spatial Forms \ Icosahedron | 1938-1940 |
| L/C/7/40 | Spatial Forms \ Dodecahedron | 1938-1940 |
| L/C/2/69 | Spatial Forms \ Dodecahedron | 1938-1940 |
| L/E/47/30 | Art of Movement, The \ Art of Movement on the Stage and in Schools, The | 24 November 1947 |
| L/C/2/88 | Spatial Forms \ Dodecahedron | 1938-1940 |
| L/E/71/13 | Industrial Rhythm \ Dartington Hall 1942 \ No movement without effect ... | 1942 |
| L/E/33/39 | Lecture notes on various subjects \ IV lecture | 1939 |
| L/C/5/25 | Spatial Forms \ Spatial Tensions | 1938-1940 |
| L/C/7/114 | Figures \ Head | 1938-1940 |
| L/C/7/72 | Spatial Forms \ Icosahedron | 1938-1940 |
| L/C/1/55 | Architectural Theatre Buildings \ Theatre | 1938-1940 |
| L/C/7/94 | Spatial Forms \ Dodecahedron | 1938-1940 |
| L/C/3/43 | Figure Drawings \ Figure Within Energy Lines | c.1938-1940 |
| L/E/19/44 | Dance in general \ Essay on dance | n.d. |
| L/E/32/37 | Lecture notes on various subjects \ Notes on meeting of the Research Board for the Correlation of Medical Science and Physical Education | 29 November 1944 |
| XZL/B/1955 | Body - Space - Expression \ Development of Rudolf Laban's Movement and Dance Concepts, The |
| L/C/7/126 | Figures \ Six Figures | 1938-1940 |
| L/C/2/138 | Spatial Forms \ Lines | 1938-1940 |
| L/C/10/94 | Spatial Forms \ Graph 6 \ Heads, Medians and Tails of Transversal Inclination-Waves | n.d. |
| L/C/4/50 | Figures Within Static Form \ H.P.H. Icon | 1938-1940 |
| L/C/10/27 | Holiday Drawings \ Mountain Village | n.d. |
| L/C/3/95 | Figures \ Male Figure in Design | 1938-1940 |
| L/C/2/6 | Spatial Forms \ Crystalline Structures | 1938-1940 |
| L/C/4/94 | Spatial Forms \ Icosahedron | 1938-1940 |
| L/C/7/27 | Spatial Forms \ Planes | 1938-1940 |
| L/E/2/23 | Choreology (Space) \ Flachtop [Flat top] | n.d. |
| L/C/8/51-L/C/8/53 | Rough Structures \ Notes Relating to Drawings | 1938-1940 |
| L/E/47/75 | Art of Movement, The \ Laban Art of Movement Centre \ Organisation of the Centre, The | c.1958 |
| L/E/45/65 | Education \ Teachers' Dance Guide \ Notes | c.1946 |
| L/C/2/65 | Spatial Forms \ Geometric Form | 1938-1940 |
| L/C/7/49 | Spatial Forms \ Icosahedron | 1938-1940 |
| L/E/38/24 | Harmony \ Harmonilehre und Schrift des Tanzes ... [Theory of Harmony and Notation of Dances ...] | c.1959 |
| L/E/55/38 | Books, Manuscripts, Outlines \ Effort and Recovery \ Individual Effort | 1953 |
| L/C/4/52 | Figures Within Static Form \ Two Figures | c.1938-1940 |
| L/E/51/64 | Letters \ Postcard from Louise van Veen | 2 October 1944 |
| L/C/7/112 | Figures \ Eyes | 1938-1940 |
| L/E/58/12 | Books, Manuscripts, Outlines \ Körper als Instrument \ II. Teil \ Cover page [the body as instrument] | n.d. |
| L/C/7/19 | Spatial Forms \ Icosahedron | 1938-1940 |
| L/C/4/65 | Figures Within Static Form \ Geometric Shape | c.1938-1940 |
| L/E/45/61 | Education \ Teachers' Dance Guide \ Introduction | c.1946 |
| L/C/7/84 | Spatial Forms \ Icosahedron | 1938-1940 |
| L/C/5/48 | Spatial Forms \ Icosahedron | 1938-1940 |
| L/E/47/39 | Art of Movement, The \ Art of Movement Studio | c.1948 |
| L/C/3/57 | Spatial Patterns \ Icosahedron | 1938-1940 |
| L/C/7/34 | Spatial Forms \ Icosahedron | 1938-1940 |
| L/C/4/96 | Spatial Forms \ Icosahedron | 1938-1940 |
| L/C/7/82 | Spatial Forms \ Lemniscate | 1938-1940 |
| L/E/34/11 | Lecture notes on various subjects \ Definitions of dance | 1939 |
| L/E/52/57 | Letters \ Letter to Friends re Industrial Work | c.1944 |
| L/C/4/66 | Figures Within Static Form \ Geometric Shape | c.1938-1940 |
| L/C/7/96 | Spatial Forms \ Icosahedron | 1938-1940 |
| L/C/5/41 | Spatial Forms \ Cube | 1938-1940 |
| L/C/6/54 | Relationship Between Groups of Figures \ Three Figures | 1938-1940 |
| L/E/51/65 | Letters \ Letter from Ediz Weber Elekes | 15 December 1938 |
| L/E/23/38 | Philosophical comments \ Space matter illusion, The | n.d. |
| L/E/49/25 | Personal Statements \ Notes | 1930 |
| L/E/19/57 | Dance in general \ Vortrag des Herr von Laban in der Berliner Universität am 16. April 1928 [Lecture by Mr von Laban at Berlin University] | 16 April 1928 |
| L/C/5/62 | Spatial Forms \ Icosahedron | 1938-1940 |
| L/C/3/8 | Figure Drawings \ Group of Small Figures | 1938-1940 |
| L/E/65/39 | Industrial Rhythm \ Industrial Rhythm \ I | 23 July 1943 |
| L/E/45/64 | Education \ Teachers' Dance Guide \ Art of Movement, The | c.1946 |
| L/C/1/117 | Spatial Forms \ Lemniscate | 1938-1940 |
| L/E/32/15 | Lecture notes on various subjects \ M.A.E. lecture | 22 July 1946 |
| L/C/5/96 | Single and Double Figures in Spatial Forms \ A Figure | 1938-1940 |
| L/C/3/33 | Figure Drawings \ Male Figure | c.1938-1940 |
| L/C/3/46 | Figure Drawings \ Figure Within Energy Lines | c.1938-1940 |
| L/C/1/99 | Figures and Shapes \ Shapes | c.1938-1940 |
| L/C/7/102 | Figures \ Two Figures | 1938-1940 |
| L/C/2/141 | Spatial Forms \ Geometric Form | 1938-1940 |
| L/C/5/49 | Spatial Forms \ Icosahedron | 1938-1940 |
| L/C/4/81 | Spatial Forms \ Geometric Shape | 1938-1940 |
| L/C/2/104 | Spatial Forms \ Icosahedron | 1938-1940 |
| L/E/68/31 | Biographical Information \ Rudolf Laban \ Newsletter of the Dance Notation Bureau \ Biography of Rudolf Laban | 1955 |
| JR/E/4/5 | Worcester Training College \ Theatre Programmes | 1951-1979 |
| L/E/13/81 | Choreutics \ Choreological signs in typewriting | n.d. |
| L/C/9/40 | Holiday Drawings \ New Forest | November 1954 |
| L/E/51/81 | Letters \ Letter to Felicia and Hans Sachs, Boston | 1941 |
| L/E/74/11 | Industrial Rhythm \ Henry Simon & Co. Ltd. \ Notes and correspondence | 12 January 1945-16 February 1945 |
| L/E/49/14 | Personal Statements \ Journey to USA 1926 \ Chinesisches Theater | n.d. |
| L/E/22/26 | Movement notation \ Birthday greetings from Dance Notation Bureau to Laban | 1949-1960 |
| L/E/8/48 | Eukinetics \ Stoss ist ein durch eine kurze..., Ein [a push is...] | n.d. |
| L/E/55/39 | Books, Manuscripts, Outlines \ Effort and Recovery \ Flow of Effort and Recovery, The | 1953 |
| L/F/2/56 | Dances \ Don Juan \ Rudolf von Laban \ Donna Elviva - Dussia Bereska | 1925 |
| L/E/50/33 | Letters \ Ivo Bolton | 9 August 1955 | 15/08/1955 |
| L/E/1/75 | Choreology (Space) \ Choreutic drawings | n.d. |
| L/E/45/42 | Education \ Loss or Distortion of Personal Rhythm, The | n.d. |
| L/E/17/47 | Choreology in general \ Notebook I | n.d. |
| L/C/1/53 | Architectural Theatre Buildings \ Theatre | 1938-1940 |
| L/E/19/20 | Dance in general \ Movement choirs | n.d. |
| L/E/15/25 | Choreutics \ 23 Formationen [23 Formations] | n.d. |
| L/E/15/23 | Choreutics \ Drafts about choreutics and harmony | n.d. |
| L/E/19/55 | Dance in general \ Bewegung am Theater, Die [Movement in theatre] | n.d. |
| L/E/42/87 | Production Scripts \ Gloserve Welt, Die | n.d. |
| L/E/51/101 | Letters \ Letter from Gertrude Friedberg Snell, Israel | 14 March 1957 |
| L/E/1/46 | Choreology (Space) \ Wie die vierte Dimension in der dreidimensionalen Bewegung sichtbar wird [How the fourth dimension can be seen in three-dimensional movement] | n.d. |
| L/E/4/75 | Choreology (Space) \ Space. The space around us and within us | n.d. |
| L/E/18/15 | Choreology in general \ Explanation of flow-energy implications of space patterns | n.d. |
| L/E/9/50 | Choreutics \ Notebook with miscellaneous notes, choreutic notes and drawings | n.d. |
| L/E/57/27 | Books, Manuscripts, Outlines \ Bahn der Bewegung, Die [the route of motion] | n.d. |
| XZL/B/1933 | Beyond Dance: Laban's Legacy of Movement Analysis |
| L/E/59/17 | Books, Manuscripts, Outlines \ Leben als Spiel, Das [life as a game] | n.d. |
| L/E/8/36 | Eukinetics \ Kinetograms of 12 mixed seven-rings | n.d. |
| L/E/18/54 | Choreology in general \ Drawings | n.d. |
| L/E/53/1 | Books, Manuscripts, Outlines \ Effort - Book One \ Printer's Copy | c.1947 |
| L/E/18/26 | Choreology in general \ Analytical drawings covering the continua | n.d. |
| AW/E/5/11 | Lilian Baylis School: Themes, Sequences, Conferences and Courses | 1947-1964 |
| L/E/36/13 | Stories, Poems, Drama, Music \ Bist due springst (der Lautlose Schrei) [Until you jump (the soundless scream)] | n.d. |
| L/E/8/27 | Eukinetics \ Human, i.e. organic movement... | n.d. |
| XZL/B/2454 | Movement and Making Decisions: The Body-Mind Connection in the Workplace |
| L/E/42/9 | Production Scripts \ Amor im Käfig [Love in a cage] | n.d. |
| L/F/1/68 | Portraits \ Rudolf von Laban in his workshop \ Dartington Hall | 1939 |
| L/E/32/63 | Lecture notes on various subjects \ Notizen uber den... | n.d. |
| L/E/13/37 | Choreutics \ Choreutic drawings | n.d. |
| L/F/1/24 | Dances \ Rudolf Laban and Ruth Loeser vom programm Choreographische Abende | 1924 |
| L/E/26/34 | Philosophical comments \ Naturwissenschaft..., Die [Natural science] | n.d. |
| L/E/4/60 | Choreology (Space) \ Notes on the relationship of inclinations | n.d. |
| L/E/35 | Art in General \ Files in Box 35 | late 1930s-late 1950s |
| L/E/40 | Rhythm \ Files in Box 40 | late 1930s-late 1950s |
| L/E/23 | Philosophical Comments \ Files in Box 23 | late 1930s-late 1950s |
| L/E/75 | Industrial Rhythm | 1940s-1950s |
| L/F/1/69 | Portraits \ Rudolf von Laban and Kurt Jooss \ Dartington Hall | 1939 |
| L/E/78 | Industrial Rhythm; Music Manuscripts; Production Scripts; Choreography; Newspaper Cuttings; Rudolf Laban's pupils; Biographical Information; Family Correspondence | 1940s-1950s |
| L/E/4/29 | Choreology (Space) \ Pentagramm, Fortschreitung [Pentagram, progress] | n.d. |
| L/E/9/15 | Choreutics \ General principles | n.d. |
| L/E/18/13 | Choreology in general \ Symbolic representation of movement patterns, The | n.d. |
| L/E/76 | Industrial Rhythm | 1940s-1950s |
| L/E/25/36 | Philosophical comments \ Materie, Mass u. Zustand Funktion [Matter, measure and existence, function] | n.d. |
| L/E/31/40 | Lecture notes on various subjects \ Educational and recreational dance | n.d. |
| L/C/3/36 | Figure Drawings \ Male Figures | 1938-1940 |
| L/E/1/23 | Choreology (Space) \ Spationom \ Drawings | n.d. |
| L/E/29/19 | Movement in general \ Menschliche Bewegung, Die [Human movement] | n.d. |
| L/E/50/84 | Letters \ Letters from E. Weber Elekes | 10 September 1936-11 December 1939 |
| L/E/19/41 | Dance in general \ Only means of expression a dancer has..., The | n.d. |
| L/E/19/5 | Dance in general \ Ballet | n.d. |
| L/E/36 | Stories, Poems, Drama, Music \ Files in Boxes 36 | late 1930s-late 1950s |
| L/E/4/27 | Choreology (Space) \ Explanatory Diagrams \ Ico aus Fantasia [Icosahedron from fantasia] | n.d. |
| L/C/4/99 | Spatial Forms \ Woman in Back Bend | 1938-1940 |
| L/F/7/9 | Models \ Turning, Interlocking Structure | n.d. |
| L/E/12 | Choreutics \ Files in Box 12 | late 1930s-late 1950s |
| L/E/57 | Books, Manuscripts, Outlines \ Files in Box 57 | late 1930s-late 1950s |
| L/E/17 | Choreology in general \ Files in Box 17 | late 1930s-late 1950s |
| L/C/1/11 | Architectural Theatre Buildings \ 5 Structures | 1938-1940 |
| L/E/15/68 | Choreutics \ Peripheral 10-rings forming crown, snake, cross, screw, and their relationship to S.W.F.T. [space, weight, flow, time] | n.d. |
| L/E/44/27 | Production Scripts \ Nacht in Venedig, Eine [A Night in Venice] | 11 July 1936 |
| L/E/28/2 | Movement in general \ Touch and reaction between individuals | n.d. |
| L/E/1/64 | Choreology (Space) \ Spiral-bound notebook with choreological and choreutic notes and drawings | n.d. |
| L/E/54/13 | Books, Manuscripts, Outlines \ Effort and Recovery \ First Part \ Chapter IV \ Puppet Masters, Tyrants and their Acolytes \ Duplicates with some alterations | c.1953 |
| L/F/1/48 | Portraits \ Rudolf von Laban and Kurt Jooss \ Aino Jooss \ Anna Jooss and Lisa Ullmann | 1938 |
| L/E/5 | Choreology (Effort) \ Files in Box 5 | late 1930s-late 1950s |
| L/E/77 | Industrial Rhythm and Articles about Laban | 1940s-1950s |
| L/C/2/57 | Spatial Forms \ Icosahedron | 1938-1940 |
| L/E/34 | Lecture Notes on Various Subjects \ Files in Box 34 | late 1930s-late 1950s |
| L/E/44/28 | Production Scripts \ Nacht in Venedig, Eine \ Music manuscripts [A Night in Venice] | c.1936 |
| L/E/43/23 | Historical Data \ Letters of Congratulations to Laban on his 60th Birthday | 8-16 December 1939 |
| L/F/3/43 | Portraits \ Rudolf von Laban with Diana Jordan | Early 1950s |
| L/E/48/19 | Historical Data \ Letter from Albrecht Knust | 3 December 1932 |
| L/C/5/108 | Spatial Forms \ Dodecahedron | 1938-1940 |
| L/E/68/35 | Biographical Information \ Rudolf Laban \ Biographical Note | 1959 |
| L/E/29/29 | Movement in general \ Hierarchy of efforts, The | n.d. |
| L/E/18/17 | Choreology in general \ Quanta motion | n.d. |
| L/C/2/37 | Spatial Forms \ Icosahedron | 1938-1940 |
| L/C/5/24 | Spatial Forms \ Spatial Tensions | 1938-1940 |
| L/E/57/28 | Books, Manuscripts, Outlines \ Fragen [questions] | n.d. |
| L/C/5/14 | Spatial Forms \ Icosahedron | 1938-1940 |
| L/C/2/31 | Spatial Forms \ Icosahedron | 1938-1940 |
| L/C/1/72 | Tetrahedrons \ Figure in Tetrahedron | 1938-1940 |
| L/C/3/58 | Spatial Patterns \ Icosahedron | 1938-1940 |
| L/C/5/114 | Single and Double Figures in Spatial Forms \ A Figure in a Dodecahedron | 1938-1940 |
| L/C/4/24 | Spatial Forms \ Dodecahedron | 1938-1940 |
| L/C/2/102 | Spatial Forms \ Icosahedron | 1938-1940 |
| L/C/1/46 | Architectural Theatre Buildings \ Theatre | 1938-1940 |
| L/E/5/13 | Choreology (Effort) \ Symbolic expression of structural and functional shapes | c.1950 |
| L/C/5/15 | Spatial Forms \ Icosahedron | 1938-1940 |
| L/C/5/11 | Spatial Forms \ Icosahedron | 1938-1940 |
| L/C/2/58 | Spatial Forms \ Icosahedron | 1938-1940 |
| L/C/5/107 | Single and Double Figures in Spatial Forms \ A Figure in a Dodecahedron | 1938-1940 |
| L/C/2/22 | Spatial Forms \ Icosahedron | 1938-1940 |
| L/E/43 | Information from Others \ Files in Boxes 43 | 1926-1980 |
| L/E/66/34 | Industrial Rhythm \ Correspondence with Black Star Publishing Company Limited | 3 February 1942-1 July 1942 |
| BMJ/B/1238 | Modern Dance: The Jooss-Leeder Method |
| L/E/32/56 | Lecture notes on various subjects \ Notes | n.d. |
| UNIS/B/1732 | Choreutic Theory of Rudolf Laban: Form and Transformation, The |
| DH/B/2494 | Body - Space - Expression \ Development of Rudolf Laban's Movement and Dance Concepts, The |
| NM/B/913 | Modern Educational Dance |
| L/E/50/98 | Letters \ South-West London School of Drama | 2 November 1942-30 August 1943 |
| L/E/52/31 | Letters \ Correspondence with Alvin Johnson \ New School for Social Research | 13 January 1940-9 December 1940 |
| L/E/54/21 | Books, Manuscripts, Outlines \ Effort and Recovery \ First Part \ Chapter VIII \ Commander in Action, The \ Preliminary Drafts | c.1953 |
| L/E/61 | Rudolf Laban's Pupils \ Files in Boxes 61 | 1927-1982 |
| L/E/9/25 | Choreutics \ Shape sketches | n.d. |
| L/E/69/15 | Biographical Information \ Rudolf Laban \ Movement Education \ Rudolf Laban | 4 January 1978 | 18/01/1978 |
| L/F/7/104 | Models \ Plane (3D) Structure | n.d. |
| L/E/8/8 | Eukinetics \ Four activities of life, The | n.d. |
| LG/O/5 | Head of Rudolf Laban sculpted by Willi Soukop | c.1956 |
| L/C/1/89 | Figures and Shapes \ Shapes | c.1938-1940 |
| NM/B/877 | Influences of Rudolf Laban, The |
| L/E/1/40 | Choreology (Space) \ Dynamische Morphologie [Dynamic Morphology] | n.d. |
| L/C/7/37 | Spatial Forms \ Icosahedron | 1938-1940 |
| XZB/2935 | The Harmonic Structure of Movement, Music, and Dance According to Rudolf Laban: An Examination of His Unpublished Writings and Drawings |
| L/C/1/105 | Figures and Shapes \ Notes | c.1938-1940 |
| L/F/1/105 | Dances - Albrecht Knust | 1925 |
| UNIS/B/2608 | Three Oranges: Decision, Grace and Authority; Meyerhold's Biomechanics in Relation to Contemporary Dance Culture |
| L/C/2/99 | Spatial Forms \ Icosahedron | 1938-1940 |
| L/E/9/39 | Choreutics \ Vierkant und Dreikantwachter [Four- and three-sided] | n.d. |
| L/E/44/1 | Production Scripts \ Saltabile | c.1931 |
| L/E/46/62 | Information from Others \ Verband der Laban-schulen \ Rundschreiben | 7 July 1928-1 December 1928 |
| L/C/9/103 | Holiday Drawings \ Boating Sketch | n.d. |
| L/E/48/48 | Historical Data \ Laban's family ceritficates \ Beglaubigte Übersetzung aus dem Ungarischen [Authorised translation from Hungarian] | 1931-1935 |
| L/E/14/74 | Choreutics \ Analytical drawings and notes related to the development of Kinetography | n.d. |
| L/E/25/41 | Philosophical comments \ Bemerkungen zu Bergs S.99-100 [Notes on Berg's S.99-100] | n.d. |
| L/E/75/24 | Industrial Rhythm \ Hijmans' Report \ Letter from E. Hijmans to F.C. Lawrence | 27 April 1940-20 June 1944 |
| L/E/7 | Choreology (Effort) \ Files in Box 7 | late 1930s-late 1950s |
| L/E/54/1 | Books, Manuscripts, Outlines \ Effort and Recovery \ Title page / Contents / Acknowledgements | c.1953 |
| L/E/1/60 | Choreology (Space) \ Spiral-bound notebook of choreutic drawings, writings and notes | n.d. |
| L/E/1/1 | Choreology (Space) \ Space Harmony | n.d. |
| L/C/8/48-L/C/8/50 | Industrial Rhythm \ Logo for the Laban-Lawrence Industrial Rhythm | 1938-1940 |
| L/C/5/120 | Single and Double Figures in Spatial Forms \ A Figure in a Dodecahedron | 1938-1940 |
| L/E/46/61 | Information from Others \ Labanschulen [Laban Course] | 1928 |
| L/E/24/2 | Philosophical comments \ Liturgy of dance | n.d. |
| L/F/1/90 | Portraits \ Rudolf von Laban \ Art of movement studio \ End of term party | Easter 1956 |
| L/E/32/69 | Lecture notes on various subjects \ Various notes | c.1942 |
| L/E/49/8 | Personal Statements \ Journey to USA 1926 \ Wahre Don Juan, Der [The real Don Juan] | n.d. |
| L/E/8/65 | Eukinetics \ Körperl. Persp. [Physical perspectives] | n.d. |
| L/C/4/79 | Spatial Forms \ Four Rings | 1938-1940 |
| L/C/3/44 | Figure Drawings \ Figure Within Energy Lines | c.1938-1940 |
| L/C/3/104 | Figures \ Male Figure in Design | c.1938-1940 |
| L/C/1/41 | Architectural Theatre Buildings \ Lines | 1938-1940 |
| L/C/1/90 | Figures and Shapes \ Shapes | c.1938-1940 |
| L/C/3/103 | Figures \ Figure in Lemniscate | c.1938-1940 |
| L/E/16 | Choreology in general \ Files in Box 16 | late 1930s-late 1950s |
| L/E/49 | Personal Statements \ Files in Box 49 | 1926-late 1950s |
| L/E/18 | Choreology in general \ Files in Box 18 | late 1930s-late 1950s |
| L/E/50/34 | Letters \ Faber and Faber | 20-23 June 1939 |
| L/E/50/87 | Letters \ Rhea Glus Schule fur Gymnastik und Kunsterlischen Tanz | 16 January 1957-23 June 1957 |
| L/C/2/132 | Spatial Forms \ Dodecahedron | 1938-1940 |
| L/C/5/119 | Single and Double Figures in Spatial Forms \ A Figure in a Dodecahedron | 1938-1940 |
| L/C/7/47 | Spatial Forms \ Icosahedron | 1938-1940 |
| L/C/6/94 | Relationship Between Groups of Figures \ Three Figures | 1938-1940 |
| L/C/6/22 | Single and Double Figures in Spatial Forms \ A Figure | 1938-1940 |
| L/C/6/76 | Relationship Between Groups of Figures \ Three Figures | 1938-1940 |
| L/C/1/3 | Architectural Theatre Buildings \ 2 Theatres | 1938-1940 |
| L/C/1/26 | Spatial Forms \ Planes | 1938-1940 |
| L/C/1/98 | Figures and Shapes \ Figures | c.1938-1940 |
| L/C/1/102 | Figures and Shapes \ Figures | c.1938-1940 |
| L/C/1/100 | Figures and Shapes \ Figures | c.1938-1940 |
| L/C/6/8 | Single and Double Figures in Spatial Forms \ A Figure showing Polar Counter-Tension | 1938-1940 |
| L/C/2/100 | Spatial Forms \ Icosahedron | 1938-1940 |
| L/C/2/105 | Spatial Forms \ Icosahedron | 1938-1940 |
| L/C/3/88 | Spatial Patterns \ Dodecahedron | 1938-1940 |
| L/C/3/78 | Spatial Patterns \ Dodecahedron | 1938-1940 |
| L/C/2/38 | Spatial Forms \ Lemniscate in Icosahedron | 1938-1940 |
| L/C/5/78 | Single and Double Figures in Spatial Forms \ A Figure | 1938-1940 |
| L/C/5/18 | Spatial Forms \ Icosahedron | 1938-1940 |
| L/C/7/62 | Spatial Forms \ Icosidodecahedron | 1938-1940 |
| L/C/5/36 | Spatial Forms \ Octahedron | 1938-1940 |
| L/C/2/86 | Spatial Forms \ Icosahedron | 1938-1940 |
| L/C/2/153 | Spatial Forms \ Dodecahedron | 1938-1940 |
| L/C/6/14 | Single and Double Figures in Spatial Forms \ A Figure in an Icosahedron | 1938-1940 |
| L/E/52/7 | Letters \ Correspondence with Kurt Winkleman, Otto Friedburg and Arpad von Laban | 12 January 1955-16 February 1955 |
| L/C/5/28 | Knotted Forms \ Lemniscate | 1938-1940 |
| L/C/5/82 | Single and Double Figures in Spatial Forms \ Two Figures | 1938-1940 |
| L/C/4/10 | Figures Within Static Form \ Figure Within Nested Dodecahedrons and Icosahedrons | 1938-1940 |
| L/C/7/90 | Spatial Forms \ Dodecahedron | 1938-1940 |
| L/C/3/98 | Figures \ Figure in Lemniscate | 1938-1940 |
| L/C/2/63 | Spatial Forms \ Lemniscate in Dodecahedron | 1938-1940 |
| L/C/7/76 | Spatial Forms \ Lemniscate and Cube | 1938-1940 |
| L/C/6/83 | Relationship Between Groups of Figures \ A Figure | 1938-1940 |
| L/C/5/71 | Spatial Forms \ Icosahedron | 1938-1940 |
| L/E/34/43 | Lecture notes on various subjects \ Festival Dances | 1939 |
| L/C/7/24 | Spatial Forms \ Stellar Planes | 1938-1940 |
| L/C/6/16 | Single and Double Figures in Spatial Forms \ A Figure in an Icosahedron | 1938-1940 |
| L/C/7/80 | Spatial Forms \ Lemniscate and Cube | 1938-1940 |
| L/C/5/90 | Single and Double Figures in Spatial Forms \ Two Figures | 1938-1940 |
| L/C/5/10 | Spatial Forms \ Icosahedron | 1938-1940 |
| L/E/9/8 | Choreutics \ Explosion and Implosion in Dance | n.d. |
| XZB/395 | Effort |
| XZL/B/2015 | Hitler Emigres, The \ Cultural Impact on Britain of Refugees from Nazism, The |
| XZB/391 | Choreutics |
| L/E/15/67 | Choreutics \ Motu proprie | n.d. |
| BMJ/B/1213 | A Vision of Dynamic Space |
| XZL/B/2017 | Empire of Ecstasy \ Nudity and Movement in German Body Culture, 1910-1935 |
| L/F/7/31 | Models \ Paper Structure/Sculpture | n.d. |
| L/F/7/24 | Models \ Paper Structure/Sculpture | n.d. |
| L/C/5/58 | Spatial Forms \ Cube | 1938-1940 |
| L/C/3/74 | Spatial Patterns \ Dodecahedron | 1938-1940 |
| L/E/34/24 | Lecture notes on various subjects \ History of dance | 1939 |
| L/C/7/77 | Spatial Forms \ Icosahedron | 1938-1940 |
| L/E/19/61 | Dance in general \ Meaning | n.d. |
| L/E/49/39 | Articles about Laban \ Tat, Die \ 'Kultische Bildung im Feste' by Rudolph von Laban | 1920 |
| L/C/10/44 | Holiday Drawings \ Tennis Party | 1955 |
| L/E/14/11 | Choreutics \ Drawing and symbols about relationship between kinesphere and dynamosphere | n.d. |
| XZG/619 | Laban International Summer Dance Course \ Brighton Polytechnic, UK \ 23-30 July 1989 | 23-30 July 1989 |
| L/E/20/21 | Dance in general \ Kunstraum von…, Der [The field of art of …] | n.d. |
| L/C/8/3-L/C/8/11 | Rough Structures \ Moving Figures Inside Triangles and Tetrahedrons | c.1938-1940 |
| L/E/21/59 | Movement notation \ Highway code | n.d. |
| L/E/48/10 | Historical Data \ Laban Notizen [Notes] 1914-1915 \ Stellung, Die [The Positions] | 1914-1915 |
| L/E/60/21 | Rudolf Laban's Pupils \ Hertha Feist \ Newspaper Cuttings | 1927-c.1958 |
| L/F/7/21 | Models \ Paper Structure/Sculpture | n.d. |
| L/F/7/19 | Models \ Paper Structure/Sculpture | n.d. |
| L/E/23/4 | Philosophical comments \ Science of dance | n.d. |
| L/E/16/48 | Choreology in general \ Dynamism in crystallisation | n.d. |
| L/C/8/OVERSIZE | Dartington Hall Exhibition \ Drawings on a Three Dimensional Octahedron | c.1938-1939 |
| L/E/34/37 | Lecture notes on various subjects \ Historical development of European dance, The | 1939 |
| L/E/3/12 | Choreology (Space) \ Zustand od. Funktion?; Doppelbilder; Somanonomie [State or Function?; Doubles; Somatonomy] | n.d. |
| L/F/2/29 | Portraits \ Rudolf von Laban | 1954 |
| L/E/36/10 | Stories, Poems, Drama, Music \ Ingenieur in der Hölle, Der [The engineer in hell] | n.d. |
| L/E/1/57 | Choreology (Space) \ Es gibt an Zusammenhängen 1 3 5 [Concerning the sequences 1 3 5...] | n.d. |
| L/E/25/67 | Philosophical comments \ Empfinden, Das [Sensitivity] | n.d. |
| L/E/26/31 | Philosophical comments \ Naturwissenschaft behandelt das, was sich ewig wiederholt [Natural science is concerned with eternally repeating matters] | n.d. |
| L/E/12/25 | Choreutics \ Analytical drawings, notes and symbols on Choreutics | n.d. |
| L/E/75/39 | Industrial Rhythm \ Pilkington's Tiles Ltd \ Movement and Effort Observations | 25 March 1948 | 26/06/1948 |
| L/E/45/72 | Education \ Inter-relations of the Arts | n.d. |
| L/E/46/25 | Man, Matter and Motion \ \ Im Menschen sind Drei Existenzen... [There are three existences in humans …] | n.d. |
| L/C/10/8 | Holiday Drawings \ Landscape on the Yorkshire Moors | 1950 |
| L/E/8/25 | Eukinetics \ Excellent technical performance..., The; notes about religion, ballet etc; Craftmanship in Effort-training; Youth Clubs; Growth and shape; Movement, man's magic mirror; notes and symbols; Preface | n.d. |
| L/E/71/9 | Industrial Rhythm \ Dartington Hall 1942 \ Industrial Kinetography | 1942 |
| L/E/42/3 | Production Scripts \ Scenes and Ideas for Dramatic Group Improvisations | 13 January 1944 |
| L/E/11/16 | Choreutics \ Liegenden-schwimmenden Pierrots, Die [Lying-swimming pierrots] | n.d. |
| L/E/13/60 | Choreutics \ Choreutic drawings, notes and symbols | n.d. |
| L/E/51/21 | Letters \ Letter from Rudolf Kastner | 21 March 1946 |
| L/E/26/60 | Philosophical comments \ Willensfreiheit [Freedom of choice] | 1938-1939 |
| L/E/50/97 | Letters \ Correspondence with Gertrude Janner | 21 December 1947 | 23/01/1948 |
| L/E/26/5 | Philosophical comments \ Denkseiten [Thinking areas] | n.d. |
| L/E/19/34 | Dance in general \ Spiritual history of dance | n.d. |
| L/E/47/55 | Art of Movement, The \ Works of the Art of Movement | 1957 |
| L/C/10/74 | Spatial Forms \ Hexagon | n.d. |
| L/E/29/15 | Movement in general \ Regelmässigkeiten beobachtet in der menschlichen Bewegung [Frequencies observed in human movement] | n.d. |
| L/E/6/89 | Choreology (Effort) \ Effort graphs | n.d. |
| L/E/31/66 | Lecture notes on various subjects \ Exercises for arm gestures | n.d. |
| L/C/10/19 | Holiday Drawings \ New Forest | n.d. |
| L/E/1/21 | Choreology (Space) \ Spationom \ Analytical drawings | n.d. |
| L/E/13/36 | Choreutics \ Kantenevolution (Kettenspiegel) [Evolution of edges (chain mirror)] | n.d. |
| L/E/15/10 | Choreutics \ Notizen von der Reise [Notes about the journey] | n.d. |
| L/E/10/2 | Choreutics \ Winkel und Einteilung Kuboct, Tetra & Schlange [Angles and order of cuboctahedron, tetrahedron and snake] | n.d. |
| L/E/1/51 | Choreology (Space) \ Rache der Geiserwelt, Die [Revenge of the spirit world, The] | n.d. |
| L/E/21/62 | Movement notation \ Konkrete Betrachtung, Die [Concrete observation] | n.d. |
| L/E/18/49 | Choreology in general \ Vier Kreisschlinge [4 circles] | n.d. |
| L/E/4/44 | Choreology (Space) \ Tänzer sieht den Raum als sichtbare Zeit, Dauer, Der [Dancer sees space as visible time, duration, A] | n.d. |
| L/E/70/16 | Miscellaneous Notes \ Detail Synopsis I & II | n.d. |
| L/E/42/71 | Production Scripts \ Tanzende Zeit / Film / Tanztheater und Filmtanz [Dancing Times, film, dance theatre and film dance] | n.d. |
| L/E/20/5 | Dance in general \ Rituals of procreation and killing | n.d. |
| L/E/28/68 | Movement in general \ Unteilbare Welt, Die [The indivisible world] | n.d. |
| L/E/13/82 | Choreutics \ Example 1. 24 slant transversals and seven-rings | n.d. |
| L/E/26/23 | Philosophical comments \ Alle Wesen vermehren sich im Raum [All beings multiply in space] | n.d. |
| L/E/71/14 | Industrial Rhythm \ Dartington Hall 1942 \ Mental Appetite | 1942 |
| L/E/16/6 | Choreology in general \ Stabilität ist zeitlich, Die [stability is time based] | n.d. |
| L/F/7/45 | Models \ Assorted Structures and Groups | n.d. |
| L/E/68/18 | Contracts \ MacDonald & Evans \ Modern Educational Dance | 1 June 1948 |
| L/E/14/36 | Choreutics \ Choreutic drawings, notes, and symbols | n.d. |
| L/E/23/21 | Philosophical comments \ Menschliche Beschränkung [Human limitations] | n.d. |
| L/E/55/36 | Books, Manuscripts, Outlines \ Effort and Recovery \ About Rhythms | 1953 |
| L/E/17/43 | Choreology in general \ There and now: the observation of harmony and rhythm in movement | n.d. |
| L/E/69/18 | Biographical Information \ Rudolf Laban \ Rudolf Laban | n.d. |
| L/E/28/48 | Movement in general \ About stepping, grasping, touching and other events in movement | n.d. |
| L/E/19/63 | Dance in general \ Dance as a discipline | n.d. |
| L/E/25/66 | Philosophical comments \ Tier, Ziele, Opfer-widmung [Animal, goals, dedication to sacrifice] | n.d. |
| L/E/31/59 | Lecture notes on various subjects \ Zur Metaphysiologie des Tanzes [On the metaphysics of dance] | n.d. |
| L/E/5/18 | Choreology (Effort) \ Meaning of movement action and movement utterance, The | n.d. |
| L/E/24/22 | Philosophical comments \ Magische Spiegel des Menschen..., Der [The magic mirror of humans] | n.d. |
| L/E/67/21 | Photostat and Newspaper Cuttings \ Rudolf von Laban | 1979 |
| L/C/9/105 | Figure Drawings \ Life Studies | n.d. |
| L/C/9/36 | Holiday Drawings \ Landscape | n.d. |
| L/E/67/11 | Family Correspondence \ Etelka Laban | 1949-1957 |
| L/E/24/62 | Philosophical comments \ Zwei vollkommen entgegengesetzte Bewegungserlebnisse [Two totally opposite movement events] | n.d. |
| L/E/7/53 | Choreology (Effort) \ Inner attitudes, outer attitudes | n.d. |
| L/E/3/52 | Choreology (Space) \ Skalen [Scales] | 1925 |
| L/E/47/38 | Art of Movement, The \ Spheres of Interest at the Laban Art of Movement Centre | 5 January 1958 |
| L/E/66/4 | Industrial Rhythm \ Letter from Off. Cadet Van Etten | 25 May 1946 |
| L/F/7/111 | Models \ Geometrical Structure | n.d. |
| L/E/70/24 | Miscellaneous Notes \ Theory of Eternal Life, The | n.d. |
| L/E/67/36 | Photostat and Newspaper Cuttings \ Tanzphilosoph, Ein | 1979 |
| L/C/4/67 | Figures Within Static Form \ Geometric Shapes | c.1938-1940 |
| L/E/22/30 | Movement notation \ Correspondence | 1952 |
| L/E/4/36 | Choreology (Space) \ Tetrahedron constituents | n.d. |
| L/C/9/56 | Holiday Drawings \ Lago Maggiore | September 1954 |
| L/F/7/61 | Models \ Structures Using Tensegrity | n.d. |
| L/E/51/15 | Letters \ Correspondence with Fritz Klingenbeck | 30 June 1956-21 March 1957 |
| L/E/39/29 | Observation \ Effort and Recovery | n.d. |
| L/E/75/16 | Industrial Rhythm \ Movements involved in Industrial Operations | 25 May 1942 |
| L/E/52/19 | Letters \ Letters from Basil Langton \ Travelling Repertory Theatre | 11 July 1942-14 November 1943 |
| L/E/69/28 | Biographical Information \ Rudolf Laban \ Vossiche Zeitung \ Tanztheater von Rudolf von Laban, Das | 1 November 1923 |
| L/E/8/98 | Eukinetics \ Bewegungspflege als Grundlage der Personlichkeitsbehandlung [Taking care of movement as basis for treating the personality] | n.d. |
| L/E/8/96 | Eukinetics \ Wegformen, Bewegungsformen, Eukinetik, Choreutik, Kompositionsschemen [Path shapes, movement shapes, Eukinetics, Choreutics, composition schemes] | n.d. |
| L/E/40/21 | Rhythm \ Observation of Rhythm in Work, The | n.d. |
| L/C/10/9 | Holiday Drawings \ Landscape on the Yorkshire Moors | 1950 |
| L/E/22/29 | Movement notation \ Correspondence regarding thanks for 70th birthday greetings | 1950 |
| L/E/44/24 | Production Scripts \ Erde, Die [Earth, The] \ Drawings | c.1937 |
| L/E/20/54 | Articles about Laban \ Tat, Die \ 'Symbole des Tanzes und Tanz als Symbol' by Rudolf von Laban | c.1922 |
| L/E/67/9 | Family Correspondence \ Azra von Laban | 1949-13 December 1955 |
| L/E/69/5 | Biographical Information \ Rudolf Laban \ Article on Rudolf Laban by Lisa Ullmann | 1959 |
| L/E/77/27 | Industrial Rhythm \ Watch Your Effort \ Practical Effort Sudy, A | n.d. |
| L/E/37/9 | Physiological - Scientific \ Light, Life and Matter \ Part 1 of 4 | n.d. |
| L/E/66/43 | Industrial Rhythm \ Note to Laban from F.C. Lawrence | 16 December 1952 |
| L/E/20/51 | Articles about Laban \ Schrifttanz \ 'Rudolf v. Laban: Alltag und Fest' | 1929 |
| L/E/51/77 | Letters \ Letter from M.E. Squire, Anstey Physical Training College | 2 June 1942 |
| L/E/34/35 | Lecture notes on various subjects \ Historical development of dance, The | 1939 |
| L/C/4/36 | Spatial Forms \ Dodecahedron | 1938-1940 |
| L/E/48/38 | Historical Data \ International Conventions and Publications \ Tanz und Gymnastik | 1948 |
| L/E/35/27 | Historical Data \ \Gruppe fur neuen Bühnentanz Rudolf von Laban [Group for new stage dance] | 1925 |
| L/F/1/62 | Portraits \ Rudolf von Laban | 1954 |
| L/E/20/34 | Dance in general \ Dance | 1949 |
| L/E/67/10 | Family Correspondence \ Juana de Laban | 18 January 1953-23 July 1957 |
| L/E/3/25 | Choreology (Space) \ Licht und Raum [Light and space] | n.d. |
| L/E/50/64 | Letters \ Letters from Rupert Doone re renting a studio | 30-31 May 1945 |
| L/C/9/9 | Holiday Drawings \ Levanto | September 1954 |
| L/E/50/48 | Letters \ Correspondence from the Dartington Period \ Superintendent of Police | 1942 |
| L/E/69/24 | Biographical Information \ Rudolf Laban \ Dance Notation Bureau \ Date Biography of Laban | 3 November 1958 |
| L/E/65/53 | Industrial Rhythm \ Laban Lawrence Industrial Rhythm / J. Lyons & Company Limited \ Guide for Effort Assessment in Industry | 11 April 1944 |
| L/E/31/7 | Lecture notes on various subjects \ British Drama League correspondence, The | 1946 |
| L/E/74/15 | Industrial Rhythm \ Simpson & Godlee Limited \ Report on Candidates ... | 28 April 1949 |
| L/E/7/13 | Choreology (Effort) \ Nouvelle science de la danse, La [New science of dance, The] | 1937 |
| L/E/10/9 | Choreutics \ Notes on 'Reihen im Oct' [rows in octahedron] and 'Reihenringe' [ring rows] with drawings of crystals and other choreutic structures | n.d. |
| L/E/35/36 | Books, Manuscripts, Outlines \ Appearance, Transitions and Disappearance of the Elements of an Effort | n.d. |
| L/E/51/106 | Letters \ Letter from the Swiss Legation in Great Britain | 15 December 1944 |
| L/F/1/39 | Portraits \ Rudolf von Laban 1929 | 1929 |
| L/E/49/35 | Personal Statements \ Tanz im Allgemeinen [Dance in general] | n.d. |
| L/E/55/35 | Books, Manuscripts, Outlines \ Effort and Recovery \ E + R Corrected | 1953 |
| L/E/41/21 | Articles about Laban \ Dance Observer \ 'Work of Rudolf von Laban, The' by Irma Otte-Betz \ Parts I-III | 1938-1939 |
| L/E/8/9 | Eukinetics \ There exists a branch of mathematical science ... insideness-outsideness; stress and strain in body functions; nonmetrical spatial relationships | n.d. |
| L/E/31/55 | Lecture notes on various subjects \ Bild der Religion [On religion] | n.d. |
| L/E/21/2 | Movement notation \ Explanation of kinetography | n.d. |
| L/E/25/3 | Philosophical comments \ Importance of recognising the natural movement functions of man | n.d. |
| L/E/41/47 | Articles about Laban \ Muzsika \ 'Laban Rudolf Emlekere' | 1959 |
| L/E/52/62 | Letters \ Draft letter to John Trevelyan re Langdale Conference, 1945 | 7 July 1945 |
| L/F/3/66 | Portraits \ Hereford Drama Course | July 1955 |
| L/E/42/35 | Production Scripts \ Pipe of Peace, The \ Part 2 of 2 | 1946 |
| L/F/7/52 | Models \ Assorted Structures and Groups | n.d. |
| L/E/67/37 | Photostat and Newspaper Cuttings \ Nassauische Landeszeitung \ Tanzerische Mensch, Der | 2 July 1968 |
| L/E/48/14 | Historical Data \ Rudolf von Laban 60 Jahre [60th birthday] | 15 December 1939 |
| L/E/66/7 | Industrial Rhythm \ Man of the Month \ Rudolf Laban | 1954 |
| L/E/72/13 | Industrial Rhythm \ Mars Confections Ltd. \ January - April 1943 | 1943 |
| L/E/42/31 | Production Scripts \ Notes for Rudolf Laban Film | 18 November 1947 |
| L/F/7/63 | Models \ Structures Using Tensegrity | n.d. |
| L/E/5/65 | Choreology (Effort) \ Effort and the shape of body motion | n.d. |
| L/E/69/20 | Biographical Information \ Rudolf Laban \ Card to Lisa Ullmann re Laban | 1972 |
| L/E/32/16 | Lecture notes on various subjects \ Movement as an integrator | 1958 |
| L/E/14/20 | Choreutics \ Choreutic drawings comparing angles with musical intervals | n.d. |
| L/E/50/99 | Letters \ Counterpoint Modern Art Publications | 18 September 1944-16 July 1945 |
| L/E/26/24 | Philosophical comments \ Über das Edle in Menschen [On the nobility in humans] | n.d. |
| L/E/62/1 | Industrial Rhythm \ Glaxo Laboratories Personal Assessments \ Correspondence | 4-22 December 1950 |
| L/E/74/8 | Industrial Rhythm \ W.C. Holmes & Co. Ltd. \ Effort Assessments and Bonus Scheme \ 2 of 2 | 1942-1946 |
| L/E/50/14 | Letters \ Letters to Diana Jordan \ 1941-1955 | 1941-1984 |
| L/E/57/24 | Books, Manuscripts, Outlines \ Körper als Werkzeng, Der \ Kap. I \ Wir haben um uns herum einen magnischen gürtel ... [the body as tool] | n.d. |
| L/E/22/35 | Articles about Laban \ Ashashi Picture News, The | 1956 |
| L/E/51/80 | Letters \ Metropolitan-Vickers Electrical Company Ltd / Management Research Group No.1 / Minister of Labour and National Service / Mars Confections Ltd / Ministry of Labour Training Centre | 2 July 1942-3 February 1943 |
| L/C/9/76 | Holiday Drawings \ Stillness of the Evening | 1951 |
| L/C/10/23 | Holiday Drawings \ Landscape with Hills | n.d. |
| L/F/3/49 | Portraits \ Bushey \ Ling Conference | Easter 1942 |
| L/E/48/16 | Historical Data \ Laban Rudolf | 1959 |
| L/F/2/88 | Portraits \ Rudolf von Laban with his son Arpad \ Rudolf von Laban with his son and daughter-in-law and Mrs Loeb | 1954 |
| L/E/48/4 | Historical Data \ University of Sheffield Institute of Education \ Lady Mabel College of Physical Education | 1952 |
| L/E/53/30 | Books, Manuscripts, Outlines \ Motion Study \ Transition of Efforts into Each Other ..., The | n.d. |
| L/E/52/1 | Letters \ Correspondence with Otto Friedrich Regner \ Deutsche Zeitung und Wirtschafts Zeitung | 8 January 1957-21 June 1957 |
| L/E/59/2 | Books, Manuscripts, Outlines \ Antrieb und Arbeit [Effort and Work] \ 2 of 4 | 1957 |
| L/E/34/51 | Lecture notes on various subjects \ Art and Creativity | 1954 |
| XZK/C2049/2255 | Laban Art of Movement Guild Magazine | November 1962 |
| XZK/C2049/2239 | Laban Art of Movement Guild Magazine | November 1964 |
| XZA/35 | Laban Lecture \ Laban Guild AGM \ 1 of 2 | 16 March 1996 |
| XZK/C2049/3434 | Laban Art of Movement Guild Magazine | November 1958 |
| L/E/50/96 | Letters \ Correspondence with Kurt Jooss | 28 December 1940-30 September 1943 |
| L/E/50/86 | Letters \ Correspondence with Herta Feist | 7 June 1958-15 April 1959 |
| L/F/7/107 | Models \ Plane (3D) Structure | n.d. |
| L/E/53/34 | Books, Manuscripts, Outlines \ Motion Study \ Control of Human Effort, The | n.d. |
| L/E/31/8 | Lecture notes on various subjects \ Birmingham course notes | 1945 |
| L/E/4/14 | Choreology (Space) \ Rechnerische und allgemeine Theorie; Raumgitter i) Lemniskate ii) Kreise [Reckoning and general theory; Chains of i) Lemniscate ii) Circle] | n.d. |
| L/E/5/38 | Choreology (Effort) \ Contents | n.d. |
| L/E/21/45 | Movement notation \ Notation of scales with symbols and notes | n.d. |
| L/E/42/34 | Production Scripts \ Pipe of Peace, The \ Part 1 of 2 | 1946 |
| L/E/74/2 | Industrial Rhythm \ Pilkington's Tiles Ltd. \ Movement observations, manuscripts and reports | 1948 |
| L/E/65/69 | Industrial Rhythm \ Written Reply by Mr Laban and Mr Lawrence to Mr Nicholson's Written Communication | 16 June 1947 |
| L/F/1/91 | Portraits \ Rudolf von Laban \ Art of movement studio \ End of term party | Easter 1956 |
| L/F/3/42 | Portraits \ Rudolf von Laban and Lisa Ullmann \ Early Summer School at Dartington | 1949-1950 |
| L/E/23/68 | Philosophical comments \ Letter to Diana Jordan | 9 April 1941 |
| L/E/50/91 | Letters \ UNESCO \ Education Section \ Movement and Effort | 23 April 1947 |
| L/E/50/94 | Letters \ Reference for Suzanne Ivers-Sonner | 30 December 1946 |
| L/E/52/9 | Letters \ Correspondence with Elinor Warsitz-Kannegiesser | 10 December 1956 | 11/03/1957 |
| L/E/52/51 | Letters \ Letter from W.M. Marckwald \ Lindsay and Holland Rural Community Council | 27 May 1946 |
| L/E/50/50 | Letters \ Correspondence from the Dartington Period \ Laban's Work with F C Lawrence | 12 August 1941-10 October 1941 |
| L/E/67/28 | Photostat and Newspaper Cuttings \ Stuttgarter Zeitung \ Erneuerung Durch den Totalen Tanz | 15 December 1979 |
| L/E/24/47 | Philosophical comments \ Our humble steps | n.d. |
| L/E/23/7 | Philosophical comments \ Being helps my action | n.d. |
| L/E/15/8 | Choreutics \ Berühren [Touching] | n.d. |
| L/E/14/48 | Choreutics \ Anleitung zur graphischen... [Instruction to graphic …] | n.d. |
| L/E/21/72 | Movement notation \ Idea of a dance notation..., The | n.d. |
| L/E/50/85 | Letters \ Letter from Erica Furth | 25 January 1943 |
| L/E/29/51 | Movement in general \ Body efforts | n.d. |
| L/E/14/41 | Choreutics \ Choreutic drawings | n.d. |
| L/E/24/41 | Philosophical comments \ Man has two kinds of understanding | n.d. |
| L/E/50/51 | Letters \ Correspondence from the Dartington Period \ Sigurd Leeder / Questions of copyright | 25-28 January 1941 |
| L/F/7/56 | Models \ Structures Using Tensegrity | n.d. |
| AW/E/5/12 | Basic Movement Session taken by members of staff \ Dance and Movement Invention | n.d. |
| L/E/35/22 | Articles about Laban \ Journal of Documentation, The \ Principles of Dance and Movement Notation | 1956 |
| AW/E/5/14 | Private Sessions Laban, W.Lamb, G Stephenson | 1954-1960 |
| L/E/13/66 | Choreutics \ Skizzen zur Möglichkeit von 5 x 12 in Dod-Ico [Sketches of the possibility of 5 x 12 in Dodecahedron-Icosahedron] | n.d. |
| L/E/79/11 | Photostat and Newspaper Cuttings \ Pravda \ Rudolf von Laban | 27 January 1940 |
| L/E/51/53 | Letters \ Birmingham School of Speech Training and Dramatic Art, The \ Lecture Demonstration | 16 September 1943 |
| L/E/55/43 | Books, Manuscripts, Outlines \ Effort and Recovery \ Effort and Recovery in Actions | 1953 |
| L/F/3/15 | Portraits \ Rudolf von Laban \ Dartington Hall \ Lisa Ullmann | 1952 |
| L/E/20/47 | Articles about Laban \ Schrifttanz \ 'Anna Pawlowa' by Rudolf von Laban | 1931 |
| L/E/44/35 | Production Scripts \ Fürst Igor \ Berlin | 1930 |
| L/E/36/2 | Stories, Poems, Drama, Music \ Stillness and Stir | c.1939 |
| L/E/72/3 | Industrial Rhythm \ J. Lyons & Co. \ Plans and reports | 10 February 1944-2 March 1944 |
| L/F/2/45 | Dances \ Rudolf von Laban and Ruth Loeser | n.d. |
| L/E/56/3 | Books, Manuscripts, Outlines \ Effort and Recovery \ Preface | c.1953 |
| L/E/34/21 | Lecture notes on various subjects \ History and form of movement | 1939 |
| L/E/34/10 | Lecture notes on various subjects \ History of dance | 1939 |
| L/F/2/87 | Portraits \ Addlestone \ Rudolf von Laban with his daughter Juana | August 1953 |
| L/E/2/68 | Choreology (Space) \ Value of Edges | n.d. |
| L/E/50/59 | Letters \ Dance Magazine | 3 October 1956-27 November 1956 |
| L/E/50/49 | Letters \ Correspondence from the Dartington Period \ Aliens Maintenance Fund | 13 October 1941-16 December 1941 |
| L/E/31/25 | Lecture notes on various subjects \ Positive (active) badness of vices, The | n.d. |
| L/E/56/7 | Books, Manuscripts, Outlines \ Effort and Recovery \ Effort and Recovery | c.1953 |
| L/E/60/29 | Rudolf Laban's Pupils \ Gertrude Snell \ Tanz Gegen die Kalte; Biography Entry on Laban | 1984 | n.d. |
| L/E/36/17 | Stories, Poems, Drama, Music \ Eukinetics and Choreutics | 1941 |
| L/E/26/4 | Philosophical comments \ Leichtepunkte [Points of interest] | n.d. |
| L/E/51/30 | Letters \ Northern Children's Theatre Ltd \ Notice of Annual General Meeting | 15 March 1957 |
| L/E/50/88 | Letters \ Letter to Ada Franellich re C.B. Sicione and Olivetti | 19 November 1956 |
| L/E/58/28 | Books, Manuscripts, Outlines \ Language and Movement \ Summary | c.1956 |
| L/E/50/72 | Letters \ Letter to L C Schiller re: Laban Art of Movement Centre Trust | 21 January 1955 |
| L/E/36/20 | Stories, Poems, Drama, Music \ To Mary | 1956 |
| L/E/68/47 | Biographical Information \ Rudolf Laban \ Stuttgarter Zeitung \ Erneuerung Durch den Totalen Tanz | 15 December 1979 |
| L/E/77/54 | Articles about Laban \ Rudolf von Laban! 'Europaer, Weltburger?' by Max Ackermann | 6 May 1966 |
| L/E/69/82 | Biographical Information \ Rudolf Laban \ Letter re Laban's Biography | 9 February 1967 |
| L/E/22/50 | Articles about Laban \ Dabei \ 'Die Welt des Tanzers' by Dieter Hoffmann | September 1968 |
| L/E/53/24 | Books, Manuscripts, Outlines \ Motion Study \ Effort Training | n.d. |
| L/E/77/57 | Articles about Laban \ Dancing Times \ 'Rudolf Laban' by Deryk Lynham | 1949 |
| L/E/48/37 | Historical Data \ International Conventions and Publications \ Bewegungskunst in der Industrie, Die [Movement in industry] | 1950 |
| L/E/78/13 | Biographical Information \ Rudolf Laban \ Rudolph Laban und seine Tanznoten | 1951 |
| L/E/38/17 | Harmony \ Extrait d'un Essai sur le Parallelisme Entre la Musique et la Danse [extract of an essay on the parallels between music and dance] | n.d. |
| L/E/68/54 | Biographical Information \ Rudolf Laban \ Letter to Laban from Chi-jin Yoo | 10 August 1957 |
| L/E/51/94 | Letters \ Correspondence with Felicia and Hans Sachs | 23 February 1941-17 June 1957 |
| L/E/75/25 | Industrial Rhythm \ E. Hijmans' Report \ Short Summary of Hijman's Report | 8 April 1946 |
| L/C/9/61 | Holiday Drawings \ Mountain in Switzerland | 1951 |
| L/E/51/67 | Letters \ Correspondence with Irene Champernoune, The Withymead Centre | 31 October 1957 | 01/12/1957 |
| L/E/59/5 | Books, Manuscripts, Outlines \ Antrieb und Arbeit II [Effort and Work II] | c.1957 |
| L/E/52/35 | Letters \ Letters from People's Theatre | 24 February 1947-27 May 1947 |
| L/E/77/53 | Articles about Laban \ Translation of Article Written by Mary Wigman Commemorating Mr Laban's 50th Birthday | n.d. |
| L/E/59/35 | Books, Manuscripts, Outlines \ Wandlungen der Bewegungsformen, Die [changes in movement forms] | n.d. |
| L/E/32/34 | Lecture notes on various subjects \ Control of performance | n.d. |
| L/E/4/45 | Choreology (Space) \ The forces of time, space, force explored within Ico structure, including Lemniscatic forms; The transformation of Icosahedron unit into P.Z.R.K. | n.d. |
| L/E/11/12 | Choreutics \ Stellungen [Positions] | n.d. |
| L/C/10/3 | Holiday Drawings \ Cornwall | n.d. |
| L/E/11/6 | Choreutics \ Beziehungen der peripherischen [Relationships between peripheral swings] | n.d. |
| L/C/10/25 | Holiday Drawings \ Woman in a Green Headscarf Picking Flowers | n.d. |
| L/E/46/59 | Information from Others \ Rundschreiben | 1929 |
| L/C/10/26 | Holiday Drawings \ Waterfall | n.d. |
| L/E/32/7 | Lecture notes on various subjects \ Research department of Art of Movement Studio | n.d. |
| L/E/17/12 | Choreology in general \ Outstanding technical features of modern research are..., The | n.d. |
| L/E/41/40 | Articles about Laban \ Journal of Physical Education \ 'Work of the Art of Movement Studio, The' by Rudolf Laban | 1954 |
| L/F/2/14 | Portraits \ Rudolf von Laban with Sylvia Bodmer at Dartington Hall in the late 1940's | 1940s |
| L/E/11/52 | Choreutics \ Bezeichnungen von KT Vergrösserungen [Descriptions of KT enlargements] | n.d. |
| L/E/24/16 | Philosophical comments \ Nothing, The | n.d. |
| L/E/18/47 | Choreology in general \ Keile-Gegenkeile [wedge counter-wedge] | n.d. |
| L/E/14/60 | Choreutics \ Seven impressions | n.d. |
| L/E/31/73 | Lecture notes on various subjects \ Notes for the trainer in modern dance body training | n.d. |
| L/E/31/71 | Lecture notes on various subjects \ Space (flow) | n.d. |
| L/F/7/46 | Models \ Assorted Structures and Groups | n.d. |
| L/E/12/51 | Choreutics \ 36-Flachenspaltung Ico [36-link icosahedron surface division] | n.d. |
| L/E/2/19 | Choreology (Space) \ Einfache Schlange Volute und Spitze, Die [Simple line / snake volute and tip, The] | n.d. |
| L/E/20/6 | Dance in general \ Dancing | n.d. |
| HB/E/16/1 | School of Russian Ballet \ Correspondence \ 1949-1950 | 1949-1950 |
| HB/E/16/5 | School of Russian Ballet \ Correspondence \ 1954-1955 | 1954-1955 |
| L/E/28/58 | Movement in general \ \ Jedes Ding, jedes Lebewesen ist im Raum ausgebreitet… [Each thing, each living creature is spread out in space …] | n.d. |
| L/C/10/98a | Tribute to Lisa | 1939 |
| L/E/51/34 | Letters \ Letter from Martin Gleisner | 10 December 1939 |
| L/E/28/72 | Movement in general \ Choreosophie - Magie ist die Erkenntnis der Beziehungen [Choreosophy - magic is the recognition of relations] | n.d. |
| L/E/4/77 | Choreology (Space) \ Investigation of 7-rings (peripheral and mixed) as to rhythmical structure of inclinations | n.d. |
| L/E/12/11 | Choreutics \ Analytical drawings, notes and symbols on Choreutics | n.d. |
| L/E/32/86 | Lecture notes on various subjects \ Complexity of movement, The | n.d. |
| L/E/5/26 | Choreology (Effort) \ Visible and invisible bodily movement functions | n.d. |
| L/E/6/37 | Choreology (Effort) \ Letter from Mr A. Proctor Burman to Laban on efforts of animals, with a related newspaper cutting | 3 July 1950 |
| L/E/63/9 | Industrial Rhythm \ Assessments \ Broadhead & Graves Ltd. | 30 May 1952 |
| L/E/53/19 | Books, Manuscripts, Outlines \ Motion Study \ Conclusion to the Fourth Chapter | n.d. |
| L/C/9/62 | Holiday Drawings \ Waterfall | 1948 |
| L/E/23/57 | Philosophical comments \ Notes | n.d. |
| L/E/47/61 | Art of Movement, The \ Laban Art of Movement Centre \ Plans for Activities | n.d. |
| L/E/51/12 | Letters \ Correspondence with Albrecht Knust | 15 November 1955-26 February 1958 |
| L/E/52/10 | Letters \ Correspondence with Worcestershire County Council Education Committee | 2 March 1944-19 May 1944 |
| L/E/55/45 | Books, Manuscripts, Outlines \ Effort and Recovery \ Some Fundamental Notions About the Study of Effort Functions | 1953 |
| L/E/51/58 | Letters \ Letters to John Trevelyan / British Families Education Service in Germany | 1946-1947 |
| L/C/7/101 | Spatial Forms \ Geometric Shape | c.1938-1940 |
| L/C/7/45 | Spatial Forms \ Icosahedron | 1938-1940 |
| L/E/67/29 | Photostat and Newspaper Cuttings \ Tanzphilosoph, Ein | 15 December 1979 |
| L/E/53/28 | Books, Manuscripts, Outlines \ Motion Study \ Changes of Effort | n.d. |
| NCPE/4/32 | Walzer \ nach motiven aus dem III reigen des 'Titan' | n.d. |
| L/E/79/7 | Photostat and Newspaper Cuttings \ Erneuerung Durch den Totalen Tanz | 15 December 1979 |
| L/E/51/40 | Letters \ Correspondence with J. English \ Highbury Little Theatre, Birmingham | 13 May 1943-11 August 1943 |
| L/E/1/34 | Choreology (Space) \ Spationom \ Volutenfolge, Eukin. Dim. Kräfte..... | n.d. |
| L/C/5/110 | Spatial Forms \ Dodecahedron | 1938-1940 |
| L/E/6/91 | Choreology (Effort) \ Report by Raadgevend Efficiency Board | 1952 |
| L/E/66/5 | Industrial Rhythm \ Correspondence re Permission to Enter Factories | 20 September 1941-7 May 1943 |
| L/E/50/26 | Letters \ Faber and Faber \ New Motion Study, The | 7 December 1945 |
| L/E/50/61 | Letters \ Juvenile Dance Festival Committee | 22 December 1945-1 July 1946 |
| ED/E/25/9 | Education \ Christmas Workshop Laban 1984-1985 | 1984-1985 |
| L/E/68/2 | Photostat and Newspaper Cuttings \ Publicity \ 1923-1929 | 1923-1929 |
| LU/E/5/24 | Art of Movement Studio \ Structure of Movement Institution | 1953 |
| LU/E/8/23 | Art of Movement Studio \ Rudolf Laban's Theories | 1957 |
| LU/E/9/16 | Art of Movement Studio \ Information for Prospectus | 1958-1962 |
| LU/E/12/7 | Lectures \ Drama Courses \ 1943-1949 | 1943-1949 |
| LU/E/12/8 | Lectures \ Drama Courses \ 1951-1955 | 1951-1955 |
| XZB/2901 | Laban for all |
| LU/E/15/8 | Biographical Information \ Correspondence about Rudolf Laban's Work (5 of 22) | 1954-1965 |
| LU/E/15/11 | Biographical Information \ Correspondence about Rudolf Laban's Work (8 of 22) | n.d. |
| LU/E/15/12 | Biographical Information \ Correspondence about Rudolf Laban's Work (9 of 22) | n.d. |
| LU/E/15/9 | Biographical Information \ Correspondence about Rudolf Laban's Work (6 of 22) | 1962-1979 |
| LU/E/15/10 | Biographical Information \ Correspondence about Rudolf Laban's Work (7 of 22) | 1964 |
| LU/E/15/13 | Biographical Information \ Correspondence about Rudolf Laban's Work (10 of 22) | 1965 |
| LU/E/15/14 | Biographical Information \ Correspondence about Rudolf Laban's Work (11 of 22) | 1965 |
| LU/E/15/17 | Biographical Information \ Correspondence about Rudolf Laban's Work (14 of 22) | 1965 |
| LU/E/15/18 | Biographical Information \ Correspondence about Rudolf Laban's Work (15 of 22) | 1966 |
| LU/E/15/19 | Biographical Information \ Correspondence about Rudolf Laban's Work (16 of 22) | 1961-1965 |
| LU/E/15/21 | Biographical Information \ Correspondence about Rudolf Laban's Work (18 of 22) | 1966 |
| LU/E/15/29 | Biographical Information \ Notes for a Talk on Rudolf Laban (4 of 4) | 1976-1984 |
| LU/E/15/22 | Biographical Information \ Correspondence about Rudolf Laban's Work (19 of 22) | 1970 |
| LU/E/15/23 | Biographical Information \ Correspondence about Rudolf Laban's Work (20 of 22) | 1947 |
| LU/E/15/24 | Biographical Information \ Correspondence about Rudolf Laban's Work (21 of 22) | 1947-1948 |
| LU/E/15/30 | Biographical Information \ International Laban Centenary Symposium, London | 1979 |
| LU/E/15/25 | Biographical Information \ Correspondence about Rudolf Laban's Work (22 of 22) | 1955-1961 |
| LU/E/17/17 | Articles for the Press \ Lisa Ullmann | 1956-1961 |
| L/B/43 | Leben fur den Tanz, Ein |
| L/E/15/36 | Choreutics \ Drawings | n.d. |
| L/E/25/62 | Philosophical comments \ Idee, feeling and move | n.d. |
| L/E/29/9 | Movement in general \ Sprache der Bewegung, Die [The language of movement] | n.d. |
| L/F/7/62 | Models \ Structures Using Tensegrity | n.d. |
| L/E/22/1 | Movement notation \ Körperausdruck [Bodily expression] | n.d. |
| L/E/7/15 | Choreology (Effort) \ Tesseract | n.d. |
| L/E/31/38 | Lecture notes on various subjects \ Dance in education | n.d. |
| L/E/26/44 | Philosophical comments \ Strahlkraft der Gestalten, Die [Radiation of figures] | n.d. |
| L/E/3/36 | Choreology (Space) \ Choreosophie; Magie ist die Erkenntnis der Beziehungen [Choreosophy; Magic of the recognition of relationships; Fluid power] | n.d. |
| L/F/7/49 | Models \ Assorted Structures and Groups | n.d. |
| L/F/7/51 | Models \ Assorted Structures and Groups | n.d. |
| L/F/7/57 | Models \ Structures Using Tensegrity | n.d. |
| L/E/10 | Choreutics \ Files in Box 10 | late 1930s-late 1950s |
| L/E/11 | Choreutics \ Files in Box 11 | late 1930s-late 1950s |
| L/C/4/76 | Spatial Forms \ Icosahedron | 1938-1940 |
| L/C/7/55 | Spatial Forms \ Icosidodecahedron | 1938-1940 |
| L/C/7/92 | Spatial Forms \ Dodecahedron | 1938-1940 |
| L/C/1/37 | Architectural Theatre Buildings \ Theatre | 1938-1940 |
| L/E/56/28 | Books, Manuscripts, Outlines \ Bewegung [Motion] \ 2 of 2 | n.d. |
| L/F/1/42 | Portraits \ Laban with Rikuhei Umemoto Japanese Dancer and teacher 1937 | 1937 |
| L/C/6/70 | Relationship Between Groups of Figures \ Three Figures | 1937 |
| XZL/B/1959 | Rudolf von Laban und die Entstehung des Modernen Tanzdramas |
| L/E/51/96 | Letters \ Correspondence with Walter Sorell re 'The Dance Has Many Faces' | 9 February 1948-14 March 1948 |
| L/E/51/99 | Letters \ Letter from Frances Collingwood Selby \ Cornwall Committee for Music and Drama | 15 December 1948 |
| DS/B/704 | Welt des Tanzers, Die |
| L/E/55/34 | Books, Manuscripts, Outlines \ Effort and Recovery \ Letter to MacDonald and Evans Ltd. | 1953 |
| L/E/42/92 | Production Scripts \ Inception of The Swinging Cathedral, The | 1952 |
| L/C/10/92 | Spatial Forms \ Graph 4 \ Dimensional and Diagonal | n.d. |
| L/E/39 | Observation \ Files in Box 39 | late 1930s-late 1950s |
| L/E/33 | Lecture Notes on Various Subjects \ Files in Box 33 | late 1930s-late 1950s |
| XZK/C2049/3433 | Laban Art of Movement Guild Magazine | March 1958 |
| XZK/C2049/2254 | Laban Art of Movement Guild Magazine | May 1962 |
| XZK/C2049/3431 | Laban Art of Movement Guild Magazine | March 1957 |
| XZK/C2049/3422 | Laban Art of Movement Guild News Sheet | March 1952 |
| XZK/C2049/2252 | Laban Art of Movement Guild Magazine | May 1961 |
| XZK/C2049/3432 | Laban Art of Movement Guild Magazine | November 1957 |
| L/E/54/2 | Books, Manuscripts, Outlines \ Effort and Recovery \ Definitions of Terms | c.1953 |
| L/C/7/124 | Figures \ Woman | 1938-1940 |
| L/C/3/5 | Figure Drawings \ Group of Small Figures | 1938-1940 |
| L/E/42/7 | Production Scripts \ Broken Jug, The | 1950 |
| L/C/5/46 | Spatial Forms \ Icosahedron | 1938-1940 |
| L/E/31/43 | Lecture notes on various subjects \ Art of movement as recreation, The | 1956 |
| L/C/5/75 | Spatial Forms \ Octahedron | 1938-1940 |
| L/C/1/71 | Tetrahedrons \ Figure in Tetrahedron | 1938-1940 |
| L/C/1/52 | Architectural Theatre Buildings \ Spatial Structures | 1938-1940 |
| L/C/3/65 | Spatial Patterns \ Dodecahedron | 1938-1940 |
| L/C/4/2 | Figures Within Static Form \ Embrionic Forms | 1938-1940 |
| L/C/1/58 | Architectural Theatre Buildings \ Theatre | 1938-1940 |
| L/C/5/63 | Spatial Forms \ Octahedron | 1938-1940 |
| L/C/2/11 | Spatial Forms \ Geometric Form | c.1938-1940 |
| L/C/2/146 | Spatial Forms \ Icosahedron | 1938-1940 |
| L/C/4/91 | Spatial Forms \ Cube | 1938-1940 |
| L/C/4/101 | Spatial Forms \ Woman in Back Bend | 1938-1940 |
| L/E/50/22 | Letters \ Schweiz. Berufsband fur Tanz und Gymnastik | 26 March 1947 |
| L/C/7/86 | Spatial Forms \ Notes | 1938-1940 |
| L/E/7/27 | Choreology (Effort) \ Notes and drawings on continua, and the balance of weight/flow and the space/time continua | 17 June 1956 |
| L/C/2/137 | Spatial Forms \ Lines | 1938-1940 |
| L/E/33/17 | Lecture notes on various subjects \ Vision, The | c.1953 |
| L/C/2/17 | Spatial Forms \ Geometric Form | 1938-1940 |
| L/C/5/98 | Sketch of a Man | 1938-1940 |
| L/C/8/2 | Moving Figures | 1938-1940 |
| L/C/3/10 | Figure Drawings \ Group of Small Figures | 1938-1940 |
| L/C/3/55 | Spatial Forms \ Tetrahedron | 1938-1940 |
| L/E/52/26 | Letters \ Letters from Beryl de Zoete | 6 November 1942 |
| L/C/2/66 | Spatial Forms \ Geometric Form | 1938-1940 |
| L/C/6/71 | Relationship Between Groups of Figures \ Six Figures | 1938-1940 |
| L/C/2/135 | Spatial Forms \ Lines | 1938-1940 |
| L/C/8/23-L/C/8/31 | Rough Structures \ Progressive 3-D Structures (Icosahedron) | 1938-1940 |
| L/C/5/32 | Spatial Forms \ Octahedron | 1938-1940 |
| L/C/7/93 | Spatial Forms \ Dodecahedron | 1938-1940 |
| L/C/4/85 | Spatial Forms \ Four Rings | 1938-1940 |
| L/E/34/16 | Lecture notes on various subjects \ Dance and education | 1939 |
| L/C/7/26 | Spatial Forms \ Planes | 1938-1940 |
| L/C/4/69 | Spatial Forms \ Dodecahedron | 1938-1940 |
| L/C/5/39 | Spatial Forms \ Octahedron | 1938-1940 |
| L/C/5/74 | Spatial Forms \ Icosahedron | 1938-1940 |
| L/C/4/35 | Spatial Forms \ Dodecahedron | 1938-1940 |
| L/C/7/98 | Spatial Forms \ Icosahedron | 1938-1940 |
| L/F/2/60 | Dances \ Summer Course at Moreton Hall \ Rudolf von Laban directing a movement choir | 1942 |
| L/E/34/26 | Lecture notes on various subjects \ Introduction to lecture | 1939 |
| L/C/2/47 | Spatial Forms \ Lemniscate in Dodecahedron | 1938-1940 |
| L/C/5/1 | Spatial Forms \ Lemniscate Construction | 1938-1940 |
| L/C/7/70 | Spatial Forms \ Icosahedron | 1938-1940 |
| L/C/3/97 | Figures \ Figure in Lemniscate | 1938-1940 |
| L/C/5/52 | Spatial Forms \ Icosahedron | 1938-1940 |
| L/C/5/70 | Spatial Forms \ Icosahedron | 1938-1940 |
| L/C/1/119 | Spatial Forms \ Analytical Spatial Structures | 1938-1940 |
| L/C/5/68 | Spatial Forms \ Icosahedron | 1938-1940 |
| L/C/4/78 | Spatial Forms \ Four Rings | 1938-1940 |
| L/C/2/8 | Spatial Forms \ Geometric Form | 1938-1940 |
| L/C/7/123 | Figures \ Woman | 1938-1940 |
| L/C/6/15 | Single and Double Figures in Spatial Forms \ A Figure | 1938-1940 |
| L/C/4/46 | Figures Within Static Form \ Dodecahedrons | 1938-1940 |
| L/C/2/124 | Spatial Forms \ Icosahedron | 1938-1940 |
| L/C/2/127 | Spatial Forms \ Icosahedron | 1938-1940 |
| L/C/5/100 | Single and Double Figures in Spatial Forms \ A Figure in a Dodecahedron | 1938-1940 |
| L/C/3/6 | Figure Drawings \ Group of Small Figures | 1938-1940 |
| L/C/7/105 | Figures \ Heads | 1938-1940 |
| L/C/1/39 | Spatial Forms \ Icosidodecahedron | 1938-1940 |
| L/C/1/75 | Tetrahedrons \ Figures in Tetrahedrons | 1938-1940 |
| L/C/1/73 | Tetrahedrons \ Figure in Tetrahedron | 1938-1940 |
| L/C/1/38 | Spatial Forms \ Icosidodecahedron | 1938-1940 |
| L/C/5/116 | Single and Double Figures in Spatial Forms \ A Figure in a Dodecahedron | 1938-1940 |
| L/C/4/45 | Figures Within Static Form \ Dodecahedrons | 1938-1940 |
| L/C/5/139 | Single and Double Figures in Spatial Forms \ A Figure in an Icosahedron | 1938-1940 |
| L/C/4/27 | Spatial Forms \ Dodecahedron | 1938-1940 |
| L/C/3/93 | Figures \ Three Figures and Planes | 1938-1940 |
| L/E/48/39 | Historical Data \ International Conventions and Publications \ Proposal for Courses of Introduction into the General Aesthetics, A | 1939 |
| L/C/2/87 | Spatial Forms \ Icosahedron | 1938-1940 |
| L/C/4/3 | Figures Within Static Form \ Embrionic Forms | 1938-1940 |
| L/C/7/69 | Spatial Forms \ Icosidodecahedron | 1938-1940 |
| L/C/5/33 | Spatial Forms \ Octahedron | 1938-1940 |
| L/C/4/61 | Figures Within Static Form \ Figures | c.1938-1940 |
| L/C/7/57 | Spatial Forms \ Icosidodecahedron | 1938-1940 |
| L/C/7/65 | Spatial Forms \ Icosahedron | 1938-1940 |
| L/C/5/40 | Spatial Forms \ Cube | 1938-1940 |
| L/C/7/68 | Spatial Forms \ Icosidodecahedron | 1938-1940 |
| L/C/3/106 | Figures \ Figure in Lemniscate | 1938-1940 |
| L/C/4/32 | Spatial Forms \ Dodecahedron | 1938-1940 |
| L/C/7/39 | Spatial Forms \ Icosahedron | 1938-1940 |
| L/E/34/33 | Lecture notes on various subjects \ History of dancing, The | 1939 |
| L/E/34/27 | Lecture notes on various subjects \ History of the science of dance, The | 1939 |
| L/E/34/42 | Lecture notes on various subjects \ Basque Sword Dance, The | 1939 |
| L/E/34/29 | Lecture notes on various subjects \ History of the union of body and mind | 1939 |
| L/C/4/71 | Spatial Forms \ Lemniscate in Dodecahedron | 1938-1940 |
| L/C/7/104 | Figures \ Head | 1938-1940 |
| L/F/2/85 | Portraits \ E. Loeb, Dr Binswanger, Lisa Ullmann, Rudolf von Laban | 1955 |
| L/C/5/72 | Spatial Forms \ Tetrahedron | 1938-1940 |
| L/C/2/129 | Spatial Forms \ Icosahedron | 1938-1940 |
| L/C/4/29 | Spatial Forms \ Dodecahedron | 1938-1940 |
| L/C/4/28 | Spatial Forms \ Dodecahedron | 1938-1940 |
| L/C/2/111 | Spatial Forms \ Knot in Dodecahedron | 1938-1940 |
| L/C/5/141 | Spatial Forms \ Lemniscate in Dodecahedron | 1938-1940 |
| L/C/5/109 | Spatial Forms \ Dodecahedron | 1938-1940 |
| L/C/2/150 | Spatial Forms \ Icosahedron | 1938-1940 |
| L/C/6/11 | Single and Double Figures in Spatial Forms \ A Figure in an Icosidodecahedron | 1938-1940 |
| L/C/1/6 | Architectural Theatre Buildings \ Theatres | 1938-1940 |
| L/C/2/98 | Spatial Forms \ Icosahedron | 1938-1940 |
| L/C/5/83 | Single and Double Figures in Spatial Forms \ A Figure in an Icosahedron | 1938-1940 |
| L/E/69/38 | Biographical Information \ Rudolf Laban \ Letter to Laban from Irmgard Brussau [?] | 4 December 1949 |
| L/E/42/27 | Production Scripts \ Effort Film | n.d. |
| L/C/2/24 | Spatial Forms \ Icosahedron | 1938-1940 |
| L/E/44/8 | Production Scripts \ Sorge, Die [sorrow] | 15 December 1936 |
| L/C/4/90 | Spatial Forms \ Octahedron and Icosahedron | 1938-1940 |
| L/C/7/103 | Figures \ Head | 1938-1940 |
| L/C/1/101 | Figures and Shapes \ Shapes | c.1938-1940 |
| L/C/2/10 | Spatial Forms \ Geometric Form | c.1938-1940 |
| L/E/20/19 | Dance in general \ Möglichkeiten des Gruppenausdrucks [Possibilities for group expression] | n.d. |
| L/C/5/54 | Spatial Forms \ Tetrahedron | 1938-1940 |
| L/C/2/1 | Spatial Forms \ Dimensional Crown; Dimensional Snake | 1938-1940 |
| L/C/7/6 | Relationship Between Groups of Figures \ Four Figures | 1938-1940 |
| L/E/37 | Physiological - Scientific \ Files in Box 37 | late 1930s-late 1950s |
| L/E/56 | Books, Manuscripts, Outlines \ Files in Box 56 | late 1930s-late 1950s |
| L/E/53 | Books, Manuscripts, Outlines \ Files in Box 53 | late 1930s-late 1950s |
| L/E/48/11 | Historical Data \ Laban Notizen [Notes] 1914-1915 \ Gesetze der Bewegungskunst \ Rhythmik [Laws of movement and rhythmic] | 1914-1915 |
| L/E/31 | Lecture Notes on Various Subjects \ Files in Box 31 | late 1930s-late 1950s |
| L/E/66 | Industrial Rhythm \ Files in Box 66 | 1940s-1950s |
| L/E/41 | Psychological Implications \ Files in Box 41 | late 1930s-late 1950s |
| L/E/22 | Movement Notation \ Files in Box 22 | late 1930s-late 1950s |
| L/E/62 | Industrial Rhythm \ Files in Box 62 | 1940s-1950s |
| L/C/1/65 | Tetrahedrons \ 6 Tetrahedrons | 1938-1940 |
| L/C/2/96 | Spatial Forms \ Icosahedron and Dodecahedron | 1938-1940 |
| L/E/24 | Philosophical Comments \ Files in Box 24 | late 1930s-1974 |
| L/E/60 | Rudolf Laban's Pupils \ Files in Box 60 | 1923-1984 |
| L/E/59 | Books, Manuscripts, Outlines \ Files in Box 59 | late 1930s-late 1950s |
| L/E/45 | Education \ Files in Box 45 | late 1930s-late 1950s |
| L/E/71/2 | Industrial Rhythm \ Tyresoles Ltd. \ Manchester - Wembley \ January 1941 - March 1942 | 1941-1947 |
| L/E/71 | Industrial Rhythm | 1941-1947 |
| L/E/38 | Harmony \ Files in Box 38 | late 1930s-late 1950s |
| L/E/28 | Movement in General \ Files in Box 28 | late 1930s-late 1950s |
| L/E/68/13 | Photostat and Newspaper Cuttings \ Dance Observer \ Rudolf von Laban; Tribute to Rudolf Laban | 1940-1949 |
| L/E/48/21 | Historical Data \ Deuxieme Congres International d'Esthetique et de Science de l'Art [Second International Congress of Aesthetics and the Science of Art] \ Invitations to Receptions | 8 August 1937 |
| L/E/9 | Choreutics \ Files in Box 9 | late 1930s-late 1950s |
| L/C/4/77 | Spatial Forms \ Icosahedron | 1938-1940 |
| L/E/44/29 | Production Scripts \ Nacht in Venedig, Eine \ Notiz Aufzeichnungen [A Night in Venice \ notes and comments] | c.1936 |
| L/F/7/34 | Models \ Paper Structure/Sculpture | n.d. |
| L/C/3/37 | Figure Drawings \ Male Figures | c.1938-1940 |
| L/C/1/88 | Figures and Shapes \ Figures | c.1938 |
| L/C/3/29 | Figure Drawings \ Male Figure | c.1938-1940 |
| L/C/3/81 | Spatial Patterns \ Dodecahedron | c.1938-1940 |
| L/C/3/82 | Spatial Patterns \ Dodecahedron | c.1938-1940 |
| L/C/3/30 | Figure Drawings \ Male Figure | c.1938-1940 |
| L/E/15 | Choreutics \ Files in Box 15 | 1925-late 1950s |
| L/E/2 | Choreology (Space) \ Files in Box 2 | late 1930s-late 1950s |
| L/C/6/96 | Relationship Between Groups of Figures \ Three Figures | 1938-1940 |
| L/E/48/17 | Historical Data \ Royal Hungarian Legation \ Rudolf Laban's Nationality | 6 August 1940 |
| L/E/29 | Movement in General \ Files in Box 29 | late 1930s-late 1950s |
| L/C/1/23 | Spatial Forms \ Spatial Structure | 1938-1940 |
| L/C/1/43 | Spatial Forms \ Icosidodecahedron | 1938-1940 |
| L/C/1/36 | Spatial Forms \ Lemniscate | 1938-1940 |
| L/C/2/4 | Spatial Forms \ Crystalline Structures | 1938-1940 |
| L/C/5/104 | Single and Double Figures in Spatial Forms \ A Figure in a Dodecahedron | 1938-1940 |
| L/C/5/80 | Single and Double Figures in Spatial Forms \ A Figure | 1938-1940 |
| L/C/1/80 | Tetrahedrons \ Figures in Tetrahedral Shapes | 1938-1940 |
| L/C/4/37 | Figures Within Static Form \ Six Little Pierrots | 1938-1940 |
| L/C/2/29 | Spatial Forms \ Cube, Dodecahedron | 1938-1940 |
| L/C/5/12 | Spatial Forms \ Icosahedron | 1938-1940 |
| L/E/14 | Choreutics \ Files in Box 14 | late 1930s-late 1950s |
| L/C/5/112 | Spatial Forms \ Dodecahedron | 1938-1940 |
| L/E/4 | Choreology (Space) \ Files in Boxes 4 | late 1930s-late 1950s |
| L/E/65 | Industrial Rhythm \ Files in Box 65 | 1940s-1950s |
| L/E/26/52 | Philosophical comments \ Druck - Nachdruck [Pressure - Emphasis] | n.d. |
| L/C/2/80 | Spatial Forms \ Icosahedron | 1938-1940 |
| L/C/7/22 | Spatial Forms \ Geometric Shape | 1938-1940 |
| L/E/46/52 | Information from Others \ Rudolf von Labans Lehre vom Tanz [Rudolf von Laban's Teachings on Dance] | 1921 |
| L/E/51/39 | Letters \ Northern Childrens Theatre Ltd. \ Letter, Publicity, Programme and Constitution | 1952 |
| L/E/16/30 | Choreology in general \ Innersschau, Die [interior aspect, the] | n.d. |
| L/E/9/48 | Choreutics \ Notebook with choreutic drawings and notes | n.d. |
| L/E/3/30 | Choreology (Space) \ Schwingende und strahlende Raum, Der [Swinging and radiant space, The] | n.d. |
| L/E/77/18 | Industrial Rhythm \ Effort-graph | n.d. |
| L/E/6/55 | Choreology (Effort) \ Actions, manners and passions | n.d. |
| L/F/1/92 | Portraits \ Rudolf von Laban with Beatrice Loeb | 1954 |
| XZB/1480 | Rudolf Laban: An Extraordinary Life |
| AW/B/2041 | The Mastery of Movement |
| L/E/64/72 | Industrial Rhythm \ Plasticity of the Productive Mind | n.d. |
| XZL/B/2115 | Cognitive Structures of Kinesthetic Space: Reevaluating Rudolf Laban's Choreutics in the Context of Spatial Cognition and Motor Control \ Volume 1: Text |
| XZB/2666 | Margaret Morris: A Prophet Without Honour |
| L/E/41/14 | Psychological Implications \ New School of Thought, A | 1956 |
| L/E/77/59 | Articles about Laban \ Rudolf von Laban und die Entstehung des modernen Tanzdramas by Fritz Bohme | 1949 |
| L/F/3/32 | Portraits \ Chichester | 1947 |
| L/E/8/35 | Eukinetics \ In scale direction | n.d. |
| L/E/68/55 | Biographical Information \ Rudolf Laban \ Letter to Dr. J.S. Kestenberg from Lisa Ullmann | 14 March 1972 |
| L/E/1/70 | Choreology (Space) \ Hauptbewegung, Nebenbewegung, Kristeil, Durchstrahlen [Main movement, secondary movement, circle section, to radiate through] | n.d. |
| L/E/14/26 | Choreutics \ To be found through knot combination... | n.d. |
| L/E/56/10 | Books, Manuscripts, Outlines \ Effort and Recovery \ Topological Explanations, Qualitative Aspects | c.1953 |
| L/E/17/35 | Choreology in general \ Stimmung [mood] | n.d. |
| L/F/2/11 | Portraits \ Rudolf von Laban \ Summer Vacation Course at Bonar Law Memorial College \ Ashridge | 1955 |
| L/E/54/7 | Books, Manuscripts, Outlines \ Effort and Recovery \ Introduction \ Version 2 | c.1953 |
| L/E/32/62 | Lecture notes on various subjects \ Thoughts on human values | n.d. |
| L/E/59/20 | Books, Manuscripts, Outlines \ Wie weit dabei mit der Zeit ... | n.d. |
| L/F/7/2 | Models - Theatre Model | 1938-1939 |
| L/F/1/72 | Portraits \ Rudolf von Laban | October 1953 |
| L/F/1/73 | Portraits \ Rudolf von Laban | October 1953 |
| L/E/53/50 | Books, Manuscripts, Outlines \ Notes on Effort | n.d. |
| L/E/74/7 | Industrial Rhythm \ W.C. Holmes & Co. Ltd. \ Effort Assessments and Bonus Scheme \ 1 of 2 | 17 October 1942-11 December 1942 |
| L/E/67/4 | Family Correspondence \ Arpad von Laban | 11 December 1949-2 June 1957 |
| L/C/9/97 | Holiday Drawings \ Beach View of Saundersfoot | 1951 |
| L/E/22/38 | Articles about Laban \ Berliner Palette \ 'Tanzschopfer am Werk' | 11 June 1948 |
| L/E/14/87 | Choreutics \ Harmonische Einfalle per Vierringe [Harmonic incidences by 4-rings] | n.d. |
| L/E/52/20 | Letters \ Letters from A.B. Clegg \ County Council of the West Riding of Yorkshire, Education Department | 21 December 1945-1 March 1948 |
| L/E/49/27 | Personal Statements \ Report about the Reorganisation of the Archives Laban | 1945 |
| L/E/51/98 | Letters \ Correspondence with Geoffrey Bemrose \ City of Stoke-on-Trent Museums and Art Gallery | 9 August 1943-26 November 1943 |
| L/E/68/39 | Biographical Information \ Rudolf Laban \ Anekdoten von Rudolf von Laban | 18 November 1983 |
| L/E/1/54 | Choreology (Space) \ Ausprall-und Anschmiege Kräfte die Formen gestalten..., Die [Shattering and welding forces which form shapes..., The] | n.d. |
| L/C/10/39 | Holiday Drawings \ Landscape with Hills and Rivers | 1949 |
| L/E/77/13 | Industrial Rhythm \ Categories of Jobs | n.d. |
| L/C/9/3 | Holiday Drawings \ Capel Curig | n.d. |
| L/C/6/69 | Relationship Between Groups of Figures \ Six Figures | 1938-1940 |
| L/F/3/67 | Portraits \ M D H C [Manchester Dance Holiday Course?]\Ashridge \ Rudolf von Laban with Lisa Ullmann | 1955 |
| L/F/3/10 | Portraits \ M D H C [Manchester Dance Holiday Course?] Dartington Hall \ Lisa Ullmann teaching \ Laban sitting at side | 1952 |
| L/E/80/2 | Industrial Rhythm \ Assessments \ Shadow-Move-Battle at the Trocadero | 13 January 1944 |
| L/F/3/69 | Portraits \ M D H C [Manchester Dance Holiday Course?]\ Ashridge \ Rudolf von Laban with Ursula Beaver and Lorn Primrose | 1955 |
| L/F/3/51 | Portraits \ Newtown, Mont. \ Rudolf von Laban with Diana Jordan and Lisa Ullmann \ Rudolf von Laban and Lisa Ullmann first meeting with Diana Jordan and Joan Goodrich when the M D H C [Manchester Dance Holiday Course?] were invited | 1941 |
| L/E/66/23 | Industrial Rhythm \ Correspondence between Laban and F.C. Lawrence \ 1942 | 3 January 1942-9 September 1942 |
| L/F/3/46 | Dances \ M D H C [Manchester Dance Holiday Course?] Moreton Hall Rudolf von Laban directing movement choir rehearsal | Summer 1942 |
| L/E/36/37 | Books, Manuscripts, Outlines \ Re Bill Carpenter's Manuscript \ Comments on Manuscript | 5 November 1955 |
| L/F/5/1 | Portraits \ Rudolf Laban | n.d. |
| L/C/9/11 | Holiday Drawings \ Landscape with Mountains and Trees | n.d. |
| L/C/3/94 | Figures \ Figure in Icosahedron | 1938-1940 |
| L/C/2/122 | Spatial Forms \ Icosahedron | 1938-1940 |
| L/C/5/31 | Spatial Forms \ Icosahedron | 1938-1940 |
| L/C/2/60 | Spatial Forms \ Dodecahedron | 1938-1940 |
| L/C/1/29 | Spatial Forms \ Planes | 1938-1940 |
| L/C/4/82 | Spatial Forms \ Dodecahedron | 1938-1940 |
| L/C/1/83 | Modern Educational Dance \ Octahedron | 1938-1940 |
| L/C/7/91 | Spatial Forms \ Dodecahedron | 1938-1940 |
| L/C/2/13 | Spatial Forms \ Geometric Form | 1938-1940 |
| L/C/4/86 | Spatial Forms \ Icosahedron | 1938-1940 |
| L/C/1/69 | Tetrahedrons \ Figure in Tetrahedron | 1938-1940 |
| L/C/1/76 | Tetrahedrons \ Figures in Tetrahedrons | 1938-1940 |
| L/C/5/2 | Spatial Forms \ Lemniscate Construction | 1938-1940 |
| L/C/1/109 | Spatial Forms \ Dodecahedron | 1938-1940 |
| L/C/7/43 | Spatial Forms \ Icosahedron | 1938-1940 |
| L/C/3/35 | Figure Drawings \ Male Figures | 1938-1940 |
| L/C/1/10 | Architectural Theatre Buildings \ Theatre | 1938-1940 |
| L/C/6/17 | Single and Double Figures in Spatial Forms \ A Figure in an Icosidodecahedron | 1938-1940 |
| L/C/6/13 | Single and Double Figures in Spatial Forms \ Icosahedron | 1938-1940 |
| L/C/1/44 | Spatial Forms \ Lemniscate | 1938-1940 |
| L/C/6/10 | Single and Double Figures in Spatial Forms \ A Figure showing Polar Counter-Tension | 1938-1940 |
| L/C/1/15 | Architectural Theatre Buildings \ Theatre | 1938-1940 |
| L/C/6/34 | Single and Double Figures in Spatial Forms \ A Figure in an Icosahedron | 1938-1940 |
| L/E/31/1 | Lecture notes on various subjects \ Proposal for courses of introduction into the general aesthetics, A | 1939 |
| L/C/2/23 | Spatial Forms \ Solid Form | 1938-1940 |
| L/C/5/57 | Spatial Forms \ Icosahedron | 1938-1940 |
| L/C/5/67 | Spatial Forms \ Icosahedron | 1938-1940 |
| L/C/2/7 | Spatial Forms \ Crystalline Structures | 1938-1940 |
| L/C/6/80 | Relationship Between Groups of Figures \ Three Figures | 1938-1940 |
| L/C/2/25 | Spatial Forms \ Icosahedron | 1938-1940 |
| L/C/2/20 | Spatial Forms \ Geometric Form | 1938-1940 |
| L/C/5/81 | Single and Double Figures in Spatial Forms \ A Figure | 1938-1940 |
| L/C/6/106 | Relationship Between Groups of Figures \ Three Figures | 1938-1940 |
| L/C/6/6 | Single and Double Figures in Spatial Forms \ A Figure showing Polar Counter-Tension | 1938-1940 |
| L/C/2/55 | Spatial Forms \ Dodecahedron | 1938-1940 |
| L/C/2/35 | Spatial Forms \ 7-er Icosahedron | 1938-1940 |
| L/C/4/39 | Figures Within Static Form \ Figure in Dodecahedron | 1938-1940 |
| L/C/2/12 | Spatial Forms \ Geometric Form | 1938-1940 |
| L/C/2/145 | Spatial Forms \ Icosahedron | 1938-1940 |
| L/C/2/140 | Spatial Forms \ Octahedron | 1938-1940 |
| L/B/52 | Modern Educational Dance |
| L/B/96 | Rudolf Laban speaks about Movement and Dance |
| L/B/56 | Laban's Principles of Dance and Movement Notation |
| L/B/100 | Modern Dance: The Jooss-Leeder Method |
| L/B/54 | Modern Educational Dance |
| L/B/2382 | Modern Educational Dance |
| L/B/2379 | Principles of Dance and Movement Notation |
| L/B/39 | Mastery of Movement, The |
| L/B/55 | Principles of Dance and Movement Notation |
| L/B/1453 | Schrifttanz \ 1 \ Methodik Orthographie Erlauterungen |
| L/B/44 | Effort |
| L/B/42 | Life for Dance, A |
| L/B/2381 | Modern Educational Dance |
| L/B/51 | Dominio do Movimento |
| L/B/1452 | Deutsche Tanzfestspiele 1934 |
| L/B/38 | Mastery of Movement on the Stage, The |
| L/B/53 | Modern Educational Dance |
| L/B/1366 | Choreographie |
| L/B/40 | Mastery of Movement, The |
| L/B/41 | Mastery of Movement, The |
| L/E/6/11 | Choreology (Effort) \ What is measuring an effort | n.d. |
| L/E/11/20 | Choreutics \ Kantkrafte [Edge forces] | n.d. |
| L/E/13/48 | Choreutics \ Askala dim. 1, 3, 5 [A scale dimensions 1, 3, 5] | n.d. |
| L/E/17/14 | Choreology in general \ Energy and Space | n.d. |
| L/E/2/45 | Choreology (Space) \ Kraftzeitraum 1-7 [Strength's span of time] | n.d. |
| L/E/22/17 | Movement notation \ Art of movement, The | n.d. |
| L/E/32/14 | Lecture notes on various subjects \ Essence of dancing, The | n.d. |
| L/E/15/49 | Choreutics \ Stein, Pflanze, Tier [Stone, plant, animal] | n.d. |
| L/E/6/90 | Choreology (Effort) \ What we know about the psychological components of movement | n.d. |
| L/E/9/28 | Choreutics \ Notes, symbols, drawings and scales | n.d. |
| L/E/10/39 | Choreutics \ Vierring und Dreiring [4-ring and 3-ring] | n.d. |
| L/E/29/23 | Movement in general \ Raum, Rhythmus, Inhalt [Space, rhythm, content] | n.d. |
| L/E/10/27 | Choreutics \ Choreutic drawings, notes and symbols | n.d. |
| L/E/12/26 | Choreutics \ Drawings and notes related to Choreutics | n.d. |
| L/E/12/16 | Choreutics \ Impulslehre [Impulse teaching] | n.d. |
| L/E/23/61 | Philosophical comments \ Translation of sense perception..., The | n.d. |
| L/C/10/79 | Spatial Forms \ Icosahedron | n.d. |
| L/E/1/39 | Choreology (Space) \ Drehmitte ist flucht [Turning centre is flight] | n.d. |
| L/E/32/9 | Lecture notes on various subjects \ Contribution of movement study to educational problems | n.d. |
| L/E/3/10 | Choreology (Space) \ Form und Klang [Form and sound] | n.d. |
| L/E/15/37 | Choreutics \ Geschlossene und ungeschlossene Lemnis [Closed and unclosed lemniscates] | n.d. |
| L/E/4/65 | Choreology (Space) \ Graphic representation of the fixed line | n.d. |
| L/E/35/9 | Art in General \ Musik, Tanz, Architektur und Poesie [music, dance, architecture and poetry] | n.d. |
| L/C/10/69 | Cut Outs \ Dodecahedron | n.d. |
| L/E/26/70 | Philosophical comments \ Movement and mind | n.d. |
| L/E/11/21 | Choreutics \ In der Richtung von den Schrägen... [In the direction of the slopes...] | n.d. |
| L/C/10/70 | Notation | n.d. |
| L/F/7/113 | Models \ Geometrical Structure | n.d. |
| L/E/1/9 | Choreology (Space) \ Light - Darkness | n.d. |
| L/E/26/28 | Philosophical comments \ Religion des wie (Tanz) [The religion of how (dance)] | n.d. |
| L/E/24/15 | Philosophical comments \ Concerning observation | n.d. |
| L/E/10/8 | Choreutics \ Schlangenlagen [Position of snakes] | n.d. |
| L/E/25/18 | Philosophical comments \ Wie ich tanzen lernte und es nacher anderen gezeigt habe [How I learned to dance and then showed others] | n.d. |
| L/E/5/5 | Choreology (Effort) \ Effort study | n.d. |
| L/E/36/8 | Stories, Poems, Drama, Music \ Nacht und Tag [Night and Day] | n.d. |
| L/E/10/28 | Choreutics \ Development; unfolding of space through movement | n.d. |
| L/E/5/8 | Choreology (Effort) \ Living movement uses gravitation... | n.d. |
| L/E/47/31 | Art of Movement, The \ Modern Educational Dance | n.d. |
| L/E/24/67 | Philosophical comments \ Über Modelle und Zeichnungen von Bewegungsformen - Beweggungschrift [On models and drawings for movement forms - written movement] | n.d. |
| L/E/45/56 | Education \ Treating Stress and Illness through Movement | n.d. |
| L/E/11/15 | Choreutics \ Band in 12-er mit gleichen Konturfüllungen [Volume in 12-link with equal contour fillings] | n.d. |
| L/E/15/59 | Choreutics \ Points of orientation in Kinetographic symbols, with inclination and inner attitudes, and a modelled form of peripheral and transverse 3-rings | n.d. |
| L/E/44/11 | Production Scripts \ Rienzi-Tänze [Rienzi dances] | n.d. |
| L/E/5/22 | Choreology (Effort) \ Revolt of life..., The | n.d. |
| L/E/29/55 | Movement in general \ Metamorphosis | n.d. |
| L/E/29/8 | Movement in general \ Über den Bewegungsstil [On the style of movement] | n.d. |
| L/E/57/30 | Books, Manuscripts, Outlines \ Kap. XI \ Training | n.d. |
| L/E/21/65 | Movement notation \ Kurzschrift [Short script] | n.d. |
| L/E/40/17 | Rhythm \ Motion Study and Effort Control | n.d. |
| L/E/43/3 | Production Scripts \ Three Toymakers, The | n.d. |
| L/E/25/49 | Philosophical comments \ Further thoughts on readings about the new physics | n.d. |
| L/E/3/24 | Choreology (Space) \ Das dynamische Raumbild und die neue Tektonik [The dynamic image of space and the new techtonic] | n.d. |
| L/E/45/46 | Education \ Movement and Space | n.d. |
| L/E/70/38 | Miscellaneous Notes \ Movement Regulations and the Three Hardboiled Ones / Anti-Movement Education, The | n.d. |
| L/E/7/9 | Choreology (Effort) \ Successive appearance of effort-media, The | n.d. |
| L/E/57/6 | Books, Manuscripts, Outlines \ Choreographie 1 | n.d. |
| L/E/53/5 | Books, Manuscripts, Outlines \ Comprehensive Chart of Effort Graphs | n.d. |
| L/E/8/57 | Eukinetics \ Free Dance; Effort Scales | n.d. |
| L/E/4/74 | Choreology (Space) \ Space. If one observes people.... | n.d. |
| L/E/58/9 | Books, Manuscripts, Outlines \ Motion Man's Magic Mirror \ 6 of 8 | n.d. |
| L/E/16/53 | Choreology in general \ Spiel des Pierrot, Das [Game of Pierrot, The] | n.d. |
| L/E/2/35 | Choreology (Space) \ Namen, Schrift [Name, Writing] | n.d. |
| L/E/16/19 | Choreology in general \ Umgehung Durchstrahlung [diversion, radiating through] | n.d. |
| L/E/14/52 | Choreutics \ Choreutic drawings and notes | n.d. |
| L/E/76/11 | Industrial Rhythm \ Industrial Rhythm | n.d. |
| L/E/8/44 | Eukinetics \ Exercises typical for the observation of aptitude ... | n.d. |
| L/E/23/5 | Philosophical comments \ Idee des Leibes und seiner Bewegungsintegralen, Die [The idea of the body and its lines of movement] | n.d. |
| L/E/14/43 | Choreutics \ Solo-dance is on one place... | n.d. |
| L/E/23/73 | Philosophical comments \ Einige Sätze zum Formationen Denken [a few sentences on formative thinking] | n.d. |
| L/E/53/12 | Books, Manuscripts, Outlines \ Motion Study \ Conclusions of Chapter One | n.d. |
| L/E/4/79 | Choreology (Space) \ Introduction into the Theory and Practice of Movement Harmony | n.d. |
| L/E/53/40 | Books, Manuscripts, Outlines \ Part III \ Act of Recovery, The | n.d. |
| L/E/70/55 | Miscellaneous Notes \ Dial Guide to Movement, A \ Improvisation in Organised Space \ Space-Organum | n.d. |
| L/E/7/39 | Choreology (Effort) \ Ideas and emotions connected with them... | n.d. |
| L/E/25/63 | Philosophical comments \ Alles Bewegen ist ein Drängen zu einem Ziel… [All movement is a striving for a goal …] | n.d. |
| L/E/4/35 | Choreology (Space) \ Zweiaxiges Gebilde [Two axes] | n.d. |
| L/F/7/41 | Models \ Paper Structure/Sculpture | n.d. |
| L/E/45/22 | Education \ Community Dancing | n.d. |
| L/E/14/15 | Choreutics \ Drawings and Kinetograms | n.d. |
| L/E/38/2 | Harmony \ Different Cultures' Arrangements of Musical Scales | n.d. |
| L/E/32/26 | Lecture notes on various subjects \ Language is a privilege of man | n.d. |
| L/E/4/5 | Choreology (Space) \ Twistloop; Knots | n.d. |
| L/E/18/10 | Choreology in general \ Kinetic harmony | n.d. |
| L/E/69/12 | Biographical Information \ Rudolf Laban \ Laban Part III \ Chapter One / Chapter Two | n.d. |
| L/F/7/5 | Models \ Dial, The | n.d. |
| L/E/19/25 | Dance in general \ That we are able to create... | n.d. |
| L/E/14/86 | Choreutics \ Laufen, sturzen, kriechen [Running, rushing, crawling] | n.d. |
| L/E/11/14 | Choreutics \ Liste der Reihen und Ringe [Lists of rows and rings] | n.d. |
| L/E/31/22 | Lecture notes on various subjects \ Mime | n.d. |
| L/E/4/31 | Choreology (Space) \ Lemniskaten [Lemniscates] | n.d. |
| L/E/52/37 | Letters \ Pendley Centre of Adult Education | n.d. |
| L/E/49/32 | Personal Statements \ Bewegung betrifft den ganzen Menschen [Movement affects the whole human being] | n.d. |
| L/E/6/22 | Choreology (Effort) \ Theory of movement | n.d. |
| L/E/2/59 | Choreology (Space) \ Musical Scores | n.d. |
| L/F/7/77 | Models \ Structures Using Tensegrity | n.d. |
| L/E/10/37 | Choreutics \ Analytical drawings | n.d. |
| L/E/14/7 | Choreutics \ Changes of linear shapes | n.d. |
| L/E/8/56 | Eukinetics \ Effort | n.d. |
| L/E/12/56 | Choreutics \ Choreutic drawings - Icosahedron | n.d. |
| L/E/19/51 | Dance in general \ Mind in dancing | n.d. |
| L/E/3/56 | Choreology (Space) \ Philosophic comments; Choreological notes; Drawings | n.d. |
| L/E/21/25 | Movement notation \ Notebook with kinetograms | n.d. |
| L/E/21/3 | Movement notation \ Rules of kinetography, The | n.d. |
| L/F/7/72 | Models \ Structures Using Tensegrity | n.d. |
| L/E/13/59 | Choreutics \ Harmonie [Harmony] | n.d. |
| L/E/6/40 | Choreology (Effort) \ Objects, facts and effort | n.d. |
| L/E/12/3 | Choreutics \ Spontaneous drive, doubt-deed table | n.d. |
| L/F/7/33 | Models \ Paper Structure/Sculpture | n.d. |
| L/E/39/10 | Observation \ Notes for Observation Scheme | n.d. |
| L/E/59/24 | Books, Manuscripts, Outlines \ Highway Code and the 'Scuola d'Amore', The | n.d. |
| L/E/19/37 | Dance in general \ Thinking in terms of movement | n.d. |
| L/E/10/45 | Choreutics \ Names of zones in space | n.d. |
| L/E/18/40 | Choreology in general \ Notes and symbols | n.d. |
| L/E/28/5 | Movement in general \ Our hands, the organs of grasping | n.d. |
| L/E/6/46 | Choreology (Effort) \ Effort rhythm | n.d. |
| L/E/16/64 | Choreology in general \ Drawings and notes | n.d. |
| L/E/21/52 | Movement notation \ Nature of movement, The | n.d. |
| L/E/17/55 | Choreology in general \ Flexible and inflexible | n.d. |
| L/E/6/7 | Choreology (Effort) \ Physics are compulsive... | n.d. |
| L/E/31/32 | Lecture notes on various subjects \ Mastery of movement | n.d. |
| L/E/15/13 | Choreutics \ 11-Strahlige Tor, Das [the 11-radiating gate] | n.d. |
| L/E/21/74 | Movement notation \ Notes on motivation | n.d. |
| L/E/5/72 | Choreology (Effort) \ Effort and motion study | n.d. |
| L/E/13/70 | Choreutics \ Thirth on fundamental axial-scale | n.d. |
| L/E/8/21 | Eukinetics \ Playing purposefully with effort occurs in work ... | n.d. |
| L/E/5/77 | Choreology (Effort) \ Effort Microbe, The | n.d. |
| L/E/10/41 | Choreutics \ Drawing of human figures with collage | n.d. |
| L/E/1/25 | Choreology (Space) \ Spationom \ Drawings | n.d. |
| L/E/17/58 | Choreology in general \ Movement line graphs | n.d. |
| L/E/31/45 | Lecture notes on various subjects \ Art of movement in the secondary school | n.d. |
| L/E/2/28 | Choreology (Space) \ Phenomena in space | n.d. |
| L/E/28/32 | Movement in general \ Working actions have... | n.d. |
| L/E/16/16 | Choreology in general \ Enantiodromie | n.d. |
| L/E/28/56 | Movement in general \ Bewegung [movement] | n.d. |
| L/E/42/16 | Production Scripts \ Ballett und Tanzspieltitel [Ballet and dance title game] | n.d. |
| L/F/7/79 | Models \ Stella Structure | n.d. |
| L/E/8/66 | Eukinetics \ Tastkitzel... [Tickling Touch...] | n.d. |
| L/E/24/5 | Philosophical comments \ Austerity and mysticism | n.d. |
| L/E/18/41 | Choreology in general \ 6 Fläche (Fünfecke) [6 surface (5 corner)] | n.d. |
| L/E/24/36 | Philosophical comments \ Earth, The | n.d. |
| L/E/24/4 | Philosophical comments \ Urge to dance, The | n.d. |
| L/E/36/6 | Stories, Poems, Drama, Music \ Sphaeren der Bewegung, Die [The Spheres of Movement] | n.d. |
| L/E/47/4 | Art of Movement, The \ Art of Movement, The \ Handwritten Draft | n.d. |
| L/E/22/21 | Movement notation \ Choreutics, notation and philosophical thoughts | n.d. |
| L/E/7/66 | Choreology (Effort) \ Shape/flow | n.d. |
| L/E/39/15 | Observation \ Observation | n.d. |
| L/E/26/67 | Philosophical comments \ Letter from Diana Jordan to Laban | n.d. |
| L/E/76/33 | Industrial Rhythm \ Product is the Aim of the Job ..., The | n.d. |
| L/E/10/31 | Choreutics \ Berechnung der Kettenfolge [Reckoning of the chain sequence] | n.d. |
| L/E/28/23 | Movement in general \ Schritte [Steps] | n.d. |
| L/E/8/80 | Eukinetics \ Choreutics; Eukinetics | n.d. |
| L/F/7/74 | Models \ Structures Using Tensegrity | n.d. |
| L/E/2/49 | Choreology (Space) \ Schriftzeichen im Raum [Characters in Space] | n.d. |
| L/E/3/5 | Choreology (Space) \ Aufzahlung wichtiger choreographischen Spannungen, Die [List of important choreographic tensions] | n.d. |
| L/E/48/47 | Historical Data \ Laban's Bewegungsschrift [Laban's writing on movement] | n.d. |
| L/E/6/43 | Choreology (Effort) \ Synchronism and successiveness of effort performance | n.d. |
| L/E/10/36 | Choreutics \ Rhythmus zur Schwerkraft in RA [Rhythm of gravity in the right A scale] | n.d. |
| L/E/1/48 | Choreology (Space) \ Tabu Verbindungen [Combinations that are taboo] | n.d. |
| L/F/3/89 | Portraits \ Rudolf von Laban \ Labanotation | n.d. |
| L/E/25/54 | Philosophical comments \ What is dance? | n.d. |
| L/E/16/75 | Choreology in general \ Spannung von der Mitte zur Peripherie [tension from centre to periphery] | n.d. |
| L/E/45/1 | Production Scripts \ Perspectives of a Kinetic Education | n.d. |
| L/E/29/26 | Movement in general \ Fantasognosis [Fantasy] | n.d. |
| L/E/6/6 | Choreology (Effort) \ Effort present in all manifestations of life | n.d. |
| L/E/5/10 | Choreology (Effort) \ Effort control arising from effort study... | n.d. |
| L/E/39/7 | Observation \ Personality Traits Suggested by Movement Qualities | n.d. |
| L/E/12/31 | Choreutics \ Drawings and notes | n.d. |
| L/E/77/35 | Industrial Rhythm \ Man Power | n.d. |
| L/E/26/1 | Philosophical comments \ Harmony of the spheres, The | n.d. |
| L/E/58/21 | Books, Manuscripts, Outlines \ Fluid Power II \ 4 of 4 | n.d. |
| L/E/47/44 | Art of Movement, The \ Laban Art of Movement Centre, The | n.d. |
| L/E/7/60 | Choreology (Effort) \ Diagrams of the inner attitudes in terms of the Icosahedron | n.d. |
| L/E/50/16 | Letters \ Letters re Creative Drama | n.d. |
| L/F/1/84 | Portraits \ Rudolf von Laban | n.d. |
| L/E/65/13 | Industrial Rhythm \ Dance into Industry \ Introduction | n.d. |
| L/F/1/81 | Portraits \ Rudolf von Laban | n.d. |
| L/E/24/19 | Philosophical comments \ Einfall [Idea] | n.d. |
| L/E/42/58 | Production Scripts \ Dance Themes | n.d. |
| L/E/64/69 | Industrial Rhythm \ Rhythmical Order v. Hurrying | n.d. |
| L/E/23/11 | Philosophical comments \ The space within the soul | n.d. |
| L/E/49/4 | Personal Statements \ Cycle of Movement Investigation, The | n.d. |
| L/E/70/21 | Miscellaneous Notes \ Muscle Fibres | n.d. |
| L/E/9/24 | Choreutics \ 18-er Skala und Urskalaberechnungen [18-link scale and original scale calculations] | n.d. |
| L/E/42/83 | Production Scripts \ Erde, Die [Earth, The] | n.d. |
| L/E/26/68 | Philosophical comments \ Movement and mind | n.d. |
| L/E/2/64 | Choreology (Space) \ Auflegeversuch; Tet. als Flachendiagonal-Gebilde [Experimental layerings; Tetrahedron as model for a surface diagonal] | n.d. |
| L/E/16/12 | Choreology in general \ Teilungen [partitions] | n.d. |
| L/E/23/33 | Philosophical comments \ Conception of time as a dimension of space, The | n.d. |
| L/F/5/2 | Portraits \ Rudolf Laban | n.d. |
| L/F/7/32 | Models \ Paper Structure/Sculpture | n.d. |
| L/E/11/18 | Choreutics \ Harmonisch verwandt ist... [Harmonically related is...] | n.d. |
| L/E/21/54 | Movement notation \ Prinzipe und einzufügende Gedanken [Principles and interrelated thoughts] | n.d. |
| L/E/6/70 | Choreology (Effort) \ Under the glare of powerful electric lamp... | n.d. |
| L/E/59/16 | Books, Manuscripts, Outlines \ Einleitung [introduction] | n.d. |
| L/E/53/45 | Books, Manuscripts, Outlines \ Effective Movement for Industrial Work | n.d. |
| L/F/2/50 | Dances \ Rudolf von Laban and Ruth Loeser | n.d. |
| L/E/70/44 | Miscellaneous Notes \ Notes on Kinetology: Key to Space Harmony | n.d. |
| L/E/76/34 | Industrial Rhythm \ Economy of Human Effort | n.d. |
| L/E/29/46 | Movement in general \ Patterns of movement generally | n.d. |
| L/E/42/59 | Production Scripts \ Feier, Ritual, Messe, Volkstheater, Tanztheater / Sketches of Theatre | n.d. |
| L/E/12/1 | Choreutics \ Shapes delineated by the edges of an icosahedron | n.d. |
| L/E/18/65 | Choreology in general \ Wisdom of circles: a new aspect of movement | n.d. |
| L/F/1/71 | Models \ Shapes \ Rudolf von Laban | n.d. |
| L/E/60/26 | Rudolf Laban's Pupils \ Ilse Loesch \ Aus Nachlass Lieschkes Laban-Materialien | n.d. |
| L/E/37/8 | Physiological - Scientific \ Darwinism of Responses | n.d. |
| L/C/9/18 | Costume Design \ Line Drawing of Hairstyle Designs \ 3 of 4 | n.d. |
| L/E/57/23 | Books, Manuscripts, Outlines \ Körper als Werkzeng, Der \ Willkin und Erwartung [the body as tool] | n.d. |
| L/E/47/11 | Art of Movement, The \ Inter-stress of Elements | n.d. |
| L/E/8/6 | Eukinetics \ Es gibt vier verschiedene Kontraste [There are four different contrasts] | n.d. |
| L/E/5/69 | Choreology (Effort) \ We are used to think that a painter is moved... | n.d. |
| L/E/76/20 | Industrial Rhythm \ Effort Study \ ... Effects of an action ... | n.d. |
| L/E/21/24 | Movement notation \ Fashion dance (ballroom) | n.d. |
| L/E/32/91 | Lecture notes on various subjects \ Effort and recovery | n.d. |
| L/E/10/34 | Choreutics \ Comments, notes and drawings | n.d. |
| L/E/77/5 | Industrial Rhythm \ Equilibrium Space; Idea of Industrial Rhythm, The | n.d. |
| L/E/28/7 | Movement in general \ Man's shape and rhythms | n.d. |
| L/E/6/42 | Choreology (Effort) \ Observation of movement, The | n.d. |
| L/F/2/32 | Portraits \ Rudolf von Laban | n.d. |
| L/E/23/28 | Philosophical comments \ Tides of transiency in life, The | n.d. |
| L/E/73/13 | Industrial Rhythm \ Manchester Ship Canal Company \ Notes, report and booklet | n.d. |
| L/E/6/80 | Choreology (Effort) \ Effort readiness for inner or external actions | n.d. |
| L/E/26/7 | Philosophical comments \ Was war Nietzsche? [What was Nietzsche?] | n.d. |
| L/E/13/4 | Choreutics \ Studien Rg [Raumgittern?] & Schlange [Studies of space grids(?) and snake] | n.d. |
| L/E/47/23 | Art of Movement, The \ Theatre and Theology | n.d. |
| L/E/44/7 | Production Scripts \ Nacht, Die [The night] | n.d. |
| L/E/8/95 | Eukinetics \ Über den Bewegungsstil/Eukinetik [Concerning Movement Style/Eukinetics] | n.d. |
| L/E/26/73 | Philosophical comments \ Historical signature of movement characteristics | n.d. |
| L/E/8/26 | Eukinetics \ In effort training... | n.d. |
| L/E/36/21 | Stories, Poems, Drama, Music \ Holy Smoke | n.d. |
| L/E/76/31 | Industrial Rhythm \ ... Recording of the motions ... | n.d. |
| L/E/33/6 | Lecture notes on various subjects \ Diagrammatic notes on spatial rhythms | n.d. |
| L/E/51/4 | Letters \ Correspondence between Adda Heynsen, Lisa Ullmann, Ruth Kaplan-Raziel and Laban | n.d. |
| L/F/7/12 | Models \ Turning, Interlocking Structure | n.d. |
| L/E/6/48 | Choreology (Effort) \ Movement observation shows... | n.d. |
| L/C/10/16 | Holiday Drawings \ Landscape by the Sea in South Wales | n.d. |
| L/E/38/19 | Harmony \ Einleitung zur Harmonie der Raumformen [Introduction to harmony and space forms] | n.d. |
| L/E/32/59 | Lecture notes on various subjects \ Enharmonic changes | n.d. |
| L/E/31/69 | Lecture notes on various subjects \ L and G | n.d. |
| L/C/10/22 | Holiday Drawings \ Pink Lupins in the Garden at Addlestone | n.d. |
| L/E/5/7 | Choreology (Effort) \ Effort | n.d. |
| L/E/26/16 | Philosophical comments \ Bewegungsamt [Movement authority] | n.d. |
| L/E/47/20 | Art of Movement, The \ What is Meant by Modern Dance | n.d. |
| L/C/9/41 | Holiday Drawings \ Portrait of a Woman in a Wood | n.d. |
| L/E/31/24 | Lecture notes on various subjects \ Form and harmony | n.d. |
| L/C/10/28 | Holiday Drawings \ Mountain Landscape | n.d. |
| L/E/39/36 | Observation \ Therapy Treatment Progress Sheet | n.d. |
| L/E/5/80 | Choreology (Effort) \ Kinship between movement elements | n.d. |
| L/E/17/7 | Choreology in general \ It is often maintained... | n.d. |
| L/C/10/95 | Relationships Between Groups of Figures | n.d. |
| L/C/9/74 | Holiday Drawings \ Seated Couple | n.d. |
| L/E/53/9 | Books, Manuscripts, Outlines \ Motion Study \ First Chapter | n.d. |
| L/E/66/3 | Industrial Rhythm \ Work Observation | n.d. |
| L/C/10/45 | Holiday Drawings \ Mountain Village | n.d. |
| L/E/28/24 | Movement in general \ Description of patterns of behaviour in terms of movement, A | n.d. |
| L/C/10/7 | Holiday Drawings \ Landscape with Houses | n.d. |
| L/E/16/7 | Choreology in general \ Flächen [surfaces] | n.d. |
| L/E/24/11 | Philosophical comments \ Psychische Perspektive [Psychic perspective] | n.d. |
| L/C/9/50 | Holiday Drawings \ Saundersfoot | n.d. |
| L/C/9/63 | Holiday Drawings \ Hills | n.d. |
| L/C/10/72 | Spatial Forms \ Icosahedron | n.d. |
| L/E/33/13 | Lecture notes on various subjects \ Development of the art of movement, The | n.d. |
| L/E/4/76 | Choreology (Space) \ Notebook. Relationship between 7-rings and musical scales | n.d. |
| L/E/19/52 | Dance in general \ Dance contents | n.d. |
| L/E/7/72 | Choreology (Effort) \ Effort as an orientation in time | n.d. |
| L/F/2/27 | Portraits \ Rudolf von Laban | n.d. |
| L/E/32/36 | Lecture notes on various subjects \ Movement exercise for factory workers | n.d. |
| L/E/19/23 | Dance in general \ Introduction: doing and dancing | n.d. |
| L/E/59/32 | Books, Manuscripts, Outlines \ Space Puzzle, The | n.d. |
| L/F/7/60 | Models \ Structures Using Tensegrity | n.d. |
| L/C/10/10 | Holiday Drawings \ Landscape with Sea | n.d. |
| L/C/10/83 | Cut Outs \ 4 of 10 | n.d. |
| L/F/7/26 | Models \ Paper Structure/Sculpture | n.d. |
| L/E/2/46 | Choreology (Space) \ Der lebendige Raum [Living Space] | n.d. |
| L/E/1/68 | Choreology (Space) \ 12 positions | n.d. |
| L/E/29/54 | Movement in general \ Objective and subjective movement | n.d. |
| L/C/10/60 | Sketches \ Sun and Palm Tree | n.d. |
| L/E/21/11 | Movement notation \ Letter V | n.d. |
| L/E/23/24 | Philosophical comments \ Bible owes..., The | n.d. |
| L/E/6/2 | Choreology (Effort) \ Report on history of Kinetography | n.d. |
| L/E/3/1 | Choreology (Space) \ Functional architecture in space, The | n.d. |
| L/E/12/55 | Choreutics \ 36-er Flachenspaltung Ico [36-link icosahedron surface division] | n.d. |
| L/C/9/111 | Holiday Drawings \ Mountain Landscape | n.d. |
| L/E/32/8 | Lecture notes on various subjects \ Selection and conversion | n.d. |
| L/E/15/64 | Choreutics \ Angle measurements of inclinations | n.d. |
| L/C/10/33 | Holiday Drawings \ Woman Wearing a Sun Top | n.d. |
| L/C/9/31 | Holiday Drawings \ Lisa Ullmann in an Hotel in Windermere | n.d. |
| L/C/9/1 | Holiday Drawings \ Head of a Woman with Red Headscarf | n.d. |
| L/C/10/46 | Holiday Drawings \ Our Hotel | n.d. |
| L/E/5/44 | Choreology (Effort) \ Any speed has a duration | n.d. |
| L/E/5/82 | Choreology (Effort) \ Flow is grip-release | n.d. |
| L/E/39/13 | Observation \ Observations | n.d. |
| L/E/29/11 | Movement in general \ Eigentümlichkeiten der Bewegungen der Tiere, Die [Peculiarities of movement in animals] | n.d. |
| L/E/76/10 | Industrial Rhythm \ Payment According to Performance | n.d. |
| L/E/59/10 | Books, Manuscripts, Outlines \ Beobachtung des Bewegungsantriebs im Dienste der Arbeitsberatung, Die \ Bewegungsleben des Menschen, Das [observation of motion impluse for work couselling - the movement life of humans] | n.d. |
| L/C/9/65 | Holiday Drawings \ Coastal Scene | n.d. |
| L/E/10/11 | Choreutics \ Notes and symbols about Choreutic notation | n.d. |
| L/C/10/34 | Holiday Drawings \ Mountain Landscape with Houses | n.d. |
| L/C/10/53 | Holiday Drawings \ Maria | n.d. |
| L/E/57/26 | Books, Manuscripts, Outlines \ Körper als Werkzeng, Der \ Not, Lust und Gewissen [the body as tool - need, lust, conscience] | n.d. |
| L/E/40/28 | Books, Manuscripts, Outlines \ Laban Portfolio Text \ Final Draft Manuscript [A Vision of Dynamic Space] | n.d. |
| L/E/49/10 | Personal Statements \ Journey to USA1926 \ Don Juan \ Sang des Blutes, Der / Test | n.d. |
| L/E/23/77 | Philosophical comments \ Reaction and action | n.d. |
| L/E/14/5 | Choreutics \ Directional categories | n.d. |
| L/E/29/25 | Movement in general \ Diagram of expressive modes | n.d. |
| L/E/24/60 | Philosophical comments \ Notes and drawings | n.d. |
| L/E/23/46 | Philosophical comments \ Sense of touch, The | n.d. |
| L/E/14/34 | Choreutics \ Choreutic drawings and notes | n.d. |
| L/E/7/36 | Choreology (Effort) \ Meaning of effort elements | n.d. |
| L/E/45/45 | Education \ Aspects of Movement | n.d. |
| L/E/5/50 | Choreology (Effort) \ Effort in Time and Space | n.d. |
| L/E/59/36 | Books, Manuscripts, Outlines \ Jägervolk das mitten ..., Ein | n.d. |
| L/E/7/14 | Choreology (Effort) \ Raumzeitkraftformen [Shapes of space] | n.d. |
| L/E/73/18 | Industrial Rhythm \ American Foundrymen's Association \ Preliminary Discussions | n.d. |
| L/E/57/33 | Books, Manuscripts, Outlines \ Letter from MacDonald and Evans Ltd. | n.d. |
| L/E/14/6 | Choreutics \ Diagonal traverses | n.d. |
| L/E/32/85 | Lecture notes on various subjects \ Love of pattern, The | n.d. |
| L/E/2/66 | Choreology (Space) \ From space to time: research about plasticities | n.d. |
| L/E/58/30 | Books, Manuscripts, Outlines \ Harmonies of Movement, The \ Space Around Us and Within Us, The | n.d. |
| L/E/56/29 | Books, Manuscripts, Outlines \ Bewegung [Motion] \ Original version | n.d. |
| L/E/12/18 | Choreutics \ Analytical drawings and symbols | n.d. |
| L/E/14/27 | Choreutics \ (Triangle)-ring scales over all transversals | n.d. |
| L/E/35/2 | Art in General \ Rules of Self-observation | n.d. |
| L/E/47/2 | Choreography \ Choreography (the Choreographer) | n.d. |
| L/E/13/46 | Choreutics \ Analytical drawings and notes | n.d. |
| L/E/7/67 | Choreology (Effort) \ Sea of time, The | n.d. |
| L/E/45/36 | Education \ Movement as applied in education ... | n.d. |
| L/E/2/18 | Choreology (Space) \ Rhythmus [Rhythm] | n.d. |
| L/E/15/69 | Choreutics \ Inner attitudes and drives | n.d. |
| L/E/18/51 | Choreology in general \ Vierring zum Dod. geführt [4 rings in dodecahedron] | n.d. |
| L/E/26/40 | Philosophical comments \ Alles Sein stammt aus organischen Leben… [Being comes from organic life …] | n.d. |
| L/E/3/26 | Choreology (Space) \ Lange und Lagen [Length and positions] | n.d. |
| L/E/21/60 | Movement notation \ Eukinetisches-choreutisches [Eukinetics-Choreutics] | n.d. |
| L/E/33/2 | Lecture notes on various subjects \ Drawing of mechanical device for the moving seven ring | n.d. |
| L/E/29/52 | Movement in general \ Movement for work | n.d. |
| L/E/42/8 | Production Scripts \ Festival of Dionyses, The | n.d. |
| L/E/19/65 | Dance in general \ M. R. de Laban will hold a cycle of eight lectures during the Spring term on: History of dance from a choreological point of view | n.d. |
| L/E/9/2 | Choreutics \ Schöpfen und Streuen [Scooping and scattering] | n.d. |
| L/E/57/14 | Books, Manuscripts, Outlines \ Motion Study \ Second part | n.d. |
| L/E/56/32 | Books, Manuscripts, Outlines \ Bewegung [Motion] | n.d. |
| L/E/5/25 | Choreology (Effort) \ Basic chords of feelings | n.d. |
| L/F/1/82 | Portraits \ Rudolf von Laban | n.d. |
| L/E/5/39 | Choreology (Effort) \ Effort | n.d. |
| L/E/39/20 | Observation \ Movement and its Observation and Description | n.d. |
| L/E/59/15 | Books, Manuscripts, Outlines \ Gespräch am Nebentisch, Das [conversation at the next table] | n.d. |
| L/E/47/62 | Art of Movement, The \ Laban Art of Movement Centre \ Cybernium or Flow-gauge, The | n.d. |
| L/E/18/29 | Choreology in general \ Graphs, drawings, and diagrams relating to regular and irregular circuits | n.d. |
| L/C/9/78 | Holiday Drawings \ Landscape | n.d. |
| L/E/41/7 | Psychological Implications \ Phraseology of Movement, The | n.d. |
| L/E/10/33 | Choreutics \ Choreutic notes and drawings | n.d. |
| L/C/10/5 | Holiday Drawings \ Seated Figure | n.d. |
| L/E/14/63 | Choreutics \ Von Laban space exercises | n.d. |
| L/E/42/22 | Production Scripts \ Effort and Stagecraft | n.d. |
| L/E/50/2 | Investigation into Movement Responses \ Rules of Angularity and Directionality | n.d. |
| L/E/38/5 | Harmony \ Different Aspects of the Harmony of Movement, The | n.d. |
| L/E/60/5 | Books, Manuscripts, Outlines \ Mastery of Movement / Space / Liste der Plastischen Ringe | n.d. |
| L/E/5/9 | Choreology (Effort) \ Effort, in switching on, living movement uses gravitation... | n.d. |
| L/E/24/29 | Philosophical comments \ Mastery of movement, The | n.d. |
| L/E/19/46 | Dance in general \ Dance and symbol | n.d. |
| L/E/53/20 | Books, Manuscripts, Outlines \ Motion Study \ Miscellaneous | n.d. |
| L/E/47/5 | Art of Movement, The \ Art of Movement, The \ Typewritten Draft | n.d. |
| L/E/76/9 | Industrial Rhythm \ What is an Effort? | n.d. |
| L/E/1/42 | Choreology (Space) \ Stellen Sie sich eine Kugel rund um ihren Körper vor... [Imagine there is a sphere around your body...] | n.d. |
| L/E/29/40 | Movement in general \ Body and mind as reciprocal instruments for one another | n.d. |
| L/E/45/9 | Education \ Observation and Description of Movement, The | n.d. |
| L/E/2/6 | Choreology (Space) \ 8-Teilige Lemnis [Lemniscate in 8 parts] | n.d. |
| L/E/2/27 | Choreology (Space) \ Dance composition is...; the play of living space; speech and movement | n.d. |
| L/E/42/76 | Production Scripts \ Erde, Die [Earth, The] | n.d. |
| L/E/49/5 | Personal Statements \ Choral Art Forms | n.d. |
| L/E/33/24 | Lecture notes on various subjects \ Theme for lecture about dance and dancers | n.d. |
| L/E/4/28 | Choreology (Space) \ Explanatory Diagrams \ Komplikationen von Lemniskaten [Complications of lemniscates] | n.d. |
| L/E/8/89 | Eukinetics \ Erregung durch Vision [arousal through vision] | n.d. |
| L/F/2/12 | Portraits \ Rudolf von Laban with Joan Goodrich at Dartmouth | n.d. |
| L/E/47/10 | Art of Movement, The \ Poetry of Movement, The \ Situations - Dreams | n.d. |
| L/E/1/56 | Choreology (Space) \ Aesthetische Geometrie [Aesthetic Geometry] | n.d. |
| L/E/4/24 | Choreology (Space) \ Richtungsspaltung [Splitting direction; Rings] | n.d. |
| L/E/15/58 | Choreutics \ Icosahedron and dodecahedron chains and Kinetographic symbols and drawings | n.d. |
| L/E/4/48 | Choreology (Space) \ Inclinations related to basic actions | n.d. |
| L/E/47/66 | Art of Movement, The \ Methods for Training or Treatment | n.d. |
| L/E/5/52 | Choreology (Effort) \ Flow of movement | n.d. |
| L/E/42/68 | Production Scripts \ Rituale Elemente [Ritual elements] | n.d. |
| L/E/6/1 | Choreology (Effort) \ In our complex civilisation | n.d. |
| L/E/7/62 | Choreology (Effort) \ Crystalline shapes arising from combinations of two factors, and investigation of tensions within prime and fifth progressions, including drives | n.d. |
| L/E/4/80 | Choreology (Space) \ Introduction into the Theory and Practice of Movement Harmony | n.d. |
| L/E/41/6 | Psychological Implications \ Motivation for Movement, The | n.d. |
| L/E/10/12 | Choreutics \ Linie um alle Stoppelpunkte [Line around all stubble points] | n.d. |
| L/E/8/15 | Eukinetics \ Musical scales and chords in relation to spatial scales; aspects of effort | n.d. |
| L/E/50/7 | Investigation into Movement Responses \ Functions of Volition | n.d. |
| L/E/33/22 | Lecture notes on various subjects \ Movement and the art of movement is a fundamental experience of man | n.d. |
| L/E/7/68 | Choreology (Effort) \ Notes concerned with effort | n.d. |
| L/E/19/19 | Dance in general \ Dance as a social activity | n.d. |
| L/E/12/2 | Choreutics \ Order of directions and inclinations related to corner point numbers | n.d. |
| L/E/19/27 | Dance in general \ Mystery of doing and dancing, The | n.d. |
| L/E/35/4 | Art in General \ Harmony and Rhythm in Dance and Music | n.d. |
| L/E/38/4 | Harmony \ Harmony of Movement, The | n.d. |
| L/E/42/30 | Production Scripts \ Effort Training for the Stage | n.d. |
| L/E/45/5 | Production Scripts \ Fields of Application of Effort Control | n.d. |
| L/E/5/53 | Choreology (Effort) \ Effort and sensation | n.d. |
| L/E/18/38 | Choreology in general \ Conceptual and perceptual view of nature, The | n.d. |
| L/F/7/50 | Models \ Assorted Structures and Groups | n.d. |
| L/E/10/10 | Choreutics \ Great double crown | n.d. |
| L/E/31/19 | Lecture notes on various subjects \ Main subjects of dance and drama are based on the art of movement, The | n.d. |
| L/E/7/24 | Choreology (Effort) \ Effort is the display of man's power to react to impressions | n.d. |
| L/F/7/35 | Models \ Paper Structure/Sculpture | n.d. |
| L/E/2/4 | Choreology (Space) \ Einfachster Knotenkorb [Simplest twist of knots] | n.d. |
| L/E/42/61 | Production Scripts \ Körpersymetrien / Form [Body symmetries/Form] | n.d. |
| L/E/45/55 | Education \ Some General Aspects of Effort Function in Disease | n.d. |
| L/E/40/10 | Rhythm \ What is L.L.I.R.? | n.d. |
| L/E/47/68 | Art of Movement, The \ Art of Movement | n.d. |
| L/E/2/17 | Choreology (Space) \ Kettensymbolik und Kettenrhythmik [Symbolism and rhythm of series (or chains), The] | n.d. |
| L/E/3/62 | Choreology (Space) \ Consideration of intervals within circuits chain structures | n.d. |
| L/E/1/62 | Choreology (Space) \ Langenverhältnisse der Kanten, Axen, etc. [Proportional lengths of edges, axes, etc., The] | n.d. |
| L/E/4/19 | Choreology (Space) \ Halbschraege [Semi-slopes] | n.d. |
| L/E/35/11 | Art in General \ Freie Entfaltung, Die [free development] | n.d. |
| L/E/42/81 | Production Scripts \ Erlebnisse und Gespräche [Events and discussions] | n.d. |
| L/E/8/64 | Eukinetics \ Symbol graph relating to Choreutics and Eukinetics | n.d. |
| L/E/45/38 | Education \ Attitudes and Needs of Student Teachers | n.d. |
| L/E/3/33 | Choreology (Space) \ Rhythmus; Raum in drei Dimensionen eingeteilt; Knoten; Der Kreis, die Runde, die Schlinge, das Band; Neigungen; Knoten; Die Form [Rhythm; Space divided into three dimensions; Knots; The circle, the round, the loop, the band; Tendencies; Knots; Shape] | n.d. |
| L/E/4/25 | Choreology (Space) \ Explanatory Diagrams \ 8-part ring, the whole in cuboctahedron | n.d. |
| L/E/1/50 | Choreology (Space) \ Notizen, lit. Versuche, Nebenskizzen [Notes, literary experiments, related sketches] | n.d. |
| L/E/4/6 | Choreology (Space) \ Exploration of the relationship between the inclinations within the 4 axes | n.d. |
| L/E/11/59 | Choreutics \ Closed circuit (lemniscates) and open curve (octaves) | n.d. |
| L/E/37/13 | Physiological - Scientific \ Affe war die geignetse Naturentfaltung, Der | n.d. |
| L/E/2/39 | Choreology (Space) \ Skalenrichtung; Gegenpolaritat statt Parallelismus... [The direction of scale; polarity of opposites, not parallelism... | n.d. |
| L/E/5/14 | Choreology (Effort) \ Nervous organs and their functions | n.d. |
| L/E/51/91 | Letters \ Draft Letter to Mr Smith re Meeting | n.d. |
| L/E/2/62 | Choreology (Space) \ Notes, drawings, and writings on choreology (space) | n.d. |
| L/E/2/14 | Choreology (Space) \ Tierpflanze im Welt-Kristal, Die [The animal plant in the world-crystal] | n.d. |
| L/E/1/30 | Choreology (Space) \ Spationom \ Zeit [Time] | n.d. |
| L/E/32/1 | Lecture notes on various subjects \ Technique of expression for dancers | n.d. |
| L/E/12/30 | Choreutics \ Drawings, notes, symbols and musical notation | n.d. |
| L/E/70/15 | Miscellaneous Notes \ Liste der einleitenden Artikel [List of introductory articles] | n.d. |
| L/E/13/83 | Choreutics \ Observation 3. Regularly orientated seven-ring connections | n.d. |
| L/E/13/10 | Choreutics \ Achteringstudien [Ring of 8 studies] | n.d. |
| L/E/4/9 | Choreology (Space) \ Choreutic diagrams | n.d. |
| L/E/19/1 | Dance in general \ Dance teaching - a creative activity | n.d. |
| L/E/25/16 | Philosophical comments \ De l'intention à l'action [from intention to action] | n.d. |
| L/E/42/41 | Production Scripts \ Wedding, A | n.d. |
| L/E/4/51 | Choreology (Space) \ Movement dial guide, The | n.d. |
| L/E/49/3 | Personal Statements \ Man | n.d. |
| L/E/4/4 | Choreology (Space) \ Formative energy | n.d. |
| L/E/3/6 | Choreology (Space) \ Wie kann ich auf die Bedeutung der Raumwirkungen [How can I get to the meaning of spatial effect?] | n.d. |
| L/E/15/3 | Choreutics \ Anmerkung zu Raumbild-übungssammlung [Observations concerning the collection of space-shape exercises] | n.d. |
| L/E/47/3 | Art of Movement, The \ What is the Aim and the Way of Modern Dance? | n.d. |
| L/E/11/45 | Choreutics \ Analytical drawings, notes and symbols | n.d. |
| L/E/33/25 | Lecture notes on various subjects \ Movement as an integrator: movement concerns the whole man | n.d. |
| L/E/39/32 | Observation \ Association of Three Motion Factors \ Chapter 4 | n.d. |
| L/E/10/35 | Choreutics \ Analytical drawings, symbols and notes | n.d. |
| L/E/16/33 | Choreology in general \ Choreosophy | n.d. |
| L/C/9/104 | Holiday Drawings \ Abstract Seascape | n.d. |
| L/E/37/14 | Physiological - Scientific \ Some Rules of Organic Crystallisation | n.d. |
| L/E/19/36 | Dance in general \ Principles of choral movement | n.d. |
| L/E/14/21 | Choreutics \ Curvature problems | n.d. |
| L/E/2/31 | Choreology (Space) \ Zur Rhythmol. Unters. v. Bewegungsbahnen [About the rhythmologic study of directions of music] | n.d. |
| L/E/2/53 | Choreology (Space) \ Tanz der Pierrots [Pierrots' dance] | n.d. |
| L/E/4/58 | Choreology (Space) \ Parallelism of the harmonies in music and movement | n.d. |
| L/E/2/43 | Choreology (Space) \ Buch II: Seelisch - Körperliche Deutung Reak Ia-Reak VIII [Book II Spiritually - physical meaning] | n.d. |
| L/E/10/22 | Choreutics \ Analytical drawings, notes and symbols on Choreutics | n.d. |
| L/E/3/29 | Choreology (Space) \ Die planische Raumvorstellung [Concept of space on planes, The] | n.d. |
| L/E/16/40 | Choreology in general \ Efforts become visible to us... | n.d. |
| L/E/29/16 | Movement in general \ Form - ihre Aufführung [Form - its execution] | n.d. |
| L/E/18/25 | Choreology in general \ Notes on the two basic continua, energy/flow and space/time | n.d. |
| L/E/2/60 | Choreology (Space) \ Man can construct closed bands and hollows of two kinds | n.d. |
| L/E/37/15 | Physiological - Scientific \ Inanimate Matter, Plants and Animals | n.d. |
| L/E/5/63 | Choreology (Effort) \ Observations concerning the difference between central and peripheral movements | n.d. |
| L/E/11/51 | Choreutics \ Über die Anwendung von Wegzeichen bei Armführungen [Concerning the use of pointers in arm directions] | n.d. |
| L/E/69/13 | Biographical Information \ Rudolf Laban \ Timeline, 1897-1927 | n.d. |
| L/E/46/24 | Man, Matter and Motion \ Earth, The / Synthetic Fabrics | n.d. |
| L/E/5/41 | Choreology (Effort) \ Degrees | n.d. |
| L/E/46/78 | Information from Others \ Cast Lists and Programme Notes | n.d. |
| L/E/31/31 | Lecture notes on various subjects \ Modern dancers who choose the easiest way of self-expression... | n.d. |
| L/E/32/95 | Lecture notes on various subjects \ Desire of autonom function..., The | n.d. |
| L/E/36/1 | Stories, Poems, Drama, Music \ Praise of Love (and Hate) | n.d. |
| L/E/9/23 | Choreutics \ Choreutic notes, symbols and drawings | n.d. |
| L/E/38/20 | Harmony \ Natürliche Ausdrucksbewegung, Die [Movement of natural expressions] | n.d. |
| L/E/28/31 | Movement in general \ Effort and recovery | n.d. |
| L/E/58/13 | Books, Manuscripts, Outlines \ Körper als Instrument \ II. Teil \ Seite I [the body as instrument] | n.d. |
| L/E/52/28 | Letters \ Auf der Reise ... | n.d. |
| L/E/18/5 | Choreology in general \ Kinetic sense and harmony | n.d. |
| L/C/10/62 | Sketches \ Design for a Crest | n.d. |
| L/E/53/26 | Books, Manuscripts, Outlines \ Motion Study \ Will | n.d. |
| L/E/17/6 | Choreology in general \ Space orientation and harmony; Correlated tensional configurations | n.d. |
| L/E/47/34 | Art of Movement, The \ Modern Educational Dance | n.d. |
| L/E/9/10 | Choreutics \ Regular polygonal bodies, The | n.d. |
| L/E/13/12 | Choreutics \ Achtringreihe [8 ring sequence] | n.d. |
| L/E/9/30 | Choreutics \ Drawings, notes and symbols | n.d. |
| L/E/24/49 | Philosophical comments \ Perspektive des Motivganges [Perspectives of motivation] | n.d. |
| L/E/12/10 | Choreutics \ Analytical drawings and notes on Choreutics | n.d. |
| L/E/73/8 | Industrial Rhythm \ Manchester Ship Canal Company \ Coordination of Effort Rhythms in Ship Canal; Waste | n.d. |
| L/E/18/2 | Choreology in general \ Inner stir, The | n.d. |
| L/E/16/72 | Choreology in general \ Spiel der Bewegungen [game of movements] | n.d. |
| L/E/42/85 | Production Scripts \ Sport / Theater | n.d. |
| L/E/10/6 | Choreutics \ Vom stabilen und labilen Winkelverhältnis [Concerning the stable and labile relation of corners] | n.d. |
| L/C/9/26 | Holiday Drawings \ Seascape | n.d. |
| L/E/38/26 | Harmony \ Harmonie | n.d. |
| L/E/35/23 | Articles about Laban \ Zeitschrift fur Aesthetik und Allgemeine Kunstwissenschaft \ Tanz als Eigenkunst, Der | n.d. |
| L/E/9/36 | Choreutics \ Drawings, notes and symbols | n.d. |
| L/E/5/6 | Choreology (Effort) \ Effort | n.d. |
| L/E/40/2 | Rhythm \ Rhythm | n.d. |
| L/E/16/5 | Choreology in general \ Instinct | n.d. |
| L/E/14/42 | Choreutics \ Choreutic drawings and notes | n.d. |
| L/E/19/40 | Dance in general \ Alchemistry of sentiments, The | n.d. |
| L/E/26/72 | Philosophical comments \ Comments to 47/III/2 | n.d. |
| L/E/12/57 | Choreutics \ 42-er Transformationen [48-link transformations] | n.d. |
| L/E/6/47 | Choreology (Effort) \ Irritation evokes an effort! | n.d. |
| L/E/23/20 | Philosophical comments \ Notes on creative imagination | n.d. |
| L/E/6/30 | Choreology (Effort) \ States, attitudes, drives, their buildup and relationships | n.d. |
| L/E/5/15 | Choreology (Effort) \ Real caress avoids carefully..., The | n.d. |
| L/E/16/63 | Choreology in general \ Lemniskate 2-3 [Lemniscate 2-3] | n.d. |
| L/E/31/21 | Lecture notes on various subjects \ History of mankind is a continuous readjustment of mistaken values | n.d. |
| L/E/29/44 | Movement in general \ Shadow moves | n.d. |
| L/E/21/12 | Movement notation \ Besides the accentuation... | n.d. |
| L/E/19/26 | Dance in general \ Doing and dancing | n.d. |
| L/E/7/61 | Choreology (Effort) \ Space, time, weight, and flow lines related to one another | n.d. |
| L/E/17/42 | Choreology in general \ Choreologie, Die | n.d. |
| L/E/28/35 | Movement in general \ Logic of play, The | n.d. |
| L/E/5/35 | Choreology (Effort) \ In looking at the luminous movement tracelines of movement pictures... | n.d. |
| L/E/7/19 | Choreology (Effort) \ Observation and notation III | n.d. |
| L/E/42/43 | Production Scripts \ Meeting of the Anti-love Club | n.d. |
| L/E/29/36 | Movement in general \ About the unity of effort and recovery | n.d. |
| L/E/8/52 | Eukinetics \ Dancer creates a decisive..., The | n.d. |
| L/E/64/70 | Industrial Rhythm \ Rhythmical and Mechanical Motion | n.d. |
| L/E/42/89 | Production Scripts \ Aufbau und Hilfsdaten [Build up and helpful dates] | n.d. |
| L/E/47/25 | Art of Movement, The \ Observation Analysis | n.d. |
| L/E/65/4 | Industrial Rhythm \ Notes on L.L. Test | n.d. |
| L/E/24/27 | Philosophical comments \ Stability and mobility in the rhythm of life | n.d. |
| L/E/47/42 | Art of Movement, The \ Organisation | n.d. |
| L/E/42/80 | Production Scripts \ Ich habe wie viel von Einzelprogramme ... | n.d. |
| L/E/7/29 | Choreology (Effort) \ Definitions of time, weight, space and flow | n.d. |
| L/E/56/23 | Books, Manuscripts, Outlines \ Bewegung [Motion] \ 2 of 2 | n.d. |
| L/E/3/2 | Choreology (Space) \ When belief is disappearing..... | n.d. |
| L/E/16/67 | Choreology in general \ Drawings | n.d. |
| L/E/31/33 | Lecture notes on various subjects \ Sympathy between people of various age groups | n.d. |
| L/E/40/12 | Rhythm \ Powerstation of Rhythmical Energy, The | n.d. |
| L/E/37/2 | Physiological - Scientific \ Structural and Functional Shapes | n.d. |
| L/E/2/8 | Choreology (Space) \ Analytical drawings on Choreutics | n.d. |
| L/E/31/10 | Lecture notes on various subjects \ Poetry of movement | n.d. |
| L/E/6/39 | Choreology (Effort) \ Examples in which effort would be advisable in industry, in education, and in community life | n.d. |
| L/E/73/25 | Industrial Rhythm \ American Foundrymen's Association \ Effort Assessments | n.d. |
| L/E/19/10 | Dance in general \ Movement as an art | n.d. |
| L/E/31/20 | Lecture notes on various subjects \ 'Inferno' is impossible without..., The | n.d. |
| L/E/35/5 | Art in General \ Ritual and Art | n.d. |
| L/E/17/49 | Choreology in general \ Notebook III | n.d. |
| L/E/58/8 | Books, Manuscripts, Outlines \ Motion Man's Magic Mirror \ 5 of 8 | n.d. |
| L/E/45/60 | Education \ Dramatic Saltata | n.d. |
| L/E/19/31 | Dance in general \ What is dance? | n.d. |
| L/E/29/32 | Movement in general \ X-raying of human personality, The | n.d. |
| L/E/65/14 | Industrial Rhythm \ Organisation of Effort, The / Industrial Organism, The | n.d. |
| L/E/5/46 | Choreology (Effort) \ Notes, signals, symbols | n.d. |
| L/E/42/19 | Production Scripts \ Popular Dancing | n.d. |
| L/E/17/19 | Choreology in general \ Magic Mirror, The \ Form building using chains with various numbers of links | n.d. |
| L/C/10/32 | Holiday Drawings \ Woman Sketching in a Wood | n.d. |
| L/E/5/75 | Choreology (Effort) \ Why man dances | n.d. |
| L/E/5/67 | Choreology (Effort) \ Tectonic implications of the four movement media, The | n.d. |
| L/E/47/19 | Art of Movement, The \ Modern Study of Movement, A | n.d. |
| L/E/77/38 | Industrial Rhythm \ Applications of L.L.I.R. | n.d. |
| L/E/64/65 | Industrial Rhythm \ Regeneration of Industry, The | n.d. |
| L/E/49/30 | Personal Statements \ Sinn (Bedeutung) [Meaning] | n.d. |
| L/E/75/19 | Industrial Rhythm \ Questions | n.d. |
| L/E/53/42 | Books, Manuscripts, Outlines \ Effort Groupings and Clusters \ End of First Part | n.d. |
| L/E/16/26 | Choreology in general \ Flucht und Streben [Flight and striving] | n.d. |
| L/E/17/57 | Choreology in general \ Rhythm and shape | n.d. |
| L/E/13/2 | Choreutics \ Studien zu Raumgittern und ihre Losung in Kettenreihen [Studies of space grids and their solution in rows of chains] | n.d. |
| L/E/20/17 | Dance in general \ Ballettschritte und Chortanzmotive [Ballet steps and dance motives] | n.d. |
| L/E/47/56 | Art of Movement, The \ On Movement Improvisation | n.d. |
| L/E/5/58 | Choreology (Effort) \ Antriebs Studien [Impetus studies] | n.d. |
| L/E/11/39 | Choreutics \ Observation 3. Regularly orientated seven-ring connections | n.d. |
| L/E/45/3 | Production Scripts \ Old and the New Dance Teaching, The | n.d. |
| L/E/12/5 | Choreutics \ What is the aim of Choreutics? | n.d. |
| L/E/9/41 | Choreutics \ It is a very important aim of choreutics | n.d. |
| L/E/13/71 | Choreutics \ Im Griffgedanken... [In the idea of grasp...] | n.d. |
| L/E/9/20 | Choreutics \ Choreutic notes and drawings | n.d. |
| L/E/9/1 | Choreutics \ Chapters IX and X of Choreutics \ Studies for dance leaders: Standard scales in the Dynamosphere; The Adaptation of the Kinespheric scheme to the spheric form | n.d. |
| L/E/42/23 | Production Scripts \ Gesture and Sound | n.d. |
| L/E/70/23 | Miscellaneous Notes \ Atomic Spirits Investigate Mankind | n.d. |
| L/E/8/75 | Eukinetics \ Kinesphere and dynamosphere relationships | n.d. |
| L/E/49/36 | Personal Statements \ Energy, recovery, exertion ... | n.d. |
| L/E/45/54 | Education \ Zu Aufsatz Stabil [Essay, steadiness] | n.d. |
| L/E/8/22 | Eukinetics \ Drawings: from plant forms to effort symbols and icosahedron | n.d. |
| L/E/9/47 | Choreutics \ Teträedroide Prozedur [Tetrahedroid procedure] | n.d. |
| L/E/11/7 | Choreutics \ Gleichgewichtssinn der Menschen, Der [Human sense of balance] | n.d. |
| L/E/12/8 | Choreutics \ Analytical notes and drawings on Choreutics | n.d. |
| L/E/28/6 | Movement in general \ Identification and connection of movements | n.d. |
| L/E/2/40 | Choreology (Space) \ Notizen F; Im Tetra [Notes F; in the Tetrahedron] | n.d. |
| L/E/19/59 | Dance in general \ Dance and symbol | n.d. |
| L/E/70/36 | Miscellaneous Notes \ Stein, Pflanze, Tier [Stone, plant, animal] | n.d. |
| L/E/1/55 | Choreology (Space) \ In Raum verstreut... [Scattered in space...] | n.d. |
| L/E/11/26 | Choreutics \ Richtkeil, lemniskate... [directional point, lemniscate...] | n.d. |
| L/E/11/25 | Choreutics \ Eckaxig - flachaxig - kantaxig [Corner axis - surface axis - edge axis] | n.d. |
| L/E/45/20 | Education \ Movement as an Activity in Schools | n.d. |
| L/E/13/22 | Choreutics \ Drei Zonen des Suchens, Bild und Tat (Form und Fluss) [3 zones of seeking, image and action (shape and flow)] | n.d. |
| L/E/42/2 | Production Scripts \ Structural Function and Mime | n.d. |
| L/E/37/16 | Physiological - Scientific \ Raumzeitbewegung ... [Motion of space time] | n.d. |
| L/E/31/68 | Lecture notes on various subjects \ Experiments | n.d. |
| L/E/44/20 | Production Scripts \ Erde, Die [Earth, The] \ Plans | n.d. |
| L/E/13/40 | Choreutics \ Fünf oder Zehnringe im dod. [5 or 10-rings in dodecahedron] | n.d. |
| L/E/6/27 | Choreology (Effort) \ Stillness und stir [Stillness and stir] | n.d. |
| L/E/53/38 | Books, Manuscripts, Outlines \ Patterns of Effort Expression | n.d. |
| L/E/23/23 | Philosophical comments \ Task | n.d. |
| L/E/18/21 | Choreology in general \ Notes and analytical drawings on corpuscles and continua | n.d. |
| L/E/15/29 | Choreutics \ Raumzeitelemente in der Bewegung, Die [Space-time elements in movement] | n.d. |
| L/E/21/47 | Movement notation \ Kinetographie [Kinetography] | n.d. |
| L/E/16/39 | Choreology in general \ Six patterns of movement in flow | n.d. |
| L/E/24/3 | Philosophical comments \ Nothingness | n.d. |
| L/E/15/27 | Choreutics \ Schreibart [Way of writing] | n.d. |
| L/E/49/6 | Personal Statements \ Words | n.d. |
| L/E/17/26 | Choreology in general \ Description of flat ring patterns in walking; The emergence of a seven link ring through gripping actions; 6 link chain in a sphere | n.d. |
| L/E/17/53 | Choreology in general \ Primary gift with which nature has endowed all living things is the capacity to move, The | n.d. |
| L/E/6/26 | Choreology (Effort) \ Umriss Illusion [Outline illusion] | n.d. |
| L/E/21/13 | Movement notation \ Elemental steps | n.d. |
| L/E/16/74 | Choreology in general \ Körperbewegung - Richtung [body movement - direction] | n.d. |
| L/E/17/37 | Choreology in general \ Was wir Raum nennen... [what we call space] | n.d. |
| L/E/16/54 | Choreology in general \ Notes, drawings and symbols | n.d. |
| L/E/16/24 | Choreology in general \ Abgelenkte [diversions] | n.d. |
| L/E/17/39 | Choreology in general \ Lemniskate ist das Bild des Flusses [Lemniscate is the image of flow] | n.d. |
| L/E/23/13 | Philosophical comments \ How to look upon movement | n.d. |
| L/E/7/32 | Choreology (Effort) \ Guide for the building up and the use of effort graphs | n.d. |
| L/E/39/2 | Observation \ Analysis of Action | n.d. |
| L/E/45/47 | Education \ Motion study in the hands of the educator ... | n.d. |
| L/E/7/50 | Choreology (Effort) \ Life of shapes in space, The | n.d. |
| L/E/16/28 | Choreology in general \ Fantasie und Raum [fantasy and space] | n.d. |
| L/E/8/12 | Eukinetics \ Dynamospheric expression ... (its composition and chemistry), The | n.d. |
| L/E/18/31 | Choreology in general \ Notes related to regular and irregular circuits | n.d. |
| L/E/18/64 | Choreology in general \ Drawings | n.d. |
| L/E/19/4 | Dance in general \ Ballet | n.d. |
| L/E/6/88 | Choreology (Effort) \ Polarities and modalities | n.d. |
| L/E/16/13 | Choreology in general \ Verachtung [contempt] | n.d. |
| L/E/42/21 | Production Scripts \ Fundamentals of Psychophysic Education | n.d. |
| L/E/21/43 | Movement notation \ Space exercises | n.d. |
| L/E/21/56 | Movement notation \ Schrift [Writing] | n.d. |
| L/E/21/36 | Movement notation \ Kinetography | n.d. |
| L/E/21/29 | Movement notation \ Grundlagen der Kinetographie [Principles of kinetography] | n.d. |
| L/E/21/57 | Movement notation \ Dance script is not only necessary to write dances and movement exercises | n.d. |
| L/E/14/17 | Choreutics \ Choreutic drawings, symbols and notes | n.d. |
| L/E/58/20 | Books, Manuscripts, Outlines \ Fluid Power II \ 3 of 4 | n.d. |
| L/E/20/9 | Dance in general \ Buch der Tanztheater [Book of dance theatre] | n.d. |
| L/E/14/82 | Choreutics \ Les chemins dilemmatiques du destin [The dilemma of destiny's paths] | n.d. |
| L/E/23/72 | Philosophical comments \ Image, An | n.d. |
| L/E/16/42 | Choreology in general \ This pleasure of dancing is... | n.d. |
| L/E/37/18 | Physiological - Scientific \ Y-factor in the Art of Movement, The | n.d. |
| L/E/23/55 | Philosophical comments \ Faith, insight, and tradition are the sources... | n.d. |
| L/E/17/44 | Choreology in general \ Tangential touches of inclinations | n.d. |
| L/E/24/32 | Philosophical comments \ Versuche [Experiments] | n.d. |
| L/E/22/7 | Movement notation \ Notation of movement patterns with musical signs, The | n.d. |
| L/E/28/18 | Movement in general \ Any movement of a human being is the outcome of life... | n.d. |
| L/E/7/59 | Choreology (Effort) \ Runes of body tensions, The | n.d. |
| L/E/23/60 | Philosophical comments \ Macro-organisms | n.d. |
| L/E/7/41 | Choreology (Effort) \ Formative reckoning | n.d. |
| L/E/4/41 | Choreology (Space) \ Bewegung - Neigung [Movement - tendency] | n.d. |
| L/E/50/63 | Letters \ New Year Card sent by Colette Decock | n.d. |
| L/E/24/42 | Philosophical comments \ Part III: recovery and the arts | n.d. |
| L/E/25/39 | Philosophical comments \ Was wir erlebten seit Napoleon... [What happened to us since Napoleon] | n.d. |
| L/E/70/35 | Miscellaneous Notes \ Zustand und Dauer [Condition and duration] | n.d. |
| L/E/5/78 | Choreology (Effort) \ Chemistry of sentiments | n.d. |
| L/E/45/26 | Education \ Dynamism in Education | n.d. |
| L/E/41/8 | Psychological Implications \ Definitions and Types of Action | n.d. |
| L/E/38/28 | Harmony \ Space Harmony of Human Movement \ Part 2 of 3 | n.d. |
| L/E/20/28 | Dance in general \ National dancing and the art of movement | n.d. |
| L/E/57/18 | Books, Manuscripts, Outlines \ Audiences / Amazons, The | n.d. |
| L/E/36/5 | Stories, Poems, Drama, Music \ Wissende Sicht, Die [Knowing sight] | n.d. |
| L/E/70/33 | Miscellaneous Notes \ Kinetoskop, ein Projektionsapparat, Das [Kinetoscope, a projector] | n.d. |
| L/E/29/35 | Movement in general \ Plan of effort and recovery | n.d. |
| L/E/64/75 | Industrial Rhythm \ Comparison of Efforts in Operational and Non-Operational Activities | n.d. |
| L/E/23/43 | Philosophical comments \ Crystalline rules | n.d. |
| L/E/28/3 | Movement in general \ Observation of the configurational rhythm in working activities | n.d. |
| L/E/7/35 | Choreology (Effort) \ Effort's weight - time - space - flow continua | n.d. |
| L/E/28/29 | Movement in general \ Styles of movement | n.d. |
| L/E/37/7 | Physiological - Scientific \ Touch | n.d. |
| L/E/28/41 | Movement in general \ Movement analysis and psycho diagnosis | n.d. |
| L/E/77/28 | Industrial Rhythm \ Valuable Operator and Employee, The | n.d. |
| L/E/1/4 | Choreology (Space) \ Introduction to Exercises Series C & D | n.d. |
| L/E/28/33 | Movement in general \ Preface: Effort and recovery | n.d. |
| L/E/23/9 | Philosophical comments \ Collegium Delphicum | n.d. |
| L/E/28/59 | Movement in general \ Strömende Kraft, Die [The streaming force] | n.d. |
| L/E/29/41 | Movement in general \ It is not necessary to call on a sixth sense... | n.d. |
| L/E/26/47 | Philosophical comments \ Umwege zu 1 [Detour to 1] | n.d. |
| L/E/1/32 | Choreology (Space) \ Spationom \ Drawings | n.d. |
| L/E/58/22 | Books, Manuscripts, Outlines \ Language of Movement, The | n.d. |
| L/C/9/35 | Holiday Drawings \ Landscape | n.d. |
| L/E/4/90 | Choreology (Space) \ R.A. [right A scale] correspondences in dodecahedron | n.d. |
| L/E/33/32 | Lecture notes on various subjects \ Third lecture | n.d. |
| L/E/57/9 | Books, Manuscripts, Outlines \ Im Text, bei der ersten Zusammerfassung | n.d. |
| L/E/76/19 | Industrial Rhythm \ Effort Study \ Effort Situation of Our Age, The | n.d. |
| L/E/33/33 | Lecture notes on various subjects \ Fourth lecture | n.d. |
| L/E/50/12 | Investigation into Movement Responses \ Observation and Analysis of the Senso-motoric Reactions | n.d. |
| L/E/59/42 | Books, Manuscripts, Outlines \ Korper als Werkzeng, Der \ 3 of 7 [the body as tool] | n.d. |
| L/E/75/33 | Industrial Rhythm \ Pilkington's Tiles Ltd \ Casting Job Effort Graphs | n.d. |
| L/E/16/32 | Choreology in general \ Character of the size of a time-space pattern..., The | n.d. |
| L/E/21/4 | Movement notation \ Magic influence | n.d. |
| L/E/57/32 | Books, Manuscripts, Outlines \ Frage, Die [The Question] \ 2 of 2 | n.d. |
| L/C/9/110 | Holiday Drawings \ Woman Eating | n.d. |
| L/E/77/22 | Industrial Rhythm \ Selection and Training in Education and Industry | n.d. |
| L/E/23/56 | Philosophical comments \ Notes | n.d. |
| L/E/1/35 | Choreology (Space) \ Spationom \ Notes and drawings | n.d. |
| L/E/52/56 | Letters \ Letter to Emma Lugossy | n.d. |
| L/E/59/26 | Books, Manuscripts, Outlines \ Raumkartauspiel [space game] | n.d. |
| L/E/16/8 | Choreology in general \ Über Stromlinien und Strahlsterne [On streamlining and radiating stars] | n.d. |
| L/E/53/47 | Books, Manuscripts, Outlines \ Motion Study \ Part I \ Control of Human Effort, The \ Explanation of Terms | n.d. |
| L/E/53/48 | Books, Manuscripts, Outlines \ Effort | n.d. |
| L/E/19/11 | Dance in general \ Entertainment: modern stage dancing | n.d. |
| L/F/7/112 | Models \ Geometrical Structure | n.d. |
| L/E/58/16 | Books, Manuscripts, Outlines \ Anhang I / Anhang II / Anhang III | n.d. |
| L/C/10/20 | Holiday Drawings \ New Forest | n.d. |
| L/F/7/80 | Models \ Stella Structure | n.d. |
| L/E/17/11 | Choreology in general \ Four dimensions, The | n.d. |
| L/E/6/64 | Choreology (Effort) \ Correction of Effort | n.d. |
| L/F/7/17 | Models \ Paper Structure/Sculpture | n.d. |
| L/E/20/15 | Dance in general \ Gewalt in uns, Die [The strength in us] | n.d. |
| L/E/7/54 | Choreology (Effort) \ Odd and even interval harmonies, effort development | n.d. |
| L/F/7/122 | Models \ Geometrical Structure | n.d. |
| L/E/53/41 | Books, Manuscripts, Outlines \ Dance and the Human Soul | n.d. |
| L/E/8/17 | Eukinetics \ Notes, drawings and symbols concerning the links of the dynamosphere and kinesphere and others | n.d. |
| L/E/33/5 | Lecture notes on various subjects \ One does everything ... | n.d. |
| L/E/64/77 | Industrial Rhythm \ Movement Description (In Words) | n.d. |
| L/E/6/76 | Choreology (Effort) \ Toilful and even painful taking into consideration..., The | n.d. |
| L/E/7/33 | Choreology (Effort) \ New dial serving for the assessment of human effort, A | n.d. |
| L/E/23/53 | Philosophical comments \ Charge against beauty, goodness, and truth | n.d. |
| L/E/40/13 | Rhythm \ Rhythmic Control of Effort, The | n.d. |
| L/E/41/5 | Psychological Implications \ Verhältnismässig wenige Grundtypen ... [Relatively few basic types …] | n.d. |
| L/E/53/54 | Books, Manuscripts, Outlines \ Dance Tuition | n.d. |
| L/E/77/1 | Industrial Rhythm \ Study of the Human Element in Industrial Work, The | n.d. |
| L/E/5/27 | Choreology (Effort) \ Effort notation | n.d. |
| L/E/58/4 | Books, Manuscripts, Outlines \ Motion Man's Magic Mirror \ 1 of 8 | n.d. |
| L/E/32/74 | Lecture notes on various subjects \ Notebook containing observation notes of workmen | n.d. |
| L/E/57/3 | Books, Manuscripts, Outlines \ Historical Survey - Effort in Industry \ Chapter I | n.d. |
| L/E/69/23 | Biographical Information \ Rudolf Laban \ Anecdotes about Mr Laban | n.d. |
| L/E/39/17 | Observation \ Observation of the Mover, The \ 1st of 2 | n.d. |
| L/E/64/78 | Industrial Rhythm \ Dynamism of Space in Relationship to Work, The | n.d. |
| L/E/58/18 | Books, Manuscripts, Outlines \ Fluid Power II \ 1 of 4 | n.d. |
| L/E/75/36 | Industrial Rhythm \ Pilkington's Tiles Ltd \ Descriptions of work processes | n.d. |
| L/E/77/39 | Industrial Rhythm \ ... To develop industrial work ... | n.d. |
| L/E/64/80 | Industrial Rhythm \ Personal Records in Effort Values / L.L. Unit as a Personal Record | n.d. |
| L/E/58/33 | Books, Manuscripts, Outlines \ Illustrations for Choreutics \ 2 of 3 | n.d. |
| L/E/46/28 | Man, Matter and Motion \ Natur und Naturgeschehen Spiegel [Nature and happening, mirror] | n.d. |
| L/E/23/63 | Philosophical comments \ Old approach to dance, The | n.d. |
| L/E/57/12 | Books, Manuscripts, Outlines \ Motion Study \ Cover designs | n.d. |
| L/E/29/49 | Movement in general \ E & R [effort & recovery] | n.d. |
| L/E/57/4 | Books, Manuscripts, Outlines \ Historical Survey - Effort in Industry \ Chapter II \ Revival of Rhythm, The | n.d. |
| L/E/47/51 | Art of Movement, The \ Art of Movement, The | n.d. |
| L/E/53/31 | Books, Manuscripts, Outlines \ Motion Study \ Harmony of Efforts | n.d. |
| L/E/56/25 | Books, Manuscripts, Outlines \ Bewegung [Motion] \ Second version | n.d. |
| L/E/2/13 | Choreology (Space) \ Bewegungsfunktion Ramfunkt. der Bewegung; Bewegungsfunktion des Raumes [The function of movement; spatial funtion of movement; dynamic function of space] | n.d. |
| L/E/23/76 | Philosophical comments \ Wie Duft, Ton und Farbe [As scent, sound and colour] | n.d. |
| L/E/4/32 | Choreology (Space) \ Miscellaneous | n.d. |
| L/E/36/19 | Stories, Poems, Drama, Music \ \ Kasper, Melchior und Balthasar waren Freunde ... [Caspar, Melchior and Balthasar were friends …] | n.d. |
| L/E/53/27 | Books, Manuscripts, Outlines \ Motion Study \ Methodizing Effort | n.d. |
| L/E/25/32 | Philosophical comments \ Ma conception de la danse; L'espace et son dynamisme [my concept of dance; space and its dynamism] | n.d. |
| L/E/56/19 | Books, Manuscripts, Outlines \ Ueber die Bewegungszonen der einzelnen Körperglieder [on the movement of individual body parts] | n.d. |
| L/E/60/27 | Rudolf Laban's Pupils \ Ilse Loesch \ Zu Laban's 20 Blatten | n.d. |
| L/E/59/25 | Books, Manuscripts, Outlines \ Preface / Riddle of Space and the Spacepuzzle, The / Man's Magic Mirror / Essential of Pastime / Gesichtspunkte [points of view] | n.d. |
| L/C/10/91 | Spatial Forms \ Graph 3 \ Crowns and Complementaries | n.d. |
| L/E/25/48 | Philosophical comments \ Thoughts on readings about the new physics: history of physical thought up to Quanta Theory | n.d. |
| L/E/76/22 | Industrial Rhythm \ Effort Study \ Observation of Effort \ Harmony of Effort; Zones of Effort | n.d. |
| L/E/58/2 | Books, Manuscripts, Outlines \ Motion Man's Magic Mirror \ Typewritten manuscript | n.d. |
| L/E/65/3 | Industrial Rhythm \ Laban Lawrence Test is a Senso-Motoric Test, The | n.d. |
| L/E/29/38 | Movement in general \ Rest, relaxation and recovery | n.d. |
| L/E/18/58 | Choreology in general \ Notebook with choreology notes and drawings | n.d. |
| L/C/10/6 | Holiday Drawings \ Landscape with Trees | n.d. |
| L/E/62/15 | Industrial Rhythm \ Assessments \ Job Aptitudes, Inclinations and Effort Habits | n.d. |
| L/E/56/18 | Books, Manuscripts, Outlines \ Unsere Welt ist eine Welt ... [our world is the world] | n.d. |
| L/E/26/13 | Philosophical comments \ Feuer der Sonne liebt die Seele der Erde, Das [The sun's fire loves the soul of the world] | n.d. |
| L/E/24/50 | Philosophical comments \ Symbols and choreutic drawings | n.d. |
| L/E/11/34 | Choreutics \ Notebook 1, with symbols, analytical drawings and notes | n.d. |
| L/E/24/31 | Philosophical comments \ Automaton and living engine | n.d. |
| L/E/20/24 | Dance in general \ Dance into industry | n.d. |
| L/E/28/14 | Movement in general \ Number of word pictures, The | n.d. |
| L/E/58/23 | Books, Manuscripts, Outlines \ Movement Processes | n.d. |
| L/E/5/32 | Choreology (Effort) \ Not only detection of thought... | n.d. |
| L/E/58/15 | Books, Manuscripts, Outlines \ Anhang II | n.d. |
| L/E/6/63 | Choreology (Effort) \ Miscellaneous notes and drawings on effort | n.d. |
| L/E/33/10 | Lecture notes on various subjects \ Intellectual consciousness and emotional consciousness | n.d. |
| L/E/1/36 | Choreology (Space) \ Zu Modell Spationom [Concerning the Spationom Model] | n.d. |
| L/E/58/39 | Books, Manuscripts, Outlines \ Space | n.d. |
| L/C/9/22 | Costume Design \ Costume Design for Pierrot | n.d. |
| L/C/9/80 | Holiday Drawings \ Woman Drawing | n.d. |
| L/E/26/66 | Philosophical comments \ Problem of our time, A | n.d. |
| L/C/9/44 | Holiday Drawings \ Swimmer in the Sea at South Devon | n.d. |
| L/E/21/35 | Movement notation \ Einfachsten Zeichen..., Die [Simplest signs..., The] | n.d. |
| L/E/28/57 | Movement in general \ Jedes Lebewesen hat ein gefügtes Werkzeug mit dem es die ihm geläufigsten Bewegungen ausführt [Each living creature has a special tool for carrying out the most frequent movements] | n.d. |
| L/E/46/29 | Man, Matter and Motion \ Wallung im Raum [Agitation in space] | n.d. |
| L/E/57/1 | Books, Manuscripts, Outlines \ Observation of Effort, The \ Draft 2 | n.d. |
| L/E/12/43 | Choreutics \ 40-er Dodecahedron Flachenspaltung [40-link dodecahedron surface division] | n.d. |
| L/C/10/1 | Holiday Drawings \ House with Turret | n.d. |
| L/E/43/11 | Information from Others \ Tanzbuhne [Dance stage] | n.d. |
| L/E/35/29 | Books, Manuscripts, Outlines \ Wenn Sie im Gegensatz ... [on the contrary if you...] | n.d. |
| L/E/58/3 | Books, Manuscripts, Outlines \ Motion Man's Magic Mirror \ Cover page | n.d. |
| L/E/23/36 | Philosophical comments \ Space \ Golden section, The | n.d. |
| L/C/9/69 | Holiday Drawings \ Bearded Man with Hat | n.d. |
| L/C/9/75 | Holiday Drawings \ Female Leg | n.d. |
| L/E/23/2 | Philosophical comments \ Dream about help and service, A | n.d. |
| L/E/58/17 | Books, Manuscripts, Outlines \ Fluid Power II \ Cover page | n.d. |
| L/E/4/42 | Choreology (Space) \ Neunring und Siebenring [Ring of nine and ring of seven] | n.d. |
| L/E/58/1 | Books, Manuscripts, Outlines \ Gleichen Wegformen ..., Die [the same method forms...] | n.d. |
| L/E/20/10 | Dance in general \ Artikel - Schönheit und Weisheit im Tanz [Article - beauty and wisdom in dance] | n.d. |
| L/E/58/19 | Books, Manuscripts, Outlines \ Fluid Power II \ 2 of 4 | n.d. |
| L/E/45/52 | Education \ Wesen des Laientanzes, Das [The soul of lay dancing] | n.d. |
| L/E/40/25 | Books, Manuscripts, Outlines \ Stillness and Stir | n.d. |
| L/E/28/60 | Movement in general \ Bewegungstypen der Tierwelt [Types of movement in the animal kingdom] | n.d. |
| L/E/76/14 | Industrial Rhythm \ Rhythm of the Manager, The | n.d. |
| L/C/9/46 | Holiday Drawings \ Post Bridge, Dartmoor | n.d. |
| L/E/26/17 | Philosophical comments \ Raum ist Abgrund, Der [Space is the abyss] | n.d. |
| L/F/7/76 | Models \ Structures Using Tensegrity | n.d. |
| L/E/22/23 | Movement notation \ Intended appendix to book 'Choreutics' | n.d. |
| L/E/33/23 | Lecture notes on various subjects \ Report on Manchester teacher course in modern dance movement, or modern educational dance, or educational dance movement | n.d. |
| L/F/7/29 | Models \ Paper Structure/Sculpture | n.d. |
| L/F/7/88 | Models \ Hanging Structures | n.d. |
| L/E/65/12 | Industrial Rhythm \ Road Connecting Dance and Industry, The | n.d. |
| L/F/7/42 | Models \ Paper Structure/Sculpture | n.d. |
| L/F/7/91 | Models \ Hanging Structures | n.d. |
| L/E/20/39 | Dance in general \ Bewegungkunst in Erziehung, Industrie und auf der Bühne [Movement in education, industry and on the stage] | n.d. |
| L/E/72/11 | Industrial Rhythm \ Simplification of Effort Notation, The | n.d. |
| L/E/8/59 | Eukinetics \ Rhythm of Effort and Recovery, The | n.d. |
| L/F/7/69 | Models \ Structures Using Tensegrity | n.d. |
| L/E/1/47 | Choreology (Space) \ Spielende und die Schrift, Der [Player and writing, The] | n.d. |
| L/E/76/13 | Industrial Rhythm \ Rhythm of the Office Worker, The | n.d. |
| L/F/7/66 | Models \ Structures Using Tensegrity | n.d. |
| L/E/15/4 | Choreutics \ Inhaltverzeichniss zur Raumbildsübungen [List of contents of space-shape exercises] | n.d. |
| L/F/7/68 | Models \ Structures Using Tensegrity | n.d. |
| L/E/49/1 | Personal Statements \ Ordnung [order] | n.d. |
| L/E/77/26 | Industrial Rhythm \ Principles of Quick Effort Assessment | n.d. |
| L/E/76/32 | Industrial Rhythm \ Specification of Jobs | n.d. |
| L/E/49/28 | Personal Statements \ Erziehung durch die Künste [Education through art] | n.d. |
| L/E/65/11 | Industrial Rhythm \ Dance in Present Day Society \ Chapter I | n.d. |
| L/E/57/15 | Books, Manuscripts, Outlines \ Motion Study \ Third part | n.d. |
| L/E/68/37 | Biographical Information \ Rudolf Laban \ Laban Notes | n.d. |
| L/E/64/85 | Industrial Rhythm \ Mobility of Flow in Expressive Actions | n.d. |
| L/E/47/69 | Art of Movement, The \ Art of Movement, The | n.d. |
| L/E/77/32 | Industrial Rhythm \ Industrial Rhythm (Pamphlet) | n.d. |
| L/E/21/66 | Movement notation \ Tanzschrift [Dance script/writing] | n.d. |
| L/C/9/34 | Holiday Drawings \ Abstract Portrait of a Woman's Head | n.d. |
| L/E/73/23 | Industrial Rhythm \ American Foundrymen's Association \ Rhythmical Assessment of the Amount of Work in the Moulding Shops, The | n.d. |
| L/E/56/26 | Books, Manuscripts, Outlines \ Bewegung [Motion] \ Original version | n.d. |
| L/E/63/7 | Industrial Rhythm \ Assessments \ Special Selective Test (L.L. Test), The | n.d. |
| L/E/76/18 | Industrial Rhythm \ Second Experiment with Industrial Rhythm | n.d. |
| L/E/3/19 | Choreology (Space) \ Choreologische Einheit von Stoff und Ausdruck, Die [Choreologic unity of material and expression; Notes and drawings; Rhythmus; Notes about movement in general; Notes and drawings - choreutic, The] | n.d. |
| L/E/59/33 | Books, Manuscripts, Outlines \ Zurischenbemerkung ..., Einge [illegible] | n.d. |
| L/E/32/73 | Lecture notes on various subjects \ Man is bound by four powers | n.d. |
| L/E/22/10 | Movement notation \ How is the body set in motion? | n.d. |
| L/E/23/48 | Philosophical comments \ Thoughts on immortality | n.d. |
| L/E/17/28 | Choreology in general \ Detailed analysis of arm and hand movements in slinging, throwing, whipping etc. | n.d. |
| L/E/1/53 | Choreology (Space) \ Choreutic notes, drawings | n.d. |
| L/E/23/52 | Philosophical comments \ Zeitkristalle und Raumrhythmen | n.d. |
| L/E/77/47 | Industrial Rhythm \ Powerstation of Rhythmical Energy, The | n.d. |
| L/E/6/44 | Choreology (Effort) \ This book is about people... | n.d. |
| L/E/40/1 | Rhythm \ Rhythm | n.d. |
| L/E/77/36 | Industrial Rhythm \ Industrial Rhythm | n.d. |
| L/E/6/69 | Choreology (Effort) \ Commentaries to the management of one's own personality | n.d. |
| L/E/77/33 | Industrial Rhythm \ Rhythm in International Trade and Economics | n.d. |
| L/E/28/20 | Movement in general \ Effort training | n.d. |
| L/E/77/16 | Industrial Rhythm \ Observation of Industrial Operations, The | n.d. |
| L/E/19/33 | Dance in general \ Dance I | n.d. |
| L/E/11/31 | Choreutics \ Counter moves | n.d. |
| L/E/2/15 | Choreology (Space) \ Erschienendes ... Verschwindendes, Geschwindigkeit [Things that appear ... things that disappear, speed] | n.d. |
| L/E/8/19 | Eukinetics \ Sequence of incomplete efforts; Typical effort sequences | n.d. |
| L/E/8/88 | Eukinetics \ Anleitung zur graphischen Darstellung von Raumzeitspannungen und ihre Begehung durch den Körper und seine Einzelglieder [Directions for the graphic presentation of space; time tensions and their perpetration by the body and its individual limbs] | n.d. |
| L/E/76/30 | Industrial Rhythm \ Job Description by Cinesigns (Laban Lawrence Industrial Notation) | n.d. |
| L/E/49/2 | Personal Statements \ Mind and Wisdom | n.d. |
| L/E/77/7 | Industrial Rhythm \ Graphic Assessments of Working Rhythm, The; Types of Workers | n.d. |
| L/E/5/31 | Choreology (Effort) \ Art of movement in contemporary civilisation, The | n.d. |
| L/E/14/65 | Choreutics \ Associative and emotive power in living motion, The | n.d. |
| L/E/64/73 | Industrial Rhythm \ Measuring Motion Factors | n.d. |
| L/E/77/6 | Industrial Rhythm \ Motor Training in Industry | n.d. |
| L/E/5/61 | Choreology (Effort) \ Notation symbols | n.d. |
| L/E/16/77 | Choreology in general \ Formenwille in der Natur als Grundlage des Bewegungsbeobachtung, Die [Form in nature as basis of observation of movement, The] | n.d. |
| L/E/65/10 | Industrial Rhythm \ Dance in Present Day Society \ Second Part | n.d. |
| L/E/18/11 | Choreology in general \ Appendix: tools for the study of kinetic harmony | n.d. |
| L/E/28/65 | Movement in general \ Vier Wünsche, Die [Four wishes] | n.d. |
| L/E/63/19 | Industrial Rhythm \ Reports \ Report on First Examination into the Value and the Possibilities of Application of Rudolph Laban's Effort Diagnostics \ Contents | n.d. |
| L/E/25/20 | Philosophical comments \ Zur Devise: los vom Tier in uns [Motto: separate from the animal inside us] | n.d. |
| L/E/23/10 | Philosophical comments \ Space of soul | n.d. |
| L/E/46/23 | Assessments, Reports, Records \ Movement Study Centre \ Pre-selection Assessment | n.d. |
| L/E/17/33 | Choreology in general \ Impulsechtheit, Nachahmung, Tanzschrift [truth of impulse, imitation, dance notation] | n.d. |
| L/E/76/24 | Industrial Rhythm \ Effort Study \ ... Producing the best possible effort ... | n.d. |
| L/E/35/34 | Books, Manuscripts, Outlines \ Modern Dance \ Flow of Movement, The | n.d. |
| L/E/1/37 | Choreology (Space) \ Mannen wach [men alert] | n.d. |
| L/E/21/1 | Movement notation \ Right and wrong in movement notation | n.d. |
| L/E/4/66 | Choreology (Space) \ Representation of 3 dimensional and diagonal values, and connection of Icosahedron and Dodecahedron currents | n.d. |
| L/E/15/52 | Choreutics \ Raumemfindung in der harmonischen Bewegung, Die [Sensitivity to space in harmonic movement] | n.d. |
| L/E/24/21 | Philosophical comments \ Weg, um sich von dem Vorhandensein der Elektrosphere zu überzeugen..., Der [A way to convince oneself of the existence of the electro sphere] | n.d. |
| L/E/34/55 | Lecture notes on various subjects \ Vom Sim der Bewegungschore; Tanzteater und Bewegungschor [On the meaning of movement choir; dance theatre and movement choir] | n.d. |
| L/E/16/9 | Choreology in general \ Unharmonische Verwechslung, Die [inharmonious confusion] | n.d. |
| L/E/26/22 | Philosophical comments \ Sparta, Athen / Disziplin-Freiheit [Sparta, Athens / Discipline - Freedom] | n.d. |
| L/E/46/1 | Assessments, Reports, Records \ Self-Assessment of the Students' Attitude towards Dance and Dance Teaching | n.d. |
| L/E/42/36 | Production Scripts \ Salome | n.d. |
| L/E/77/29 | Industrial Rhythm \ Three Implements of Power, The \ Sword, Pen and Mark | n.d. |
| L/E/47/8 | Art of Movement, The \ Art of Movement, The | n.d. |
| L/E/25/15 | Philosophical comments \ Grundlagen der Idee Training oder Keepfit [Basis of the idea: training or keep fit] | n.d. |
| L/E/26/33 | Philosophical comments \ Wenn einer Anker werfen will, dann darf er nicht mit Volldampf fortsegeln [If you want to drop an anchor you should not proceed with full sails] | n.d. |
| L/E/25/22 | Philosophical comments \ Fliegende Mensch, Der; die Menschen Pyramide [Flying humans, the human pyramid] | n.d. |
| L/E/16/78 | Choreology in general \ Rhythmology der Körpergestalt in Zeit und Raum [rhythmology of body form in time and space] | n.d. |
| L/E/47/50 | Art of Movement, The \ Art of Movement, The | n.d. |
| L/E/26/32 | Philosophical comments \ Was ist recht und unrecht, das sollen die Herren der Erde beurteilen [What is right and wrong is for the rulers of the world to decide] | n.d. |
| L/E/29/27 | Movement in general \ Bewegungsvorgang und seine praktische Auswirkung in der Bewegungserziehung [Movement and its practical result in the education of movement] | n.d. |
| L/E/16/52 | Choreology in general \ Bewegungsphasen [movement phrases] | n.d. |
| L/E/16/79 | Choreology in general \ Mechanism und Dynamismen des Raumes oder der Plasticität... [mechanism and dynamism of space plasticity] | n.d. |
| L/E/36/4 | Stories, Poems, Drama, Music \ \ Leben der Formen, Das [The life of forms] | n.d. |
| L/E/17/3 | Choreology in general \ Jede Bewegung hat einen Stützpunkt, Impulspunkt (Ursprung) [each movement has anchor, impluse (origin)] | n.d. |
| L/E/56/13 | Books, Manuscripts, Outlines \ Grosse Bewegheit, Die [big motion] | n.d. |
| L/E/7/44 | Choreology (Effort) \ Exploration of the infinite variety of the relationships between points and edges within the crystalline formations | n.d. |
| L/E/29/53 | Movement in general \ Notebook: der Kraftfahrer [Notebook: the lorry driver] | n.d. |
| L/E/47/33 | Art of Movement, The \ Art of Movement Applied to Education, The | n.d. |
| L/E/28/64 | Movement in general \ Drei typische Bewegungsarten und die mit ihnen zusammenhängenden Grundrichtungen, Die [3 typical types of movement and their basic directions] | n.d. |
| L/E/57/16 | Books, Manuscripts, Outlines \ Unpublished Book Manuscript \ First part \ Structure of Movement, The | n.d. |
| L/E/50/11 | Investigation into Movement Responses \ Critique of the Theory of Sensomotorism | n.d. |
| L/E/17/27 | Choreology in general \ Tradition of attack and defence | n.d. |
| L/E/41/19 | Psychological Implications \ Psychosomatic Relationships | n.d. |
| L/E/17/52 | Choreology in general \ 2 Notebooks with notes | n.d. |
| L/E/69/17 | Biographical Information \ Rudolf Laban \ Biography of Rudolf Laban | n.d. |
| L/E/57/17 | Books, Manuscripts, Outlines \ Unpublished Book Manuscript \ Second part \ Space-time Attitude, An | n.d. |
| L/E/56/27 | Books, Manuscripts, Outlines \ Bewegung [Motion] \ 1 of 2 | n.d. |
| L/E/24/13 | Philosophical comments \ Zu Paradoxon: Treffen und Trennen in einem [On the paradox of meeting and separating in one] | n.d. |
| L/E/58/31 | Books, Manuscripts, Outlines \ Sense of Movement, The | n.d. |
| L/E/64/81 | Industrial Rhythm \ Effort Assessment | n.d. |
| L/E/2/63 | Choreology (Space) \ Ideen für plastische Entfaltung und ihre Einordnung in ein Harmoniesystem [Ideas for 3-dimensional development and its placing in a harmony system] | n.d. |
| L/E/26/20 | Philosophical comments \ Beiträge zur Umstülpung innen - aussen Wille - Erwartung [Contributions to the upheaval of inner and outer will - expectation] | n.d. |
| L/E/29/18 | Movement in general \ Natur der menschlichen Bewegung, Die [The nature of human movement] | n.d. |
| L/E/50/6 | Investigation into Movement Responses \ Hic Salta! | n.d. |
| L/E/69/9 | Biographical Information \ Rudolf Laban \ R. Laban ... | n.d. |
| L/E/69/2 | Biographical Information \ Rudolf Laban \ In Memoriam Rudolf Laban \ By Ana Maletic | n.d. |
| L/E/22/12 | Movement notation \ Notes on structure of booklet on notation and various other topics on notation including dynamic shorthand | n.d. |
| L/E/70/54 | Miscellaneous Notes \ New Guide to the Art of Movement, A | n.d. |
| L/E/25/42 | Philosophical comments \ Zeitvertrieb - passetemps [Amusement - pastimes] | n.d. |
| L/E/28/22 | Movement in general \ Movement exercises or dances can be either traditional or... | n.d. |
| L/E/6/29 | Choreology (Effort) \ Effort control | n.d. |
| L/E/69/8 | Biographical Information \ Rudolf Laban \ Laban Art of Movement, The | n.d. |
| L/E/70/56 | Miscellaneous Notes \ How to Make Your Movement Training Rational and Efficient \ Use the Chromatic Dial | n.d. |
| L/E/5/23 | Choreology (Effort) \ Effort as a psychophysic merger | n.d. |
| L/E/69/4 | Biographical Information \ Rudolf Laban \ To 'Observer' | n.d. |
| L/E/41/20 | Psychological Implications \ Psychology of Action, The | n.d. |
| L/E/26/21 | Philosophical comments \ Zuversichten des Geistes und Erlebnisse der Seele [Confidence of the spirit and adventures of the soul] | n.d. |
| L/E/69/7 | Biographical Information \ Rudolf Laban \ Rudolf Laban | n.d. |
| L/E/26/3 | Philosophical comments \ Für die, die es unternehmen, Experimente zu leiten oder anzuregen [For those who undertake to lead or instigate experiments] | n.d. |
| L/E/69/78 | Biographical Information \ Rudolf Laban \ Biographie von Rudolf von Laban ..., Eine | n.d. |
| L/E/28/62 | Movement in general \ Welt der Formen und Bewegungen, Die [The world of forms and movements] | n.d. |
| L/E/28/61 | Movement in general \ Haus, Höhle, Wohnkristall [House, cavern, home crystal] | n.d. |
| L/E/69/19 | Biographical Information \ Rudolf Laban \ Laban Art of Movement Centre, The \ Rudolf Laban Memorial Fund, The | n.d. |
| L/E/70/10 | Miscellaneous Notes \ Structure and Function | n.d. |
| L/E/70/29 | Miscellaneous Notes \ Mime School, The | n.d. |
| L/E/9/44 | Choreutics \ 8 Schwungstellungen; Richtungszusammenhänge [Eight swing positions; direction connections] | n.d. |
| L/E/45/23 | Education \ Educational and Therapeutic Value of Dance, The | n.d. |
| L/E/68/28 | Biographical Information \ Rudolf Laban \ Short Biography | n.d. |
| L/E/41/13 | Psychological Implications \ In the Service of our Spontaneity | n.d. |
| L/E/17/21 | Choreology in general \ Magic Mirror, The \ I and II | n.d. |
| L/E/60/28 | Rudolf Laban's Pupils \ Ilse Loesch \ Laban \ Creative Teaching for Ilse Loesch | n.d. |
| L/E/53/44 | Books, Manuscripts, Outlines \ Effort | n.d. |
| L/E/47/13 | Art of Movement, The \ Areas of Practical Development | n.d. |
| L/E/18/3 | Choreology in general \ Kinetic harmony | n.d. |
| L/E/32/30 | Lecture notes on various subjects \ Movement and dance for senior school | n.d. |
| L/E/48/12 | Historical Data \ Anecdotes about Mr Laban | n.d. |
| L/E/45/50 | Education \ Educational Value of the Arts, The | n.d. |
| L/E/40/24 | Observation \ Correspondence Course in Movement Observation \ Instruction Letters and Notes | n.d. |
| L/E/38/51 | Observation \ Correspondence Course in Movement Observation \ Short Content of the XXIV Instruction Letters in Movement Observation | n.d. |
| L/E/60/1 | Books, Manuscripts, Outlines \ Korper als Werkzeng, Der \ 4 of 7 [the body as tool] | n.d. |
| L/E/39/34 | Observation \ Phrases \ Chapter 6 | n.d. |
| L/E/70/41 | Miscellaneous Notes \ Rhythm of Body Functions, Actions, Impulses, Shapes, Connection, The / Continuous Line | n.d. |
| L/E/76/15 | Industrial Rhythm \ Drawing Offices | n.d. |
| L/E/15/26 | Choreutics \ Raumempfindung in der harmonischen bewegung, Die [Sensitivity to space in harmonic movement] | n.d. |
| L/E/45/57 | Education \ Therapy and Art | n.d. |
| L/E/34/54 | Lecture notes on various subjects \ Possibilities of Movement, The | n.d. |
| L/E/39/19 | Observation \ General Movement Observation, The | n.d. |
| L/E/5/34 | Choreology (Effort) \ General terms | n.d. |
| L/E/35/20 | Books, Manuscripts, Outlines \ Effort \ ... Motion study is of the utmost necessity ... | n.d. |
| L/E/62/36 | Industrial Rhythm \ Assessments \ Laban Lawrence Effort Assessment \ List of Movement Tests | n.d. |
| L/C/9/82 | Holiday Drawings \ South Devon | n.d. |
| L/E/7/11 | Choreology (Effort) \ Effort actions and their spatial path, relationship to the centre | n.d. |
| L/E/4/16 | Choreology (Space) \ Dreigriff, Krone, Stülpung, Kernbildung etc. [Threefold grip, crown, inversion, formation of the centre etc.] | n.d. |
| L/E/36/7 | Stories, Poems, Drama, Music \ Rondo | n.d. |
| L/E/25/27 | Philosophical comments \ Leichenrede für das Menschengeschlecht, Eine [Funeral speech for mankind] | n.d. |
| L/E/4/87 | Choreology (Space) \ Diagrams and notes on rings | n.d. |
| L/E/25/12 | Philosophical comments \ Über die Wirklichkeit [About reality] | n.d. |
| L/E/70/39 | Miscellaneous Notes \ Labanoid, The \ Apparatus for the Control of Harmonious Body Carriage and Movement, An | n.d. |
| L/E/38/12 | Harmony \ Über Harmonie [On harmony] | n.d. |
| L/E/2/51 | Choreology (Space) \ Texte zu: lebendige Raum ewige Gegenwart [Text of: living space, eternal presence] | n.d. |
| L/C/10/88 | Cut Outs \ 9 of 10 | n.d. |
| L/E/21/49 | Movement notation \ Raumzeichen der Steno-kinetographie [Space-sign of steno-kinetography] | n.d. |
| L/E/48/24 | Historical Data \ Wege zur Aesthetik der Tanzkunst [Ways to aesthetics in dance] | n.d. |
| L/E/72/14 | Industrial Rhythm \ Mars Confections Ltd. \ Lilt in Labour | n.d. |
| L/E/77/21 | Industrial Rhythm \ Guide to Analysis | n.d. |
| L/E/74/18 | Industrial Rhythm \ Indexes of Firms and their Employees | n.d. |
| L/E/64/88 | Industrial Rhythm \ Historical Notes about the Development of Movement and Working Rhythms | n.d. |
| L/E/77/20 | Industrial Rhythm \ Effort Control | n.d. |
| L/C/9/12 | Relationships Between Groups of Figures \ Figures in Dodecahedron | n.d. |
| L/E/64/66 | Industrial Rhythm \ Some Simple Facts about Wage - Policies, Effort Measurement, etc. | n.d. |
| L/E/57/10 | Books, Manuscripts, Outlines \ Meine ehemalige Feindin ... [my former enemy] | n.d. |
| L/E/1/22 | Choreology (Space) \ Spationom \ Analytical drawings | n.d. |
| L/E/64/86 | Industrial Rhythm \ Art and Industrial Welfare | n.d. |
| L/E/17/45 | Choreology in general \ Now and there: the observation of harmony and rhythm in movement | n.d. |
| L/E/43/6 | Production Scripts \ Golden Apples, The | n.d. |
| L/E/46/32 | Man, Matter and Motion \ Dance and the Life of the Organism | n.d. |
| L/C/9/10 | Holiday Drawings \ Constructional Models on a Table With Vase of Flowers | n.d. |
| L/E/77/43 | Industrial Rhythm \ Remarks about the Practical Procedures on hand of L.L.I.R. Records | n.d. |
| L/C/9/90 | Holiday Drawings \ Landscape | n.d. |
| L/C/9/2 | Holiday Drawings \ Head of a Woman; Geometric Shape with Flowers | n.d. |
| L/E/64/84 | Industrial Rhythm \ Flow of Movement, The | n.d. |
| L/E/35/18 | Books, Manuscripts, Outlines \ Effort \ Motion Study in Industry | n.d. |
| L/E/73/4 | Industrial Rhythm \ Manchester Ship Canal Company \ Charts | n.d. |
| L/E/4/64 | Choreology (Space) \ 5 deviations from the fundamental vertical direction show angular distances... | n.d. |
| L/E/73/9 | Industrial Rhythm \ Manchester Ship Canal Company \ Flow of Materials | n.d. |
| L/E/58/34 | Books, Manuscripts, Outlines \ Illustrations for Choreutics \ 3 of 3 | n.d. |
| L/E/76/27 | Industrial Rhythm \ Effort Study \ Notes on effort and flow | n.d. | 22/10/1943 |
| L/E/18/8 | Choreology in general \ Kinetic harmony | n.d. |
| L/E/49/12 | Personal Statements \ Journey to USA 1926 \ Notes | n.d. |
| L/E/24/28 | Philosophical comments \ Introductory note | n.d. |
| L/E/77/3 | Industrial Rhythm \ ... Mechanised processes depend upon human actions ... | n.d. |
| L/E/21/70 | Movement notation \ Tanzschrift [Dance script/writing] | n.d. |
| L/E/4/85 | Choreology (Space) \ Theory of space harmony | n.d. |
| L/E/65/7 | Industrial Rhythm \ Work Organisation, Kinetography and Movement Harmony | n.d. |
| L/E/73/21 | Industrial Rhythm \ American Foundrymen's Association \ Notes for F.C. Lawrence Personally | n.d. |
| L/E/1/26 | Choreology (Space) \ Spationom \ Ico Grundriss [Outline of Icosahedron] | n.d. |
| L/E/47/67 | Art of Movement, The \ Kinetologic Research | n.d. |
| L/E/48/3 | Historical Data \ Association or Research Board for Modern Movement Research \ Draft Constitution | n.d. |
| L/E/43/2 | Production Scripts \ Northern Children's Theatre | n.d. |
| L/E/12/15 | Choreutics \ Key for kinetographers | n.d. |
| L/E/77/42 | Industrial Rhythm \ Questions about effort | n.d. |
| L/E/77/12 | Industrial Rhythm \ Experiment | n.d. |
| L/E/77/9 | Industrial Rhythm \ Lecture | n.d. |
| L/E/18/59 | Choreology in general \ Key to directional points and chains of space inclinations of human movement | n.d. |
| L/E/12/49 | Choreutics \ 42-er Ico Kantspalten [42-link icosahedron edge fissures] | n.d. |
| L/E/42/28 | Production Scripts \ Art of Movement on the Stage, The \ Introduction | n.d. |
| L/E/49/31 | Personal Statements \ Objektive Beobachtung von Subjektiven, Die \ Bewegung und Aktion [Objective observation of subjectives. Movement and action.] | n.d. |
| L/E/8/67 | Eukinetics \ Die ? und die treibende Kraft - Zug und Druck: kommt in der plastischen Tet-Siebenschlangen zum Ausdruck [the (illegible) and the driving force; push and pull is expressed in the plastic three-dimensional seven-link chain (snake)] | n.d. |
| L/E/18/7 | Choreology in general \ Kinetic harmony | n.d. |
| L/E/77/2 | Industrial Rhythm \ Modern Work Research \ Study of the Human Element in Industry, The | n.d. |
| L/E/62/38 | Industrial Rhythm \ Assessments \ Assessment Notes | n.d. |
| L/E/76/21 | Industrial Rhythm \ Effort Study \ ... Time pattern of an operation ... | n.d. |
| L/E/77/11 | Industrial Rhythm \ Notes on work in a mill | n.d. |
| L/E/77/41 | Industrial Rhythm \ Selection of Men, Selection of Jobs and Selection of Procedures | n.d. |
| L/E/77/19 | Industrial Rhythm \ Study of Effort Transition, The | n.d. |
| L/E/4/34 | Choreology (Space) \ Doppelwürfel [Double cube] | n.d. |
| L/E/21/10 | Movement notation \ Notation symbols | n.d. |
| L/E/11/50 | Choreutics \ Analytical drawings and notes about spatial intervals | n.d. |
| L/E/37/3 | Physiological - Scientific \ Nervous System II, The | n.d. |
| L/C/9/16 | Costume Design \ Line Drawing of Hairstyle Designs \ 1 of 4 | n.d. |
| L/E/2/20 | Choreology (Space) \ Dreikantbinder im Dod [Trihedron header in the Dodecahedron] | n.d. |
| L/E/32/66 | Lecture notes on various subjects \ Vers, Bild und Musik [Poetry, picture and music] | n.d. |
| L/E/80/19 | Industrial Rhythm \ Rhythmological Studies | 1942 |
| L/C/10/47 | Holiday Drawings \ Landscape with Fir Trees | n.d. |
| L/E/18/32 | Choreology in general \ Core and shell | n.d. |
| L/E/18/63 | Choreology in general \ Man's body has four dimensions | n.d. |
| L/E/58/41 | Books, Manuscripts, Outlines \ Notes on Space | n.d. |
| L/E/31/17 | Lecture notes on various subjects \ We apprehend our physical environment... | n.d. |
| L/E/6/19 | Choreology (Effort) \ Children's theatre | n.d. |
| L/E/8/74 | Eukinetics \ 'I' and 'Thou' of 'It', The | n.d. |
| L/E/23/62 | Philosophical comments \ Man is a curious animal... | n.d. |
| L/E/23/29 | Philosophical comments \ Imagination is always a good servant... | n.d. |
| L/E/42/4 | Production Scripts \ Space Exercises for Actors, The | n.d. |
| L/E/39/28 | Observation \ Mental Rhythm | n.d. |
| L/E/1/76 | Choreology (Space) \ Choreutic drawings | n.d. |
| L/E/1/31 | Choreology (Space) \ Spationom \ Dreikerb | n.d. |
| L/E/59/30 | Books, Manuscripts, Outlines \ Beschreibung des Katinmodelles und seiner praktischen Verwendung [description of the katin model and its practical use] | n.d. |
| L/E/45/10 | Education \ Acts of Movement, The | n.d. |
| L/E/45/4 | Production Scripts \ Effort Study in Education | n.d. |
| L/E/45/53 | Education \ \ Inhalte deutscher Laientanze [Contents of German lay dancing] | n.d. |
| L/C/10/54 | Sketches \ Figure Movement | n.d. |
| L/E/39/24 | Observation \ Establishment of the personal action and reaction capacity, The | n.d. |
| L/E/24/48 | Philosophical comments \ Art against science and religion | n.d. |
| L/E/5/70 | Choreology (Effort) \ Terminology | n.d. |
| L/E/24/55 | Philosophical comments \ Was können wir glauben? [What can we believe?] | n.d. |
| L/E/18/14 | Choreology in general \ Movement is the expression of the mystery of relatedness | n.d. |
| L/E/32/89 | Lecture notes on various subjects \ Draft letter to Mr Morley re: the organisation of a conference on education through art | n.d. |
| L/E/24/56 | Philosophical comments \ Seven emancipations (not emanations) of Being | n.d. |
| L/E/31/6 | Lecture notes on various subjects \ Studio and course notes | n.d. |
| L/C/10/87 | Cut Outs \ 8 of 10 | n.d. |
| L/E/33/12 | Lecture notes on various subjects \ Hierarchy of the world of mind, The | n.d. |
| L/E/24/20 | Philosophical comments \ Harmonie [Harmony] | n.d. |
| L/E/70/18 | Miscellaneous Notes \ Why Do We Study the Harmony of Movement (in Group-Dance) | n.d. |
| L/E/37/17 | Physiological - Scientific \ Lichtvibration bildet Materie ... [Light vibration forms matter] | n.d. |
| L/E/53/46 | Books, Manuscripts, Outlines \ Mobility of the Child and its Causes, The / Dance Movement, A / Notes on Effort | n.d. |
| L/C/10/50 | Holiday Drawings \ Landscape | n.d. |
| L/E/45/24 | Education \ Development of Movement Awareness | n.d. |
| L/C/10/76 | Spatial Forms \ Intersections \ Icosahedron | n.d. |
| L/E/45/35 | Education \ Domains of Application | n.d. |
| L/C/9/95 | Holiday Drawings \ Pink Geraniums | n.d. |
| L/E/18/27 | Choreology in general \ Analytical drawings | n.d. |
| L/E/42/11 | Production Scripts \ Stranger, The \ Dance Fantasy | n.d. |
| L/E/19/67 | Dance in general \ Teacher's modern dance guide | n.d. |
| L/E/42/13 | Production Scripts \ Angela, or How the Gods Love | n.d. |
| L/E/28/47 | Movement in general \ Sentiment, passion, interest, emotion, bodily action, mechanic entities | n.d. |
| L/E/4/12 | Choreology (Space) \ Sinn des Richtungsstrebens [Meaning of striving for direction, The] | n.d. |
| L/E/13/44 | Choreutics \ Lemniskatischer Schwung im Rg. [Raumgittern?] [Lemniscal swing in space grids(?)] | n.d. |
| L/E/6/71 | Choreology (Effort) \ Difference between 'event' and 'action', The | n.d. |
| L/C/9/43 | Holiday Drawings \ Schoolgirl in a Field | n.d. |
| L/E/22/8 | Movement notation \ Motion characters | n.d. |
| L/E/29/37 | Movement in general \ Human being does not stand solidly in an erect position, A | n.d. |
| L/C/9/28 | Holiday Drawings \ Tree | n.d. |
| L/E/36/40 | Books, Manuscripts, Outlines \ Conflict and Harmony between Man and Woman \ Draft Manuscript 1 \ Observation and Training of Personal Movement, The | n.d. |
| L/C/10/59 | Sketches \ Black Octopus with Stylised Plant Life | n.d. |
| L/E/8/90 | Eukinetics \ Eukinetik der stabil-labil Folgen [Eukinetics of stable-labile sequences] | n.d. |
| L/C/10/15 | Holiday Drawings \ Landscape with Hills | n.d. |
| L/E/7/69 | Choreology (Effort) \ Shadow move chains and their reversions | n.d. |
| L/E/45/11 | Education \ Lists of Contents and Themes | n.d. |
| L/E/17/30 | Choreology in general \ Beispiel einer choreologischen Analyse [example of choreologic analysis] | n.d. |
| L/C/10/86 | Cut Outs \ 7 of 10 | n.d. |
| L/C/9/23 | Costume Design \ Costume Design for Neck | n.d. |
| L/C/10/24 | Holiday Drawings \ Head of a Woman | n.d. |
| L/E/77/34 | Industrial Rhythm \ ... Rediscovery of the importance of rhythm in industry ... | n.d. |
| L/C/10/85 | Cut Outs \ 6 of 10 | n.d. |
| L/E/4/47 | Choreology (Space) \ Harmonics of movement, The | n.d. |
| L/C/9/48 | Holiday Drawings \ St Gabriel, South Devon | n.d. |
| L/E/70/13 | Miscellaneous Notes \ It is in the interest of everybody using Kinetography Laban ... | n.d. |
| L/E/53/53 | Books, Manuscripts, Outlines \ Inner and Outer Motion | n.d. |
| L/C/9/67 | Holiday Drawings \ Lady with Fox Fur | n.d. |
| L/E/32/93 | Lecture notes on various subjects \ Notebook | n.d. |
| L/E/62/24 | Industrial Rhythm \ Assessments \ Laban Lawrence Notes | n.d. |
| L/E/39/16 | Observation \ Work | n.d. |
| L/E/43/1 | Production Scripts \ Twelve Months of the Year, The | n.d. |
| L/C/10/41 | Holiday Drawings \ Woman Sitting on a Wall with her Cat | n.d. |
| L/E/48/1 | Historical Data \ Letter to Ministry of Education / Plan for a Full-time Training Course | n.d. |
| L/F/2/30 | Portraits \ Rudolf von Laban | n.d. |
| L/C/10/49 | Holiday Drawings \ Claudia | n.d. |
| L/E/59/28 | Books, Manuscripts, Outlines \ Raumspielpuzzle [space puzzle] | n.d. |
| L/E/35/30 | Books, Manuscripts, Outlines \ Trotzdem war mir das Tanzen ... [inspite of this dancing was to me...] | n.d. |
| L/E/64/87 | Industrial Rhythm \ Working-Rhythms and their Observation and Notation | n.d. |
| L/E/46/10 | Assessments, Reports, Records \ Analysis of Observations | n.d. |
| L/E/40/16 | Rhythm \ Rhythm of Effort, The | n.d. |
| L/E/20/18 | Dance in general \ Klarste Tanzkunde ist uns von der historischen Tanzkunst überliefert…, Die [The clearest study of dance is given to the historical art of dancing ..] | n.d. |
| L/C/9/39 | Holiday Drawings \ Sepia Landscape | n.d. |
| L/E/8/16 | Eukinetics \ Der Vorzug der einem Rhythmus gegeben wird; in Wringspannung; Tanzkomposition; eukinetische Revision; das Leben der Grünwelle [Preference given to a rhythm; wring tension; dance composition, eukinetic revision, the life of the green wave] | n.d. |
| L/E/70/32 | Miscellaneous Notes \ Haut, Die [skin] | n.d. |
| L/E/56/20 | Books, Manuscripts, Outlines \ World of the Dancer, The | n.d. |
| L/C/9/108 | Holiday Drawings \ Abstract Landscape | n.d. |
| L/C/10/68 | Cut Outs \ Icosahedron | n.d. |
| L/E/50/10 | Investigation into Movement Responses \ W-F Qualities of Touch and Screw, The | n.d. |
| L/E/15/9 | Choreutics \ Choreutic considerations with drawings | n.d. |
| L/C/10/90 | Spatial Forms \ Crown, Snake, Flower, Cross, Screw | n.d. |
| L/E/31/54 | Lecture notes on various subjects \ Dramaturgie und Spiel im Tanz [Drama and play in dance] | n.d. |
| L/E/2/61 | Choreology (Space) \ Space qualities of repetitive movements | n.d. |
| L/C/9/33 | Holiday Drawings \ Seascape | n.d. |
| L/F/3/55 | Portraits \ Addlestone Art of Movement Studio \ Rudolf von Laban with Bill Elmhirst \ The Drive | 1950s |
| L/E/59/11 | Books, Manuscripts, Outlines \ Beobachtung des Bewegungsantriebs im Dienste der Arbeitsberatung, Die \ 3 of 5 [observation of motion impluse for work couselling] | n.d. |
| L/C/9/66 | Caricature \ 'Now!' - 'We make a Dance-Drama!' | n.d. |
| L/E/59/12 | Books, Manuscripts, Outlines \ Beobachtung des Bewegungsantriebs im Dienste der Arbeitsberatung, Die \ Kunst der Menschen Behandlung, Die [observation of motion impluse for work couselling - ] | n.d. |
| L/C/10/11 | Holiday Drawings \ Woodland Landscape | n.d. |
| L/E/42/15 | Production Scripts \ Schlaraffenland [Utopia] | n.d. |
| L/E/42/84 | Production Scripts \ Daten und Stimmungen [Dates and moods] | n.d. |
| L/E/36/11 | Stories, Poems, Drama, Music \ Gespräche über des Tagebuch eines Zigeuners. Mr Jobmaker und die Kuh [Discussions on the diary of a gypsy. Mr Jobmaker and the cow.] | n.d. |
| L/E/50/17 | Letters \ Letter to Oxford Press re Stillness and Stir | n.d. |
| L/E/59/8 | Books, Manuscripts, Outlines \ Beobachtung des Bewegungsantriebs im Dienste der Arbeitsberatung, Die \ 1 of 5 [observation of motion impluse for work couselling] | n.d. |
| L/F/2/43 | Dances \ Rudolf von Laban and Ruth Loeser \ The Rheingold | n.d. |
| L/F/2/107 | Portraits \ Sivaram with Rudolf von Laban and Lisa Ullmann | n.d. |
| L/E/59/31 | Books, Manuscripts, Outlines \ Raumspielkarten [space game cards] | n.d. |
| L/E/6/32 | Choreology (Effort) \ Study sheets with diagrams of states and attitudes in crystalline structures, and inclinations and spatial functions of W.S.T. [weight, space, time] and basic efforts | n.d. |
| L/E/45/25 | Education \ Dance as a Social Asset / Dance, a Gift of Life / Urge, Effort and Rhythm | n.d. |
| L/E/56/36 | Books, Manuscripts, Outlines \ Anhang I \ Fotos von Tanzen und Tanzgruppen / Drawing [ | n.d. |
| L/E/19/62 | Dance in general \ Wege zur Äesthetik der Tanzkunst [Aesthetic approach to the art of dancing, The] | n.d. |
| L/E/42/66 | Production Scripts \ Darstellerische Tanz im Theater, Der [Representative dance in the theatre] | n.d. |
| L/E/21/69 | Movement notation \ Tanzschrift [Dance script/writing] | n.d. |
| L/E/6/41 | Choreology (Effort) \ Effort balance | n.d. |
| L/E/57/11 | Books, Manuscripts, Outlines \ Man kann Bewegung nur bejahen oder verneinen ... [you can only affirm or deny movement] | n.d. |
| L/E/7/47 | Choreology (Effort) \ Fundamental worry of man..., The | n.d. |
| L/E/3/22 | Choreology (Space) \ Beobachtungen - Tanz u. Bew. [Observations - space and movement] | n.d. |
| L/E/59/37 | Books, Manuscripts, Outlines \ Geräuschrhythmik und Formaufbau [rhythmic sounds and ?] | n.d. |
| L/E/69/29 | Biographical Information \ Rudolf Laban \ Rudolf von Laban | n.d. |
| L/C/10/75 | Spatial Forms \ Intersections \ Icosahedron | n.d. |
| L/E/49/19 | Personal Statements \ Journey to USA 1926 \ Tanze der USA, Die [Dance in the USA, The] | n.d. |
| L/C/9/42 | Holiday Drawings \ Landscape with Tree | n.d. |
| L/E/23/40 | Philosophical comments \ There are surely very few people... | n.d. |
| L/E/5/83 | Choreology (Effort) \ Behind the screen | n.d. |
| L/E/2/11 | Choreology (Space) \ Gnothi Seauthon [Other form of the twenty-four line] | n.d. |
| L/E/44/2 | Production Scripts \ Tanze aus Margarete [dance of Margarete] | n.d. |
| L/E/13/84 | Choreutics \ 42 Total ring | n.d. |
| L/E/7/20 | Choreology (Effort) \ Incomplete efforts... | n.d. |
| L/E/18/18 | Choreology in general \ Calculations of angles with supporting diagrams | n.d. |
| L/E/18/37 | Choreology in general \ Drawings | n.d. |
| L/E/4/43 | Choreology (Space) \ Schräge und Spiralreihe [Slope and spiral sequence] | n.d. |
| L/E/14/32 | Choreutics \ Drawings and Kinetograms of rings | n.d. |
| L/E/28/49 | Movement in general \ Bewegungswirkungen [Consquences of movement] | n.d. |
| L/C/10/21 | Holiday Drawings \ Garden at Addlestone | n.d. |
| L/E/15/17 | Choreutics \ Ziele der analytischen Choreutik [Aim of analytical Choreutics, The] | n.d. |
| L/E/8/79 | Eukinetics \ 8 basic effort actions and their placement in kinesphere diagram | n.d. |
| L/E/18/24 | Choreology in general \ Additional opinions on continua | n.d. |
| L/E/31/64 | Lecture notes on various subjects \ Inhaltsverzeichnis [List of contents] | n.d. |
| L/E/4/88 | Choreology (Space) \ Progress in space | n.d. |
| L/C/9/83 | Holiday Drawings \ Brixham | n.d. |
| L/F/7/71 | Models \ Structures Using Tensegrity | n.d. |
| L/E/68/50 | Biographical Information \ Rudolf Laban \ Laban Uber Tanz | n.d. |
| L/E/43/12 | Information from Others \ Schwung [Swing] | n.d. |
| L/E/42/42 | Production Scripts \ Women on the Market | n.d. |
| L/E/32/58 | Lecture notes on various subjects \ Conscious and unconscious | n.d. |
| L/C/9/4 | Holiday Drawings \ Landscape with Bridge | n.d. |
| L/E/47/27 | Art of Movement, The \ Programme of the Centre \ Five Year Plan | n.d. |
| L/E/14/70 | Choreutics \ Paradoxon [Paradoxes] | n.d. |
| L/E/15/61 | Choreutics \ Icosahedron-Dodecahedron | n.d. |
| L/E/3/42 | Choreology (Space) \ Gebilde [Images] | n.d. |
| L/F/2/31 | Portraits \ Rudolf von Laban | n.d. |
| L/E/39/8 | Observation \ Observation of Personal Characteristics Revealed in Movement | n.d. |
| L/E/70/26 | Miscellaneous Notes \ Spiral and Labyrinth | n.d. |
| L/E/7/45 | Choreology (Effort) \ Philosophy of movement | n.d. |
| L/E/25/45 | Philosophical comments \ Alle Ordnungsgesetze [All laws of order] | n.d. |
| L/E/7/16 | Choreology (Effort) \ Kraft und form [Strength and shape] | n.d. |
| L/E/29/4 | Movement in general \ Perpetuum mobile | n.d. |
| L/C/10/64 | Sketches \ Abstract with Cobweb and Palm Trees | n.d. |
| L/E/49/18 | Personal Statements \ Journey to USA 1926 \ Notizen uber New York [Notes on New York] | n.d. |
| L/E/16/1 | Choreology in general \ Kreise der Isis [Circles of Isis] | n.d. |
| L/E/13/77 | Choreutics \ Tetra harm. [Tetrahedron harmony] | n.d. |
| L/E/11/47 | Choreutics \ In einem Raumzeichen... [In a space sign...] | n.d. |
| L/E/3/47 | Choreology (Space) \ Zeichen zu A [symbol to A] | n.d. |
| L/C/10/29 | Holiday Drawings \ Tree | n.d. |
| L/E/7/71 | Choreology (Effort) \ Flow | n.d. |
| L/E/32/60 | Lecture notes on various subjects \ Historical comments and notes on effort and space | n.d. |
| L/E/1/29 | Choreology (Space) \ Spationom \ Drawings | n.d. |
| L/E/3/63 | Choreology (Space) \ Lines; Planes; Twists; Knots | n.d. |
| L/E/6/35 | Choreology (Effort) \ Effort character compounds | n.d. |
| L/E/21/41 | Movement notation \ Choreological drawings, notes and symbols | n.d. |
| L/C/9/113 | Holiday Drawings \ Portrait of Lisa Ullmann | n.d. |
| L/E/4/50 | Choreology (Space) \ Shapes of the unconscious: an investigation of the psychosomatic | n.d. |
| L/E/17/2 | Choreology in general \ Raum und Bewegung [Space and movement] | n.d. |
| L/E/15/60 | Choreutics \ Drawings containing crown, snake, flower, cross, and screw | n.d. |
| L/E/21/44 | Movement notation \ Kinetograms | n.d. |
| L/E/15/7 | Choreutics \ Strahl und Spannung [Radiation and tension] | n.d. |
| L/E/68/34 | Biographical Information \ Rudolf Laban \ 'Rudolf Laban' by Lisa Ullmann | n.d. |
| L/E/38/10 | Harmony \ Harmony in Movement - Explanations | n.d. |
| L/E/2/16 | Choreology (Space) \ Raum und Bewegung [Space and movement] | n.d. |
| L/E/26/25 | Philosophical comments \ Auto, Radio, Konserven [Car, radio, preserves] | n.d. |
| L/E/13/76 | Choreutics \ Schrägerblüten, Die [Slanting blossoms] | n.d. |
| L/E/35/8 | Art in General \ Es soll hier der Versuch gemacht werden die Grundlagen zu einer aesthethischen Betrachtung der Bewegungserscheinung festzuhalten ... [Aesthetic Considerations of Movement] | n.d. |
| L/E/1/71 | Choreology (Space) \ Greif- und Saug-Trichter [Cone that catches and draws in] | n.d. |
| L/E/26/78 | Philosophical comments \ Space as a function of the body: 12 steps of development | n.d. |
| L/E/32/76 | Lecture notes on various subjects \ Notes on space happenings | n.d. |
| L/E/26/19 | Philosophical comments \ Befreiung des Willens, Die [Release of the will] | n.d. |
| L/E/28/63 | Movement in general \ Gesetz der Zeit, Das [The laws of time] | n.d. |
| L/E/32/68 | Lecture notes on various subjects \ Theory is an intellectual gymnastic | n.d. |
| L/E/37/6 | Physiological - Scientific \ Feeding | n.d. |
| L/E/26/26 | Philosophical comments \ Sinn des Geistes [The meaning of spirit] | n.d. |
| L/C/10/57 | Sketches \ Explosion | n.d. |
| L/E/14/76 | Choreutics \ Fantasnognosische Visionen [Phantasmagorical visions] | n.d. |
| L/E/6/83 | Choreology (Effort) \ Study of the introvert aspects of movement | n.d. |
| L/E/4/82 | Choreology (Space) \ Two dimensional harmony | n.d. |
| L/E/20/22 | Dance in general \ Raum, Rhythmus, Inhalt [Space, rhythm, content] | n.d. |
| L/E/3/57 | Choreology (Space) \ Mensch und Raum [Man and Space] | n.d. |
| L/E/16/35 | Choreology in general \ Demonstrable reality..., A | n.d. |
| L/E/4/56 | Choreology (Space) \ Analysis of the space sensation of man | n.d. |
| L/E/18/30 | Choreology in general \ Drawings related to regular and irregular circuits | n.d. |
| L/C/9/54 | Holiday Drawings \ Back View of a Woman with a Bonnet | n.d. |
| L/E/21/28 | Movement notation \ Miscellaneous notes and symbols | n.d. |
| L/E/42/14 | Production Scripts \ Quest, The | n.d. |
| L/E/29/33 | Movement in general \ Rhythm of life, The | n.d. |
| L/E/16/10 | Choreology in general \ Von seelischen [Of soul] | n.d. |
| L/E/5/29 | Choreology (Effort) \ Basic notations in Kinetography and Effort notation, The | n.d. |
| L/E/42/88 | Production Scripts \ Past, Present and Future - A Dance Fantasy | n.d. |
| L/E/22/15 | Movement notation \ Notes on the notation of movement qualities | n.d. |
| L/E/25/5 | Philosophical comments \ Realität [Reality] | n.d. |
| L/E/47/36 | Art of Movement, The \ Art of Movement Teachers' Training College, The | n.d. |
| L/E/10/47 | Choreutics \ Analytical drawings and notes | n.d. |
| L/E/20/14 | Dance in general \ Thingtanz | n.d. |
| L/E/20/35 | Dance in general \ Modern educational dance in the service of recovery | n.d. |
| L/E/9/19 | Choreutics \ Labile cord meet point | n.d. |
| L/E/37/5 | Physiological - Scientific \ Nerve Irradiation | n.d. |
| L/E/9/3 | Choreutics \ Vision on dynamism | n.d. |
| L/E/39/31 | Observation \ Combination of Two Elements \ Chapter 3 | n.d. |
| L/E/15/63 | Choreutics \ 3 plane lemniscate, 3 plane knots, 3 plane scales | n.d. |
| L/E/26/43 | Philosophical comments \ Oben und unten [Above and below] | n.d. |
| L/E/5/68 | Choreology (Effort) \ Dance and effort training | n.d. |
| L/E/8/94 | Eukinetics \ Language of Movement, The | n.d. |
| L/E/10/26 | Choreutics \ Analytical drawings and notes | n.d. |
| L/E/28/12 | Movement in general \ Spiritual crystallinity | n.d. |
| L/E/14/30 | Choreutics \ British Dance Theatre curtain opener: The Crows | n.d. |
| L/E/8/43 | Eukinetics \ Es gibt folgende Bewegungsarten [There are the following types of movement] | n.d. |
| L/E/2/58 | Choreology (Space) \ Space harmony of human movement, The | n.d. |
| L/E/26/54 | Philosophical comments \ Nach dem Tode [After death] | n.d. |
| L/E/12/12 | Choreutics \ Standard scales in the dynamosphere | n.d. |
| L/E/2/56 | Choreology (Space) \ Space properties of bending and twists | n.d. |
| L/E/11/53 | Choreutics \ Rechte Skala... [Right scales...] | n.d. |
| L/E/11/2 | Choreutics \ Mensch der das Schicksal schaut..., Der [Person who looks at destiny..., The] | n.d. |
| L/E/40/9 | Rhythm \ Rhythm of Happenings | n.d. |
| L/E/50/3 | Investigation into Movement Responses \ Ingredients of Movement Timbre and Shape Fuency / Building and Demolishing of Shape / Formation of Two-ring Corners | n.d. |
| L/E/9/40 | Choreutics \ Music manuscript paper with symbols | n.d. |
| L/E/15/18 | Choreutics \ Bodily perspective, The | n.d. |
| L/E/19/53 | Dance in general \ Festive choral movement | n.d. |
| L/E/42/10 | Production Scripts \ Rosario | n.d. |
| L/E/3/39 | Choreology (Space) \ Plastische Modelle von Bewegungsablaufen; Form; Raum; Bewegungsgefühl; Zentrale Spannungswerden; Spiegelbildlichkeit; Schrägen; Bewegungsmodell; Kraftbetonung; Wellen und Schlingen; Gebrochene Strahlen; Schwungweg; Der Aequator [Three-dimensional models of courses of movement; Shape; Space; Sense of movement; Central tension; Mirror-imagery; Slants; Movement model; Emphasis on strength; Waves and loops; Broken rays; Sweeping path; The Equator] | n.d. |
| L/E/15/56 | Choreutics \ Drawings related to orientation in space | n.d. |
| L/E/15/46 | Choreutics \ Six little Pierrots driving in the Wonderland | n.d. |
| L/F/7/73 | Models \ Structures Using Tensegrity | n.d. |
| L/E/39/12 | Observation \ Auf der Rheinterasse [On the Rhine terrace] | n.d. |
| L/E/14/37 | Choreutics \ Drawings and effort graphs, with notes | n.d. |
| L/E/14/55 | Choreutics \ Aus einem Versuch melodische Kadenzen mit Bew. in Einklang zu bringen [On an attempt to unify cadenzas with movement] | n.d. |
| L/E/6/62 | Choreology (Effort) \ Sequences | n.d. |
| L/E/18/60 | Choreology in general \ Order of directions and inclinations | n.d. |
| L/E/11/58 | Choreutics \ Analysis of space scales | n.d. |
| L/E/26/64 | Philosophical comments \ About living beings and existence | n.d. |
| L/E/25/7 | Philosophical comments \ Schaubühne der Beobachter und Antriebe (das seriale Theater), Die [Exhibition of observers and ideas (the serial theatre)] | n.d. |
| L/E/4/22 | Choreology (Space) \ Harmonic relations \ Various including crown formation | n.d. |
| L/E/42/6 | Production Scripts \ Rhythm and Flow for Dramatic Characters | n.d. |
| L/E/77/30 | Industrial Rhythm \ Flux, Flow and Rhythm of Movement | n.d. |
| L/E/1/13 | Choreology (Space) \ To Euclid II Space-Time Harmony | n.d. |
| L/E/1/6 | Choreology (Space) \ Questions to the Observer | n.d. |
| L/E/2/50 | Choreology (Space) \ Es ist bedauerlich... [It is regrettable...] | n.d. |
| L/E/25/70 | Philosophical comments \ Bewegung und Instinkt [Movement and instinct] | n.d. |
| L/E/3/60 | Choreology (Space) \ Investigation of movement elements and their meanings | n.d. |
| L/E/13/18 | Choreutics \ Flutlemniskate [Flow lemniscate] | n.d. |
| L/E/3/31 | Choreology (Space) \ Harmonische Beziehungen [Harmonic relationships] | n.d. |
| L/E/5/21 | Choreology (Effort) \ Indulging in elan is ..., The | n.d. |
| L/E/6/38 | Choreology (Effort) \ Tesseract | n.d. |
| L/E/4/53 | Choreology (Space) \ Yardstick | n.d. |
| L/E/19/64 | Dance in general \ Euclid of the soul | n.d. |
| L/E/1/28 | Choreology (Space) \ Spationom \ Drawings | n.d. |
| L/E/15/19 | Choreutics \ Vierte Dimension, Die [Fourth dimension, the] | n.d. |
| L/F/3/95 | Portraits \ Rudolf von Laban and Joan Goodrich \ Dartington | n.d. |
| L/E/41/16 | Psychological Implications \ Table of Diagonals in Space Time Weight Flow | n.d. |
| L/E/44/33 | Production Scripts \ Spiegelgroteske [Mirror grotesque] | n.d. |
| L/E/53/11 | Books, Manuscripts, Outlines \ Motion Study \ Contents / Early Experiments and Opinions | n.d. |
| L/E/39/22 | Observation \ Contemporary Movement Observation | n.d. |
| L/E/70/43 | Miscellaneous Notes \ Use or Manifestation of Time in Movement, The / Visual Aids, the Sense of Balance in Movement | n.d. |
| L/E/11/54 | Choreutics \ Schriftzeichen-Harmonie [Character harmony] | n.d. |
| L/E/53/49 | Books, Manuscripts, Outlines \ First Part \ Chapter II \ Practical Experiences | n.d. |
| L/E/8/1 | Eukinetics \ Two poles of the problem, The ...; Aims of the effort-recovery trainer, The | n.d. |
| L/E/53/16 | Books, Manuscripts, Outlines \ Motion Study \ Methods of Reading Effort Graphs, The | n.d. |
| L/E/28/15 | Movement in general \ Poetry of movement, The | n.d. |
| L/E/28/21 | Movement in general \ Expression of emotions and moods analysed in terms of space melody cum rhythm (effort) | n.d. |
| L/E/5/71 | Choreology (Effort) \ Space, time, weight, flow | n.d. |
| L/E/35/6 | Art in General \ Action in Art | n.d. |
| L/E/70/12 | Miscellaneous Notes \ Vorschlag zur Veranstaltung von regelmässigen Einführungskursen in die Allgemeine Aesthetik, Ein [Suggestion for creating regular introductory courses on general aesthetics] | n.d. |
| L/E/45/41 | Education \ Value, Energy and Jung | n.d. |
| L/E/38/29 | Harmony \ Space Harmony of Human Movement \ Part 3 of 3 | n.d. |
| L/E/53/52 | Books, Manuscripts, Outlines \ Interpretation of Serial Efforts | n.d. |
| L/E/26/39 | Philosophical comments \ Man kann das Sagen und Denken ebenso dumm gebrauchen wie ein Werkzeug mit dem man nicht umzugehen weiss [You can misuse speech and thought in the same way as a tool which you do not know how to use] | n.d. |
| L/E/56/35 | Books, Manuscripts, Outlines \ Anhang I \ Illustrationer / Fotos [illustrations, photos] | n.d. |
| L/E/70/52 | Miscellaneous Notes \ Instructions as to How to Erect the Ball-like Shape | n.d. |
| L/E/2/38 | Choreology (Space) \ Beobachtungen und Meinungen über das Wesen der Seele und über die Wirkungsweisen der Lebenskraft [Observations and opinions concerning the soul's being and the action of the life-force] | n.d. |
| L/E/64/83 | Industrial Rhythm \ Effort and Character | n.d. |
| L/E/46/13 | Assessments, Reports, Records \ Question Scheme for Lisa Ullmann | n.d. |
| L/E/53/7 | Books, Manuscripts, Outlines \ Effort Control - The Key to Motion Study | n.d. |
| L/E/59/41 | Books, Manuscripts, Outlines \ Korper als Werkzeng, Der \ 2 of 7 [the body as tool] | n.d. |
| L/E/53/17 | Books, Manuscripts, Outlines \ Motion Study \ Interpretation of Effort Sequences ..., The | n.d. |
| L/E/58/35 | Books, Manuscripts, Outlines \ Space Harmony VII; Space Harmony VIII | n.d. |
| L/E/57/13 | Books, Manuscripts, Outlines \ Motion Study \ First part | n.d. |
| L/E/57/2 | Books, Manuscripts, Outlines \ Observation of Effort, The \ Draft 1 | n.d. |
| L/E/57/7 | Books, Manuscripts, Outlines \ Leben für den Tanz, Ein [A Life for Dance] | n.d. |
| L/E/45/12 | Education \ Dance and Movement Study in Modern Education \ Introduction | n.d. |
| L/E/57/31 | Books, Manuscripts, Outlines \ Frage, Die [The Question] \ 1 of 2 | n.d. |
| L/E/37/1 | Physiological - Scientific \ Nervous Organs and Functions | n.d. |
| L/E/37/4 | Physiological - Scientific \ Nervous System III, The | n.d. |
| L/E/38/1 | Harmony \ Why Do We Study the Harmony of Movement in Group Dance? | n.d. |
| L/F/1/53 | Portraits \ First workshop at Dartington Hall \ A visit from an old student - the dancer Tashamira | n.d. |
| L/E/5/17 | Choreology (Effort) \ Working pattern of mental action power, The | n.d. |
| L/E/5/40 | Choreology (Effort) \ Julian Huxley, evolution in action... | n.d. |
| L/E/35/7 | Art in General \ Art Today | n.d. |
| L/E/60/4 | Books, Manuscripts, Outlines \ Korper als Werkzeng, Der \ 7 of 7 [the body as tool] | n.d. |
| L/E/62/26 | Industrial Rhythm \ Assessments \ Comparison of LLEA by Lamb and Armistead | n.d. |
| L/E/47/12 | Art of Movement, The \ Lisa Ullmann's Chorecinetics | n.d. |
| L/E/77/24 | Industrial Rhythm \ Industrial rhythm shows the way towards the integration of realistic and idealistic principles ... | n.d. |
| L/E/6/8 | Choreology (Effort) \ Correspondence course in movement observation | n.d. |
| L/E/59/23 | Books, Manuscripts, Outlines \ Einfügung in IA [inclusion in IA] | n.d. |
| L/E/47/29 | Art of Movement, The \ Modern Dance in Art, Industry and Education \ Article for the Dance Observer | n.d. |
| L/E/64/89 | Industrial Rhythm \ Laban Lawrence Industrial Rhythm | n.d. |
| L/E/53/4 | Books, Manuscripts, Outlines \ Method of Drawing an Effort Graph, The | n.d. |
| L/E/70/51 | Miscellaneous Notes \ Laban Ball, The \ With Explanatory Tables for its Use in Movement Exercise and Observation | n.d. |
| L/E/42/40 | Production Scripts \ Head of Jochanaan, The \ Excerpts | n.d. |
| L/E/50/4 | Investigation into Movement Responses \ Shape and Effort / Retranslation of 'Worm'-links, The | n.d. |
| L/E/53/33 | Books, Manuscripts, Outlines \ Motion Study \ Degrees of Efforts | n.d. |
| L/E/39/35 | Observation \ Summary and Conclusion \ Chapter 7 | n.d. |
| L/E/69/1 | Biographical Information \ Rudolf Laban \ In Memoriam Rudolf Laban \ By Albrecht Knust | n.d. |
| L/C/10/14 | Holiday Drawings \ Beach Scene with Bathers | n.d. |
| L/E/6/54 | Choreology (Effort) \ Effort and recovery | n.d. |
| L/E/53/25 | Books, Manuscripts, Outlines \ Motion Study \ Interpretations of Effort | n.d. |
| L/E/69/36 | Biographical Information \ Rudolf Laban \ An Appreciation | n.d. |
| L/E/47/26 | Art of Movement, The \ Laban Centre / Laban Guild \ Organisation of Observation Analysis Assessment, The | n.d. |
| L/E/39/11 | Observation \ Performance Tests (Using Effort Symbols) | n.d. |
| L/E/42/44 | Production Scripts \ Elopement | n.d. |
| L/E/77/25 | Industrial Rhythm \ L.L.I.R. | n.d. |
| L/E/56/33 | Books, Manuscripts, Outlines \ Anhang I \ Leben der Formen, Das [the life of forms] | n.d. |
| L/E/39/33 | Observation \ Attention: Intention: Decision: Action \ Chapter 5 | n.d. |
| L/E/56/30 | Books, Manuscripts, Outlines \ Bewegung [Motion] | n.d. |
| L/E/44/4 | Production Scripts \ Polowetsian Dances | n.d. |
| L/E/59/40 | Books, Manuscripts, Outlines \ Korper als Werkzeng, Der \ 1 of 7 [the body as tool] | n.d. |
| L/E/36/42 | Books, Manuscripts, Outlines \ Conflict and Harmony between Man and Woman \ Draft Manuscript 1 \ Flow and Feeling | n.d. |
| L/E/33/3 | Lecture notes on various subjects \ Aesthetics | n.d. |
| L/E/62/25 | Industrial Rhythm \ Assessments \ Reply to Laban-Lawrence Notes | n.d. |
| L/E/39/30 | Observation \ Stress or Effort Aspects of Movement, The \ Chapter 2 | n.d. |
| L/E/36/45 | Books, Manuscripts, Outlines \ Conflict and Harmony between Man and Woman \ Draft Manuscript 1 \ Appendix I | n.d. |
| L/E/33/14 | Lecture notes on various subjects \ Symbolic transformation of experience | n.d. |
| L/E/47/59 | Art of Movement, The \ Laban Art of Movement Centre \ Comments on Work and Administration | n.d. |
| L/E/20/31 | Dance in general \ Dartington Hall | n.d. |
| L/E/43/13 | Information from Others \ Aus der Werkstatt des Tänzers [From the workshop of dancers] | n.d. |
| L/E/11/11 | Choreutics \ 3 dim. systeme [Three dimensional systems] | n.d. |
| L/E/62/32 | Industrial Rhythm \ Assessments \ Laban Lawrence Test for Various Jobs, The \ 2 of 2 | n.d. |
| L/E/57/21 | Books, Manuscripts, Outlines \ Körper als Werkzeng, Der [the body as tool] | n.d. |
| L/E/57/19 | Books, Manuscripts, Outlines \ Körper als Werkzeng, Der \ Instrument, Das [the body as tool - the instrument] | n.d. |
| L/E/59/13 | Books, Manuscripts, Outlines \ Beobachtung des Bewegungsantriebs im Dienste der Arbeitsberatung, Die \ 4 of 5 [observation of motion impluse for work couselling] | n.d. |
| L/E/56/21 | Books, Manuscripts, Outlines \ World of the Dancer, The \ Photocopied manuscript | n.d. |
| L/C/9/114 | Holiday Drawings \ Tea Drinking | n.d. |
| L/E/46/30 | Man, Matter and Motion \ Gymnasium of the Soul, The | n.d. |
| L/E/6/79 | Choreology (Effort) \ Scales of inner attitudes, space-time intensity factors in movement | n.d. |
| L/E/58/10 | Books, Manuscripts, Outlines \ Motion Man's Magic Mirror \ 7 of 8 | n.d. |
| L/E/50/13 | Investigation into Movement Responses \ Movement | n.d. |
| L/E/60/17 | Rudolf Laban's Pupils \ Jenny Gertz \ Letter to Laban from Gertz | n.d. |
| L/E/5/3 | Choreology (Effort) \ Rudiments of a free dance technique, The | n.d. |
| L/E/58/7 | Books, Manuscripts, Outlines \ Motion Man's Magic Mirror \ 4 of 8 | n.d. |
| L/E/43/10 | Information from Others \ Neue Bühnentanz, Der [New stage dance] | n.d. |
| L/E/26/36 | Philosophical comments \ Glück der Halbmoncher | n.d. |
| L/E/9/37 | Choreutics \ Notebook with choreutic drawings and notes | n.d. |
| L/E/17/9 | Choreology in general \ Motion study | n.d. |
| L/E/16/68 | Choreology in general \ Dauer, Neigung und Character [duration, inclination and character] | n.d. |
| L/E/6/3 | Choreology (Effort) \ Motion powers and attitudes towards them, The | n.d. |
| L/E/11/36 | Choreutics \ Notebook 3, with loose sheets, with symbols, analytical drawings and notes | n.d. |
| L/E/68/43 | Biographical Information \ Rudolf Laban \ Extract of Biography | n.d. |
| L/E/4/7 | Choreology (Space) \ Diagrams | n.d. |
| L/E/45/44 | Education \ Effort and Effect in Education | n.d. |
| L/E/21/15 | Movement notation \ Letter VIII | n.d. |
| L/E/4/30 | Choreology (Space) \ Notwendige Lemniskaten [Necessary lemniscates] | n.d. |
| L/E/13/58 | Choreutics \ 7-ringe [seven-ring] | n.d. |
| L/E/26/74 | Philosophical comments \ Personal harmony | n.d. |
| L/E/53/36 | Books, Manuscripts, Outlines \ Motion Study \ Preface | n.d. |
| L/E/24/23 | Philosophical comments \ Rhythm of living energy, The | n.d. |
| L/E/21/67 | Movement notation \ Raum im Menschen, Der [Space in the person] | n.d. |
| L/E/24/44 | Philosophical comments \ Recurrence and selection | n.d. |
| L/E/18/36 | Choreology in general \ Modern movement maxims | n.d. |
| L/E/23/35 | Philosophical comments \ Space \ Introduction to flowers of space | n.d. |
| L/E/20/27 | Dance in general \ Concerning themes for educative dance plays | n.d. |
| L/E/11/32 | Choreutics \ Direct and indirect moves in harmonic writing | n.d. |
| L/E/19/50 | Dance in general \ Doing and Dancing \ The Satisfaction of Dancing | n.d. |
| L/E/13/15 | Choreutics \ Oct & Kuboct [Octahedron & cuboctahedron] | n.d. |
| L/E/45/40 | Education \ Visit at Friern Hospital / Notes and Drawings | n.d. |
| L/E/7/17 | Choreology (Effort) \ Korper wahlt und gruppiert die raumrichtungen und raumlagen, Der [Body chooses and groups the spatial directions and positions, The] | n.d. |
| L/E/28/67 | Movement in general \ Stelle des Menschen in der Natur [Place of humans in nature] | n.d. |
| L/E/38/27 | Harmony \ Space Harmony of Human Movement \ Part 1 of 3 | n.d. |
| L/E/47/45 | Art of Movement, The \ Art of Movement Centre and Studio, The | n.d. |
| L/E/12/37 | Choreutics \ Choreutic drawings | n.d. |
| L/E/14/59 | Choreutics \ Choreutic drawings, notes and symbols | n.d. |
| L/E/25/52 | Philosophical comments \ Efficientes Denken [Efficient thinking] | n.d. |
| L/E/35/31 | Books, Manuscripts, Outlines \ Ueber Aktionen und die ihnen vorangehenden Entschlüsse ... [on actions and their decisions] | n.d. |
| L/E/47/64 | Art of Movement, The \ Movement Study Centre \ Research Department | n.d. |
| L/E/20/32 | Dance in general \ Notes on group dancing | n.d. |
| L/E/57/25 | Books, Manuscripts, Outlines \ Körper als Werkzeng, Der \ Bewegung ist Funktion der Maschine ... [the body as tool - motion is a function of the machine] | n.d. |
| L/E/7/57 | Choreology (Effort) \ Diagrammatic notes using colours for showing the coming together of the four continua at Icosahedral points | n.d. |
| L/E/47/74 | Art of Movement, The \ Auratic Art | n.d. |
| L/E/17/36 | Choreology in general \ Vortrag [lecture] | n.d. |
| L/E/53/10 | Books, Manuscripts, Outlines \ Motion Study | n.d. |
| L/E/53/32 | Books, Manuscripts, Outlines \ Motion Study \ Expressing the Duration of a Movement | n.d. |
| L/E/17/13 | Choreology in general \ Shapes of movements, The | n.d. |
| L/E/5/62 | Choreology (Effort) \ Effort training | n.d. |
| L/E/17/31 | Choreology in general \ Notes on movement concepts contained within words | n.d. |
| L/E/16/29 | Choreology in general \ Composition des Tanzes [composition of dances] | n.d. |
| L/E/40/6 | Rhythm \ Education of Rhythm, The | n.d. |
| L/E/46/34 | Man, Matter and Motion \ Zustands- und Beziehungsfilm, Der \ Bewegungsmontage, Eine [Film on existence and relevance \ a study of movement] | n.d. |
| L/E/5/16 | Choreology (Effort) \ Movement cannot be fast and slow..., A | n.d. |
| L/E/36/3 | Stories, Poems, Drama, Music \ Kristallgeist [Crystal spirit] | n.d. |
| L/E/18/6 | Choreology in general \ Introduction to Kinetic harmony | n.d. |
| L/E/41/18 | Psychological Implications \ Determination of the Constituents of Movement, A | n.d. |
| L/E/58/42 | Books, Manuscripts, Outlines \ Scales | n.d. |
| L/C/10/81 | Cut Outs \ 2 of 10 | n.d. |
| L/C/10/43 | Holiday Drawings \ Beach Scene through Cave Opening | n.d. |
| L/E/3/40 | Choreology (Space) \ Kineto-schilungsplan; Die Rhythmoplastik des Kindes; Der Zackenkomponente des Raumes und der Zeitwellen; Bewegungsschrift - Notierungsbüro Klasse F; Tanzerfinder [Plan for kineto-education; The child's rhythmic sculpture; Jagged components of space and time-waves; Writings on movement - notes Class F; Dance inventor] | n.d. |
| L/E/9/9 | Choreutics \ New ways of movement research; Outline of possible approaches to and changes in human behaviour | n.d. |
| L/E/59/29 | Books, Manuscripts, Outlines \ Ratschläge fur die Ausführung von Raumspielpuzzles in körperlichen Bewegungen [advice on execution of space puzzles in body movement] | n.d. |
| L/E/59/21 | Books, Manuscripts, Outlines \ Aber was ist den beiden in Wirklichkeit verschieden ... [both what is really different in both of them...] | n.d. |
| L/E/17/48 | Choreology in general \ Notebook II | n.d. |
| L/E/13/32 | Choreutics \ Folge von rein dim. und Schrägen [Conclusions from the purely dimensional and slopes] | n.d. |
| L/E/39/4 | Observation \ Modern Movement Instruction | n.d. |
| L/E/47/32 | Art of Movement, The \ Introduction to the Art of Movement into Industry, The | n.d. |
| L/E/23/37 | Philosophical comments \ Living hypothesis | n.d. |
| L/F/2/44 | Dances \ Rudolf von Laban and Ruth Loeser \ Wurthembergisches Staatstheater | n.d. |
| L/E/23/39 | Philosophical comments \ Nature as dance master | n.d. |
| L/E/23/47 | Philosophical comments \ We see or apperceive only a tiny part of existence... | n.d. |
| L/E/42/50 | Production Scripts \ Gebet [Prayer] | n.d. |
| L/E/45/71 | Education \ Movement Education and Re-education | n.d. |
| L/E/46/14 | Assessments, Reports, Records \ Why more women than men seem to be more interested in the new methods of training ... | n.d. |
| L/E/24/58 | Philosophical comments \ Wir geben uns selten... [We rarely show ourselves …] | n.d. |
| L/E/24/59 | Philosophical comments \ Geräuschrhythmik und Formenaufbau [Sound rhythm and form construction] | n.d. |
| L/E/53/14 | Books, Manuscripts, Outlines \ Motion Study \ Observation of the Mobility of Efforts, The | n.d. |
| L/E/14/88 | Choreutics \ Rolle des dynamischen Raumbildes in der Kunsterziehung und im Kunstschaffen [Role of dynamic space form in artistic education and the creation of art, The] | n.d. |
| L/E/42/54 | Production Scripts \ Art Troupe of Movement | n.d. |
| L/E/25/1 | Philosophical comments \ Life of animals and plants | n.d. |
| L/E/46/33 | Man, Matter and Motion \ Industrial Organism, The | n.d. |
| L/E/28/8 | Movement in general \ History of movement | n.d. |
| L/E/42/29 | Production Scripts \ Art of Movement on the Stage, The | n.d. |
| L/E/47/52 | Art of Movement, The \ Laban Art of Movement, The | n.d. |
| L/E/26/56 | Philosophical comments \ Plotinos | n.d. |
| L/E/5/60 | Choreology (Effort) \ Psychotechnische Bewegungskontrolle erfordert die Beobachtung, Die [Psycho-technical control of movement requires observation, The] | n.d. |
| L/E/40/19 | Rhythm \ Rhythmologie ist die Harmonie der Zeitform ... [Rhythmology is the harmony of time form] | n.d. |
| L/E/53/51 | Books, Manuscripts, Outlines \ Effort in Industry / Shadow Moves / Measurement of Effort and Effort Elements, The | n.d. |
| L/E/8/84 | Eukinetics \ Sensation of the effort preceding and accompanying a movement, The | n.d. |
| L/E/28/51 | Movement in general \ Bewegungsempfinden [Experience of movement] | n.d. |
| L/E/14/77 | Choreutics \ Notierung, Kinetographie auch eukin und choreut. Nemerkungen [Notation, Kinetography, and Eukinetic and Choreutic observations] | n.d. |
| L/E/18/34 | Choreology in general \ Notes | n.d. |
| L/E/53/23 | Books, Manuscripts, Outlines \ Motion Study \ Practical Application of Motion Study | n.d. |
| L/E/2/26 | Choreology (Space) \ Prozedur I-IV; Ketten; Totyalreihen; Harm Verwandschaft [Procedure 1-4; links / chains; complete sequences, harmless relationships] | n.d. |
| L/E/8/3 | Eukinetics \ From this middle road ... quantative-qualitative aspects of effort; everted-inverted flow | n.d. |
| L/E/77/15 | Industrial Rhythm \ Effort and Shape | n.d. |
| L/E/17/8 | Choreology in general \ Motion study I | n.d. |
| L/E/73/6 | Industrial Rhythm \ Manchester Ship Canal Company \ ... Foreman education scheme ... | n.d. |
| L/C/9/109 | Holiday Drawings \ Portrait of a Small Girl | n.d. |
| L/E/70/40 | Miscellaneous Notes \ Rules of the Bubbles, The / Octavized Dodspace | n.d. |
| L/E/7/25 | Choreology (Effort) \ Effort | n.d. |
| L/E/38/3 | Harmony \ Extrait d'un Essai sur le Parallelisme entre la Musique et la Danse [extract of an essay on the parallels between music and dance] | n.d. |
| L/E/18/48 | Choreology in general \ Vier Schragenblüten im Tet. [4 slopes in tetrahedron] | n.d. |
| L/E/42/43a | Production Scripts \ Hill Girl and the Valley Man, The | n.d. |
| L/C/9/45 | Holiday Drawings \ Landscape with Trees | n.d. |
| L/E/62/23 | Industrial Rhythm \ Assessments \ Notes on L.L. Test | n.d. |
| L/C/10/30 | Holiday Drawings \ Head of a Girl; Notes | n.d. |
| L/E/5/57 | Choreology (Effort) \ Antrieb zu Muskelbewegungen zeigt Unterschiede, Der [Impetus for muscular movement shows differences, The] | n.d. |
| L/E/53/35 | Books, Manuscripts, Outlines \ Motion Study \ Effort Elements | n.d. |
| L/E/75/13 | Industrial Rhythm \ Notebooks | n.d. |
| L/E/42/39 | Production Scripts \ Head of Jochanaan, The \ Chapter 2 | n.d. |
| L/F/2/33 | Portraits \ Rudolf von Laban | n.d. |
| L/F/7/124 | Models \ Geometrical Structure | n.d. |
| L/F/2/24 | Portraits \ Rudolf von Laban | n.d. |
| L/E/76/2 | Industrial Rhythm \ Lecture for the Birmingham and London Contemporary Dance Clubs | n.d. |
| L/E/57/34 | Books, Manuscripts, Outlines \ Mastery of Movement | n.d. |
| L/E/20/16 | Dance in general \ Tanzkunde berichtet über alle Gesichtspunkte von denen aus der Tanz betrachtet werden kann [The study of dance includes all points of view from which dance can be seen] | n.d. |
| L/E/3/20 | Choreology (Space) \ Gesetze des Tastens, Die [Laws of touch, The] | n.d. |
| L/E/57/8 | Books, Manuscripts, Outlines \ Gymnastiks und Tanz [Gymnastics and Dance] | n.d. |
| L/E/36/18 | Stories, Poems, Drama, Music \ Schreibens an das Rockefeller Institut, London-Amerikanisches Hilfskom [Letter to the Rockefeller Institute, London-American Help Committee] | n.d. |
| L/E/35/32 | Books, Manuscripts, Outlines \ Organische Bewegung und ihre Powermaschinen, Die [organic movement and its power machines] | n.d. |
| L/C/9/81 | Holiday Drawings \ Woman Sketching in a Wood | n.d. |
| L/E/11/24 | Choreutics \ Symbols, analytical drawings and notes on Icosahedron scales and rings | n.d. |
| L/E/3/58 | Choreology (Space) \ VIIb Buch: Raum und Bewegung - Dritter Teil [VIIb Book: Space and movement - 3rd part] | n.d. |
| L/C/9/84 | Holiday Drawings \ South Devon | n.d. |
| L/E/28/36 | Movement in general \ Movement is in its ordinary sense the contraction of a muscle... | n.d. |
| L/E/42/82 | Production Scripts \ Rhythm eines Lebens [The rhythm of a life] | n.d. |
| L/E/2/57 | Choreology (Space) \ For a three-dimensional body... | n.d. |
| L/E/23/15 | Philosophical comments \ Abstraktionen von der plastischen Realität, Die [Abstractions of plastic reality] | n.d. |
| L/E/10/24 | Choreutics \ Drawings for 'Ex Libris Laban' | n.d. |
| L/E/1/18 | Choreology (Space) \ Entwicklungsdauer einer Bewegungsform..., Die [Length of time taken for a form of movement to develop..., The] | n.d. |
| L/E/70/28 | Miscellaneous Notes \ Effort | n.d. |
| L/E/29/7 | Movement in general \ Zur Tanztechnik [On dance technique] | n.d. |
| L/E/59/38 | Books, Manuscripts, Outlines \ Sinnesgefuhl des Seins, Das [Sense of Being, The] | n.d. |
| L/E/44/6 | Production Scripts \ Letter Course / Gaiety / Distress / Untitled dance | n.d. |
| L/C/10/89a | Cut Outs \ OVERSIZE | n.d. |
| L/E/57/20 | Books, Manuscripts, Outlines \ Körper als Werkzeng, Der \ Körper als Instrument II [the body as tool - body as instrument] | n.d. |
| L/E/56/31 | Books, Manuscripts, Outlines \ Bewegungstypen [Motion] | n.d. |
| L/E/57/22 | Books, Manuscripts, Outlines \ Körper als Werkzeng, Der \ Bewegung eines Menschen [the body as tool] | n.d. |
| L/E/40/27 | Books, Manuscripts, Outlines \ Laban Portfolio Text \ Draft Manuscripts [A Vision of Dynamic Space] | n.d. |
| L/C/10/42 | Holiday Drawings \ Landscape with River | n.d. |
| L/E/28/50 | Movement in general \ Es giebt keine andere als die physikalische Bewegung [There is only physical movement] | n.d. |
| L/E/69/6 | Biographical Information \ Rudolf Laban \ General Information with reference to Rudolf Laban and the Art of Movement | n.d. |
| L/E/62/42 | Industrial Rhythm \ Assessments \ Laban Lawrence Assessments \ Selection of Two Production Study Technicians | n.d. |
| L/E/12/50 | Choreutics \ 40-er Eckspalten Ico [40-link icosahedron corner crevices] | n.d. |
| L/E/3/9 | Choreology (Space) \ Inhalt [Contents] | n.d. |
| L/E/50/1 | Investigation into Movement Responses \ Patterns of Human Body Motions | n.d. |
| L/E/4/89 | Choreology (Space) \ Crystalline movement | n.d. |
| L/E/59/9 | Books, Manuscripts, Outlines \ Beobachtung des Bewegungsantriebs im Dienste der Arbeitsberatung, Die \ 2 of 5 [observation of motion impluse for work couselling] | n.d. |
| L/E/15/48 | Choreutics \ Harmony of movement and the dynamism of space | n.d. |
| L/E/29/20 | Movement in general \ Bewegungsform - harmonie - rhythm [Movement form - harmony - rhythm] | n.d. |
| L/E/11/23 | Choreutics \ Schweb, profondeur; Steil, hauteur; Flach, largeur [Swing, depth; Steep, height; Flat, largeness] | n.d. |
| L/E/40/3 | Rhythm \ Measuring Rhythm | n.d. |
| L/E/42/32 | Production Scripts \ Film über die Harmonische Bewegung des Menschlichen Körpers [A film on the harmony of movement of the human body] | n.d. |
| L/E/58/11 | Books, Manuscripts, Outlines \ Motion Man's Magic Mirror \ 8 of 8 | n.d. |
| L/E/1/72 | Choreology (Space) \ Umraum. Unsere Umwelt. Die Bewegungsgesetze. [Surrounding space. Our environment. The laws of movement. Cinetosphere. Sensitivity of the feeling of touch.] | n.d. |
| L/E/77/17 | Industrial Rhythm \ Time and Space Factor in the Notation of Industrial Operations, The | n.d. |
| L/E/12/6 | Choreutics \ Laban's original drawings for his book 'Choreutics' | n.d. |
| L/C/10/67 | Sketches \ Doodles | n.d. |
| L/E/57/5 | Books, Manuscripts, Outlines \ Historical Survey - Effort in Industry \ Chapter III \ Road Connecting Dance and Industry, The | n.d. |
| L/E/53/15 | Books, Manuscripts, Outlines \ Motion Study \ Method of Drawing an Effort Graph, The | n.d. |
| L/E/21/46 | Movement notation \ Zeichen [Signs] | n.d. |
| L/C/10/31 | Holiday Drawings \ Mountain Village | n.d. |
| L/C/10/2 | Costume Design \ Dancers in Costume | n.d. |
| L/E/28/16 | Movement in general \ New primitivity | n.d. |
| L/C/9/32 | Holiday Drawings \ Night Townscape believed to be Bergun, Switzerland | n.d. |
| L/C/10/96 | Relationships Between Groups of Figures | n.d. |
| L/E/44/5 | Production Scripts \ Allgemeine Tanz, Der [Dance in general] | n.d. |
| L/E/28/52 | Movement in general \ Feste und Bewegungsclubs oder Bewegungschore…, Die [Festival and movement clubs or movement choirs] | n.d. |
| L/E/14/85 | Choreutics \ Droit, ouvert, tortille, rond [Straight, open, twisted, round] | n.d. |
| L/E/43/14 | Information from Others \ Bühnentanz ist eine besondere Erscheinungsform des Tanzes …, Der [Stage dancing is a special form of dance] | n.d. |
| L/C/10/37 | Holiday Drawings \ Landscape with Trees and Mountains | n.d. |
| L/E/57/29 | Books, Manuscripts, Outlines \ Zwei Gesichter der Bewegung, Die [the two faces of motion] | n.d. |
| L/E/76/29 | Industrial Rhythm \ Preface \ Teamwork | n.d. |
| L/E/56/24 | Books, Manuscripts, Outlines \ Bewegung [Motion] \ Original version | n.d. |
| L/E/16/18 | Choreology in general \ Questions on dance and how to study it | n.d. |
| L/E/53/29 | Books, Manuscripts, Outlines \ Motion Study \ Motion Research in Education and Industry | n.d. |
| L/E/42/73 | Production Scripts \ Films | n.d. |
| L/E/58/5 | Books, Manuscripts, Outlines \ Motion Man's Magic Mirror \ 2 of 8 | n.d. |
| L/E/58/6 | Books, Manuscripts, Outlines \ Motion Man's Magic Mirror \ 3 of 8 | n.d. |
| L/E/78/1 | Stories, Poems, Drama, Music \ Music manuscripts | n.d. |
| L/C/10/78 | Spatial Forms \ Intersections | n.d. |
| L/E/14/73 | Choreutics \ Martyrium des siebten Pierrots, Das [Martyrdom of seventh pierrot] | n.d. |
| L/C/10/71 | Spatial Forms \ Intersections \ Icosahedron | n.d. |
| L/E/58/40 | Books, Manuscripts, Outlines \ Introduction in the Theory and Practice of Movement Harmony \ First Part \ Primary Sequences, The | n.d. |
| L/E/17/50 | Choreology in general \ Notebook IV | n.d. |
| L/E/47/6 | Art of Movement, The \ Art of Movement, The \ Transcription | n.d. |
| L/E/7/73 | Choreology (Effort) \ Notes on effort | n.d. |
| L/E/36/46 | Books, Manuscripts, Outlines \ Conflict and Harmony between Man and Woman \ Draft Manuscript 1 \ References to Movement and Space | n.d. |
| L/E/6/25 | Choreology (Effort) \ Kraft und form [Strength and shape] | n.d. |
| L/C/9/14 | Holiday Drawings \ Lake District Landscape | n.d. |
| L/F/7/40 | Models \ Paper Structure/Sculpture | n.d. |
| L/E/24/64 | Philosophical comments \ Leben als Spiel, Das [Life as play] | n.d. |
| L/E/42/37 | Production Scripts \ Head of Jochanaan, The \ Chapter 1 - Handwritten | n.d. |
| L/E/3/4 | Choreology (Space) \ Rätsel der Willenswelt, Die [Puzzles of the world of intention] | n.d. |
| L/E/16/4 | Choreology in general \ Wendung und Wachstum [turning and growing] | n.d. |
| L/E/8/28 | Eukinetics \ Effort content of inclinations, The | n.d. |
| L/E/32/51 | Lecture notes on various subjects \ Sound proportion | n.d. |
| L/E/3/3 | Choreology (Space) \ Typed pages for 'Choreutics' | n.d. |
| L/E/31/2 | Lecture notes on various subjects \ Scheme of introductory course in movement education for male students | n.d. |
| L/E/1/3 | Choreology (Space) \ Sens spatial de l'homme motorique, Le [The spatial sense of the man on the move] | n.d. |
| L/F/7/44 | Models \ Paper Structure/Sculpture | n.d. |
| L/E/25/29 | Philosophical comments \ Freie Bewegung ist transsumierte Drehenergie [Free movement is transummated turning energy] | n.d. |
| L/E/59/22 | Books, Manuscripts, Outlines \ Gespräch am Nebentisch, Das [conversation at the next table] | n.d. |
| L/E/53/3 | Books, Manuscripts, Outlines \ Motion Study Introduction | n.d. |
| L/E/29/47 | Movement in general \ Patterns of movement of seeing and hearing | n.d. |
| L/E/77/52 | Articles about Laban \ Articles by Erika Milee \ Gedenkstunde an Rudolf von Laban im Urwald Brasiliens; In Dankbarkeit fur Unvergessliche und Unausloscbare Stunden an und mit Rudolf von Laban | n.d. |
| L/E/56/22 | Books, Manuscripts, Outlines \ Bewegung [Motion] \ 1 of 2 | n.d. |
| L/E/6/86 | Choreology (Effort) \ Calming down, getting excited | n.d. |
| L/E/42/55 | Production Scripts \ Ballade nach Fantasmagorie [Fantasy ballad] | n.d. |
| L/E/36/23 | Stories, Poems, Drama, Music \ Vienna Pageant | n.d. |
| L/E/19/48 | Dance in general \ It is an error to take dancing as a plastic and visible art... | n.d. |
| L/E/18/39 | Choreology in general \ Zehnringe und Fünfringe in Dod. [10 and 5 rings in dodecahedron] | n.d. |
| L/E/47/35 | Art of Movement, The \ Modern Educational Dance | n.d. |
| L/E/70/20 | Miscellaneous Notes \ Characteristics of Brain Action | n.d. |
| L/E/11/27 | Choreutics \ Thesaurus Formarum [Thesaurus form] | n.d. |
| L/E/14/84 | Choreutics \ Topographische Ordnung der Richtungen (Neigungen), Die [Topographical arrangement of directions (tendencies), The] | n.d. |
| L/E/39/14 | Observation \ Observation of Movement and Action, The | n.d. |
| L/E/25/53 | Philosophical comments \ Erkenntnis und Gefühl [Recognition and feeling] | n.d. |
| L/E/7/8 | Choreology (Effort) \ Eternally coexistent shapes... | n.d. |
| L/E/19/58 | Dance in general \ Importance of Dancing, The | n.d. |
| L/E/68/44 | Biographical Information \ Rudolf Laban \ Biographies of Rudolf Laban, Irmgard Bartenieff, Sylvia Bodmer, Martin Gleisner, Warren Lamb and Lisa Ullmann | n.d. |
| L/E/18/9 | Choreology in general \ Kinetic harmony | n.d. |
| L/E/53/21 | Books, Manuscripts, Outlines \ Motion Study \ Methodical Language, A | n.d. |
| L/C/9/7 | Holiday Drawings \ Capelcurig / Geometric Shape with Flowers | n.d. |
| L/E/8/11 | Eukinetics \ Expression. Materialisation of the inner world in space, time, energy forms and rhythms (action moods, central and peripheral forms. Eukinetic elements); Search for a descriptive means | n.d. |
| L/E/50/5 | Investigation into Movement Responses \ Units of the Movement Drive | n.d. |
| L/E/77/56 | Articles about Laban \ Article on Laban by Vilma Monckeberg-Kollmar \ Von Rudolf von Laban, dem grossen Anreger in den 'goldenen zwanziger Jahren', berichtet Vilma Monckeberg-Kollmar, Hamburg | n.d. |
| L/E/40/30 | Observation \ Erziehung durch die Künste [Education through art] | n.d. |
| L/E/58/38 | Books, Manuscripts, Outlines \ Space | n.d. |
| L/E/33/8 | Lecture notes on various subjects \ Notes and diagrams | n.d. |
| L/E/3/44 | Choreology (Space) \ Viergebilde - Ringe; Feststellungen; Raumvorstellungen [Quadruple images - rings; Conclusions; Conceptions of space] | n.d. |
| L/E/23/41 | Philosophical comments \ Movement can be understood... | n.d. |
| L/E/78/24 | Family Correspondence \ Songs sent to Laban from Dussia | n.d. |
| L/E/10/7 | Choreutics \ 3-heitlicher Vorruckwechsel; Neigungsverteil. im tet.; Schlangenlagen [Tripartite forward/backward change; Distribution of tendencies in the tetrahedron; Position of snakes] | n.d. |
| L/E/2/54 | Choreology (Space) \ Übertragung der kristallisch-dynamischenform auf die Körperfunktion (Raummodelle sind Bewegungsmodelle...), Die [The transference of the crystalline-dynamic shape to the body's function (Models of space are models of movement)] | n.d. |
| L/E/58/43 | Books, Manuscripts, Outlines \ Harmony of Space | n.d. |
| L/E/31/57 | Lecture notes on various subjects \ Natur will unsere Fragen nicht beantworten..., Die [Nature doesn't want to answer our questions] | n.d. |
| L/E/28/40 | Movement in general \ Movement analysis and psycho diagnosis | n.d. |
| L/E/12/20 | Choreutics \ Analytical drawings, symbols and notes on Choreutics | n.d. |
| L/E/38/9 | Harmony \ Harmonie im Menschlichen Körper [Harmony in the human body] | n.d. |
| L/E/5/28 | Choreology (Effort) \ But the arising of rest positions... | n.d. |
| L/E/56/34 | Books, Manuscripts, Outlines \ Anhang I \ Menschen magischer Spiegel, Das [man's magic mirror] | n.d. |
| L/E/11/41 | Choreutics \ Typed representation of an icosahedron and a human figure | n.d. |
| L/E/9/42 | Choreutics \ Entfaltung... [Development...] | n.d. |
| L/E/1/17 | Choreology (Space) \ Verhältnis von Punkt zu Punkt..., Das [Relation of point to point..., The] | n.d. |
| L/E/31/63 | Lecture notes on various subjects \ Grundlagen zu einer moderner Tanzübungsfolge [Basics for a sequence for modern dance exercises] | n.d. |
| L/E/23/75 | Philosophical comments \ What does inspiration mean? | n.d. |
| L/E/47/24 | Art of Movement, The \ Communication | n.d. |
| L/C/9/86 | Holiday Drawings \ The Coastline in South Devon | n.d. |
| L/E/47/63 | Art of Movement, The \ Laban Art of Movement Centre Trust \ Research Foundation | n.d. |
| L/E/24/34 | Philosophical comments \ Darwinism of responses i.e. selective unfolding of efforts | n.d. |
| L/E/77/4 | Industrial Rhythm \ Rhythmology | n.d. |
| L/E/16/25 | Choreology in general \ Fluss allein laesst sich weder denken... [flow on its own can neither be...] | n.d. |
| L/E/53/6 | Books, Manuscripts, Outlines \ Explanation of Terms Used | n.d. |
| L/E/3/32 | Choreology (Space) \ Gebärden des rechten Armes; Notation; Das Geheimnis des Wringens und Strahlens; Skalen; Lemniskatatische Flächen; Labiloid [Gestures with the right arm; Notation; The secret of wringing and radiating; Scales; Lemniscal surfaces on which the most important movement sequences develop] | n.d. |
| L/E/19/35 | Dance in general \ Unique spatial function, The | n.d. |
| L/E/28/13 | Movement in general \ Limits of movement observation, The | n.d. |
| L/E/26/63 | Philosophical comments \ Individual survival, mental hygiene, skill and productiveness | n.d. |
| L/E/29/5 | Movement in general \ Spiel und Symbolik [Play and symbolism] | n.d. |
| L/E/60/23 | Rudolf Laban's Pupils \ Hertha Feist \ Letter from Feist to Laban | n.d. |
| L/E/21/22 | Movement notation \ Syllabus of kinetographic notation | n.d. |
| L/E/14/31 | Choreutics \ Choreutic drawing, symbols and notes | n.d. |
| L/E/42/38 | Production Scripts \ Head of Jochanaan, The \ Chapter 1 - Typewritten | n.d. |
| L/E/16/51 | Choreology in general \ Momenti [moment] | n.d. |
| L/E/17/32 | Choreology in general \ Zur Entstehung des Raumgefühls [creating the feeling of space] | n.d. |
| L/E/37/11 | Physiological - Scientific \ Biological Distribution of Light \ Part 3 of 4 | n.d. |
| L/E/59/34 | Books, Manuscripts, Outlines \ Sinn der Bewegung [sense of motion] | n.d. |
| L/E/47/65 | Art of Movement, The \ Art of Movement Studio \ Procedure | n.d. |
| L/E/3/18 | Choreology (Space) \ (Choreologie) Harmonisches Bewegungsempfinden [(Choreology) Harmonic sensitivity to movement] | n.d. |
| L/E/37/19 | Books, Manuscripts, Outlines \ Conflict and Harmony between Man and Woman \ Draft Manuscript 2 | n.d. |
| L/E/59/18 | Books, Manuscripts, Outlines \ Ammerkung [notation] | n.d. |
| L/E/53/18 | Books, Manuscripts, Outlines \ Motion Study \ Flow Added to Basic Efforts, The | n.d. |
| L/E/18/44 | Choreology in general \ Dreifache Relation, Die [The triple relation] | n.d. |
| L/E/78/4 | Choreography \ Score of Titan \ 2 of 2 | n.d. |
| L/E/43/9 | Information from Others \ Tanzkunst, Die | n.d. |
| L/E/26/48 | Philosophical comments \ Ewigen Opfer, Die [The eternal sacrifice (or victims)] | n.d. |
| L/C/10/35 | Holiday Drawings \ Mountain Landscape | n.d. |
| L/E/13/9 | Choreutics \ Octaëderketten [Octahedral chains] | n.d. |
| L/E/19/42 | Dance in general \ Meaning and purpose of dancing | n.d. |
| L/F/7/25 | Models \ Paper Structure/Sculpture | n.d. |
| L/E/5/79 | Choreology (Effort) \ Elements of tension and relaxation | n.d. |
| L/E/21/73 | Movement notation \ Control and notation of movement, The | n.d. |
| L/E/42/78 | Production Scripts \ Lehrer, Trainer, Regisseur [Teacher, trainer, director] | n.d. |
| L/E/8/38 | Eukinetics \ Flat-steep-float | n.d. |
| L/E/19/47 | Dance in general \ Basic actions, basic shapes, basic meaning of dance movement | n.d. |
| L/E/5/4 | Choreology (Effort) \ Enlargement of page 2 of 'The rudiments of a free dance technique' | n.d. |
| L/E/45/37 | Education \ Movement Related to Music / Movement Related to Drama / Influence of Music on Movement, The | n.d. |
| L/E/4/26 | Choreology (Space) \ Explanatory Diagrams \ Diagrams dealing with unfolding of inclinations | n.d. |
| L/E/36/35 | Books, Manuscripts, Outlines \ Re Bill Carpenter's Manuscript \ Movement in gesture is the oldest language ... | n.d. |
| L/E/21/68 | Movement notation \ Schrift-Lehrgang und Theorie [Teaching writing and theory] | n.d. |
| L/C/10/98 | Relationships in Space \ Octahedron | n.d. |
| L/E/25/21 | Philosophical comments \ Tanz des inneren Menschen, Der [Dance of the inner man] | n.d. |
| L/E/23/34 | Philosophical comments \ Space | n.d. |
| L/E/24/65 | Philosophical comments \ Vom Leben und Sterben der Ideen [On the life and death of ideas] | n.d. |
| L/E/23/8 | Philosophical comments \ Distinction between man and animal..., The | n.d. |
| L/E/8/14 | Eukinetics \ Letter to Miss Joan Goodrich: explanation and the history of Eukinetics and Choreutics | n.d. |
| L/E/31/52 | Lecture notes on various subjects \ Verschiedene andere Studiengelegenheiten [Diverse opportunities for study] | n.d. |
| L/E/36/41 | Books, Manuscripts, Outlines \ Conflict and Harmony between Man and Woman \ Draft Manuscript 1 \ Movement Characteristics and Motion Factors | n.d. |
| L/E/21/34 | Movement notation \ Choreological signs in typewriting | n.d. |
| L/E/9/22 | Choreutics \ Skalen [Scales] | n.d. |
| L/E/29/1 | Movement in general \ Grundsätze einer individualistischen Cooperative [Principles of an individual cooperative] | n.d. |
| L/E/25/34 | Philosophical comments \ Etapes de la lutte pour la danse nouvelle, Les [the stages of the struggle for the new dance] | n.d. |
| L/E/53/13 | Books, Manuscripts, Outlines \ Motion Study \ Changes of Effort Elements | n.d. |
| L/E/41/4 | Psychological Implications \ Fairy Tale of Our Time, A | n.d. |
| L/E/26/65 | Philosophical comments \ Entscheidung (Wahl) eines Tieres originert …, Die [The decision (choice) of an animal originates … ] | n.d. |
| L/E/42/18 | Production Scripts \ Gaukelei [Juggling] | n.d. |
| L/E/31/9 | Lecture notes on various subjects \ Expression in movement for the drama | n.d. |
| L/E/1/49 | Choreology (Space) \ Verbindung von Neigungen [Tendencies in combination] | n.d. |
| L/E/12/29 | Choreutics \ Drawings, notes and symbols on Choreutics | n.d. |
| L/E/5/30 | Choreology (Effort) \ Civilisations in which the material... | n.d. |
| L/E/28/10 | Movement in general \ Simplest actions of man are his bodily actions, The | n.d. |
| L/E/77/51 | Articles about Laban \ Articles by Rudolf Sonner \ Rudolf v. Laban und der neue deutsche Tanz; Erinnerungen an Rudolf von Laban | n.d. |
| L/F/7/81 | Models \ Stella Structure | n.d. |
| L/E/23/59 | Philosophical comments \ Principle of unity of composition | n.d. |
| L/E/47/71 | Art of Movement, The \ Art of Movement Centre, The \ Addlestone, Surrey | n.d. |
| L/E/19/39 | Dance in general \ Pure and programme art | n.d. |
| L/E/36/12 | Stories, Poems, Drama, Music \ \ Von der Heiligkeit der Form [On the holiness of form] | n.d. |
| L/E/24/12 | Philosophical comments \ Riding along the electromagnetic rays... | n.d. |
| L/E/21/75 | Movement notation \ About the reading of motifs | n.d. |
| L/E/2/42 | Choreology (Space) \ Tragheitsmoment..., Das; Zwei und Dreigriff [The moment of inertia...; Double and treble reach] | n.d. |
| L/E/42/63 | Production Scripts \ Dokumentarische Tanzfilme [Documentary dance films] | n.d. |
| L/E/44/9 | Production Scripts \ Grabgesang / Die Sorge / Das Feuer [Funeral song / Sorrow / Fire] | n.d. |
| L/E/23/49 | Philosophical comments \ Beyond (of dance), The | n.d. |
| L/E/8/68 | Eukinetics \ Motion factors are mental...; Cupping hands; Faith in the righteousnes of life; Two kinds of recovery | n.d. |
| L/E/16/70 | Choreology in general \ Mensch ist frei zu wählen, Der [Man is free to choose] | n.d. |
| L/F/7/105 | Models \ Plane (3D) Structures | n.d. |
| L/E/24/57 | Philosophical comments \ Langsamkeit ist ein Bewegungsbegriff und kein Zeitbegriff… [Slowness is a perception of movement, not time] | n.d. |
| L/E/38/25 | Harmony \ Theory and Practice of Movement Harmony, The \ Vol. 1 | n.d. |
| L/F/1/26 | Dances \ Rudolf von Laban and Gert Ruth Loeszer | n.d. |
| L/E/10/4 | Choreutics \ Die direkten Verbindungen die Umwege auf der Schlange [Direct connections/diversions on the snake] | n.d. |
| L/E/13/73 | Choreutics \ Ganz heterogene Skalenglieder vermischt... [Mixture of completely heterogenous parts of a scale..., A] | n.d. |
| L/E/56/17 | Books, Manuscripts, Outlines \ Einige Gedanken über Statik und Dynamik [a few thoughts on static and dynamic] | n.d. |
| L/E/10/19 | Choreutics \ Vorstellung der Tonunterschiede... [Presentation of sound differences...] | n.d. |
| L/E/42/74 | Production Scripts \ Linie des Buches [The line of the book] | n.d. |
| L/E/25/30 | Philosophical comments \ Espace s'epanouit, L' [space opens out] | n.d. |
| L/E/57/35 | Books, Manuscripts, Outlines \ Principles of Dance and Movement Notation | n.d. |
| L/F/3/98 | Portraits \ untitled \ Rudolf von Laban \ Lisa Ullmann | n.d. |
| L/C/9/24 | Costume Design \ Costume Design for Fantasy Figures | n.d. |
| L/E/31/61 | Lecture notes on various subjects \ Verschiedene Arten der Tanzgestaltung [Diverse types of dance formation] | n.d. |
| L/E/25/56 | Philosophical comments \ Form, Die - die Entwicklung geht den in der Natur errichteten Bahnen nach [Form - development follows nature's tracks] | n.d. |
| L/E/11/28 | Choreutics \ Notebook, and loose sheets, with kinetograms, notes and analytical drawings | n.d. |
| L/E/24/14 | Philosophical comments \ What the measures now being taken may produce | n.d. |
| L/E/35/3 | Art in General \ Music, Space and Dance | n.d. |
| L/E/36/16 | Stories, Poems, Drama, Music \ Traumeinfall, Ein / Bilder, Die ... [A Dream about Help and Service] | n.d. |
| L/E/44/12 | Production Scripts \ Walzer aus dem III Reigen des Titan [Waltz from third round dance of Titan] | n.d. |
| L/E/4/46 | Choreology (Space) \ Harmonics of movement, The | n.d. |
| L/E/23/42 | Philosophical comments \ Psychography | n.d. |
| L/E/9/45 | Choreutics \ Analytical drawings, notes and symbols | n.d. |
| L/E/8/72 | Eukinetics \ Shapes are sequences of flexible and direct movements | n.d. |
| L/E/3/21 | Choreology (Space) \ Espace dynamique, L' [Dynamic space] | n.d. |
| L/E/25/43 | Philosophical comments \ Considerations about the higher order of events in life | n.d. |
| L/E/31/46 | Lecture notes on various subjects \ Kurse die mir Verfügung stehen..., Die [Courses available to me] | n.d. |
| L/E/59/39 | Books, Manuscripts, Outlines \ Allgemeines [general] | n.d. |
| L/E/24/54 | Philosophical comments \ Miscellaneous notes about ritual | n.d. |
| L/E/13/52 | Choreutics \ RA scale [right A scale] in cube over normal - narrow (x) | n.d. |
| L/E/24/43 | Philosophical comments \ New spirit, The | n.d. |
| L/F/1/83 | Portraits \ Rudolf von Laban | n.d. |
| L/E/25/28 | Philosophical comments \ Erfolgreiche Helden [Successful heroes] | n.d. |
| L/E/70/14 | Miscellaneous Notes \ Action Control | n.d. |
| L/E/11/5 | Choreutics \ Kerne, Durchdingung, Hüllen [Nuclei, penetration, enclosure] | n.d. |
| L/E/24/1 | Philosophical comments \ Enthusiast of nothingness, The | n.d. |
| L/E/24/68 | Philosophical comments \ Rätsel der Bewegung des Raumes, Das [The puzzle of space movement] | n.d. |
| L/E/3/41 | Choreology (Space) \ Die Gesetze der Assymetrie [Laws of asymmetry, The] | n.d. |
| L/E/17/22 | Choreology in general \ Magic Mirror, The \ Two kinds of effects of energy in space and time, The | n.d. |
| L/E/65/6 | Industrial Rhythm \ Effort | n.d. |
| L/E/50/8 | Investigation into Movement Responses \ Sensomotorische Untersuchungen | n.d. |
| L/E/25/25 | Philosophical comments \ Über die anthropomorphen und sonstigen natürlichen Formen in den Bewegungsspanungen [About anthropomorphic and other natural forms in movement tensions] | n.d. |
| L/E/53/22 | Books, Manuscripts, Outlines \ Motion Study \ Conclusion of Sixth Chapter | n.d. |
| L/F/1/45 | Portraits \ Rudolf von Laban | c.1882 |
| L/F/1/2 | Portraits \ Rudolf von Laban | c.1882 |
| L/F/1/6 | Portraits \ Rudolf von Laban | c.1895 |
| L/F/1/5 | Portraits \ Rudolf von Laban | c.1895 |
| L/F/1/7 | Portraits \ Rudolf Laban in Paris | c.1900 |
| L/F/1/8 | Portraits \ Rudolf Laban in Paris | c.1901-1902 |
| L/F/1/9 | Portraits \ Rudolf Laban in Paris | c.1902 |
| L/F/2/21 | Portraits \ Self portrait of Rudolf von Laban | c.1902 |
| L/F/1/10 | Portraits \ Rudolf Laban with his wife Martha and their daughter Azra | c.1905 |
| L/F/1/47 | Portraits \ Rudolf von Laban in Nizza 1902 | 1902 |
| L/E/70/4 | Biographical Information \ Rudolf Laban \ Letters from Laban to Suzanne Perrottet | 1912-1920 |
| L/E/20/52 | Articles about Laban \ Tat, Die \ 'Rudolf v. Labans Schwingende Gewalten' by Hans Brandenburg | c.1922 |
| L/E/70 | Miscellaneous Notes | 1912-1983 |
| L/E/44/31 | Production Scripts \ Don Juan | c.1926 |
| L/E/68 | Newspaper Cuttings, Contracts and Biographical Information | 1917-1983 |
| L/E/44 | Production Scripts \ Files in Box 44 | 1920s-1930s |
| L/E/48/45 | Historical Data \ International Conventions and Publications \ Tänzerische Zeitfragen \ Vom Sinn der Bewegungschore [Questions on current dance. On the meaning of movement choir] | 1923 |
| L/E/69 | Biographical Information | 1923-1975 |
| L/F/2/47 | Dances \ Rudolf von Laban and Ruth Loeser vom programm Choreographische Abende | 1924 |
| L/F/2/48 | Dances \ Rudolf von Laban and Ruth Loeser vom programm Choreographische Abende | 1924 |
| L/F/1/27 | Dances \ Rudolf von Laban and Ruth Loeser from a brochure of Choreographische Abende | 1924-1925 |
| L/F/2/49 | Dances \ Rudolf von Laban and Ruth Loeser \ Wurthembergisches Staatstheater | 1925 |
| L/F/2/54 | Dances \ Don Juan \ Rudolf von Laban \ Tanzbuhne Laban \ from a newspaper cutting | 1925 |
| L/F/1/109 | Dances - Albrecht Knust | 1925 |
| L/E/79/9 | Photostat and Newspaper Cuttings \ 1925-1927 | 1925-1927 |
| L/E/3 | Choreology (Space) \ Files in Box 3 | 1925-late 1950s |
| L/E/48 | Historical Data \ Files in Box 48 | 1925-1964 |
| L/E/21 | Movement Notation \ Files in Box 21 | 1926-late 1950s |
| L/E/20 | Dance in general \ Files in Box 20 | 1926-late 1950s |
| L/E/48/43 | Historical Data \ International Conventions and Publications \ Tanztheater und Bewegungschor [Dance theatre and movement choir] | 1928 |
| L/E/41/60 | Articles about Laban \ Scheinwerfer, Der \ 'Radius des Tanzkunstwerks, Der' by Fritz Bohme / 'Choreographie und Theater' by Rudolf von Laban | 1928 |
| L/F/1/38 | Portraits \ Kinetograpie Laban \ Rudolf von Laban on publication of his dance notation system in 1928 \ Berlin | 1928 |
| L/E/78/3 | Choreography \ Score of Titan \ 1 of 2 | 1928 |
| L/E/34/58 | Articles about Laban \ Articles from Der Tanz | 1928-1936 |
| L/F/1/49 | Portraits \ Rudolf von Laban and Kurt Jooss \ Laban Workshop \ Dartington Hall | c. 1938 - 1939 |
| L/C/3/28 | Figure Drawings \ Male Figure | c.1938-1940 |
| L/C/3/17 | Figure Drawings \ Male Figure | c.1938-1940 |
| L/C/6/61 | Relationship Between Two Figures \ Two Figures in an Icosahedron | c.1938-1940 |
| L/C/3/31 | Figure Drawings \ Male Figure | c.1938-1940 |
| L/C/3/99 | Figures \ Figure in Design | c.1938-1940 |
| L/C/3/80 | Spatial Patterns \ Dodecahedron | c.1938-1940 |
| L/C/1/94 | Figures and Shapes \ Figures | c.1938-1940 |
| L/C/3/24 | Figure Drawings \ Male Figure | c.1938-1940 |
| L/C/6/87 | Relationship Between Groups of Figures \ Three Figures | c.1938-1940 |
| L/C/5/124 | Single and Double Figures in Spatial Forms \ A Figure in a Dodecahedron | c.1938-1940 |
| L/C/3/25 | Figure Drawings \ Male Figure | c.1938-1940 |
| L/C/3/20 | Figure Drawings \ Male Figure | c.1938-1940 |
| L/C/6/73 | Relationship Between Groups of Figures \ Three Figures | c.1938-1940 |
| L/C/3/102 | Figures \ Figure in Design | c.1938-1940 |
| L/C/3/45 | Figure Drawings \ Figure Within Energy Lines | c.1938-1940 |
| L/C/4/54 | Figures Within Static Form \ Geometric Shape | c.1938-1940 |
| L/C/3/26 | Figure Drawings \ Male Figure | c.1938-1940 |
| L/C/4/9 | Figures Within Static Form \ Figure Within Nested Dodecahedrons and Icosahedrons | c.1938-1940 |
| L/C/5/123 | Single and Double Figures in Spatial Forms \ A Figure in a Dodecahedron | c.1938-1940 |
| L/C/4/13 | Spatial Forms \ Dodecahedron | c.1938-1940 |
| L/C/4/22 | Spatial Forms \ Dodecahedron | c.1938-1940 |
| L/C/3/101 | Figures \ Figure in Design | c.1938-1940 |
| L/C/3/27 | Figure Drawings \ Male Figure | c.1938-1940 |
| L/C/3/21 | Figure Drawings \ Male Figure | c.1938-1940 |
| L/C/3/100 | Figures \ Figure in Lemniscate | c.1938-1940 |
| L/C/3/18 | Figure Drawings \ Male Figure | c.1938-1940 |
| L/C/3/41 | Figure Drawings \ Figure Within Energy Lines | c.1938-1940 |
| L/C/5/122 | Single and Double Figures in Spatial Forms \ A Figure in a Dodecahedron | c.1938-1940 |
| L/C/3/105 | Figures \ Figures in Stars | c.1938-1940 |
| L/C/6/57 | Figures in Space Frames \ Two Figures in a Tetrahedron | c.1938-1940 |
| L/C/6/65 | Relationship Between Two Figures \ Dodecahedron | c.1938-1940 |
| L/C/5/130 | Single and Double Figures in Spatial Forms \ A Figure in a Dodecahedron | c.1938-1940 |
| L/C/6/59 | Relationship Between Two Figures \ Two Figures in an Icosahedron | c.1938-1940 |
| L/C/3/77 | Spatial Patterns \ Dodecahedron | c.1938-1940 |
| L/C/6/60 | Relationship Between Two Figures \ Two Figures | c.1938-1940 |
| L/C/6/63 | Relationship Between Two Figures \ Two Figures in a Dodecahedron | c.1938-1940 |
| L/C/3/19 | Figure Drawings \ Male Figure | c.1938-1940 |
| L/C/6/79 | Relationship Between Groups of Figures \ Three Figures | c.1938-1940 |
| L/C/4/8 | Figures Within Static Form \ Figure Within Nested Dodecahedrons | c.1938-1940 |
| L/C/5/127 | Single and Double Figures in Spatial Forms \ A Figure in a Dodecahedron | c.1938-1940 |
| L/C/4/11 | Figures Within Static Form \ Figure Within Nested Dodecahedrons | c.1938-1940 |
| L/C/5/126 | Single and Double Figures in Spatial Forms \ A Figure in a Dodecahedron | c.1938-1940 |
| L/C/6/56 | Figures in Space Frames \ Figure in a Tetrahedron | c. 1938-1940 |
| L/C/1/87 | Figures and Shapes \ Shapes | c.1938-1940 |
| L/C/3/23 | Figure Drawings \ Male Figure | c.1938-1940 |
| L/C/1/97 | Figures and Shapes \ Shapes | c.1938-1940 |
| L/C/3/22 | Figure Drawings \ Male Figure | c.1938-1940 |
| L/C/4/60 | Figures Within Static Form \ Figures in Octahedron | c.1938-1940 |
| L/C/4/58 | Figures Within Static Form \ Figures in Octahedron | c.1938-1940 |
| L/C/3/16 | Figure Drawings \ Male Figure | c.1938-1940 |
| L/C/4/57 | Figures Within Static Form \ Figure | c.1938-1940 |
| L/C/4/59 | Figures Within Static Form \ Figures in Octahedron | c.1938-1940 |
| L/C/3/32 | Figure Drawings \ Male Figure | c.1938-1940 |
| L/C/5/128 | Single and Double Figures in Spatial Forms \ A Figure in a Dodecahedron | c.1938-1940 |
| L/E/19 | Dance in general \ Files in Box 19 | 1928-late 1950s |
| L/E/46/58 | Information from Others \ Streng Geheim fur den Geburtstager / Laban Money Vouchers | 1929 |
| L/E/20/50 | Articles about Laban \ Schrifttanz | 1929 |
| L/E/58/36 | Books, Manuscripts, Outlines \ Vorwort \ Choreutics | 15 December 1929 |
| L/E/46/57 | Information from Others \ Laban Sommer-kurse [Laban Summer School] \ Bayreuth | 1930 |
| L/E/44/3 | Production Scripts \ Aus der Polawetzer Tänzer [Dancers from Polawetz ] | 1930 |
| L/E/42 | Production Scripts \ Files in Box 42 | 1930s-1984 |
| L/F/1/41 | Portraits \ Resting during work at Tanzerlanger (dancers camp) Rangsdorf near Berlin \ Rudolf von Laban August 1935 | 1935 |
| L/E/46/41 | Information from Others \ Man and the Commonwealth \ Movement in work ... / Notes | c.1945 |
| L/E/45/16 | Education \ Community Dancing / Practical Outlook for Dartington Hall / Letter to Mr Elmhirst | 1936-10 March 1939 |
| L/C/9/112 | Holiday Drawings \ Back View of a Man | c.1946 |
| L/E/50 | Letters \ Files in Box 50 | 1936-1957 |
| L/E/13 | Choreutics \ Files in Box 13 | late 1930s-late 1950s |
| L/E/47 | Art of Movement, The \ Files in Box 47 | late 1930s-late 1950s |
| L/E/25 | Philosophical Comments \ Files in Box 25 | late 1930s-late 1950s |
| L/E/1 | Choreology (Space) \ Files in Box 1 | late 1930s-late 1950s |
| L/E/67 | Family Correspondence \ Files in Boxes 67 | late 1930s-late 1950s |
| L/E/6 | Choreology (Effort) \ Files in Box 6 | late 1930s-late 1950s |
| L/E/26 | Philosophical Comments \ Files in Box 26 | late 1930s-late 1950s |
| L/E/8 | Eukinetics \ Files in Box 8 | late 1930s-late 1950s |
| L/E/32 | Lecture Notes on Various Subjects \ Files in Box 32 | late 1930s-late 1950s |
| L/E/51 | Letters \ Files in Box 51 | 1937-1958 |
| L/C/1/9 | Architectural Theatre Buildings \ Theatre | 1938-1940 |
| L/C/2/112 | Spatial Forms \ Knot in Icosahedron | 1938-1940 |
| L/C/8/84-L/C/8/95 | Dartington Hall Exhibition \ Wall Chart Showing Transformation from Icosehedron to Dodecahedron | 1938-1940 |
| L/C/6/4 | Single and Double Figures in Spatial Forms \ A Figure showing Polar Counter-Tension | 1938-1940 |
| L/C/5/22 | Spatial Forms \ Spatial Tensions | 1938-1940 |
| L/C/4/12 | Knots | 1938-1940 |
| L/C/2/120 | Spatial Forms \ Octahedrons | 1938-1940 |
| L/C/7/67 | Spatial Forms \ Icosahedron | 1938-1940 |
| L/C/1/116 | Spatial Forms \ Lemniscate | 1938-1940 |
| L/C/5/136 | Single and Double Figures in Spatial Forms \ A Figure in a Backbend | 1938-1940 |
| L/C/1/42 | Architectural Theatre Buildings \ Theatre | 1938-1940 |
| L/C/5/20 | Spatial Forms \ Spatial Tensions | 1938-1940 |
| L/C/2/3 | Spatial Forms \ Labiloid, Octahedrons | 1938-1940 |
| L/C/1/2 | Architectural Theatre Buildings \ 1 Spatial Structure, 3 Theatres | 1938-1940 |
| L/C/2/2 | Spatial Forms \ The Opening of the Octahedron | 1938-1940 |
| L/C/1/110 | Spatial Forms \ Dodecahedrons | 1938-1940 |
| L/C/2/36 | Spatial Forms \ Icosahedron | 1938-1940 |
| L/C/5/55 | Spatial Forms \ Icosahedron | 1938-1940 |
| L/C/5/38 | Spatial Forms \ Octahedron | 1938-1940 |
| L/C/2/19 | Spatial Forms \ Geometric Form | 1938-1940 |
| L/C/3/85 | Spatial Patterns \ Dodecahedron | 1938-1940 |
| L/C/7/120 | Figures \ Figure in Star | 1938-1940 |
| L/C/7/81 | Spatial Forms \ Figure in an Icosahedron | 1938-1940 |
| L/C/4/40 | Figures Within Static Form \ Figure in Dodecahedron | 1938-1940 |
| L/C/6/72 | Relationship Between Groups of Figures \ Three Figures | 1938-1940 |
| L/C/5/134 | Single and Double Figures in Spatial Forms \ A Figure in an Icosahedron | 1938-1940 |
| L/C/6/88 | Relationship Between Groups of Figures \ Three Figures | 1938-1940 |
| L/C/5/86 | Single and Double Figures in Spatial Forms \ A Figure in an Icosahedron | c. 1938-1940 |
| L/C/5/13 | Spatial Forms \ Icosahedron | 1938-1940 |
| L/C/5/16 | Spatial Forms \ Icosahedron | 1938-1940 |
| L/C/7/116 | Spatial Forms \ Icosahedron | 1938-1940 |
| L/C/1/54 | Architectural Theatre Buildings \ Theatre | 1938-1940 |
| L/C/7/56 | Spatial Forms \ Icosidodecahedron | 1938-1940 |
| L/C/6/86 | Relationship Between Groups of Figures \ Three Figures | 1938-1940 |
| L/C/1/8 | Spatial Forms \ Dodecahedron and Icosahedron | 1938-1940 |
| L/C/7/14 | Relationship Between Groups of Figures \ Six Figures in an Icosahedron | 1938-1940 |
| L/C/2/152 | Spatial Forms \ Icosahedron | 1938-1940 |
| L/C/6/74 | Relationship Between Groups of Figures \ Three Figures | 1938-1940 |
| L/C/6/85 | Relationship Between Groups of Figures \ Three Figures | 1938-1940 |
| L/C/1/28 | Spatial Forms \ Planes | 1938-1940 |
| L/C/7/5 | Relationship Between Groups of Figures \ Three Figures | 1938-1940 |
| L/C/5/138 | Single and Double Figures in Spatial Forms \ A Figure in a Backbend | 1938-1940 |
| L/C/5/106 | Single and Double Figures in Spatial Forms \ A Figure in a Dodecahedron | 1938-1940 |
| L/C/5/88 | Single and Double Figures in Spatial Forms \ Two Figures | 1938-1940 |
| L/C/2/15 | Spatial Forms \ Group Movement, Cellophan | 1938-1940 |
| L/C/2/107 | Spatial Forms \ Dodecahedron | 1938-1940 |
| L/C/6/53 | Relationship Between Two Figures \ Two Figures | 1938-1940 |
| L/C/1/70 | Tetrahedrons \ Figure in Tetrahedron | 1938-1940 |
| L/C/4/30 | Spatial Forms \ Dodecahedron | 1938-1940 |
| L/C/3/64 | Spatial Patterns \ Dodecahedron | 1938-1940 |
| L/C/6/82 | Relationship Between Groups of Figures \ Three Figures | 1938-1940 |
| L/C/3/12 | Figure Drawings \ Impressions of Figures | 1938-1940 |
| L/C/2/125 | Spatial Forms \ Icosahedrons and Dodecahedron | 1938-1940 |
| L/C/3/50 | Figure Drawings \ Left Hand; Right Hand | 1938-1940 |
| L/C/3/60 | Spatial Patterns \ Dodecahedron | 1938-1940 |
| L/C/3/69 | Spatial Patterns \ Dodecahedron | 1938-1940 |
| L/C/7/95 | Spatial Forms \ Dodecahedron | 1938-1940 |
| L/C/6/90 | Relationship Between Groups of Figures \ Three Figures | 1938-1940 |
| L/C/6/89 | Relationship Between Groups of Figures \ Three Figures | 1938-1940 |
| L/C/1/48 | Architectural Theatre Buildings \ Theatre | 1938-1940 |
| L/C/1/35 | Architectural Theatre Buildings \ Theatre | 1938-1940 |
| L/C/3/63 | Spatial Patterns \ Dodecahedron | 1938-1940 |
| L/C/2/131 | Spatial Forms \ Icosahedron | 1938-1940 |
| L/C/4/104 | Spatial Forms \ Icosahedron | 1938-1940 |
| L/C/1/79 | Tetrahedrons \ Figures in Tetrahedrons | 1938-1940 |
| L/C/1/82 | Tetrahedrons \ Figures in Tetrahedral Shapes | 1938-1940 |
| L/C/1/61 | Architectural Theatre Buildings \ Theatre | 1938-1940 |
| L/C/6/7 | Single and Double Figures in Spatial Forms \ A Figure showing Polar Counter-Tension | 1938-1940 |
| L/C/7/15 | Relationship Between Groups of Figures \ Six Figures in an Icosahedron | 1938-1940 |
| L/C/5/133 | Single and Double Figures in Spatial Forms \ A Figure in an Icosahedron | 1938-1940 |
| L/C/7/53 | Spatial Forms \ Icosidodecahedron | 1938-1940 |
| L/C/1/32 | Affinities \ Arrow | 1938-1940 |
| L/C/4/51 | Figures Within Static Form \ Figure | 1938-1940 |
| L/C/1/106 | Spatial Forms \ Solid Form | 1938-1940 |
| L/C/5/77 | Single and Double Figures in Spatial Forms \ Two Figures | 1938-1940 |
| L/C/6/2 | Single and Double Figures in Spatial Forms \ Polar Counter-Tension | 1938-1940 |
| L/C/2/115 | Spatial Forms \ Cube | 1938-1940 |
| L/C/3/52 | Spatial Patterns \ Icosahedron | 1938-1940 |
| L/C/2/154 | Spatial Forms \ Cubes | 1938-1940 |
| L/C/1/114 | Spatial Forms \ Dodecahedron | 1938-1940 |
| L/C/1/64 | Architectural Theatre Buildings \ Theatre | 1938-1940 |
| L/C/4/103 | Spatial Forms \ Dodecahedron | 1938-1940 |
| L/C/1/84 | Modern Educational Dance \ Cover | 1938-1940 |
| L/C/2/76 | Spatial Forms \ Icosahedron | 1938-1940 |
| L/C/7/3 | Relationship Between Groups of Figures \ Three Figures | 1938-1940 |
| L/C/4/100 | Spatial Forms \ Woman in Back Bend | 1938-1940 |
| L/C/5/95 | Single and Double Figures in Spatial Forms \ Two Figures | 1938-1940 |
| L/C/3/2 | Figure Drawings \ Group of Small Figures | 1938-1940 |
| L/C/1/60 | Architectural Theatre Buildings \ 2 Theatres | 1938-1940 |
| L/C/1/5 | Architectural Theatre Buildings \ Spatial Structure | 1938-1940 |
| L/C/1/68 | Tetrahedrons \ 6 Figures in Tetrahedrons | 1938-1940 |
| L/C/4/88 | Spatial Forms \ Octahedron and Icosahedron | 1938-1940 |
| L/C/6/23 | Single and Double Figures in Spatial Forms \ A Figure | 1938-1940 |
| L/C/6/52 | Relationship Between Two Figures \ Two Figures | 1938-1940 |
| L/C/2/113 | Spatial Forms \ Octahedrons | 1938-1940 |
| L/C/6/101 | Relationship Between Groups of Figures \ Three Figures | 1938-1940 |
| L/C/6/104 | Relationship Between Groups of Figures \ Three Figures | 1938-1940 |
| L/C/4/92 | Spatial Forms \ Icosahedron | 1938-1940 |
| L/C/2/70 | Spatial Forms \ Dodecahedron | 1938-1940 |
| L/C/5/91 | Single and Double Figures in Spatial Forms \ Two Figures | 1938-1940 |
| L/C/6/64 | Relationship Between Two Figures \ Two Figures in a Dodecahedron | 1938-1940 |
| L/C/1/56 | Architectural Theatre Buildings \ Theatre | 1938-1940 |
| L/C/4/49 | Figures Within Static Form \ Figure in Dodecahedron | 1938-1940 |
| L/C/2/134 | Spatial Forms \ Dodecahedron and Icosidodecahedron | 1938-1940 |
| L/C/6/21 | Single and Double Figures in Spatial Forms \ A Figure | 1938-1940 |
| L/C/5/102 | Single and Double Figures in Spatial Forms \ A Figure in a Dodecahedron | 1938-1940 |
| L/C/1/17 | Spatial Forms \ Icosidodecahedron | 1938-1940 |
| L/C/2/34 | Spatial Forms \ 7-er Icosahedron | 1938-1940 |
| L/C/7/119 | Figures \ Figure in Icosahedron | 1938-1940 |
| L/C/6/78 | Relationship Between Groups of Figures \ Three Figures | 1938-1940 |
| L/C/6/105 | Relationship Between Groups of Figures \ Three Figures | 1938-1940 |
| L/C/3/90 | Spatial Patterns \ Spiral Design | 1938-1940 |
| L/C/2/72 | Spatial Forms \ Icosidodehedron | 1938-1940 |
| L/C/2/106 | Spatial Forms \ Dodecahedron | 1938-1940 |
| L/C/5/113 | Single and Double Figures in Spatial Forms \ A Figure in a Dodecahedron | 1938-1940 |
| L/C/1/67 | Tetrahedrons \ 6 Tetrahedrons | 1938-1940 |
| L/C/7/11 | Relationship Between Groups of Figures \ Six Figures in an Icosahedron | 1938-1940 |
| L/C/6/1 | Single and Double Figures in Spatial Forms \ A Figure showing Polar Counter-Tension | 1938-1940 |
| L/C/2/54 | Spatial Forms \ 10-link Dodecahedron | 1938-1940 |
| L/C/1/45 | Architectural Theatre Buildings \ Theatre | 1938-1940 |
| L/C/1/47 | Architectural Theatre Buildings \ Theatres | 1938-1940 |
| L/C/3/66 | Spatial Patterns \ Dodecahedron | 1938-1940 |
| L/C/6/58 | Figures in Space Frames \ Three Figures in a Tetrahedron | 1938-1940 |
| L/C/3/56 | Spatial Patterns \ Dodecahedron | 1938-1940 |
| L/C/6/100 | Relationship Between Groups of Figures \ Three Figures | 1938-1940 |
| L/C/3/76 | Spatial Patterns \ Icosahedron | 1938-1940 |
| L/C/6/55 | Figures in Space Frames \ Figure in a Tetrahedron | 1938-1940 |
| L/C/7/41 | Spatial Forms \ Icosahedron | 1938-1940 |
| L/C/2/33 | Spatial Forms \ 8-er Icosahedron | 1938-1940 |
| L/C/3/83 | Spatial Patterns \ Dodecahedron | 1938-1940 |
| L/C/5/111 | Spatial Forms \ Dodecahedron | 1938-1940 |
| L/C/2/78 | Spatial Forms \ Icosahedron | 1938-1940 |
| L/C/3/87 | Spatial Patterns \ Dodecahedron | 1938-1940 |
| L/C/2/117 | Spatial Forms \ Cube | 1938-1940 |
| L/C/2/51 | Spatial Forms \ 14-er Dodecahedron | 1938-1940 |
| L/C/1/77 | Tetrahedrons \ Figures in Tetrahedrons | 1938-1940 |
| L/C/2/52 | Spatial Forms \ 14-er Dodecahedron | 1938-1940 |
| L/C/4/70 | Spatial Forms \ Lemniscate in Dodecahedron | 1938-1940 |
| L/C/6/91 | Relationship Between Groups of Figures \ Three Figures | 1938-1940 |
| L/C/5/85 | Single and Double Figures in Spatial Forms \ A Figure in an Icosahedron | 1938-1940 |
| L/C/7/115 | Spatial Forms \ Icosahedron | 1938-1940 |
| L/C/4/38 | Figures Within Static Form \ Figure in Dodecahedron | 1938-1940 |
| L/C/4/26 | Spatial Forms \ Dodecahedron | 1938-1940 |
| L/C/5/94 | Single and Double Figures in Spatial Forms \ Two Figures | 1938-1940 |
| L/C/3/62 | Spatial Patterns \ Dodecahedron | 1938-1940 |
| L/C/2/144 | Spatial Forms \ Icosahedron | 1938-1940 |
| L/C/4/1 | Figures Within Static Form \ Embrionic Forms | 1938-1940 |
| L/C/7/28 | Spatial Forms \ Stellar Planes | 1938-1940 |
| L/C/1/78 | Tetrahedrons \ Figures in Tetrahedrons | 1938-1940 |
| L/C/7/75 | Spatial Forms \ Icosahedron | 1938-1940 |
| L/C/2/30 | Spatial Forms \ Lines | 1938-1940 |
| L/C/7/18 | Spatial Forms \ Geometric Shape | 1938-1940 |
| L/C/4/16 | Spatial Forms \ Dodecahedron | 1938-1940 |
| L/C/7/121 | Figures \ Seven Figures | 1938-1940 |
| L/C/4/105 | Spatial Forms \ Icosahedron | 1938-1940 |
| L/C/5/89 | Single and Double Figures in Spatial Forms \ Two Figures | 1938-1940 |
| L/C/5/93 | Single and Double Figures in Spatial Forms \ Two Figures | 1938-1940 |
| L/C/5/97 | Single and Double Figures in Spatial Forms \ A Figure | 1938-1940 |
| L/C/7/107 | Figures \ Heads | 1938-1940 |
| L/C/1/115 | Spatial Forms \ A Piece of Space | 1938-1940 |
| L/C/7/9 | Relationship Between Groups of Figures \ Six Figures in an Icosahedron | 1938-1940 |
| L/C/3/51 | Figure Drawings \ Left Hand; Right Hand | 1938-1940 |
| L/C/1/31 | Affinities \ Screw | 1938-1940 |
| L/C/1/13 | Architectural Theatre Buildings \ Theatre | 1938-1940 |
| L/C/7/71 | Spatial Forms \ Icosahedron | 1938-1940 |
| L/C/7/16 | Relationship Between Groups of Figures \ Six Figures in an Icosahedron | 1938-1940 |
| L/C/2/74 | Spatial Forms \ Icosidodehedron | 1938-1940 |
| L/C/5/137 | Single and Double Figures in Spatial Forms \ A Figure in a Backbend | 1938-1940 |
| L/C/7/12 | Relationship Between Groups of Figures \ Six Figures in an Icosahedron | 1938-1940 |
| L/C/2/39 | Spatial Forms \ Lemniscate in Icosahedron | 1938-1940 |
| L/C/6/75 | Relationship Between Groups of Figures \ Three Figures | 1938-1940 |
| L/C/2/5 | Spatial Forms \ Crystalline Structures | 1938-1940 |
| L/C/2/110 | Spatial Forms \ Knot in Dodecahedron | 1938-1940 |
| L/C/6/66 | Relationship Between Two Figures \ Two Figures in a Dodecahedron | 1938-1940 |
| L/C/2/44 | Spatial Forms \ Icosahedrons and Dodecahedron | 1938-1940 |
| L/C/2/42 | Spatial Forms \ Icosahedron | 1938-1940 |
| L/C/4/48 | Figures Within Static Form \ Figures in Dodecahedrons | 1938-1940 |
| L/C/3/47 | Figure Drawings \ Figures Within Energy Lines | 1938-1940 |
| L/C/6/95 | Relationship Between Groups of Figures \ Three Figures | 1938-1940 |
| L/C/6/103 | Relationship Between Groups of Figures \ Three Figures | 1938-1940 |
| L/C/5/99 | Single and Double Figures in Spatial Forms \ A Figure in a Dodecahedron | 1938-1940 |
| L/C/4/23 | Spatial Forms \ Dodecahedron | 1938-1940 |
| L/C/4/98 | Spatial Forms \ Woman in Back Bend | 1938-1940 |
| L/C/2/133 | Spatial Forms \ Dodecahedron | 1938-1940 |
| L/C/6/68 | Relationship Between Groups of Figures \ Six Figures | 1938-1940 |
| L/C/6/5 | Single and Double Figures in Spatial Forms \ A Figure showing Polar Counter-Tension | 1938-1940 |
| L/C/6/98 | Relationship Between Groups of Figures \ Three Figures | 1938-1940 |
| L/C/4/72 | Spatial Forms \ Dodecahedron | 1938-1940 |
| L/C/2/121 | Spatial Forms \ Cube | 1938-1940 |
| L/C/2/97 | Spatial Forms \ Icosahedron and Dodecahedron | 1938-1940 |
| L/C/6/9 | Single and Double Figures in Spatial Forms \ A Figure showing Polar Counter-Tension | 1938-1940 |
| L/C/4/18 | Spatial Forms \ Dodecahedron | 1938-1940 |
| L/C/3/84 | Spatial Patterns \ Dodecahedron | 1938-1940 |
| L/C/6/92 | Relationship Between Groups of Figures \ Three Figures | 1938-1940 |
| L/C/4/89 | Spatial Forms \ Octahedron and Icosahedron | 1938-1940 |
| L/C/7/8 | Relationship Between Groups of Figures \ Six Figures in an Icosahedron | 1938-1940 |
| L/C/1/12 | Spatial Forms \ Spatial Structure | 1938-1940 |
| L/C/2/95 | Spatial Forms \ Icosahedron and Dodecahedron | 1938-1940 |
| L/C/3/75 | Spatial Patterns \ Icosidodecahedron | 1938-1940 |
| L/C/6/3 | Single and Double Figures in Spatial Forms \ A Figure with Polar Counter-Tension | 1938-1940 |
| L/C/2/67 | Spatial Forms \ Dodecahedron | 1938-1940 |
| L/C/2/56 | Spatial Forms \ Group Movement, Cellophan | 1938-1940 |
| L/C/2/83 | Spatial Forms \ Icosahedron | 1938-1940 |
| L/C/4/74 | Spatial Forms \ Icosahedron | 1938-1940 |
| L/C/2/147 | Spatial Forms \ Icosahedron | 1938-1940 |
| L/C/3/68 | Spatial Patterns \ Dodecahedron | 1938-1940 |
| L/C/4/15 | Spatial Forms \ Dodecahedron | 1938-1940 |
| L/C/2/18 | Spatial Forms \ Cube | 1938-1940 |
| L/C/4/7 | Figures Within Static Form \ Figure Within Nested Dodecahedrons | 1938-1940 |
| L/C/7/7 | Relationship Between Groups of Figures \ Six Figures in an Icosahedron | 1938-1940 |
| L/C/7/13 | Relationship Between Groups of Figures \ Six Figures in an Icosahedron | 1938-1940 |
| L/C/2/16 | Spatial Forms \ Geometric Form | 1938-1940 |
| L/C/4/43 | Figures Within Static Form \ Dodecahedrons | 1938-1940 |
| L/C/1/74 | Tetrahedrons \ Figures in Tetrahedrons | 1938-1940 |
| L/C/7/125 | Figures \ Figure in Icosahedron | 1938-1940 |
| L/C/1/112 | Spatial Forms \ Dodecahedron | 1938-1940 |
| L/C/2/118 | Spatial Forms \ Octahedrons | 1938-1940 |
| L/C/5/61 | Spatial Forms \ Octahedron | 1938-1940 |
| L/C/7/21 | Spatial Forms \ Icosahedron | 1938-1940 |
| L/C/1/63 | Architectural Theatre Buildings \ Theatre | 1938-1940 |
| L/C/1/34 | Architectural Theatre Buildings \ Theatre | 1938-1940 |
| L/C/1/18 | Architectural Theatre Buildings \ Spatial Structure | 1938-1940 |
| L/C/3/54 | Spatial Forms \ Geometric Shapes | 1938-1940 |
| L/C/1/66 | Tetrahedrons \ 6 Figures in Tetrahedrons | 1938-1940 |
| L/C/5/76 | Spatial Forms \ Tetrahedron | 1938-1940 |
| L/C/1/7 | Architectural Theatre Buildings \ Theatres | 1938-1940 |
| L/C/7/17 | Relationship Between Groups of Figures \ Six Figures in an Icosahedron | 1938-1940 |
| L/C/5/66 | Spatial Forms \ Icosahedron | 1938-1940 |
| L/C/2/32 | Spatial Forms \ 9-er Icosahedron | 1938-1940 |
| L/C/5/140 | Single and Double Figures in Spatial Forms \ A Figure in an Icosahedron | 1938-1940 |
| L/C/5/4 | Spatial Forms \ Lemniscate Construction | 1938-1940 |
| L/C/4/17 | Spatial Forms \ Dodecahedron | 1938-1940 |
| L/C/2/48 | Spatial Forms \ Icosidodecahedron | 1938-1940 |
| L/C/5/115 | Single and Double Figures in Spatial Forms \ A Figure in a Dodecahedron | 1938-1940 |
| L/C/3/96 | Figures \ Figure in Lemniscate | 1938-1940 |
| L/C/2/26 | Spatial Forms \ Icosahedron | 1938-1940 |
| L/C/2/103 | Spatial Forms \ Icosahedron | 1938-1940 |
| L/C/4/34 | Spatial Forms \ Dodecahedron | 1938-1940 |
| L/C/2/149 | Spatial Forms \ Icosahedron | 1938-1940 |
| L/C/1/51 | Architectural Theatre Buildings \ Lines | 1938-1940 |
| L/C/1/24 | Spatial Forms \ Dodecahedron | 1938-1940 |
| L/C/7/61 | Spatial Forms \ Icosidodecahedron | 1938-1940 |
| L/C/7/38 | Spatial Forms \ Icosahedron | 1938-1940 |
| L/C/5/17 | Spatial Forms \ Icosahedron | 1938-1940 |
| L/C/6/81 | Relationship Between Groups of Figures \ Three Figures | 1938-1940 |
| L/C/1/62 | Architectural Theatre Buildings \ Theatre | 1938-1940 |
| L/C/4/83 | Spatial Forms | 1938-1940 |
| L/C/2/50 | Spatial Forms \ 15-er Dodecahedron | 1938-1940 |
| L/C/2/93 | Spatial Forms \ Icosahedron | 1938-1940 |
| L/C/1/57 | Architectural Theatre Buildings \ Theatre | 1938-1940 |
| L/C/7/35 | Spatial Forms \ Icosahedron | 1938-1940 |
| L/C/5/92 | Single and Double Figures in Spatial Forms \ Two Figures | 1938-1940 |
| L/C/4/6 | Figures Within Static Form \ Figure Within Nested Dodecahedrons | 1938-1940 |
| L/C/3/79 | Spatial Patterns \ Dodecahedron | 1938-1940 |
| L/C/4/42 | Figures Within Static Form \ Figure in Dodecahedron | 1938-1940 |
| L/C/1/111 | Spatial Forms \ Dodecahedron | 1938-1940 |
| L/C/5/79 | Single and Double Figures in Spatial Forms \ A Figure | 1938-1940 |
| L/C/2/84 | Spatial Forms \ Icosahedron | 1938-1940 |
| L/C/6/19 | Single and Double Figures in Spatial Forms \ A Figure in an Icosahedron | 1938-1940 |
| L/C/7/10 | Relationship Between Groups of Figures \ Five Figures in an Icosahedron | 1938-1940 |
| L/C/1/30 | Affinities \ Icosahedron and Dodecahedron | 1938-1940 |
| L/C/5/135 | Single and Double Figures in Spatial Forms \ A Figure in a Backbend | 1938-1940 |
| L/C/7/4 | Relationship Between Groups of Figures \ Three Figures | 1938-1940 |
| L/C/5/87 | Single and Double Figures in Spatial Forms \ Two Figures | 1938-1940 |
| L/C/1/20 | Architectural Theatre Buildings \ Theatre | 1938-1940 |
| L/C/6/99 | Relationship Between Groups of Figures \ Two Figures | 1938-1940 |
| L/C/6/33 | Single and Double Figures in Spatial Forms \ A Figure in an Icosahedron | 1938-1940 |
| L/C/2/114 | Spatial Forms \ Octahedrons | 1938-1940 |
| L/C/8/96-L/C/8/111 | Dartington Hall Exhibition \ Wall Chart of Icosidodecahedron | 1938-1940 |
| L/C/6/77 | Relationship Between Groups of Figures \ Three Figures | 1938-1940 |
| L/C/2/59 | Spatial Forms \ Icosahedrons and Dodecahedron | 1938-1940 |
| L/C/4/41 | Figures Within Static Form \ Figure in Dodecahedron | 1938-1940 |
| L/C/4/25 | Spatial Forms \ Dodecahedron | 1938-1940 |
| L/C/1/81 | Tetrahedrons \ Figures in Tetrahedral Shapes | 1938-1940 |
| L/C/5/101 | Single and Double Figures in Spatial Forms \ A Figure in a Dodecahedron | 1938-1940 |
| L/C/2/101 | Spatial Forms \ Icosahedron and Dodecahedron | 1938-1940 |
| L/C/2/79 | Spatial Forms \ Icosahedron | 1938-1940 |
| L/C/2/119 | Spatial Forms \ Octahedrons | 1938- |
| L/C/3/11 | Figure Drawings \ Group of Small Figures | 1938-1940 |
| L/C/2/116 | Spatial Forms \ Cube | 1938-1940 |
| L/C/4/14 | Spatial Forms \ Dodecahedron | 1938-1940 |
| L/C/2/28 | Spatial Forms \ Icosahedron | 1938-1940 |
| L/C/6/93 | Relationship Between Groups of Figures \ Three Figures | 1938-1940 |
| L/C/2/94 | Spatial Forms \ Icosahedron and Dodecahedron | 1938-1940 |
| L/C/3/92 | Figures \ Figure in Lemniscate with Hands | 1938-1940 |
| L/C/1/14 | Architectural Theatre Buildings \ Theatre | 1938-1940 |
| L/C/4/44 | Figures Within Static Form \ Dodecahedrons | 1938-1940 |
| L/C/2/126 | Spatial Forms \ Lemniscates | 1938-1940 |
| L/C/1/21 | Affinities \ Ball | 1938-1940 |
| L/C/4/47 | Figures Within Static Form \ Figures in Dodecahedrons | 1938-1940 |
| L/C/6/18 | Single and Double Figures in Spatial Forms \ A Figure in an Icosidodecahedron | 1938-1940 |
| L/C/2/53 | Spatial Forms \ 10-er Dodecahedron | 1938-1940 |
| L/C/6/97 | Relationship Between Groups of Figures \ Three Figures | 1938-1940 |
| L/C/4/31 | Spatial Forms \ Dodecahedron and Icosahedron | 1938-1940 |
| L/C/1/4 | Architectural Theatre Buildings \ Theatre | 1938-1940 |
| L/C/5/105 | Single and Double Figures in Spatial Forms \ A Figure in a Dodecahedron | 1938-1940 |
| L/C/5/117 | Single and Double Figures in Spatial Forms \ A Figure in a Dodecahedron | 1938-1940 |
| L/C/2/148 | Spatial Forms \ Icosahedron | 1938-1940 |
| L/C/3/49 | Figure Drawings \ Figure Within Energy Lines | 1938-1940 |
| L/C/1/33 | Affinities \ Wall | 1938-1940 |
| L/C/4/5 | Figures Within Static Form \ Figure Within Nested Dodecahedrons and Icosahedrons | 1938-1940 |
| L/C/1/25 | Spatial Forms \ Icosahedrons and Dodecahedron | 1938-1940 |
| L/C/5/103 | Single and Double Figures in Spatial Forms \ A Figure in a Dodecahedron | 1938-1940 |
| L/C/5/142 | Spatial Forms \ Dodecahedron | 1938-1940 |
| L/C/6/102 | Relationship Between Groups of Figures \ Three Figures | 1938-1940 |
| L/C/6/20 | Single and Double Figures in Spatial Forms \ A Figure in an Icosahedron | 1938-1940 |
| L/C/1/16 | Spatial Forms \ Icosidodecahedron | 1938-1940 |
| L/C/2/109 | Spatial Forms \ Dodecahedron | 1938-1940 |
| L/C/5/132 | Spatial Forms \ Dodecahedron | 1938-1940 |
| L/C/2/90 | Spatial Forms \ Dodecahedron | 1938-1940 |
| L/C/7/122 | Figures \ Seven Figures | 1938-1940 |
| L/C/2/43 | Spatial Forms \ Icosahedrons and Dodecahedron | 1938-1940 |
| L/C/4/4 | Figures Within Static Form \ Figure Within Circle | 1938-1940 |
| L/C/5/118 | Single and Double Figures in Spatial Forms \ A Figure in a Dodecahedron | 1938-1940 |
| L/C/2/77 | Spatial Forms \ Icosahedron | 1938-1940 |
| L/C/8/57 | Dartington Hall Exhibition \ Wall Chart Showing a Chain of Harmonic Transformations on a Crystalline Form | 1938-1940 |
| L/E/22/51 | Articles about Laban \ Dance \ 'Rudolf von Laban - Scientist of the Dance' by Juana von Laban / 'Modern Dance Elementals' by Alida Ward | 1939 |
| L/E/34/47 | Lecture notes on various subjects \ Social Purposes and Qualities of Dance, The | 1939 |
| L/E/34/48 | Lecture notes on various subjects \ Dance and Architecture | 1939 |
| L/E/34/32 | Lecture notes on various subjects \ Dance education | 1939 |
| L/E/33/35 | Lecture notes on various subjects \ Sixth lecture | 1939 |
| L/C/6/31 | Single and Double Figures in Spatial Forms \ Christmas Card | 1939 |
| L/E/33/34 | Lecture notes on various subjects \ Fifth lecture | 1939 |
| L/E/34/31 | Lecture notes on various subjects \ History of dance education, The | 1939 |
| L/E/34/34 | Lecture notes on various subjects \ Historical development of dance, The | 1939 |
| L/E/34/36 | Lecture notes on various subjects \ History of English dance culture, The | 1939 |
| L/C/6/32 | Single and Double Figures in Spatial Forms \ Christmas Card | 1939 |
| L/E/34/17 | Lecture notes on various subjects \ Primitive aspects of dance | 1939 |
| L/E/34/40 | Lecture notes on various subjects \ Notes and questions on Laban's diagrams and forms of movement study | 1939 |
| L/E/34/45 | Lecture notes on various subjects \ Language of Dance, The | 1939 |
| L/E/34/46 | Lecture notes on various subjects \ Purposes and qualities of dance, The | 1939 |
| L/E/34/13 | Lecture notes on various subjects \ Social purposes of dance, The | 1939 |
| L/E/34/23 | Lecture notes on various subjects \ Historical development of dance education | 1939 |
| L/E/34/9 | Lecture notes on various subjects \ History of dance | 1939 |
| L/E/34/14 | Lecture notes on various subjects \ Anthropology of dance, The | 1939 |
| L/C/6/25 | Single and Double Figures in Spatial Forms \ Christmas Card | 1939 |
| L/E/41/25 | Articles about Laban \ Dancing Times \ 'Rudolf von Laban on his 60th Birthday' by Kurt Jooss | 1939 |
| L/C/6/28 | Single and Double Figures in Spatial Forms \ Christmas Card | 1939 |
| L/C/6/26 | Single and Double Figures in Spatial Forms \ Christmas Card | 1939 |
| L/E/34/38 | Lecture notes on various subjects \ History of dance, The | 1939 |
| L/E/34/50 | Lecture notes on various subjects \ History of a Single Movement | 1939 |
| L/F/2/28 | Portraits \ Rudolf von Laban in his workshop with Kurt Jooss \ Dartington Hall | 1939 |
| L/C/6/29 | Single and Double Figures in Spatial Forms \ Christmas Card | 1939 |
| L/E/43/22 | Historical Data \ Rudolf von Laban 60 Jahre [Laban's 60th birthday] | 1939 |
| L/E/34/44 | Lecture notes on various subjects \ Language of Dance, The | 1939 |
| L/C/6/30 | Single and Double Figures in Spatial Forms \ Christmas Card | 1939 |
| L/E/52 | Letters \ Files in Box 52 | 1939-1957 |
| L/E/41/22 | Articles about Laban \ Dance Observer \ 'Rudolf von Laban' by Felicia Saxe | 1940 |
| L/E/74/9 | Industrial Rhythm \ W.C. Holmes & Co. Ltd. \ Graphs of Assessments | 1940-1943 |
| L/E/27 | History of Dance \ Files in Box 27 | 1940s |
| L/E/79 | Industrial Rhythm; Historical Data; Books, Manuscripts, Outlines; Family Correspondence; Newspaper Cuttings; History of Dance; Miscellaneous Notes; Information from Others; Choreology (Space); Rudolf Laban's Pupils | 1940s |
| L/E/63 | Industrial Rhythm \ Files in Box 63 | 1940s-1950s |
| L/E/46 | Assessments, Reports, Records (Industrial Rhythm) \ Files in Box 46 | 1940s-1950s |
| L/E/64 | Industrial Rhythm \ Files in Box 64 | 1940s-1950s |
| L/E/50/53 | Letters \ Correspondence from the Dartington Period \ Reference for Laban | 18 October 1940-5 November 1940 |
| L/E/73 | Industrial Rhythm | 1941-1947 |
| L/E/52/48 | Letters \ Correspondence with the Ling Physical Education Foundation | 22 February 1941-6 March 1943 |
| L/E/66/22 | Industrial Rhythm \ Correspondence between Laban and F.C. Lawrence \ 1941 | 12 August 1941-17 December 1941 |
| L/E/50/47 | Letters \ Correspondence from the Dartington Period \ Laban's Work Permit | 23 December 1941-23 January 1942 |
| L/E/71/6 | Industrial Rhythm \ Dartington Hall \ Report \ Section 6 | 1942 |
| L/E/72/12 | Industrial Rhythm \ Mars Confections Ltd. \ October - December 1942 | 1942 |
| L/E/71/4 | Industrial Rhythm \ Dartington Hall \ Report \ Section 1 | 1942 |
| L/E/71/5 | Industrial Rhythm \ Dartington Hall \ Report \ Sections 2-5 | 1942 |
| L/E/66/39 | Industrial Rhythm \ Correspondence with Chief Constables | 1942 |
| L/E/71/1 | Industrial Rhythm \ Tyresoles Ltd. \ Manchester - Wembley \ March-June 1942 | 1942 |
| L/F/3/48 | Portraits \ M D H C [Manchester Dance Holiday Course?] Summer \ at Moreton Hall \ Lisa Ullmann, Sylvia Bodmer, Mrs Lloyd Williams, F.C. Lawrence | 1942 |
| L/E/72 | Industrial Rhythm | 1942-1944 |
| L/E/74 | Industrial Rhythm | 1942-1954 |
| L/E/66/20 | Industrial Rhythm \ Correspondence between F.C. Lawrence, Dr Slater, Laban and Miss Bartlett | 13 March 1942-12 December 1942 |
| L/E/50/57 | Letters \ Devon County Committee for Music and Drama | 7 July 1942-15 June 1945 |
| L/E/31/3 | Lecture notes on various subjects \ Copy of a cutting re: Demonstration at Moreton Hall | 3 October 1942 |
| L/E/74/6 | Industrial Rhythm \ Hoover Limited \ Notes, correspondence and booklets | 25 November 1942-9 December 1943 |
| L/E/52/38 | Letters \ F.C. Lawrence's Correspondence | 28 December 1942-20 June 1949 |
| L/E/41/26 | Articles about Laban \ Dancing Times \ 'He Increases Output' / 'Watch Your Step' by Olive Ripman | 1943 |
| L/E/72/1 | Industrial Rhythm \ J. Lyons & Co. \ Preliminary Investigations | 1943-1944 |
| L/E/55/30 | Books, Manuscripts, Outlines \ Effort and Recovery \ XVII \ Reminiscences of Enemies of Expression \ Lisa Ullmann's copy | c.1953 |
| L/E/54/36 | Books, Manuscripts, Outlines \ Effort and Recovery \ Second Part \ Chapter XVI \ Adventure with Playing Children | c.1953 |
| L/E/54/28 | Books, Manuscripts, Outlines \ Effort and Recovery \ Second Part \ Chapter XII \ Funeral of an Indian Chief | c.1953 |
| L/E/54/35 | Books, Manuscripts, Outlines \ Effort and Recovery \ Second Part \ Chapter XV \ Curious Wedding Customs \ Preliminary Drafts | c.1953 |
| L/E/54/16 | Books, Manuscripts, Outlines \ Effort and Recovery \ First Part \ Chapter VI \ African Bodyguard, The | c.1953 |
| L/E/54/15 | Books, Manuscripts, Outlines \ Effort and Recovery \ First Part \ Chapter V \ Angela, the Factory Girl \ Preliminary Drafts | c.1953 |
| L/E/54/12 | Books, Manuscripts, Outlines \ Effort and Recovery \ First Part \ Chapter IV \ Puppet Masters, Tyrants and their Acolytes | c.1953 |
| L/E/55/6 | Books, Manuscripts, Outlines \ Effort and Recovery | c.1953 |
| L/E/55/24 | Books, Manuscripts, Outlines \ Effort and Recovery \ XI \ In a Giant Cave \ Lisa Ullmann's copy | c.1953 |
| L/E/55/23 | Books, Manuscripts, Outlines \ Effort and Recovery \ X \ Ball of the Artists, The \ Lisa Ullmann's copy | c.1953 |
| L/E/54/39 | Books, Manuscripts, Outlines \ Effort and Recovery \ Second Part \ Chapter XVII \ Reminiscences of Enemies of Expression \ Preliminary drafts | c.1953 |
| L/E/54/10 | Books, Manuscripts, Outlines \ Effort and Recovery \ First Part \ Chapter III \ Madame X, the Sleep Walker \ Draft 1 | c.1953 |
| L/E/54/8 | Books, Manuscripts, Outlines \ Effort and Recovery \ First Part \ Chapter I \ Tired Baker, The | c.1953 |
| L/E/54/17 | Books, Manuscripts, Outlines \ Effort and Recovery \ First Part \ Chapter VI \ African Bodyguard, The \ Preliminary Drafts | c.1953 |
| L/E/55/17 | Books, Manuscripts, Outlines \ Effort and Recovery \ V \ Puppet Masters, Tyrants and Their Acolytes \ Lisa Ullmann's copy | c.1953 |
| L/E/55/18 | Books, Manuscripts, Outlines \ Effort and Recovery \ V \ Angela, the Factory Girl \ Lisa Ullmann's copy | c.1953 |
| L/E/54/27 | Books, Manuscripts, Outlines \ Effort and Recovery \ Second Part \ Chapter XI \ In a Giant Cave \ Preliminary Drafts | c.1953 |
| L/E/55/16 | Books, Manuscripts, Outlines \ Effort and Recovery \ IV \ Madame X, the Sleep Walker \ Lisa Ullmann's copy | c.1953 |
| L/E/54/31 | Books, Manuscripts, Outlines \ Effort and Recovery \ Second Part \ Chapter XIII \ Procession of the Pilgrims, The \ Preliminary Drafts | c.1953 |
| L/E/54/37 | Books, Manuscripts, Outlines \ Effort and Recovery \ Second Part \ Chapter XVI \ Adventure with Playing Children \ Preliminary Drafts | c.1953 |
| L/E/55/14 | Books, Manuscripts, Outlines \ Effort and Recovery \ Seventeen Studies of People in Motion \ I \ Tired Baker, The \ Lisa Ullmann's copy | c.1953 |
| L/E/55/31 | Books, Manuscripts, Outlines \ Effort and Recovery \ XVII \ At a Rehabilitation Centre \ Lisa Ullmann's copy | c.1953 |
| L/E/55/27 | Books, Manuscripts, Outlines \ Effort and Recovery \ III \ Delights and Difficulties of a Modern Ritual \ Lisa Ullmann's copy | c.1953 |
| L/E/54/9 | Books, Manuscripts, Outlines \ Effort and Recovery \ First Part \ Chapter II \ Vulcan, the Fanatic | c.1953 |
| L/E/55/15 | Books, Manuscripts, Outlines \ Effort and Recovery \ II \ Vulcan the Fanatic \ Lisa Ullmann's copy | c.1953 |
| L/E/55/28 | Books, Manuscripts, Outlines \ Effort and Recovery \ XV \ Curious Wedding Customs \ Lisa Ullmann's copy | c.1953 |
| L/E/54/29 | Books, Manuscripts, Outlines \ Effort and Recovery \ Second Part \ Chapter XII \ Funeral of an Indian Chief \ Preliminary drafts | c.1953 |
| L/E/55/22 | Books, Manuscripts, Outlines \ Effort and Recovery \ IX \ Reminiscences of the Shadowmoves of a Lion, a Streetseller, and Others \ Lisa Ullmann's copy | c.1953 |
| L/E/55/25 | Books, Manuscripts, Outlines \ Effort and Recovery \ XII \ Funeral of the Red Indian Chief, The \ Lisa Ullmann's copy | c.1953 |
| L/E/55/29 | Books, Manuscripts, Outlines \ Effort and Recovery \ XVI \ Adventure with Children at Play \ Lisa Ullmann's copy | c.1953 |
| L/E/55/13 | Books, Manuscripts, Outlines \ Effort and Recovery \ Title Page / Contents / Acknowledgements \ Lisa Ullmann's copy | c.1953 |
| L/E/55/21 | Books, Manuscripts, Outlines \ Effort and Recovery \ VIII \ Commander in Action, The \ Lisa Ullmann's copy | c.1953 |
| L/E/55 | Books, Manuscripts, Outlines \ Files in Box 55 | c.1953 |
| L/E/55/20 | Books, Manuscripts, Outlines \ Effort and Recovery \ VII \ Club of the Yawners, The \ Lisa Ullmann's copy | c.1953 |
| L/E/54 | Books, Manuscripts, Outlines \ Files in Box 54 | c.1953 |
| L/E/52/41 | Letters \ Correspondence with Evelyn M. Perry \ Board of Education | 6-26 January 1943 |
| L/E/74/4 | Industrial Rhythm \ Dunlop Rubber Company Limited \ Reports and correspondence | 11 January 1943-13 September 1943 |
| L/E/31/4 | Lecture notes on various subjects \ Copy of article re: Teachers' course in Shropshire | 26 January 1943 |
| L/E/50/60 | Letters \ Letters to Rubber Companies re Laban Lawrence Industrial Rhythm | 8 March 1943-2 July 1943 |
| L/E/66/24 | Industrial Rhythm \ Correspondence between Laban and F.C. Lawrence \ 1943 | 14 April 1943-12 November 1943 |
| L/E/50/44 | Letters \ Correspondence from the Dartington Period \ Publication of Laban's work | 7 June 1943-26 July 1943 |
| L/E/50/79 | Letters \ Evans Brothers Ltd \ Questions about Modern Dance | 16-20 June 1943 |
| L/E/45/7 | Education \ Recreational Dance and its Connections with Educational Dance / Note to F.C. Lawrence | 3 August 1943 |
| L/E/76/26 | Industrial Rhythm \ Effort Study \ Effort graphs | 22 October 1943 |
| L/E/72/2 | Industrial Rhythm \ J. Lyons & Co. \ Training Plan | 1944 |
| L/E/72/8 | Industrial Rhythm \ J. Lyons & Co. \ Aims and Results | 1944 |
| L/E/47/21 | Art of Movement, The \ Rudolf Laban Answers Questions on Modern Dance | 1944-1945 |
| L/E/37/21 | Books, Manuscripts, Outlines \ Conflict and Harmony between Man and Woman \ Draft Manuscript 3 \ 2 of 2 | c.1954 |
| L/E/72/4 | Industrial Rhythm \ J. Lyons & Co. \ Reports | 9 March 1944 |
| L/E/72/7 | Industrial Rhythm \ J. Lyons & Co. \ Special Reports | 15-30 March 1944 |
| L/E/72/5 | Industrial Rhythm \ J. Lyons & Co. \ Notes and reports | 16 March 1944-8 May 1944 |
| L/E/72/6 | Industrial Rhythm \ J. Lyons & Co. \ Report on the Course of Industrial Rhythm in the Tea Factory, 15th February to 4th April 1944 | 11-21 April 1944 |
| L/E/52/52 | Letters \ Leicester College of Art and Crafts / Leicester Modern Dance Club, The | 7 December 1944-12 March 1945 |
| L/F/3/37 | Portraits \ British Drama League Summer Course \ from left Esme Church, Frances McKenzie, Rudolf von Laban, Lisa Ullmann \ First meeting with Esme Church director of Bradford Civic Playhouse Drama School \ discussing Laban's collaboration. | 1945-1946 |
| L/E/51/76 | Letters \ Correspondence with C.M. Andrews, Crichton Royal, Dumfries | 13-30 June 1945 |
| L/E/50/35 | Letters \ Westmorland County Council \ County Education Committee \ Langdale Conference | 9 July 1945-2 September 1945 |
| L/E/50/95 | Letters \ Institute of Cost and Works Accountants, The \ Lectures | 21 July 1945-13 November 1946 |
| L/E/50/32 | Letters \ Counterpoint Modern Art Publications | 24 July 1945?-29 September 1945 |
| L/E/50/28 | Letters \ Rulf Kosterlitz | 27 August 1945-29 November 1945 |
| L/E/50/37 | Letters \ British Drama League, The | 29 August 1945-13 September 1945 |
| L/E/50/31 | Letters \ Correspondence with Sir Kenneth R. Barnes, Royal Academy of Dramatic Art | 29 August 1945-17 September 1945 |
| L/E/66/48 | Industrial Rhythm \ Notes, Letters and Cuttings | 10 October 1945-14 November 1945 |
| L/E/50/27 | Letters \ City of Wakefield Education Committee \ Courses | 10 October 1945-26 November 1945 |
| L/F/3/36 | Portraits \ Bedford \ from left Joan Goodrich, Mr and Mrs Lawrence, Rudolf von Laban, Jean Lindsay and others \ from left Lisa Ullmann , Mr and Mrs Lawrence, Rudolf von Laban and others. | 1946 |
| L/E/74/1 | Industrial Rhythm \ Air Ministry \ Correspondence, manuscripts and notes | 1946 |
| L/E/68/27 | Contracts \ MacDonald & Evans Ltd. \ Effort | 1946 - 1960 |
| L/E/58/24 | Books, Manuscripts, Outlines \ Monograph on: 'Language and Movement' in three parts \ Cover pages | c.1956 |
| L/E/73/2 | Industrial Rhythm \ Manchester Ship Canal Company \ First Investigation into the Flow of Dock Work | 11 January 1946-19 February 1946 |
| L/E/73/5 | Industrial Rhythm \ Manchester Ship Canal Company \ Observations | 30 January 1946 |
| L/E/50/58 | Letters \ Dance Notation Bureau | 12 February 1946-7 May 1957 |
| L/E/73/14 | Industrial Rhythm \ Manchester Ship Canal Company \ First Investigation into the Flow of Dock Work | 27 February 1946 |
| L/E/65/66 | Industrial Rhythm \ Paton Lawrence & Company \ Short Description of the Rhythmic Effort Assessment (Laban Lawrence Method) as used in the Instruction of Future Observers and Trainers of the Method | 18 March 1946 |
| L/E/74/23 | Industrial Rhythm \ Correspondence | 9 May 1946-17 February 1954 |
| L/E/52/32 | Letters \ Letters from County of Northumberland Education Committee | 10 May 1946-17 October 1946 |
| L/E/76/5 | Industrial Rhythm \ Manchester Association of Engineers \ Motion and Movement in Modern Engineering Practice | 3 June 1946 |
| L/E/52/36 | Letters \ Correspondence with Priory Theatre Club | 8 July 1946-12 September 1947 |
| L/E/64/82 | Industrial Rhythm \ Observation of Industrial Operations, The | 1 August 1946 |
| L/E/51/57 | Letters \ Letter from Gladys Stevens / Agenda of Guild Council Meeting | 9 August 1946 |
| L/E/51/48 | Letters \ Letters from Reverend A.E. Harries | 15 August 1946-16 September 1946 |
| L/E/50/75 | Letters \ Correspondence with Carl Horn \ State Board of Control for Vocational Education, USA | 19 August 1946-7 August 1947 |
| L/E/50/103 | Letters \ Carnegie Physical Training College | 30 August 1946-11 November 1946 |
| L/E/76/8 | Industrial Rhythm \ Manchester Association of Engineers \ Human Factor in Modern Engineering Practice | 16-20 September 1946 |
| L/E/50/81 | Letters \ Motion and Movement in Modern Engineering Practice \ Comments on lecture | 12 November 1946 |
| L/E/51/87 | Letters \ Correspondence with Rolf de Mare \ Les Archives Internationales de la Danse | 1 December 1946-1 December 1949 |
| L/E/51/84 | Letters \ Correspondence with and re Johann Adam Meisenbach | 14 December 1946-8 October 1959 |
| L/E/66/16 | Industrial Rhythm \ Paton Lawrence & Company / Charles Bayer & Company (1931) Limited \ Methods Department | 1-21 January 1947 |
| L/E/34/52 | Lecture notes on various subjects \ Laban Guild, The | 1947 |
| L/E/50/62 | Letters \ Durham County Drama Association \ Little Theatre Club, The | 1947 |
| L/F/3/35 | Portraits \ Chichester | 1947 |
| L/F/3/30 | Portraits \ Interlaken \ Summer Course \ Lotte Wedekind \ Rudolf von Laban \ Lisa Ullmann | 1947 |
| L/F/1/95 | Portraits \ Rudolf von Laban with Beatrice Loeb and daughter Melita | 1947 |
| L/E/50/23 | Letters \ Little Theatre Club, The / Northern Children's Theatre Ltd | 1947-1958 |
| L/E/60/6 | Books, Manuscripts, Outlines \ Books Written by Rudolf Laban / Book Reviews / Publisher's Agreement | 1947-1966 |
| L/E/59/7 | Books, Manuscripts, Outlines \ Antrieb und Arbeit [Effort and Work] \ 4 of 4 | c.1957 |
| L/E/38/22 | Harmony \ Mathematical Music | c.1957 |
| L/E/51/28 | Letters \ University of London \ Goldsmith's College | 13-18 January 1947 |
| L/E/51/72 | Letters \ Correspondence with H. Landshoff, The Ambassador Incorporating International Textiles | 13 January 1947-15 April 1957 |
| L/E/52/14 | Letters \ Correspondence with Pierre Tugal \ Archives Internationales de la Danse | 18 January 1947-18 April 1948 |
| L/E/52/6 | Letters \ Correspondence with Katja Wulff \ Wulffschule | 25 June 1947-25 February 1957 |
| L/E/51/54 | Letters \ City of Birmingham Training College | 26 June 1947 |
| L/E/50/24 | Letters \ Paton Lawrence and Company \ Effort Training | 9 July 1947 |
| L/F/1/61 | Portraits \ Switzerland \ Rudolf von Laban and Lisa Ullmann | August 1947 |
| L/E/52/49 | Letters \ Correspondence with N. Nicolaeva-Legat \ Legat School of Russian Ballet | 21 August 1947 |
| L/E/52/47 | Letters \ Letter re Unidentified Course | 22 September 1947 |
| L/E/51/56 | Letters \ Blackpool Education Department | 27 October 1947 |
| L/E/52/4 | Letters \ Letter to Joan Goodrich from R.F. Tredgold, Roffey Park Rehabilitation Centre | 25 November 1947 |
| L/E/50/78 | Letters \ Ministry of Education \ Children's Handwriting | 26 November 1947-12 January 1948 |
| L/F/3/27 | Portraits \ Devon \ Rudolf von Laban sketching \ Rudolf von Laban and Lisa Ullmann | 1948 |
| L/C/9/107 | Holiday Drawings \ Introspective | 1948 |
| L/E/68/14 | Photostat and Newspaper Cuttings \ Einfuhrung der Bewegungskunst in die Industrie, Die | 1948 |
| L/E/20/33 | Dance in general \ Article about aim and content of dance plays for the lay dance | 1948 |
| L/E/50/80 | Letters \ Movement - An International Magazine | 1948 |
| L/E/39/6 | Observation \ Viewpoints under which the Analysis of the Movement and Effort Records can be Undertaken | 9 March 1948 |
| L/E/52/13 | Letters \ Correspondence with Lisa von Toerne, Peru | 10 March 1948 | 14/07/1948 |
| L/E/80/20 | Industrial Rhythm \ Payment According to Performance \ Chart | n.d. |
| L/C/9/5 | Holiday Drawings \ Capelcurig | 29 July 1948 |
| L/E/41/23 | Articles about Laban \ Dance Observer \ 'A Tribute to Rudolf Laban' by Irma Bartenieff and Ann Hutchinson | 1949 |
| L/O/9 | Plaquette d'Honneur awarded to Rudolf Laban by the Archives Internationales de la Danse | 1949 |
| L/E/49/44 | Articles about Laban \ Tanz und Gymnastik \ Letter to Rudolf von Laban from Rolf de Mare / Anecdote about Rudolf von Laban | 1949 |
| L/C/9/71 | Holiday Drawings \ Coastline in the South of England | 1949 |
| L/E/49/43 | Articles about Laban \ Tanz und Gymnastik \ 'Zu Rudolf Labans Siebzigsten Geburtstag' by Heinz Rosen | 1949 |
| L/E/51/38 | Letters \ Einladung zur Beteiligung an einer Gluckwunschadresse anlasslich Labans 70. Geburtstages / Notizen ueber Rudolf Laban [Birthday Greetings from Former Pupils \ 1949] | 1949 |
| L/E/62/56 | Industrial Rhythm \ Assessments \ Report on Candidates from Simpson and Godlee Limited | 28 April 1949 |
| L/C/9/73 | Holiday Drawings \ Capel Carig | 28 July 1949 |
| L/E/68/15 | Photostat and Newspaper Cuttings \ Bewegungskunst in Dienste der Allgemeinheit, Die | 5 December 1949 |
| L/E/48/36 | Historical Data \ International Conventions and Publications \ Bewegungskunst im Dienste der Allgemeinheit, Die [The art of movement for the general public] | 5 December 1949 |
| L/E/67/1 | Family Correspondence \ Roland Laban | 6 December 1949-21 December 1957 |
| L/E/69/39 | Biographical Information \ Rudolf Laban \ Letter to Laban from J.A. Meisenbach | 9 December 1949 |
| L/E/52/66 | Letters \ Letter to Laban from Lotte Maletzke | 9 December 1949 |
| L/E/46/6 | Assessments, Reports, Records \ Report of the Meeting Held to Discuss the Future of Art Therapy | 11 December 1949 |
| L/F/1/98 | Portraits \ Rudolf von Laban | January 1950 |
| L/F/1/99 | Portraits \ Rudolf von Laban | January 1950 |
| L/F/2/3 | Portraits \ Rudolf von Laban with Muriel Webster and Audrey Bambra \ Dartington Hall \ MDH Summer Course | 1950 |
| L/E/41/30 | Articles about Laban \ Du \ Tanz als Pantomime' by Trudi Schoop / 'Wie Schriebt Man Tanze Auf?' by Albrecht Knust / 'Bewegungsbeobachtung in der Industrie' by Rudolf Laban | 1950 |
| L/E/49/38 | Articles about Laban \ Tanz Prisma \ 'An Rudolph von Laban' by Kurt Peters | 1950 |
| L/F/2/2 | Portraits \ Rudolf von Laban with Muriel Webster and Audrey Bambra \ Dartington Hall \ MDH Summer Course | 1950 |
| L/E/50/15 | Letters \ Correspondence | 1950-1955 |
| L/E/75/32 | Industrial Rhythm \ Correspondence between Warren Lamb, Laban, Lisa Ullmann and F.C. Lawrence | 23 August 1950-11 March 1957 |
| L/C/9/68 | Holiday Drawings \ Village Children Dancing | 1951 |
| L/E/68/9 | Photostat and Newspaper Cuttings \ 1951-1958 | 1951-1958 |
| L/E/38/30 | Industrial Rhythm \ Youth Advice Bureau \ Correspondence | 1951-1959 |
| L/F/3/41 | Portraits \ Lisa Ullmann and Rudolf von Laban at Dartington Hall, Summer Course | 1952 |
| L/F/3/14 | Portraits \ Rudolf von Laban and Lisa Ullmann \ Dartington Hall | 1952 |
| L/E/52/67 | Letters \ Letters from Laban to Ruth and Jon Hassell | 16 May 1952 | 23/05/1952 | 30/08/1952 |
| L/E/67/5 | Family Correspondence \ Dussia Bochen | 20 October 1952-10 November 1958 |
| L/E/63/13 | Industrial Rhythm \ Assessments \ George Bartenieff | 23 November 1952-29 December 1952 |
| L/E/79/21 | Books, Manuscripts, Outlines \ Re Bill Carpenter's Manuscript \ Movement Study Notes and Charts | 1953 |
| L/E/58/37 | Books, Manuscripts, Outlines \ Rudolf Laban; Letter to MacDonald and Evans | 23 April 1953 | 28/04/1953 |
| L/E/55/32 | Books, Manuscripts, Outlines \ Effort and Recovery \ Correspondence with MacDonald and Evans Ltd. | 8 June 1953-12 September 1953 |
| L/E/75/31 | Industrial Rhythm \ A.P. Burman \ Draft for book chapters and correspondence | 1 September 1953-25 November 1953 |
| L/F/1/79 | Portraits \ Rudolf von Laban with Lilian Harmel | Autumn 1953 |
| L/F/1/74 | Portraits \ Rudolf von Laban | October 1953 |
| L/E/62/31 | Industrial Rhythm \ Assessments \ Laban Lawrence Test for Various Jobs, The \ 1 of 2 | 16 December 1953 | 06/01/1954 |
| L/E/49/37 | Articles about Laban \ Scope \ 'Man of the Month - Rudolf Laban' by Olive Moore | 1954 |
| L/E/22/54 | Articles about Laban \ Dance and Dancers \ 'Who Has Contributed More?' by Clive Barnes | 1954 |
| L/F/1/63 | Portraits \ Rudolf von Laban | 1954 |
| L/E/43/25 | Historical Data \ Über Rudolf Laban \ Zu seinem 75. Geburtstag \ Am 15. Dezember 1954 [On Rudolf Laban's 75th birthday] | 1954 |
| L/E/22/45 | Articles about Laban \ Buhnengenossenschaft, Die \ 'Pionier des Neuen Deutschen Tanzes, Der' by Albrecht Knust / 'Choreographie als Begriff' by Rudolf v. Laban | 1954 |
| L/E/43/28 | Historical Data \ Letters and Articles on Laban's 75th Birthday | 1954 |
| L/E/48/35 | Historical Data \ International Conventions and Publications \ Journal of Physical Education / Dance Magazine | 1954-1956 |
| L/E/64/61 | Industrial Rhythm \ Periodical Articles | 1954-1981 |
| L/F/1/64 | Portraits \ Rudolf von Laban | October 1954 |
| L/C/9/59 | Holiday Drawings \ New Forest | November 1954 |
| L/C/9/60 | Holiday Drawings \ New Forest | November 1954 |
| L/E/63/16 | Industrial Rhythm \ Assessments \ Test of Mr C.W. Yung | 2 November 1954 |
| L/E/43/27 | Historical Data \ Special Programme to Celebrate the 75th Birthday of Rudolf Laban | 6 December 1954 | 07/12/1954 |
| L/E/60/16 | Rudolf Laban's Pupils \ Martin Gleisner \ Letter to Laban from Gleisner | 6 December 1954 |
| L/E/49/47 | Articles about Laban \ Theater Dienst \ 'Zum 75. Gebutstag Rudolf von Labans' | 11 December 1954 |
| L/C/10/52 | Holiday Drawings \ Landscape with Rocks and Sea | 1955 |
| L/E/49/23 | Personal Statements \ Notebook \ 1955 | 1955 |
| L/E/49/22 | Personal Statements \ Notebook | 1955 |
| L/F/2/86 | Portraits \ Rudolf Laban with F C Lawrence, Spring 1955; The Studio | 1955 |
| L/E/22/46 | Articles about Laban \ Buhnengenossenschaft, Die \ 'Pionier des Neuen Deutschen Tanzes, Der' by Albrecht Knust / Part II | 1955 |
| L/C/9/64 | Holiday Drawings \ Wave | 1955 |
| L/E/36/39 | Books, Manuscripts, Outlines \ Conflict and Harmony between Man and Woman \ Draft Manuscript 1 \ In Memoriam Bill Carpenter | 1955 |
| L/F/2/10 | Portraits \ Rudolf von Laban \ Summer Vacation Course at Bonar Law Memorial College \ Ashridge | 1955 |
| L/E/39/40 | Therapy \ Charlotte Pfeffer, Psychomotorische Heilerziehung [Psychomotor healing training] | 1955-1956 |
| L/F/3/56 | Portraits \ Addlestone \ Saltarium Opening \ Rudolf von Laban , Lisa Ullmann, Architect Mr Westwood, Mrs Lawrence, Tonia Bagley, Pianist. | Summer 1955 |
| L/F/3/52 | Portraits \ Addlestone \ Saltarium Opening \ Rudolf von Laban, F.C. Lawrence, Architect Mr Westwood, G. Bagley, Mr Armisted | Summer 1955 |
| L/F/3/57 | Portraits \ Ashridge \ M D H C [Manchester Dance Holiday Course?] | August 1955 |
| L/E/46/9 | Assessments, Reports, Records \ Laban Lawrence Youth Advice Bureau, The | 1956 |
| L/E/67/13 | Family Correspondence \ Andre Perrottet von Laban | 1956 |
| L/F/2/110 | Portraits \ Masami Kuni, Lisa Ullman, Rudolf von Laban \ Masami Kuni on a visit to the Art of Movement Studio \ Addlestone | 1956 |
| L/E/22/55 | Articles about Laban \ Dance Magazine \ 'My Teacher Laban' by Mary Wigman / 'Dance Notation Field Here and Abroad, The' by Ann Hutchinson | 1956 |
| L/E/51/37 | Letters \ Birthday Greetings from Former Pupils \ 1956 | 1956 |
| L/E/61/27 | Rudolf Laban's Pupils \ Sigurd Leeder \ Correspondence | 1956-1957 |
| L/F/3/72 | Portraits \ Addlestone and Art of. Movement . Studio Open Day with Lotte Auerbach | 1956-1958 |
| L/E/70/60 | Miscellaneous Notes \ Notes, Drawings and Correspondence re Icosahedron | 11 May 1956-14 June 1956 |
| L/F/1/76 | Portraits \ Rudolf von Laban and Lotte Auerbach at the Art of Movement Studio Open Day, Woburn Hill, Addlestone | Summer 1956 |
| L/E/50/67 | Letters \ Letters from Ruth Hassell | 4 June 1956 | 26/06/1956 |
| L/E/50/82 | Letters \ Correspondence with Marie-Therese Eyquem \ Ministry of Education, France | 8 June 1956-20 March 1957 |
| L/E/36/38 | Books, Manuscripts, Outlines \ Re Bill Carpenter's Manuscript \ Correspondence between Laban and Dr Gwent Jones | 15 July 1956-20 May 1957 |
| L/E/39/25 | Observation \ Notes on L. L. advertising [Laban-Lawrence Industrial Rhythm] | 19 October 1956 |
| L/E/50/30 | Letters \ Letter from Ada Franellich re Olivetti Factory | 29 October 1956 |
| L/E/68/42 | Biographical Information \ Rudolf Laban \ Societe des Amis de l'Ecole Superieur d'Etudes Choreographiques, La | 3 November 1956 |
| L/E/50/74 | Letters \ Correspondence with Nadia Chilkovsky | 23 November 1956-20 September 1957 |
| L/E/51/93 | Letters \ Correspondence with Cesca Bozzi Sicione | 23 December 1956-9 February 1959 |
| L/E/51/9 | Letters \ Correspondence with Ernest Ogon | 28 December 1956-5 July 1957 |
| L/E/50/9 | Investigation into Movement Responses \ Sensomotoric Education | 31 December 1956 |
| L/E/41/51 | Articles about Laban \ Pedagoski Rad \ Centar Rudolfa Labana za Naucno Istrazivanje Pokreta ['Rudolf Laban's Center for the Scientific Research of Movement'] by Ana Maletic | 1957 |
| L/E/59/1 | Books, Manuscripts, Outlines \ Antrieb und Arbeit [Effort and Work] \ 1 of 4 | 1957 |
| L/F/3/74 | Portraits \ L.A.M.C. Summer Course at Furzedown College \ Rudolf von Laban teaching (his last course) \ Adda Heynssen seen at piano \ Rudolf von Laban on the floor | 1957 |
| L/E/50/90 | Letters \ Deutsche Akademie der Wissenschaften zu Berlin | 26 February-21 August 1957 |
| L/E/70/37 | Miscellaneous Notes \ Correspondence re the 'Dial' | 7 March 1957-24 January 1958 |
| L/E/51/71 | Letters \ Correspondence with Alexander von Swaine and Lisa Czobel | 22 March 1957 | 29/03/1957 |
| L/E/50/38 | Letters \ Letter to Rachel Percival re Laban's influence on theatre | 3 April 1957 |
| L/E/47/60 | Art of Movement, The \ Laban Art of Movement Centre \ Centre Committee Organisation / Diary / Annual Accounts | 17 April 1957-28 September 1957 |
| L/E/48/32 | Historical Data \ International Conventions and Publications \ Antrieb und Arbeit | 15 June 1957 |
| L/E/51/19 | Letters \ Haus der Technik, Essen | 18 June 1957-12 December 1957 |
| L/E/51/69 | Letters \ Correspondence with F. Crossley re London Branch of the Dance Notation Bureau | 1 July 1957 | 05/07/1957 |
| L/E/48/34 | Historical Data \ International Conventions and Publications \ Objective Observation of Subjective Movement and Action, The [Observation Objective de l'Action et du Mouvement Subjectifs; Observacion Objectiva del Movimento y de la Accion Subjetivos, La] | 19 July 1957 |
| L/E/50/55 | Letters \ Correspondence with Karola Dessauer | 30 November 1957-13 December 1957 |
| L/E/22/34 | Articles about Laban \ Art, Science and Education \ 'Movement Concerns the Whole Man' by Rudolf Laban / 'Scientific Guidance gives Basis for Guidance and Treatment' by Marion North | 1958 |
| L/E/60/11 | Rudolf Laban's Pupils \ 1 Tanzer Kongress in Essen, Der [First Dance Congress in Essen, The] | 1958 |
| L/E/48/33 | Historical Data \ International Conventions and Publications \ Leibeserziehung, Die [Body education] | 1958 |
| L/E/41/17 | Psychological Implications \ Psychology of Movement, The | 1958 |
| L/E/22/53 | Articles about Laban \ Dance and Dancers \ 'Rudolf von Laban 1879-1958' by E C Mason | 1958 |
| L/E/46/49 | Information from Others \ Business Week \ Fuller's Domes | 10 May 1958 | 18/06/1958 |
| L/E/60/8 | Rudolf Laban's Pupils \ Information connected with Kurt Jooss and Anna Jooss \ Letter from Anna Jooss | 9 June 1958 |
| L/E/41/50 | Articles about Laban \ New Era, The \ Special Issue on Rudolf Laban | 1959 |
| L/E/22/36 | Articles about Laban \ Balletto \ 'Notazario' by Alberto Testa and Serge Lifar | 1959 |
| L/E/68/30 | Biographical Information \ Rudolf Laban \ 'Laban Rudolf' by Lisa Ullmann | 1959 |
| L/E/20/42 | Articles about Laban \ 'Rudolf von Laban' by Margaret Wingler | 1959-1960 |
| L/E/68/32 | Biographical Information \ Rudolf Laban \ Biography Read to Guild | 1963 |
| L/E/22/47 | Articles about Laban \ Buhnengenossenschaft, Die \ Genossenschaft 1963 Berlin 23. und 24. Oktober | October 1963 |
| L/E/69/35 | Biographical Information \ Rudolf Laban \ Letters to and from Rudolf Wagner-Regeny | 7 March 1965 | 16/03/1965 | 19/05/1965 |
| L/E/69/37 | Biographical Information \ Rudolf Laban \ Correspondence between Lisa Ullmann and Erika Milee | 3 September 1965 | 16/09/1965 | 29/09/1965 | n.d. |
| L/E/60/31 | Rudolf Laban's Pupils \ Marie-Louise van Veen \ Pour un Yoga Occidental | 1968 |
| L/E/69/16 | Biographical Information \ Rudolf Laban \ Biography by Lisa Ullmann | 24 January 1973 |
| L/E/48/15 | Historical Data \ Biography of Rudolf Laban | 24 January 1973 |
| L/E/60/7 | Books, Manuscripts, Outlines \ Life for Dance, A | 1974-1977 |
| L/E/40/26 | Books, Manuscripts, Outlines \ Dynamic Space - Laban's Vision [A Vision of Dynamic Space] | c.1984 |
| L/E/69/14 | Biographical Information \ Rudolf Laban \ Correspondence re Laban's Family History | 4 January 1978 | 18/01/1978 |
| L/E/67/14 | Photostat and Newspaper Cuttings \ Past and Future Now | 1979 |
| L/E/67/34 | Photostat and Newspaper Cuttings \ Tanz ist Leben | 1979 |
| L/E/68/51 | Biographical Information \ Rudolf Laban \ Rudolf von Laban: Zur 100. Wiederkehr Seines Geburtstags | 1979 |
| L/E/67/26 | Photostat and Newspaper Cuttings \ Ballett-Info \ In Erinnerung Rudolf von Laban | 1979 |
| L/E/67/16 | Photostat and Newspaper Cuttings \ Laban ist auch Heute noch Lebendig | 1979 |
| L/E/68/49 | Biographical Information \ Rudolf Laban \ Tanz als Bewegungsschulung Nach Allen Regeln der Kunst / Tanzphilosoph, Ein | 1979 |
| L/E/69/21 | Biographical Information \ Rudolf Laban \ Letter to Lisa Ullmann re Laban Biography | 10 February 1979 |
| L/E/67/31 | Photostat and Newspaper Cuttings \ Soho Weekly News, The \ Students at the Laban School in Hamburg, Directed by Laban's Colleague Albrecht Knust | 7 June 1979 |
| L/E/67/19 | Photostat and Newspaper Cuttings \ Tanzmatinee zum 100 Geburstag von Rudolf von Laban | 4 November 1979 |
| L/E/67/18 | Photostat and Newspaper Cuttings \ Welt, Die \ Siebzig Tanzer und Eine Zwolferskala | 6 November 1979 |
| L/E/67/30 | Photostat and Newspaper Cuttings \ Hannoversche Allgemeine Zeitung \ Wie die Labanotation Erfunden Wurde | 14 December 1979 |
| L/E/67/24 | Photostat and Newspaper Cuttings \ Hundert Jahre Rudolf von Laban | 14 December 1979 | 09/12/1979 |
| L/E/67/35 | Photostat and Newspaper Cuttings \ Erneuerung Durch den Totalen Tanz | 15 December 1979 |
| L/E/67/32 | Photostat and Newspaper Cuttings \ Neues Deutschland \ Anreger und Theoretiker des Modernen Tanzes | 20 December 1979 |
| L/E/70/6 | Biographical Information \ Rudolf Laban \ Ausstellung des Osterreichischen Theatermuseums, Eine | 1980 |
| L/E/42/33 | Production Scripts \ Film about the Harmonious Movement of the Human Body | 1984 |
| XZB/1504 | Life for Dance, A \ Rudolf Laban |
| XZB/1458 | Mastery of Movement, The |
| XZB/2591 | Laban's Principles of Dance and Movement Notation |
| XZB/603 | Modern Dance: The Jooss-Leeder Method |
| XZB/578 | Movement Perspective of Rudolf Laban |
| XZB/357 | Labanotation or Kinetography Laban \ System of Analyzing and Recording Movement, The |
| XZB/1795 | Labanotation or Kinetography Laban \ System of Analyzing and Recording Movement, The |
| XZB/356 | Labanotation \ System for Recording Movement, The |
| L/E/10/16 | Choreutics \ Rhythmologie [Rhythmology] | n.d. |
| L/E/44/32 | Production Scripts \ Drachenopferei [Dragon sacrifice] | n.d. |
| HB/E/26/3 | John Gregory \ Correspondence \ 1950s | 1951-1952 |
| L/F/7/53 | Models \ Assorted Structures and Groups | n.d. |
| XZK/C2049/2251 | Laban Art of Movement Guild Magazine | November 1960 |
| XZK/C2049/2250 | Laban Art of Movement Guild Magazine | March 1960 |
| XZK/C2049/3421 | Laban Art of Movement Guild News Sheet | September 1951 |
| L/K/C2049/1282 | Laban Art of Movement Guild News Sheet | March 1954 |
| L/F/7/75 | Models \ Structures Using Tensegrity | n.d. |
| L/F/7/84 | Models \ Clay Sculpture | n.d. |
| L/F/7/85 | Models \ Hanging Structures | n.d. |
| L/F/7/89 | Models \ Hanging Structures | n.d. |
| L/F/7/93 | Models \ Hanging Structures | n.d. |
| L/F/7/95 | Models \ Plane (3D) Structures | n.d. |
| L/F/7/102 | Models \ Plane (3D) Structures | n.d. |
| L/F/7/106 | Models \ Plane (3D) Structures | n.d. |
| L/F/7/114 | Models \ Geometrical Structure | n.d. |
| L/F/7/117 | Models \ Geometrical Structure | n.d. |
| L/F/7/118 | Models \ Geometrical Structure | n.d. |
| L/F/7/119 | Models \ Geometrical Structure | n.d. |
| L/F/7/120 | Models \ Geometrical Structure | n.d. |
| L/F/7/123 | Models \ Geometrical Structure | n.d. |
| L/F/7/125 | Models \ Geometrical Structure | n.d. |
| L/F/7/126 | Models \ Geometrical Structures | n.d. |
| LG/F/1/2 | Guild Council meeting 1954 | 1954 |
| LG/F/1/4 | Guild Council meeting 1954 | 1954 |
| LG/F/1/6 | Guild Council meeting 1954 | 1954 |
| LG/F/1/7 | Guild Council meeting 1954 | 1954 |
| L/F/7/103 | Models \ Plane (3D) Structure | n.d. |
| L/F/7/127 | Models \ Geometrical Structures | n.d. |
| L/F/7/116 | Models \ Geometrical Structure | n.d. |
| L/F/7/37 | Models \ Paper Structure/Sculpture | n.d. |
| L/F/7/121 | Models \ Geometrical Structure | n.d. |
| AW/E/5/2 | Laban Lectures \ G. Stephenson Conflict etc, Students Themes, Observation Marion North, Records & Sheet Music | 1954 |
| L/E/68/41 | Biographical Information \ Rudolf Laban \ Laban Memorial Fund | n.d. |
| L/C/8/113 | Proofs of images for 'A Vision of Dynamic Space' | c.1984 |
| JR/F/6/4 | Bust by Willi Soukop of Rudolf Laban | n.d. [20th century] |
| L/C/6/24 | Single and Double Figures in Spatial Forms \ A Figure in an Icosahedron | c.1938-1940 |
| L/C/1/1 | Architectural Theatre Buildings \ 1 Spatial Structure, 3 Theatres | 1938-1940 |
| T/1 | Architectural Theatre Buildings \ 1 Spatial Structure, 3 Theatres | 1938-1940 |
| T/2 | Architectural Theatre Buildings\ 1 Theatres | 1938-1940 |
| NCPE/2/74 | Exercises of the eight basic efforts (Laban, Rudolf) | 1950 |
| L | Rudolf Laban Archive | c1882-1985 |
| LG/E/9/5 | Rudolf Laban Sculpture | 1956-1957 |
| L/E/80 | Industrial Rhythm; Newspaper Cuttings; Historical Data; History of Dance | 1938-1948 |
| L/C/5/84 | Single and Double Figures in Spatial Forms \ A Figure in an Icosahedron | 1938-1940 |